A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
St Vincents Rocks, Clifton.
S.C. Jones, del.t. R. Carrick, lith. Day & Haghe, lith.rs to the Queen.
Published by George Davey, 1 Broad Street, Bristol. [n.d., c.1840.]
Tinted lithograph. Printed area 220 x 300mm, 8¾ x 11¾".
The cliffs under Clifton Down, viewed from the side of the Avon.
Not in Abbey.
[Ref: 26418] £140.00 (£168.00 incl.VAT)
S.C. Jones, del.t. R. Carrick, lith. Day & Haghe, lith.rs to the Queen.
Published by George Davey, 1 Broad Street, Bristol. [n.d., c.1840.]
Tinted lithograph. Printed area 220 x 300mm, 8¾ x 11¾".
The cliffs under Clifton Down, viewed from the side of the Avon.
Not in Abbey.
[Ref: 26418] £140.00 (£168.00 incl.VAT)
The Avon from below St Vincents Rock.
Drawn by S.C. Jones. G. Hawkins, lith. Day & Haghe, lith.rs to the Queen.
Published by George Davey, 1 Broad Street, Bristol. [n.d., c.1840.]
Tinted lithograph. Printed area 220 x 300mm, 8¾ x 11¾".
A view looking downriver to St Vincent's Rocks, taken from the side of the Avon.
Not in Abbey.
[Ref: 26420] £140.00 (£168.00 incl.VAT)
Drawn by S.C. Jones. G. Hawkins, lith. Day & Haghe, lith.rs to the Queen.
Published by George Davey, 1 Broad Street, Bristol. [n.d., c.1840.]
Tinted lithograph. Printed area 220 x 300mm, 8¾ x 11¾".
A view looking downriver to St Vincent's Rocks, taken from the side of the Avon.
Not in Abbey.
[Ref: 26420] £140.00 (£168.00 incl.VAT)
The Avon from the Observatory, Clifton.
Drawn by S.C. Jones. G. Hawkins, lith. Day & Haghe, lith.rs to the Queen.
Published by George Davey, 1 Broad Street, Bristol. [n.d., c.1840.]
Tinted lithograph. Printed area 220 x 300mm, 8¾ x 11¾".
A view looking down onto the river Avon from Clifton Down at St Vincent's Rocks, with the Severn in the distance.
Not in Abbey.
[Ref: 26419] £140.00 (£168.00 incl.VAT)
Drawn by S.C. Jones. G. Hawkins, lith. Day & Haghe, lith.rs to the Queen.
Published by George Davey, 1 Broad Street, Bristol. [n.d., c.1840.]
Tinted lithograph. Printed area 220 x 300mm, 8¾ x 11¾".
A view looking down onto the river Avon from Clifton Down at St Vincent's Rocks, with the Severn in the distance.
Not in Abbey.
[Ref: 26419] £140.00 (£168.00 incl.VAT)
The Bardic Museum, of primitive British Literature; and other admirable rarities; forming the Second Volume of the Musical, Poetical and Historical Relicks of the Welsh Bards and Druids ... containing the Bardic Triads; Historic Odes; Eulogies; Songs; Elegies ... with English translations and historic illustrations: likewise the ancient War-tunes of the Bards ... To these national melodies are added new Basses; with Variations, for the Harp, or Harpsichord; Violin, or Flute;
By Edward Jones, Bard to the Prince.
London: Printed by A. Strahan, Printer-Street, for the Author; 1802. (Price 1/. 5s.) Entered at Stationer's Hall.
Book; small folio (340 x 250mm, 13¼ x 9¾"), text and sheet music with lyrics complete as issued. With hand coloured etched frontispiece by Rowlandson after Ibbetson and J. Smith, of figures gathered around a harpist playing on a hillside. Unmarked blue paper-covered binding with calf spine. Binding chipped, scuffed and rubbed; paper covers tearing. Spine largely worn away, front cover disbound. Sheets slightly foxed, some offsetting to music sheets.
Edward Jones (1752 - 1824), known as Bardd y Brenin, or the King's Bard, was a musician and Welsh writer. He taught music to many persons of rank and was appointed bard to the Prince of Wales, an honorary office, in 1783. In 1784 he published ‘Musical and Poetical Relicks of the Welsh Bards, preserved by Tradition and Authentic Manuscripts from very remote Antiquity, with a Collection of the Pennillion and Englynion, Epigrammatic Stanzas or native Pastoral Sonnets of Wales, a History of the Bards from the Earliest Period, and an Account of their Music, Poetry, and Musical Instruments,’ London, folio, in 2 parts; republished with additions in 1794. This companion volume was issued in 1802. These works, largely based on the author's original researches among unpublished Welsh manuscripts, rescued and preserved some of the oldest Welsh airs extant. In many ways Jones can be said to have invented Wales as the 'land of song', while defining its people as 'aboriginal Britons' and as the oldest musical nation in Europe. A scarce Rowlandson image.
British Library: 004439254.
[Ref: 10521] £500.00
By Edward Jones, Bard to the Prince.
London: Printed by A. Strahan, Printer-Street, for the Author; 1802. (Price 1/. 5s.) Entered at Stationer's Hall.
Book; small folio (340 x 250mm, 13¼ x 9¾"), text and sheet music with lyrics complete as issued. With hand coloured etched frontispiece by Rowlandson after Ibbetson and J. Smith, of figures gathered around a harpist playing on a hillside. Unmarked blue paper-covered binding with calf spine. Binding chipped, scuffed and rubbed; paper covers tearing. Spine largely worn away, front cover disbound. Sheets slightly foxed, some offsetting to music sheets.
Edward Jones (1752 - 1824), known as Bardd y Brenin, or the King's Bard, was a musician and Welsh writer. He taught music to many persons of rank and was appointed bard to the Prince of Wales, an honorary office, in 1783. In 1784 he published ‘Musical and Poetical Relicks of the Welsh Bards, preserved by Tradition and Authentic Manuscripts from very remote Antiquity, with a Collection of the Pennillion and Englynion, Epigrammatic Stanzas or native Pastoral Sonnets of Wales, a History of the Bards from the Earliest Period, and an Account of their Music, Poetry, and Musical Instruments,’ London, folio, in 2 parts; republished with additions in 1794. This companion volume was issued in 1802. These works, largely based on the author's original researches among unpublished Welsh manuscripts, rescued and preserved some of the oldest Welsh airs extant. In many ways Jones can be said to have invented Wales as the 'land of song', while defining its people as 'aboriginal Britons' and as the oldest musical nation in Europe. A scarce Rowlandson image.
British Library: 004439254.
[Ref: 10521] £500.00
A Blacksmith's Shop.
Engraved by Miss Hawksworth from a Picture by G. Jones Esq.r.
Published Feb.y 1.st 1813 by J. Hawksworth. 9 Barnsbury Street, Islington.
Rare engraving. Sheet size: 370 x 415mm (14½ x 16¼"). Small mark below title on left.
An interior view of a workshop with a blacksmith leaning at the right beside the forge, watching a child taking a rod of metal from the bath before him. Various tools and instruments hang on the wall behind.
[Ref: 38434] £320.00
Engraved by Miss Hawksworth from a Picture by G. Jones Esq.r.
Published Feb.y 1.st 1813 by J. Hawksworth. 9 Barnsbury Street, Islington.
Rare engraving. Sheet size: 370 x 415mm (14½ x 16¼"). Small mark below title on left.
An interior view of a workshop with a blacksmith leaning at the right beside the forge, watching a child taking a rod of metal from the bath before him. Various tools and instruments hang on the wall behind.
[Ref: 38434] £320.00
View of Bristol from Clifton Wood. To the Right Worshipful John Kerle Haberfield Esq.re Mayor of the City of Bristol. This View is most respectfully dedicated by The Publisher.
Drawn by S.C. Jones from a Painting by W. Muller in the possession of George Jones Esq.re On Stone by L. Haghe. Day & Haghe Lith.rs to the Queen.
Published by George Davey 1 Broard S.t Bristol. [n.d. c.1850.]
Lithograph with large margins. 280 x 380mm (11 x 15").
View of Bristol from a hillside, with a couple and two children conversing on a path in foreground at left, and three goats seen nearby at centre.
[Ref: 34730] £160.00 (£192.00 incl.VAT)
Drawn by S.C. Jones from a Painting by W. Muller in the possession of George Jones Esq.re On Stone by L. Haghe. Day & Haghe Lith.rs to the Queen.
Published by George Davey 1 Broard S.t Bristol. [n.d. c.1850.]
Lithograph with large margins. 280 x 380mm (11 x 15").
View of Bristol from a hillside, with a couple and two children conversing on a path in foreground at left, and three goats seen nearby at centre.
[Ref: 34730] £160.00 (£192.00 incl.VAT)
![[Bristol during the Reform Act Riots of 1831]](jpegs/41070.jpg)
[Bristol during the Reform Act Riots of 1831] View of the New Prison & Two Toll Houses, on Fire. As it Appeared, Oct. 30th 1831
J. Jones sc. Pub.d by A. Giudice [c.1832]
Etching and aquatint, sheet 95 x 120mm (3¾ x 4¾"). Very rare.
One of several prints made in the wake of the 1831 Bristol Riots. These were amongst the several manifestations of civil unrest which took place after the House of Lords rejected the second Reform Bill. The Reform Bill aimed to improve 'rotten boroughs' standards and to give Britain's fast growing industrial towns greater representation in the House of Commons. The riots continued for three days during which the palace of Robert Gray the Bishop of Bristol, the Mansion House, and private homes and property were looted and destroyed, along with the demolition of much of the gaol and toll houses. Work on the Clifton Suspension Bridge was halted and Isambard Kingdom Brunel was sworn in as a special constable.
[Ref: 41070] £65.00 (£78.00 incl.VAT)
J. Jones sc. Pub.d by A. Giudice [c.1832]
Etching and aquatint, sheet 95 x 120mm (3¾ x 4¾"). Very rare.
One of several prints made in the wake of the 1831 Bristol Riots. These were amongst the several manifestations of civil unrest which took place after the House of Lords rejected the second Reform Bill. The Reform Bill aimed to improve 'rotten boroughs' standards and to give Britain's fast growing industrial towns greater representation in the House of Commons. The riots continued for three days during which the palace of Robert Gray the Bishop of Bristol, the Mansion House, and private homes and property were looted and destroyed, along with the demolition of much of the gaol and toll houses. Work on the Clifton Suspension Bridge was halted and Isambard Kingdom Brunel was sworn in as a special constable.
[Ref: 41070] £65.00 (£78.00 incl.VAT)
![[The Gate of Honour, Caius College, Cambridge.]](jpegs/57995.jpg)
[The Gate of Honour, Caius College, Cambridge.]
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 345 x 215mm (13½ x 8½"), with large margins.
The Gate of Honour, only used to allow the graduating students of Caius College to pass to receive their degrees at the Senate House. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57995] £220.00 (£264.00 incl.VAT)
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 345 x 215mm (13½ x 8½"), with large margins.
The Gate of Honour, only used to allow the graduating students of Caius College to pass to receive their degrees at the Senate House. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57995] £220.00 (£264.00 incl.VAT)
![[Jesus College, Cambridge.]](jpegs/54643.jpg)
[Jesus College, Cambridge.]
Sydney R. Jones.
[n.d. c.1925.]
Drypoint etching, signed by the artist in pencil. 200 x 255mm (8 x 10"), with very large margins.
The gatehouse of Jesus College from the walled passage known as the 'Chimney'. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54643] £260.00 (£312.00 incl.VAT)
Sydney R. Jones.
[n.d. c.1925.]
Drypoint etching, signed by the artist in pencil. 200 x 255mm (8 x 10"), with very large margins.
The gatehouse of Jesus College from the walled passage known as the 'Chimney'. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54643] £260.00 (£312.00 incl.VAT)
![[King's College, Cambridge.]](jpegs/26603.jpg)
[King's College, Cambridge.]
Sydney R. Jones [in plate and signed in pencil.]
[n.d. c.1920.]
Etching, with pencil signature, very fine. Plate 305 x 201mm. 12 x 8".
A view of King's College Cambridge with faint etched outline of a scholar in the foreground. Sydney Robert Jones (1881-1961).
[Ref: 26603] £260.00 (£312.00 incl.VAT)
Sydney R. Jones [in plate and signed in pencil.]
[n.d. c.1920.]
Etching, with pencil signature, very fine. Plate 305 x 201mm. 12 x 8".
A view of King's College Cambridge with faint etched outline of a scholar in the foreground. Sydney Robert Jones (1881-1961).
[Ref: 26603] £260.00 (£312.00 incl.VAT)
![[King's College Cambridge.]](jpegs/54629.jpg)
[King's College Cambridge.]
Sydney R. Jones.
[n.d., c.1920.]
Drypoint etching, signed by the artist. 225 x 300mm (9 x 11¾"). Framed. Unexamined out of frame.
A view of King's College Chapel and the Gibbs Building, from the Cam. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54629] £320.00
Sydney R. Jones.
[n.d., c.1920.]
Drypoint etching, signed by the artist. 225 x 300mm (9 x 11¾"). Framed. Unexamined out of frame.
A view of King's College Chapel and the Gibbs Building, from the Cam. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54629] £320.00
![[King's College, Cambridge.]](jpegs/54632.jpg)
[King's College, Cambridge.]
Sydney R. Jones.
[n.d. c.1920.]
Drypoint etching, signed by the artist in pencil. 305 x 200mm (12 x 8"). Framed. Unexamined out of frame.
A view of King's College Cambridge, with the portico of the Gibbs Building and the side of the Chapel. An outline of a scholar is etched in the foreground. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54632] £260.00 (£312.00 incl.VAT)
Sydney R. Jones.
[n.d. c.1920.]
Drypoint etching, signed by the artist in pencil. 305 x 200mm (12 x 8"). Framed. Unexamined out of frame.
A view of King's College Cambridge, with the portico of the Gibbs Building and the side of the Chapel. An outline of a scholar is etched in the foreground. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54632] £260.00 (£312.00 incl.VAT)
![[King's College, Cambridge.]](jpegs/54646.jpg)
[King's College, Cambridge.]
Sydney R. Jones.
[n.d. c.1920.]
Drypoint etching, final trial proof on white paper, signed by the artist in pencil. 305 x 200mm (12 x 8"), with very large margins.
A view of King's College Cambridge, with the portico of the Gibbs' Building and the side of the Chapel. An outline of a scholar is etched in the foreground. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54646] £260.00 (£312.00 incl.VAT)
Sydney R. Jones.
[n.d. c.1920.]
Drypoint etching, final trial proof on white paper, signed by the artist in pencil. 305 x 200mm (12 x 8"), with very large margins.
A view of King's College Cambridge, with the portico of the Gibbs' Building and the side of the Chapel. An outline of a scholar is etched in the foreground. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54646] £260.00 (£312.00 incl.VAT)
![[Cambridge Pembroke College.]](jpegs/55000.jpg)
[Cambridge Pembroke College.]
Sydney R. Jones.
[n.d. c.1920.]
Drypoint etching, edition 100 on white paper, signed by the artist in pencil. 350 x 220mm (13¾ x 8¾") with very large margins.
A view of Pembroke College Cambridge, showing the public street outside the building. Pedestrians walk the cobbled streets and cyclists ride past an open top car. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 55000] £280.00 (£336.00 incl.VAT)
Sydney R. Jones.
[n.d. c.1920.]
Drypoint etching, edition 100 on white paper, signed by the artist in pencil. 350 x 220mm (13¾ x 8¾") with very large margins.
A view of Pembroke College Cambridge, showing the public street outside the building. Pedestrians walk the cobbled streets and cyclists ride past an open top car. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 55000] £280.00 (£336.00 incl.VAT)
![[President's Lodge, Queens' College, Cambridge.]](jpegs/54644.jpg)
[President's Lodge, Queens' College, Cambridge.]
Sydney R. Jones.
[n.d. c.1924.]
Drypoint etching, signed by the artist in pencil, in pencil at top Final Trial No. 3;. 225 x 175mm (9 x 7"), with very large margins Creases in margins top & bottom.
The President's Lodge, dating from the 1460s, is the only substantial half-timbered building remaining in Cambridge and is Grade 1 listed. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54644] £260.00 (£312.00 incl.VAT)
Sydney R. Jones.
[n.d. c.1924.]
Drypoint etching, signed by the artist in pencil, in pencil at top Final Trial No. 3;. 225 x 175mm (9 x 7"), with very large margins Creases in margins top & bottom.
The President's Lodge, dating from the 1460s, is the only substantial half-timbered building remaining in Cambridge and is Grade 1 listed. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54644] £260.00 (£312.00 incl.VAT)
![[Great Court, Trinity College, Cambridge.]](jpegs/57992.jpg)
[Great Court, Trinity College, Cambridge.]
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 170 x 225mm (6¾ x 8¾"), with wide margins. Slight mount burn.
The Great Court of Trinity College Cambridge, with the magnificent gateway and fountain. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57992] £240.00 (£288.00 incl.VAT)
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 170 x 225mm (6¾ x 8¾"), with wide margins. Slight mount burn.
The Great Court of Trinity College Cambridge, with the magnificent gateway and fountain. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57992] £240.00 (£288.00 incl.VAT)
Her Royal Highness The Princess Charlotte of Wales. Dedicated by Permission To his Royal Highness George Prince of Wales, Regent, of the United Kingdom of Great Britain and Ireland; by His Royal Highness's, most devoted Servant, Charlotte Jones.
Charlotte Jones pinx.t I.S. Agar sculp.t
London Published March 21st. 1814, (for the Proprietor,) by Colnaghi & Co, 23 Cockspur Street Charing Cross.
Fine stipple. 470 x 375mm (18½ x 14¾"). Trimmed to plate.
Princess Charlotte Augusta of Wales (1796-1817) was the only child of George, Prince of Wales, later King George IV, and Caroline of Brunswick. She married Prince Leopold of Saxe-Coburg in 1816, and enjoyed only a few months of happiness before she died in childbirth the following year.
NPG: D8141.
[Ref: 24791] £160.00 (£192.00 incl.VAT)
Charlotte Jones pinx.t I.S. Agar sculp.t
London Published March 21st. 1814, (for the Proprietor,) by Colnaghi & Co, 23 Cockspur Street Charing Cross.
Fine stipple. 470 x 375mm (18½ x 14¾"). Trimmed to plate.
Princess Charlotte Augusta of Wales (1796-1817) was the only child of George, Prince of Wales, later King George IV, and Caroline of Brunswick. She married Prince Leopold of Saxe-Coburg in 1816, and enjoyed only a few months of happiness before she died in childbirth the following year.
NPG: D8141.
[Ref: 24791] £160.00 (£192.00 incl.VAT)
Nightingale Valley from Clifton Down.
Drawn by S.C. Jones_G.Hawkins lith. Day & Haghe Lith.rs to the Queen.
Published by I. H. Weston, opposite the Royal Exchange, Bristol. [n.d., c.1840.]
Tinted lithograph. Sheet: 280 x 380mm (11 x 15''), with large margins.
A view of the River Avon near Bristol.
[Ref: 48059] £230.00 (£276.00 incl.VAT)
Drawn by S.C. Jones_G.Hawkins lith. Day & Haghe Lith.rs to the Queen.
Published by I. H. Weston, opposite the Royal Exchange, Bristol. [n.d., c.1840.]
Tinted lithograph. Sheet: 280 x 380mm (11 x 15''), with large margins.
A view of the River Avon near Bristol.
[Ref: 48059] £230.00 (£276.00 incl.VAT)
The Avon from Below St. Vincent's Rock.
Drawn by S.C. Jones_G.Hawkins lith. Day & Haghe Lith.rs to the Queen.
Published by George Davey 1 Broad S.t Bristol. [n.d., c.1840.]
Tinted lithograph. Sheet: 280 x 380mm (11 x 15'').
A view of St Vincent's Rock, Clifton near Bristol.
[Ref: 48058] £140.00 (£168.00 incl.VAT)
Drawn by S.C. Jones_G.Hawkins lith. Day & Haghe Lith.rs to the Queen.
Published by George Davey 1 Broad S.t Bristol. [n.d., c.1840.]
Tinted lithograph. Sheet: 280 x 380mm (11 x 15'').
A view of St Vincent's Rock, Clifton near Bristol.
[Ref: 48058] £140.00 (£168.00 incl.VAT)
The Avon & Severn from Clifton Down.
Drawn by S.C. Jones_ On Stone by G. Hawkins. Day & Haghe Lithrs. to the Queen.
[Bristol (F.H. Weston?), n.d., c.1845.]
Sepia tinted lithograph heightened in white, sheet 270 x 350mm. 10¾ x 13¾". Trace of diagonal crease through right corner.
Clifton Down near Bristol, with a sailing ship on the River Avon below; a gentleman and two ladies on a cliff in the foreground, with sheep to right.
Not in Abbey Scenery.
[Ref: 24635] £140.00 (£168.00 incl.VAT)
Drawn by S.C. Jones_ On Stone by G. Hawkins. Day & Haghe Lithrs. to the Queen.
[Bristol (F.H. Weston?), n.d., c.1845.]
Sepia tinted lithograph heightened in white, sheet 270 x 350mm. 10¾ x 13¾". Trace of diagonal crease through right corner.
Clifton Down near Bristol, with a sailing ship on the River Avon below; a gentleman and two ladies on a cliff in the foreground, with sheep to right.
Not in Abbey Scenery.
[Ref: 24635] £140.00 (£168.00 incl.VAT)
Nightingale Valley, from Clifton Down.
S.C. Jones, delt._ G. Hawkins lith. Day & Haghe Lithrs. to the Queen.
Published by F.H. Weston, opposite the Royal Exchange, Bristol. [n.d., c.1845.]
Sepia tinted lithograph heightened in white, sheet 285 x 380mm. 11¼ x 15".
Clifton Down near Bristol, with a sailing ship on the River Avon below; a lady and gentleman on a cliff in the foreground, the man seems to be sketching the scene.
Not in Abbey. Provenance Sitwell family, Renishaw Hall, Sheffield, Derbyshire.
[Ref: 13704] £160.00 (£192.00 incl.VAT)
S.C. Jones, delt._ G. Hawkins lith. Day & Haghe Lithrs. to the Queen.
Published by F.H. Weston, opposite the Royal Exchange, Bristol. [n.d., c.1845.]
Sepia tinted lithograph heightened in white, sheet 285 x 380mm. 11¼ x 15".
Clifton Down near Bristol, with a sailing ship on the River Avon below; a lady and gentleman on a cliff in the foreground, the man seems to be sketching the scene.
Not in Abbey. Provenance Sitwell family, Renishaw Hall, Sheffield, Derbyshire.
[Ref: 13704] £160.00 (£192.00 incl.VAT)
![[College Street, City of London.]](jpegs/54637.jpg)
[College Street, City of London.]
Sydney R. Jones.
[n.d., c.1925.]
Drypoint etching, signed by the artist. 320 x 135mm. Framed. Crease in mount, unexamined out of frame.
A view looking down College Street towards Wren's church of St Michael Paternoster Royal, Innholders' Hall on the left. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54637] £220.00 (£264.00 incl.VAT)
Sydney R. Jones.
[n.d., c.1925.]
Drypoint etching, signed by the artist. 320 x 135mm. Framed. Crease in mount, unexamined out of frame.
A view looking down College Street towards Wren's church of St Michael Paternoster Royal, Innholders' Hall on the left. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54637] £220.00 (£264.00 incl.VAT)
Her Majesty Queen Victoria’s tour thro the fleet in the Harbour of Cork, on the 3d of August, 1849. [Publ.d for the benefit of the Cork Masonic Female Orphan Asylum. Dedicated to Coln. J.C. Chatterton K.H. Provincial Grand Master of Munster S.G.I.G. 33rd by his Friend and Brother Oliver J. Jones, 1st Lieut. H.M.S. Ganges.]
Lieut. O.J. Jones Del.t. Dickinson & Co. Lith.
[1849.]
Tinted lithograph with fine hand colour. Sheet 440 x 615mm (17¼ x 24¼"). Trimmed, losing publication details and dedication. Wear to edges. Slight creasing bottom right.
A view of Cork Harbour, with the British Fleet at anchor, the first stop of an eleven day Irish tour undertaken by Queen Victoria and Prince Albert on 2-12 August 1849. From Cork the Royal party sailed to Dublin and Belfast, aboard the royal yacht, 'Victoria and Albert'. The rigging of HMS Ganges (on the right) is full of sailors saluting the monarch.
[Ref: 55164] £950.00
Lieut. O.J. Jones Del.t. Dickinson & Co. Lith.
[1849.]
Tinted lithograph with fine hand colour. Sheet 440 x 615mm (17¼ x 24¼"). Trimmed, losing publication details and dedication. Wear to edges. Slight creasing bottom right.
A view of Cork Harbour, with the British Fleet at anchor, the first stop of an eleven day Irish tour undertaken by Queen Victoria and Prince Albert on 2-12 August 1849. From Cork the Royal party sailed to Dublin and Belfast, aboard the royal yacht, 'Victoria and Albert'. The rigging of HMS Ganges (on the right) is full of sailors saluting the monarch.
[Ref: 55164] £950.00
Her Majesty Queen Victoria's Tour Thro the Fleet in the Harbour of Cork, on the 3d. August, 1849. Publ.d for the Benefit of the Cork Masonic Female Orphan Asylum. Dedicated to Col.n J.C. Chatterton K.H. Provincial Grand Master of Munster S.G.I.G. 33.rd By his Friend & Brother Oliver J. Jones 1st. Lieut. H.M.S. Ganges.
Lieut. O.J. Jones Del.t Dickinson & Co. Lith.
Published by Dickinson & Co. 114 New Bond Street, London. [n.d. c.1850.]
Tinted lithograph. 555 x 705mm. 21¾ x 27¾".
From 2 to 12 August 1849, Queen Victoria took an eleven-day visit to Cork, Dublin and Belfast. The welcoming party seen here on the River Lee with various larger tallships and steam paddle boat; dinghys in the foreground with various supporters of the Monarch.
[Ref: 25978] £950.00
Lieut. O.J. Jones Del.t Dickinson & Co. Lith.
Published by Dickinson & Co. 114 New Bond Street, London. [n.d. c.1850.]
Tinted lithograph. 555 x 705mm. 21¾ x 27¾".
From 2 to 12 August 1849, Queen Victoria took an eleven-day visit to Cork, Dublin and Belfast. The welcoming party seen here on the River Lee with various larger tallships and steam paddle boat; dinghys in the foreground with various supporters of the Monarch.
[Ref: 25978] £950.00
First of April (by appointment).
Painted by S.E. Jones. Engraved by James Scott.
[London Ackermann & Co, 1838.]
A rare mezzotint. 470 x 350mm (18½ x 13¾"). Tear into inscription area, surface crack, glue stains in left margin.
A middle-aged dandy made an April Fool. He stands, waistcoat and trousers bulging, waiting in vain at a country turnstile while two young women, obviously the senders of the letter in his hand, peer over the wall. This print was advertised as 'newly published' by the Monthly Literary Advertiser May 1838.
Ex: collection of the Hon. Christopher Lennox-Boyd.
[Ref: 43950] £160.00 (£192.00 incl.VAT)
Painted by S.E. Jones. Engraved by James Scott.
[London Ackermann & Co, 1838.]
A rare mezzotint. 470 x 350mm (18½ x 13¾"). Tear into inscription area, surface crack, glue stains in left margin.
A middle-aged dandy made an April Fool. He stands, waistcoat and trousers bulging, waiting in vain at a country turnstile while two young women, obviously the senders of the letter in his hand, peer over the wall. This print was advertised as 'newly published' by the Monthly Literary Advertiser May 1838.
Ex: collection of the Hon. Christopher Lennox-Boyd.
[Ref: 43950] £160.00 (£192.00 incl.VAT)
Sir Francis Freeling, Bart. &c. &c. &c.
[G. Jones.]
[London: C. Turner, 1834.]
Scarce mezzotint and etching on steel plate, image 550 x 415mm. 21¾ x 16¼". Laid on a conservation backing with minor abrasions in title area and outside the platemark.
Portrait of Sir Francis Freeling (1764 - 1836), postal reformer and book collector, seated in an armchair. His reading glass is suspended from a ribbon, he holds a roll of paper in his left hand; his right arm rests on a table next to papers, books, inkstand, and seal. A vase on pedestal behind to left, an open box with book on floor on right and bookcase in background. Freeling's leisure was devoted to the formation of a curious and valuable library. He was elected a fellow of the Society of Antiquaries in 1801, and was one of the original members of the Roxburghe Club, founded in 1812. A marble monument was erected to him in the church of St. Mary Redcliffe, Bristol. After George Jones RA (1786 - 1869), engraved and published by Charles Turner.
Whitman 210 (unnumbered state). DNB.
[Ref: 21624] £420.00
[G. Jones.]
[London: C. Turner, 1834.]
Scarce mezzotint and etching on steel plate, image 550 x 415mm. 21¾ x 16¼". Laid on a conservation backing with minor abrasions in title area and outside the platemark.
Portrait of Sir Francis Freeling (1764 - 1836), postal reformer and book collector, seated in an armchair. His reading glass is suspended from a ribbon, he holds a roll of paper in his left hand; his right arm rests on a table next to papers, books, inkstand, and seal. A vase on pedestal behind to left, an open box with book on floor on right and bookcase in background. Freeling's leisure was devoted to the formation of a curious and valuable library. He was elected a fellow of the Society of Antiquaries in 1801, and was one of the original members of the Roxburghe Club, founded in 1812. A marble monument was erected to him in the church of St. Mary Redcliffe, Bristol. After George Jones RA (1786 - 1869), engraved and published by Charles Turner.
Whitman 210 (unnumbered state). DNB.
[Ref: 21624] £420.00
Geneva.
Louisa Jones 1833.
Rare lithograph. Pencil drawing verso; Sheet: 270 x 185mm, (10½ x 7¼"). Repaired tear in right edge.
A view of the city of Geneva in Switzerland looking across the water.
Ex: Collection of Hon. C. Lennox-Boyd.
[Ref: 36829] £140.00 (£168.00 incl.VAT)
Louisa Jones 1833.
Rare lithograph. Pencil drawing verso; Sheet: 270 x 185mm, (10½ x 7¼"). Repaired tear in right edge.
A view of the city of Geneva in Switzerland looking across the water.
Ex: Collection of Hon. C. Lennox-Boyd.
[Ref: 36829] £140.00 (£168.00 incl.VAT)
![[William Ewart Gladstone.]](jpegs/54163.jpg)
[William Ewart Gladstone.]
H.J. Thaddeus [pencil signature]. [Engraved by Frank Sternberg.]
[n.d., 1889.]
Chine collé mezzotint, proof before all letters, signed by the artist. 535 x 430mm (21 x 17"). A little surface wear, laid on board.
Three-quarter length portrait of Williams Ewart Gladstone (1809-98), probably painted to celebrate his 80th birthday. At the time he was in Opposition, but he became Prime Minister again in 1892, aged 82, thus becoming the oldest Prime Minister and the only one to serve four terms. After Irish painter Henry Jones Thaddeus (1860-1929).
[Ref: 54163] £260.00 (£312.00 incl.VAT)
H.J. Thaddeus [pencil signature]. [Engraved by Frank Sternberg.]
[n.d., 1889.]
Chine collé mezzotint, proof before all letters, signed by the artist. 535 x 430mm (21 x 17"). A little surface wear, laid on board.
Three-quarter length portrait of Williams Ewart Gladstone (1809-98), probably painted to celebrate his 80th birthday. At the time he was in Opposition, but he became Prime Minister again in 1892, aged 82, thus becoming the oldest Prime Minister and the only one to serve four terms. After Irish painter Henry Jones Thaddeus (1860-1929).
[Ref: 54163] £260.00 (£312.00 incl.VAT)
Hammersmith. ''Doves''.
Sydney R. Jones.
12.9.51.
Pencil sketch. Framed, visible area 190 x 190mm (8 x 8"). Some paper toning. Unexamined out of frame.
A view of the buildings at the end of the Upper Mall Hammersmith, including the 17th century pub 'The Dove', from across the Thames. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54641] £220.00 (£264.00 incl.VAT)
Sydney R. Jones.
12.9.51.
Pencil sketch. Framed, visible area 190 x 190mm (8 x 8"). Some paper toning. Unexamined out of frame.
A view of the buildings at the end of the Upper Mall Hammersmith, including the 17th century pub 'The Dove', from across the Thames. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54641] £220.00 (£264.00 incl.VAT)
Hammersmith Lower Mall.
Sydney R. Jones.
12.9.51.
Pencil sketch. Framed, visible area 190 x 190mm (8 x 8"). Some paper toning. Unexamined out of frame.
The Lower Mall, looking west away from Hammersmith Bridge, showing the pontoon. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54640] £220.00 (£264.00 incl.VAT)
Sydney R. Jones.
12.9.51.
Pencil sketch. Framed, visible area 190 x 190mm (8 x 8"). Some paper toning. Unexamined out of frame.
The Lower Mall, looking west away from Hammersmith Bridge, showing the pontoon. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54640] £220.00 (£264.00 incl.VAT)
![[Imperial Chemical House & the Houses of Parliament.]](jpegs/54633.jpg)
[Imperial Chemical House & the Houses of Parliament.]
Sydney R. Jones.
[n.d., 1929.]
Drypoint etching, signed in pencil by the artist. 200 x 385mm (8 x 15¼"). Framed. Unexamined out of frame.
Imperial Chemical House on Millbank, London, seen from the south side of the River Thames. It was built between 1928 and 1931 by Sir Frank Baines as the headquarters for Imperial Chemical Industries (ICI). Beyond can be seen the Houses of Parliament and Westminster Abbey; Old Lambeth Bridge spans the river in the foreground. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54633] £350.00
Sydney R. Jones.
[n.d., 1929.]
Drypoint etching, signed in pencil by the artist. 200 x 385mm (8 x 15¼"). Framed. Unexamined out of frame.
Imperial Chemical House on Millbank, London, seen from the south side of the River Thames. It was built between 1928 and 1931 by Sir Frank Baines as the headquarters for Imperial Chemical Industries (ICI). Beyond can be seen the Houses of Parliament and Westminster Abbey; Old Lambeth Bridge spans the river in the foreground. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54633] £350.00
The Rev.d E. Irving. Of the Caledonian Church, Cross Street, Hatton Garden.
Drawn from Life by G.H. Jones.
London. Pub.d by Thomas Mc.Lean, 26 Haymarket Aug.t 16, 1823.
Lithograph on india. 235 x 165mm (9 x 6½") large margins.
Rev. Edward Irving (1792-1834) was a Scottish clergyman, generally regarded as the main figure behind the foundation of the Catholic Apostolic Church. He had little success in converting the Scottish public and was about to give up hope and focus his attention towards missionary labour in the East when he suddenly received an invitation from the Caledonian Church in London; over that charge he was ordained in 1822.
[Ref: 53564] £130.00 (£156.00 incl.VAT)
Drawn from Life by G.H. Jones.
London. Pub.d by Thomas Mc.Lean, 26 Haymarket Aug.t 16, 1823.
Lithograph on india. 235 x 165mm (9 x 6½") large margins.
Rev. Edward Irving (1792-1834) was a Scottish clergyman, generally regarded as the main figure behind the foundation of the Catholic Apostolic Church. He had little success in converting the Scottish public and was about to give up hope and focus his attention towards missionary labour in the East when he suddenly received an invitation from the Caledonian Church in London; over that charge he was ordained in 1822.
[Ref: 53564] £130.00 (£156.00 incl.VAT)
Old Isaac Joules. A Well known Gipsy in Somersetshire.
Drawn from Life, & on Stone by S. C. Jones. A. Pocock lith. Bristol.
Published by J. Whereat, Weston Super Mare. [n.d., c.1840.]
Rare tinted lithograph. Sheet: 380 x 275mm (15 x 10¾''), with large margins.
A portrait of an old man, a knife sharpener, in the distance are Flat Holm and Steep Holm, islands in the Bristol Channel.
[Ref: 48798] £260.00 (£312.00 incl.VAT)
Drawn from Life, & on Stone by S. C. Jones. A. Pocock lith. Bristol.
Published by J. Whereat, Weston Super Mare. [n.d., c.1840.]
Rare tinted lithograph. Sheet: 380 x 275mm (15 x 10¾''), with large margins.
A portrait of an old man, a knife sharpener, in the distance are Flat Holm and Steep Holm, islands in the Bristol Channel.
[Ref: 48798] £260.00 (£312.00 incl.VAT)
Duncombe's Miniature Caricature Magazine. No.5. A fine Refiner, or a Search for the Philosopher's Stone!!
[n.d. c.1825.]
Hand-coloured etching and aquatint. 115 x 152mm (4½ x 6"). Cut.
A satire on Alderman Cox's legal action against Edmund Kean for adultery with Charlotte Cox, at the King's Bench. The alderman stands at centre, wearing the cuckold's horns, feeding Kean's love letters to his wife (standing to the left) into a cooking pot as the devil stokes the fire with bellows. These letters were read out in court: one, addressed to 'Little Breeches' (as is one of the letters in the pot), continued 'My darling love/Little impudent bitch, Come immediately & apologise for your impudence yesterday'. Kean lost and was forced to pay £800 to Cox, although the public disapproval that forced him to leave the country cost him far more.
[Ref: 29062] £130.00 (£156.00 incl.VAT)
[n.d. c.1825.]
Hand-coloured etching and aquatint. 115 x 152mm (4½ x 6"). Cut.
A satire on Alderman Cox's legal action against Edmund Kean for adultery with Charlotte Cox, at the King's Bench. The alderman stands at centre, wearing the cuckold's horns, feeding Kean's love letters to his wife (standing to the left) into a cooking pot as the devil stokes the fire with bellows. These letters were read out in court: one, addressed to 'Little Breeches' (as is one of the letters in the pot), continued 'My darling love/Little impudent bitch, Come immediately & apologise for your impudence yesterday'. Kean lost and was forced to pay £800 to Cox, although the public disapproval that forced him to leave the country cost him far more.
[Ref: 29062] £130.00 (£156.00 incl.VAT)
Rudyard Kipling.
Sir Philip Burne-Jones Bart. Heliog. Dujardin.
Copyright 1900, by Mendoza, Ltd.
Photogravure. 305 x 250mm (12 x 9¾"). Foxing, mostly marginal.
(Joseph) Rudyard Kipling (1865 - 1936), writer and poet. Born in Bombay, he was educated in England but returned to India and worked for the Civil and Military Gazette in Lahore. His many publications include Plain Tales from the Hills, 1887, The Jungle Book, 1894, and Kim, 1901. He is unequalled as an observer of the Raj and as a commentator on the duties and obligations of empire. Later in life he settled in Sussex, from which he drew the inspiration for Puck of Pook's Hill, 1906, and Rewards and Fairies, 1910, as well as some of his finest late stories. Long out of favour because of the imperial themes in his work, he is now recognized as one of the major talents of his time. After the 1899 oil painting by Sir Philip Burne-Jones, 2nd Bt (1861-1926) in the National Portrait Gallery.
NPG: 1863.
[Ref: 9951] £140.00 (£168.00 incl.VAT)
Sir Philip Burne-Jones Bart. Heliog. Dujardin.
Copyright 1900, by Mendoza, Ltd.
Photogravure. 305 x 250mm (12 x 9¾"). Foxing, mostly marginal.
(Joseph) Rudyard Kipling (1865 - 1936), writer and poet. Born in Bombay, he was educated in England but returned to India and worked for the Civil and Military Gazette in Lahore. His many publications include Plain Tales from the Hills, 1887, The Jungle Book, 1894, and Kim, 1901. He is unequalled as an observer of the Raj and as a commentator on the duties and obligations of empire. Later in life he settled in Sussex, from which he drew the inspiration for Puck of Pook's Hill, 1906, and Rewards and Fairies, 1910, as well as some of his finest late stories. Long out of favour because of the imperial themes in his work, he is now recognized as one of the major talents of his time. After the 1899 oil painting by Sir Philip Burne-Jones, 2nd Bt (1861-1926) in the National Portrait Gallery.
NPG: 1863.
[Ref: 9951] £140.00 (£168.00 incl.VAT)
Lady, the Birmingham Trotting Mare.
Painted by R. Jones. Engraved by Cha.s Hunt, 24 Brydges St Cov.t Gar.den London.
Published by R.Taylor, Birmingham & by J.Moore, at his Wholesale Glass & Picyure Frame Manufactory, corner of West St.t Upper St. Martin's Lane London, Dec.r 6.th 1838.
Coloured engraving, 560 x 640mm (22 x 25¼"). Framed. Slightly foxed. Unexamined out of frame.
A fine and impressive portrait of the trotting-champion mare, Lady, which belonged to Mr Richard Taylor of Birmingham. The mare was bred in 1828 from the noted horse Matchless out of Cheshire Cheese Lass.
[Ref: 59401] £820.00
Painted by R. Jones. Engraved by Cha.s Hunt, 24 Brydges St Cov.t Gar.den London.
Published by R.Taylor, Birmingham & by J.Moore, at his Wholesale Glass & Picyure Frame Manufactory, corner of West St.t Upper St. Martin's Lane London, Dec.r 6.th 1838.
Coloured engraving, 560 x 640mm (22 x 25¼"). Framed. Slightly foxed. Unexamined out of frame.
A fine and impressive portrait of the trotting-champion mare, Lady, which belonged to Mr Richard Taylor of Birmingham. The mare was bred in 1828 from the noted horse Matchless out of Cheshire Cheese Lass.
[Ref: 59401] £820.00
![[The Gatehouse, Lincolns Inn.]](jpegs/54639.jpg)
[The Gatehouse, Lincolns Inn.]
Sydney R. Jones.
[n.d., c.1926.]
Rare drypoint etching signed by the artist in pencil. 290 x 210mm (11½ x 8¼"), with large margins.
The Gatehouse, the entrance to Lincoln's Inn from Chancery Lane is the oldest existing part of the Inn, built between 1518 and 1521. The arms above the arch are those of Sir Thomas Lovell (the Treasurer at the time of construction), the Earl of Lincoln and Henry VIII. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54639] £290.00 (£348.00 incl.VAT)
Sydney R. Jones.
[n.d., c.1926.]
Rare drypoint etching signed by the artist in pencil. 290 x 210mm (11½ x 8¼"), with large margins.
The Gatehouse, the entrance to Lincoln's Inn from Chancery Lane is the oldest existing part of the Inn, built between 1518 and 1521. The arms above the arch are those of Sir Thomas Lovell (the Treasurer at the time of construction), the Earl of Lincoln and Henry VIII. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54639] £290.00 (£348.00 incl.VAT)
![[Middle Temple Hall and Fountain Court.]](jpegs/54638.jpg)
[Middle Temple Hall and Fountain Court.]
Sydney R. Jones.
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 240mm (11¾ x 9½"). Framed. Unexamined out of frame.
The Middle Temple, one of the four Inns of Court. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54638] £280.00 (£336.00 incl.VAT)
Sydney R. Jones.
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 240mm (11¾ x 9½"). Framed. Unexamined out of frame.
The Middle Temple, one of the four Inns of Court. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54638] £280.00 (£336.00 incl.VAT)
![[Middle Temple Hall and Fountain Court.]](jpegs/61747.jpg)
[Middle Temple Hall and Fountain Court.]
Sydney R. Jones.
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 240mm (11¾ x 9½"). very large margins.
The Middle Temple, one of the four Inns of Court. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 61747] £260.00 (£312.00 incl.VAT)
Sydney R. Jones.
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 240mm (11¾ x 9½"). very large margins.
The Middle Temple, one of the four Inns of Court. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 61747] £260.00 (£312.00 incl.VAT)
![[Middle Temple Hall and Fountain Court.]](jpegs/54631.jpg)
[Middle Temple Hall and Fountain Court.]
Sydney R. Jones [signed in plate and in pencil.]
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 275mm (11¾ x 10¾"). Framed. Unexamined out of frame.
Fountain Court, at the heart of The Honourable Society of the Middle Temple, commonly known as Middle Temple, one of the four Inns of Court. The tip of the spire of the Law Courts is visible upper left. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54631] £280.00 (£336.00 incl.VAT)
Sydney R. Jones [signed in plate and in pencil.]
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 275mm (11¾ x 10¾"). Framed. Unexamined out of frame.
Fountain Court, at the heart of The Honourable Society of the Middle Temple, commonly known as Middle Temple, one of the four Inns of Court. The tip of the spire of the Law Courts is visible upper left. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54631] £280.00 (£336.00 incl.VAT)
The Hon. Edw.d Mostyn Lloyd Mostyn, (of Mostyn, Flintshire) Lord Lieutenant & Custos Rotulorum of The County of Merioneth. This print is by permission most respectfully dedicated to the Lady Harriot Mostyn, By her Ladyship's Most obedient and obliged Humble Servant. The Publisher
Painted by William Jones. Engraved by Samuel Bellin.
Printed by Brooker & Harrison. Published by Edward Parry, Bridge Street, Chester. Printseller to Her Majesty the Queen. [n.d. c.1841.]
Fine mezzotint. Plate 520 x 407mm. 20½ x 16".
Edward Lloyd-Mostyn (1795-1884), 2nd Baron Mostyn, was a British peer and Member of Parliament. In 1831 he was elected to the House of Commons as MP for Flintshire, where stayed until 1837, but returned to the seat in in 1841 for a year and again in 1847 for three years. He also represented Lichfield from 1846 until 1847. In 1854 he succeeded his father in the barony and entered the House of Lords. From 1840 until 1884 he served as Lord Lieutenant of Merionethshire.
[Ref: 17110] £240.00 (£288.00 incl.VAT)
Painted by William Jones. Engraved by Samuel Bellin.
Printed by Brooker & Harrison. Published by Edward Parry, Bridge Street, Chester. Printseller to Her Majesty the Queen. [n.d. c.1841.]
Fine mezzotint. Plate 520 x 407mm. 20½ x 16".
Edward Lloyd-Mostyn (1795-1884), 2nd Baron Mostyn, was a British peer and Member of Parliament. In 1831 he was elected to the House of Commons as MP for Flintshire, where stayed until 1837, but returned to the seat in in 1841 for a year and again in 1847 for three years. He also represented Lichfield from 1846 until 1847. In 1854 he succeeded his father in the barony and entered the House of Lords. From 1840 until 1884 he served as Lord Lieutenant of Merionethshire.
[Ref: 17110] £240.00 (£288.00 incl.VAT)
The Monthly Banquet of Apollo. Containing, Songs, Duets, Trios, Rondeaus, Canzonets, Catches, Glees, &c. All Composed by Mr. Hook. And Never Before Published.
Jones. script. et sculpsit.
London: Printed for Harrison & Co. No.18, Paternoster Row. MDCC XCVI [1796]. Published as the Act directs Decr. 1, 1795.
Engraved titlepage with etching, 200 x 150mm. 8 x 6".
The etched vignette shows two classical female figures, one playing a lyre, inscribed 'Rothwell, sculpsit'.
British Library: 004419944.
[Ref: 9773] £95.00 (£114.00 incl.VAT)
Jones. script. et sculpsit.
London: Printed for Harrison & Co. No.18, Paternoster Row. MDCC XCVI [1796]. Published as the Act directs Decr. 1, 1795.
Engraved titlepage with etching, 200 x 150mm. 8 x 6".
The etched vignette shows two classical female figures, one playing a lyre, inscribed 'Rothwell, sculpsit'.
British Library: 004419944.
[Ref: 9773] £95.00 (£114.00 incl.VAT)
His Excellency Major General Sir C. Napier K.C.B. Governor of Sinde.
Eliza Jones Pinx.t. J.H. Lynch Lith. Day & Hague Lith.rs to the Queen.
Pub.d at 14 Pall Mall East by Paul & Dominic & C.º, Publishers to the Queen, June 23rd 1843.
Lithograph. Printed area 215 x 140mm (8½ x 5½"), with large margins.
An informal portrait of Sir Charles James Napier (1782-1853) in uniform, his right leg folded onto his left knee. Despite being wounded and left for dead at the Battle of Corunna in 1809, Napier survived the Napoleonic Wars and the American War of 1812 and was given command of the British Indian Army within the Bombay Presidency in 1842. There he fought a hard war to quellg the insurrection of the Muslim rulers of Sindh Province.
[Ref: 62493] £140.00 (£168.00 incl.VAT)
Eliza Jones Pinx.t. J.H. Lynch Lith. Day & Hague Lith.rs to the Queen.
Pub.d at 14 Pall Mall East by Paul & Dominic & C.º, Publishers to the Queen, June 23rd 1843.
Lithograph. Printed area 215 x 140mm (8½ x 5½"), with large margins.
An informal portrait of Sir Charles James Napier (1782-1853) in uniform, his right leg folded onto his left knee. Despite being wounded and left for dead at the Battle of Corunna in 1809, Napier survived the Napoleonic Wars and the American War of 1812 and was given command of the British Indian Army within the Bombay Presidency in 1842. There he fought a hard war to quellg the insurrection of the Muslim rulers of Sindh Province.
[Ref: 62493] £140.00 (£168.00 incl.VAT)
![[Netherlands] William George Frederick Prince of Orange & Nassau, Major Gene.l in the Imperial Service &.&.&.](jpegs/3484.jpg)
[Netherlands] William George Frederick Prince of Orange & Nassau, Major Gene.l in the Imperial Service &.&.&.
Paint'd by H.Jones Painter to the Emperor of Germany. Engraved by F.Green.
London published by J: Green No.701 Oxford street 23 Jany. 1797.
Mezzotint. 275 x 210mm. Light foxing, mainly in margins.
The youngest son of Willem V [1774 - 1799].
CS:1.Only state.
[Ref: 3484] £160.00 (£192.00 incl.VAT)
Paint'd by H.Jones Painter to the Emperor of Germany. Engraved by F.Green.
London published by J: Green No.701 Oxford street 23 Jany. 1797.
Mezzotint. 275 x 210mm. Light foxing, mainly in margins.
The youngest son of Willem V [1774 - 1799].
CS:1.Only state.
[Ref: 3484] £160.00 (£192.00 incl.VAT)
![[Old Bond Street.]](jpegs/62481.jpg)
[Old Bond Street.]
Sydney R. Jones.
[1928.]
Drypoint etching, signed by the artist in pencil. 315 x 225mm (12½ x 9").
A view of Old Bond Street looking towards Piccadilly, with several recognisable business signs including fine art dealers Agnew's. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62481] £260.00 (£312.00 incl.VAT)
Sydney R. Jones.
[1928.]
Drypoint etching, signed by the artist in pencil. 315 x 225mm (12½ x 9").
A view of Old Bond Street looking towards Piccadilly, with several recognisable business signs including fine art dealers Agnew's. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62481] £260.00 (£312.00 incl.VAT)
![[Sir Richard Owen.]](jpegs/47317.jpg)
[Sir Richard Owen.]
H.J. Thaddeus 1889 [in plate lower left.]
Mezzotint, proof before all letters on india laid paper, 660 x 460mm (26 x 18") very large margins. Artist's initials in pencil in margin as signature? Uncut.
Sir Richard Owen (1804-1892), naturalist, comparative anatomist and palaeontologist. His right hand rests on a dinosaur skull. From the mid 1830s the leading British comparative anatomist; one of the most formidable opponents of evolutionary theories, which he disputed with Huxley. He was superintendent of the Natural History Department of the British Museum, and designed new natural history galleries at South Kensington. After Irish painter Henry Jones Thaddeus (1860-1929). A fellow of the Royal Geographical society, he often painted portraits on commission, including two for Pope Pius X. He wrote an autobiography, 'Recollections of a Court Painter', during his retirement in California (although he died on the Isle of Wight).
Wellcome: 2197-15. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 47317] £520.00
H.J. Thaddeus 1889 [in plate lower left.]
Mezzotint, proof before all letters on india laid paper, 660 x 460mm (26 x 18") very large margins. Artist's initials in pencil in margin as signature? Uncut.
Sir Richard Owen (1804-1892), naturalist, comparative anatomist and palaeontologist. His right hand rests on a dinosaur skull. From the mid 1830s the leading British comparative anatomist; one of the most formidable opponents of evolutionary theories, which he disputed with Huxley. He was superintendent of the Natural History Department of the British Museum, and designed new natural history galleries at South Kensington. After Irish painter Henry Jones Thaddeus (1860-1929). A fellow of the Royal Geographical society, he often painted portraits on commission, including two for Pope Pius X. He wrote an autobiography, 'Recollections of a Court Painter', during his retirement in California (although he died on the Isle of Wight).
Wellcome: 2197-15. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 47317] £520.00
![Pharoah's Seat, with the sacred Island of Philae [pencil title on reverse]](jpegs/61264.jpg)
Pharoah's Seat, with the sacred Island of Philae [pencil title on reverse]
By Owen Jones [pencil on reverse].
[n.d., c.1830.]
Watercolour on card. Sheet 190 x 550mm (7½ x 21½"). Wear to edges.
A view of the Egyptian temples in their original positions on the island of Philae, before the building of the Aswan Dam. The viewpoint is the same as the lithograph 'Philae - Looking South' in 'Views on the Nile from Cairo to the Second Cataract' by Jones & Jules Goury, 1843, with changes to the rocks and staffage.
[Ref: 61264] £1,450.00
By Owen Jones [pencil on reverse].
[n.d., c.1830.]
Watercolour on card. Sheet 190 x 550mm (7½ x 21½"). Wear to edges.
A view of the Egyptian temples in their original positions on the island of Philae, before the building of the Aswan Dam. The viewpoint is the same as the lithograph 'Philae - Looking South' in 'Views on the Nile from Cairo to the Second Cataract' by Jones & Jules Goury, 1843, with changes to the rocks and staffage.
[Ref: 61264] £1,450.00
![[Port of London Authority Building.]](jpegs/54636.jpg)
[Port of London Authority Building.] [In pencil along bottom mount border:] The Port of London Authority, E.C. 1930 Private plate for Sir Edwin Cooper & Johyn Mowlem & Co Ltd.
Sydney R. Jones [signed in pencil]
[n.d. 1940] [in pencil:] 4th state Trial No8 (steel).
Etching. 292 x 425mm. 11½ x 16¾".
The Port of London Authority Building, 10 Trinity Square, a Beaux Arts structure was designed by Sir Edwin Cooper, built 1912-22, now the Four Seasons Hotel London at Ten Trinity Square. To the right is Trinity House. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54636] £260.00 (£312.00 incl.VAT)
Sydney R. Jones [signed in pencil]
[n.d. 1940] [in pencil:] 4th state Trial No8 (steel).
Etching. 292 x 425mm. 11½ x 16¾".
The Port of London Authority Building, 10 Trinity Square, a Beaux Arts structure was designed by Sir Edwin Cooper, built 1912-22, now the Four Seasons Hotel London at Ten Trinity Square. To the right is Trinity House. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54636] £260.00 (£312.00 incl.VAT)
The Posts.
David Jones invt. delin. et sculpt. Sepr. 7th. 1762.
Publish'd According to Act of Parliament by J. Williams Bookseller next the Mitre Tavern Fleet Street, of whom may be had the Asses of G-t Bri-n the Laird of the Boot - Without & Within & the fall of Mortimer.
Etching and engraving. 202 x 290mm (8 x 11½). Trimmed and laid on album page.
Satire on Lord Bute's alleged promotion of Scots, in ten compartments each with two lines of verse (presumably reduced versions of ten larger prints, not all of which are in the British Museum collection). 'The Whipping Post': a Scotsman in a kilt flogs the naked figure of Britannia with a thistle, a sleeping lion rests at the foot of the whipping post beside Britannia's shield, Pitt begs on his knee for mercy and a chained mastiff barks furiously. 'The Scrubbing Post': Bute and two other Scots scratch themselves, one rubbing against a rough post topped by the head of a term. 'The Penny Post': a postman delivers a letter to a wealthy Scot while a chimney boy walks by. "The General Post": a Scottish general, preceded by a bagpiper, rides in front of a troop of infantry. 'The Highest Post': Bute expels Pitt from the Treasury and a number of Scots herd through the doors; a ghost (perhaps the old king, George II) appears on the left. 'The Triple Post': Britannia hangs Lord Bute at Tyburn (the triple tree) where a goose (probably the Duke of Bedford) and a fox (Henry Fox) are already hanging; a clergyman (possibly intended for Charles Churchill) stands beneath the gallows; on the left, Princess Augusta weeps while in the crowd behind her a man releases three pigeons into the air; on the right are two sheriffs on horseback, a woman ballad-seller with a 'Last Dying Speech' and an elegant couple. 'The Jumping Post': Scotsmen leap over posts labelled, 'Post Of[fice]', 'Custom Ho[use]", "Excise Of[fice]", and "Admiralty Of[fice]" towards the open window of the Treasury where a sentry sleeps on the ground in front of his box. 'The Starting Post': a horse race led by Bute who is cheered on by Princess Augusta. 'The Sign Post': an inn sign, lettered 'The Salutation', shows Bute and Princess Augusta kissing (see BM Satires 3953). 'The Directing Post': two Scotsmen hike along the 'Road to preferment' towards London which can be seen in the distance.
From the Oettingen-Wallerstein Collection. BM Satires: 3944.
[Ref: 28360] £280.00 (£336.00 incl.VAT)
David Jones invt. delin. et sculpt. Sepr. 7th. 1762.
Publish'd According to Act of Parliament by J. Williams Bookseller next the Mitre Tavern Fleet Street, of whom may be had the Asses of G-t Bri-n the Laird of the Boot - Without & Within & the fall of Mortimer.
Etching and engraving. 202 x 290mm (8 x 11½). Trimmed and laid on album page.
Satire on Lord Bute's alleged promotion of Scots, in ten compartments each with two lines of verse (presumably reduced versions of ten larger prints, not all of which are in the British Museum collection). 'The Whipping Post': a Scotsman in a kilt flogs the naked figure of Britannia with a thistle, a sleeping lion rests at the foot of the whipping post beside Britannia's shield, Pitt begs on his knee for mercy and a chained mastiff barks furiously. 'The Scrubbing Post': Bute and two other Scots scratch themselves, one rubbing against a rough post topped by the head of a term. 'The Penny Post': a postman delivers a letter to a wealthy Scot while a chimney boy walks by. "The General Post": a Scottish general, preceded by a bagpiper, rides in front of a troop of infantry. 'The Highest Post': Bute expels Pitt from the Treasury and a number of Scots herd through the doors; a ghost (perhaps the old king, George II) appears on the left. 'The Triple Post': Britannia hangs Lord Bute at Tyburn (the triple tree) where a goose (probably the Duke of Bedford) and a fox (Henry Fox) are already hanging; a clergyman (possibly intended for Charles Churchill) stands beneath the gallows; on the left, Princess Augusta weeps while in the crowd behind her a man releases three pigeons into the air; on the right are two sheriffs on horseback, a woman ballad-seller with a 'Last Dying Speech' and an elegant couple. 'The Jumping Post': Scotsmen leap over posts labelled, 'Post Of[fice]', 'Custom Ho[use]", "Excise Of[fice]", and "Admiralty Of[fice]" towards the open window of the Treasury where a sentry sleeps on the ground in front of his box. 'The Starting Post': a horse race led by Bute who is cheered on by Princess Augusta. 'The Sign Post': an inn sign, lettered 'The Salutation', shows Bute and Princess Augusta kissing (see BM Satires 3953). 'The Directing Post': two Scotsmen hike along the 'Road to preferment' towards London which can be seen in the distance.
From the Oettingen-Wallerstein Collection. BM Satires: 3944.
[Ref: 28360] £280.00 (£336.00 incl.VAT)
Raphael's Prophetic Messenger Almanack, 1860. Hieroglyphic For The (Herein the Aspect of the Heavens learn, And of the Times the Mystic Signs discern,) Eventful Year 1860.
Symbols by Raphael. Drawn by T.H. Jones.
Published by Piper, Stephenson & Spence.
Hand -coloured lithograph, sheet 265 x 325mm (10½ x 12¾"). Creased, torn, surface dirt.
A series of apocalyptic images; Britannia stands on the right holding her spear next to a cornucopia filled with exotic fruit;in the centre a grey bearded man consults a man with a Van Dycke who is seated at a table with a map of europe, they both wear military uniforms, a list comes out from behind his chair 'Turkey, Italy, Paris, FRance, Italy.' Left of them the Pope holds a scroll 'Concordat', while a monarch points to it, a man at a table scribes. In the background left a battle featuring elephants takes place, below a naval battle, right another battle. Right of that a man addresses a crowd. A scrollon the ground titled Reform. Published alongside the astrological periodical 'The Prophetic Messenge'r, also known as 'Raphael's Almanac', between 1827 and 1861. The purpose of the pen name Raphael was to call upon the archangel Raphael, who is commonly associated with Mercury, the gods' messenger. Several British astrologers employed it during the first part of the 1800s, and their combined use helped astrology come back into vogue.
[Ref: 62030] £130.00 (£156.00 incl.VAT)
Symbols by Raphael. Drawn by T.H. Jones.
Published by Piper, Stephenson & Spence.
Hand -coloured lithograph, sheet 265 x 325mm (10½ x 12¾"). Creased, torn, surface dirt.
A series of apocalyptic images; Britannia stands on the right holding her spear next to a cornucopia filled with exotic fruit;in the centre a grey bearded man consults a man with a Van Dycke who is seated at a table with a map of europe, they both wear military uniforms, a list comes out from behind his chair 'Turkey, Italy, Paris, FRance, Italy.' Left of them the Pope holds a scroll 'Concordat', while a monarch points to it, a man at a table scribes. In the background left a battle featuring elephants takes place, below a naval battle, right another battle. Right of that a man addresses a crowd. A scrollon the ground titled Reform. Published alongside the astrological periodical 'The Prophetic Messenge'r, also known as 'Raphael's Almanac', between 1827 and 1861. The purpose of the pen name Raphael was to call upon the archangel Raphael, who is commonly associated with Mercury, the gods' messenger. Several British astrologers employed it during the first part of the 1800s, and their combined use helped astrology come back into vogue.
[Ref: 62030] £130.00 (£156.00 incl.VAT)