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[The Landing of the British Troops in Egypt on the 8th of March 1801.]
[The Landing of the British Troops in Egypt on the 8th of March 1801.]
Painted by P.I. de Loutherbourg R.A. Etched by L Schiavonetti V.A.
London Pub.d 1803 by Anth.y Cardon No 31 Clipstone Street Fitzroy Square.
Stipple, scratched-letter working proof, framed. 620 x 820mm, 24½ x 32¼". Slight spotting. Unexamined out of frame.
The second Battle of Aboukir Bay, in which a British army of 5,000 led by General Ralph Abercromby landed along the beach to dislodge an entrenched French detachment of 2,000 under General Louis Friant. They did so, but not before 1,100 British troops were lost. The finished print was published in 1804, with a dedication to the officers involved and a remarque of the trophies of war. From 'de Loutherbourg's Campaigns in Egypt and Italy'.
Government Art Collection: 1533. Ogilby 568: 1. See 60056 for keyplate.
[Ref: 21581]   £490.00  
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[The Battle of Alexandria, on the 21st of March 1801.]
[The Battle of Alexandria, on the 21st of March 1801.]
Painted by P.I. de Loutherbourg R.A. Etch'd by Anth.y Cardon.
London Pub.d 1803 by Anth.y Cardon No 31 Clipstone Street Fitzroy Square.
Stipple, scratched-letter working proof, framed. 620 x 820mm, 24½ x 32¼". Slight spotting. Unexamined out of frame.
The Battle of Alexandria, in which the British army under General Ralph Abercromby fought the French on the way to lay siege to the city of Alexandria. It shows Abercromby in discomfort from the spent bullet that hit him, causing his death a week later. The finshed print was published in 1804, with a dedication to the Abercromby's memory and a remarque of the trophies of war. From 'de Loutherbourg's Campaigns in Egypt and Italy'.
Government Art Collection: 1537. Ogilby 568: 2. See 60056 for keyplate.
[Ref: 21582]   £490.00  
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'Bread give me Bread'
'Bread give me Bread' _ Pa. 20 Pratt's Poem of the 'Poor' or Cottage Pictures.
P.J. De Loutherbourg inv. et del. Anth.y Cardon sculp.t.
Published by the Author, Feb.y 1. 1803.
Stipple with etching, rare with very large margins; 180 x 115mm (7 x 4½").
Two beggar children with the allegorical figure of Charity giving comfort, playing a lyre.
Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34178]   £130.00   (£156.00 incl.VAT)
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Brighthelmstone. Fishermen Returning.
Brighthelmstone. Fishermen Returning.
P.J. De Loutherbourg R.A. delt. J. Hill sculp.t
Pub.d Oct.r 1. 1808, by J. & W. Macgavin, No. 107 New Bond Street, London.
Hand-coloured aquatint with etching, very large margins, platemark 385 x 550mm (15¼ x 21½").
Fishermen at work on the shore at Brighton (then named Brighthelmstone). The reissue of 'Picturesque Scenery of Great Britain' after designs by the landscape painter and scene designer Philip James de Loutherbourg (1740 - 1812), published seven years after the first edition. The plates, originally engraved by J.C. Stadler, were re-engraved by J. Hill, 'only slight differences of detail being noticeable in the engraving' (Abbey).
Abbey Scenery 6.5; Ford 75.
[Ref: 31391]   £420.00  
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La Partie de Campagne.
La Partie de Campagne. Gravée par Anne Philberte Coulet, de l'Académie Impériale et Royale de Vienne, D'après le Tableau Original de P.J. Loutherbourg, tiré du Cabinet de Monsieur Roland.
P.J. Loutherbourg pinx. A.P. Coulet Sculp.t.
A Paris, Chéz Lempereur Graveur de leurs Majestés Impériale et Royale, rue et Porte St Jacques.
Etching. 330 x 380mm (13 x 15"). Thread margins, worm hole in sky.
A rustic scene, with a group of well-dressed people by the side of a river, a church with a tall dome behind.
[Ref: 43486]   £290.00   (£348.00 incl.VAT)
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La belle Laurette
La belle Laurette
P. Loutherbourg pinx. / P. de Colle sculp. ap N. Cavalli Venetys
[c.1780]
Fine engraving, platemark 230 x 295mm (9 x 11½"). Very large margins.
'The Plea', from 'Laurette' by Jean François Marmontel (1723-99). Philippe Jacques de Loutherbourg executed a drawing (now in the National Gallery of Ireland) which was engraved by Byrne, Bartolozzi and Middiman in 1776 as 'Lauretta'. This print was presumably a copy of the British print, with some additional landscape filled in to fit the rectangular plate (the British print is an oval composition). This print is also reversed from the British print, which would also suggest that it was copied directly and then reversed when printed from the plate onto the paper.
[Ref: 38326]   £190.00   (£228.00 incl.VAT)
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Conway Castle.
Conway Castle.
From the Original drawing by P.I. De Loutherbourg R.A.
Published by R. Bowyer, Historic Gallery, Pall Mall, Jan.y 1 1805.
Coloured aquatint. 310 x 390mm, 12¼ x 15½". Tears in edges.
Conwy Castle, from 'Picturesque Scenery of Great Britain' by Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 9 or 10.
[Ref: 26430]   £140.00   (£168.00 incl.VAT)
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[Fighting dragons.]
[Fighting dragons.]
P. J. Loutherbourg del. J. Landseer fecit Engraver to the King & F.S.A.
[Published Nov.r 5, 1815 by T Cadell & W Davies.]
Proof etching on chine collé. Printed area 190 x 220mm (7½ x 8¾"). Some staining on right.
A pair of fighting dragons. The plate was used as a head-piece to 'The rest of the chapters of the book of Esther', in Macklin's Bible. This proof impression does not have the publication line.
[Ref: 58071]   £160.00   (£192.00 incl.VAT)
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Reference to the Print Representing the Battle of the Nile. Engraved and Publish'd as the Act directs by Ja.s Fittler, London.
Reference to the Print Representing the Battle of the Nile. Engraved and Publish'd as the Act directs by Ja.s Fittler, London.
Printed by B. McMillan, Bow-Street, Covent Garden.
Engraved key plate with letterpress, total 480 x 290mm, 19 x 11½". Creased. Water mark 1799.
Keyplate of P.J. de Loutherbourg's 'Battle of the Nile', as engraved and published by Fittler, naming the ships, a description of the painting a copy of Nelson's despatch, and the Line of battle.
From the Reference Library of the Parker Gallery.
[Ref: 22807]   £230.00   (£276.00 incl.VAT)
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[The British Army in Egypt.] Key of Reference to a Centre Print to Two Engravings; one of the Landing of the British Forces in Egypt, and the other the Battle of Alexandria.
[The British Army in Egypt.] Key of Reference to a Centre Print to Two Engravings; one of the Landing of the British Forces in Egypt, and the other the Battle of Alexandria.
[After P.J. de Loutherbourg.]
Printed by A, Strahan, [?] Printers Street, London. [n.d., 1806.]
Engraving with letterpress, watermark 1804. Sheet 395 x 310mm (15¾ x 12¼"). Edges browned and chipped, losing part of printer's inscription.
A key plate, not to the pair of views of the military action by de Loutherbourg, but to his memorial to Sir Ralph Abercromby, called 'The British Army in Egypt'. The full plate takes the form of an acute pyramid made up of medallion portraits of Abercromby's officers, surrounded by soldiers and sailors, including a sepoy and a mamluk, some bringing more portraits to be added to the pyramid. This key describes the troops, with the Pharos and Pompey's Pillar.
See Refs: 21581 & 21582 for prints.
[Ref: 60056]   £140.00   (£168.00 incl.VAT)
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Description of the Print of the Grand Attack on Valenciennes
Description of the Print of the Grand Attack on Valenciennes by the Combined Armis under the Command of his R.H. the Duke of York, July 25th, 1793, Engraved by Mr William Bromley, from a Picture Painted by P.J. de Loutherbourg, Esq. R.A.
[n.d. c.1801.]
Rare engraved key plate with letterpress, watermark 1800; sheet 375 x 470mm (14¾ x 18½").
Keyplate with a 28-point key of the important Allied officers, and a short description of the scene in English and French.
BM: 1917,1208.1231. .
[Ref: 60058]   £220.00   (£264.00 incl.VAT)
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Llyn Ogween.
Llyn Ogween.
From the Original drawing by P.I. De Loutherbourg R.A.
Published by R. Bowyer, Historic Gallery, Pall Mall, Jan.y 1 1805.
Coloured aquatint. 310 x 390mm, 12¼ x 15½". Paper lightly toned, chip in edge of margin.
Llyn Ogwen, a lake on the edge of Snowdonia, north-west Wales, from 'Picturesque Scenery of Great Britain' by Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 9 or 10.
[Ref: 26428]   £80.00   (£96.00 incl.VAT)
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[Warrior dressed in a Lion Skin.]
[Warrior dressed in a Lion Skin.]
[Philip James de Loutherbourg.]
Etching. Proof plate 280 x 195mm. 11 x 7¾". Tear into bottom margin.
Philip James de Loutherbourg [1740 - 1812] he studied under Carle van Loo and Casanova and in 1771 he is in London in service of Garrick at Drury Lane where he was active as a scene painter pioneering many forms of set exhibition. This study of a man dressed with a lion skin over his head in the style of the series "Iere suite de soldats" published in France c.1770.
Not in BM.
[Ref: 16395]   £140.00   (£168.00 incl.VAT)
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Margate, with the Arrival of the Hoy.  [&]  Margate, from the Parade.
Margate, with the Arrival of the Hoy. [&] Margate, from the Parade.
P.J. De Loutherbourg R.A. delt. J.C. Stadler Sculpt.
London: Published by R. Bowyer, Historic Gallery, Pall-Mall, 1801.
Pair of hand-coloured aquatints with etching, each c.440 x 580mm. 17¼ x 22¾". Slightly faded; with margins. Laid on board.
Two impressive views of figures and shipping on the seafront at Margate, Kent. From a first edition of 'Picturesque Scenery of Great Britain' after designs by the landscape painter and scene designer Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 6, 3 & 4. First Issue.
[Ref: 20598]   £700.00   view all images for this item
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Margate, from the Parade.
Margate, from the Parade.
P.J. De Loutherbourg R.A. del.t. J. Hill sculp.t.
Pub.d Oct.r 1, 1809 by I. & W. Macgavin, No. 107 New Bond Street, London.
Fine coloured aquatint, 390 x 550mm (15¼ x 21¾"), on paper watermarked 'J. Whatman 1808', with wide margins.
The harbour of Margate, Kent, from Philip James De Loutherbourg's great work 'Picturesque Scenery of Great Britain'. This series of six large aquatints had been originally published by Bowyer in 1801, with plates etched by J.C. Stadler; for this second edition the plates were re-engraved by John Hill, with only slight differences. The German-born painter had already made his name in Paris before moving to London in 1771, where he became the principal scenery designer for Garrick at London's Drury Lane Theatre. Also in the theatre, he invented the 'Eidophusikon', a moving panorama enhanced with mirrors, displayed with accompanying music.
Abbey: Scenery 6.
[Ref: 30784]   £520.00  
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Melen y Nant, near Snowdon.
Melen y Nant, near Snowdon.
From the Original drawing by P.I. De Loutherbourg R.A.
Published by R. Bowyer, Historic Gallery, Pall Mall, Jan.y 1 1805.
Coloured aquatint. 310 x 390mm, 12¼ x 15½". Tears in edges.
From 'Picturesque Scenery of Great Britain' by Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 9 or 10.
[Ref: 26429]   £70.00   (£84.00 incl.VAT)
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Ramsgate, in a High Gale.  [&]  Ramsgate, with a View of the new Light-House.
Ramsgate, in a High Gale. [&] Ramsgate, with a View of the new Light-House.
P.J. De Loutherbourg R.A. delt. J.C. Stadler Sculpt.
London: Published by R. Bowyer, Historic Gallery, Pall-Mall, 1801.
Pair of hand-coloured aquatints with etching, each c.440 x 570mm. 17¼ x 22½". Slightly faded; with margins. Some repairs.
Figures observing shipping in Ramsgate harbour in east Kent, from the quayside. Ramsgate was one of the great English seaside towns of the 19th century and a member of the ancient confederation of Cinque Ports. The lighthouse is prominent in the backgrounds of both compositions. From a first edition of 'Picturesque Scenery of Great Britain' after designs by the landscape painter and scene designer Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 6, 1 & 2. First issue.
[Ref: 20599]   £650.00   view all images for this item
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Rural Felicity. [&] Sportive Innocence.
Rural Felicity. [&] Sportive Innocence.
Engraved after an Original Drawing of P.J. Loutherbourgh, Painter to the King of France, by W.m Smith.
London, Printe for R. Sayer and J. Bennett, Map & Printsellers, No.53 Fleet Street: as the Act directs, 2.d June, 1777.
Pair of hand-coloured engravings. Plate 459 x 360mm. 18 x 14¼".
Rocky landscape with figures sitting on high rocks over water beneath a gnarled tree, a woman playing a pipe watched by a man and boy with their dog standing beside; [&] Landscape with boys playing with three dogs beside a river, a girl sitting on rocks at left beneath a gnarled tree with a puppy under her arm, buildings and church bell on cliffs across the water behind, and mountain in the background.
[Ref: 28184]   £390.00   view all images for this item
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Snowdon.
Snowdon.
From the Original drawing by P.I. De Loutherbourg R.A.
Published by R. Bowyer, Historic Gallery, Pall Mall, Jan.y 1 1805.
Coloured aquatint. 310 x 390mm, 12¼ x 15½". Tears in edges.
A view of Snowdon, apparently on a windy day, from 'Picturesque Scenery of Great Britain' by Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 9 or 10.
[Ref: 26431]   £130.00   (£156.00 incl.VAT)
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[Allegory of Time's effects on Egypt's monuments.]
[Allegory of Time's effects on Egypt's monuments.]
[Loutherbourg delin.]
[n.d., c.1820.]
Engraving. Sheet 245 x 350mm (9½ x 13¾"). Trimmed into image at sides, mounted on album paper.
A winged figure of Chronos flies through the monuments of Egypt, his scythe cutting a statue down from its plinth. A sphinx and the Pyramids of Giza can be seen behind.
[Ref: 42167]   £160.00   (£192.00 incl.VAT)
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Tintern Abbey.
Tintern Abbey.
[after P.J. De Loutherbourg.]
[London: R. Bowyer, c.1825.]
Etching and hand-coloured aquatint; late issue, the plate unsigned and lacking publisher's imprint. 310 x 385mm, 12¼ x 15¼". Offered with corresponding text leaf. Lacking upper margin. A little stained, but generally good.
A view of the 'celebrated ruin' of Tintern Abbey, Wales, a highlight of the Wye valley which became a popular tourist destination in the late eighteenth century. From 'The romantic and picturesque scenery of England and Wales' after Philip James de Loutherbourg (1740 - 1812), first published 1805.
See Abbey Scenery 9, 12. National Art Library (V&A Museum); General Collection 51.E.44.
[Ref: 25810]   £90.00   (£108.00 incl.VAT)
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Tom Jones assisting Molly Seagrim, In the Church Yard and Repelling her Adversaries [...] [parallel text in French]
Tom Jones assisting Molly Seagrim, In the Church Yard and Repelling her Adversaries [...] [parallel text in French] This Plate is Dedicated To John Pill Esq.r By His Most Obedient Humble Servant V.M. Picot
P.J. de Loutherbourg delin.t. The Landscape by W. Woollett. The Figures by F. Bartolozzi.
V.M. Picot Ex.
Engraving, platemark 390 x 350mm (15¼ x 13¾"). Tear on right; slight foxing; small margins.
Scene from Henry Fielding's novel Tom Jones, engraved after the Alsatian painter P.J. de Loutherbourg by two of the finest printmakers of the day, William Wollett and Francesco Bartolozzi. Originally published in 1776, this is a later impression with the publication date having been removed from the plate.
De Vesme 1385 (unlisted final state with publication line excised). Fagan: 94 IV of IV.
[Ref: 38960]   £240.00   (£288.00 incl.VAT)
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The Vision of the White Horse.
The Vision of the White Horse. Specimens of Art, Plate 1.
P.J. de Loutherbourg, Esq. R.A. Pinx.t R. Page Sc.
[London: J. McCormick, 1834.]
Mezzotint with etching, sheet 185 x 145mm. 7¼ x 5¾". Trimmed within plate.
Illustration of the Book of Revelations (19:11-12): a king riding a white horse through the sky, firing an arrow, followed by another man on horseback who wields a sword. Philip James de Loutherbourg (1740 - 1812).
[Ref: 27543]   £60.00   (£72.00 incl.VAT)
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