A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Aly. Osman. Fig. 6. Fig. 5.
J.B. Hilaire, Del. Ingouf, junior, Sculp.
[n.d. c.1785.]
Etching and engraving, paper watermarked. 203 x 269mm. 8 x 10½".
Two Turkish men, slightly turned towards each other, seated on carpet on each side of a small table; the man on the right holds a small book; a sword lies on the left. From Ohsson's 'Tableau général de l'empire Ottoman' (Paris, 1787-1820).
[Ref: 25051] £140.00 (£168.00 incl.VAT)
J.B. Hilaire, Del. Ingouf, junior, Sculp.
[n.d. c.1785.]
Etching and engraving, paper watermarked. 203 x 269mm. 8 x 10½".
Two Turkish men, slightly turned towards each other, seated on carpet on each side of a small table; the man on the right holds a small book; a sword lies on the left. From Ohsson's 'Tableau général de l'empire Ottoman' (Paris, 1787-1820).
[Ref: 25051] £140.00 (£168.00 incl.VAT)
Amicitia si stringa, il tutto e'in pace. 4.
J.B. Intenari fecit. J. Canale Scul.
[Dresden, c.1763.]
Etching, with large margins. Paper watermarked. Plate 343 x 235mm. 13½ x 9¼". Slight worming outside plate on left, 3 repaired wormholes in image.
Friendship strengthened, everything in order and peaceful. Giovanni Battista Internari (1671-1769) specialised in reduction drawings after old masters for engraving. Giuseppe Canale (1725-1802) was an Italian painter and engraver, when in 1751 he was invited to Dresden to assist in engraving plates for the pictures in their gallery, and was appointed engraver to the Court. From "Karikatur zweier Herren".
[Ref: 23879] £230.00 (£276.00 incl.VAT)
J.B. Intenari fecit. J. Canale Scul.
[Dresden, c.1763.]
Etching, with large margins. Paper watermarked. Plate 343 x 235mm. 13½ x 9¼". Slight worming outside plate on left, 3 repaired wormholes in image.
Friendship strengthened, everything in order and peaceful. Giovanni Battista Internari (1671-1769) specialised in reduction drawings after old masters for engraving. Giuseppe Canale (1725-1802) was an Italian painter and engraver, when in 1751 he was invited to Dresden to assist in engraving plates for the pictures in their gallery, and was appointed engraver to the Court. From "Karikatur zweier Herren".
[Ref: 23879] £230.00 (£276.00 incl.VAT)
Explanation of the arms of Napoleon Bonaparte. The Tyrant of France, who created himself Emperor of the French 18th May 1803; was dethroned by the French Senate 2d April 1814; compelled to abdicate for himself and his Family 6th April, and his Life spared on condition of being transported for the remainder of his days to the Island of Elba; whither he was sent under escort on the 20th of April, 1814.
[By Thomas Rowlandson, after a design published by J.B.G. Vogel.]
[Published by R. Ackermann, at his Repository of Arts, 101, Strand, London.] [n.d., c.1814.]
Coloured etching with letterpress. Sheet 445 x 275mm (17½ x 10¾"). Trimmed at bottom, losing publication line, some cockling of paper, laid on album sheet.
A satirical heraldic set of arms for Napoleon, supported by Death and the Devil. An copy of a plate published by J.B.G. Vogel in 1808, with a demon on the left side replaced by Death, by Rowlandson.
See: Ref: 63973. BM Satires 12235; see 12205 for Cruikshank's version and 11057 for Vogel's original.
[Ref: 63811] £590.00
[By Thomas Rowlandson, after a design published by J.B.G. Vogel.]
[Published by R. Ackermann, at his Repository of Arts, 101, Strand, London.] [n.d., c.1814.]
Coloured etching with letterpress. Sheet 445 x 275mm (17½ x 10¾"). Trimmed at bottom, losing publication line, some cockling of paper, laid on album sheet.
A satirical heraldic set of arms for Napoleon, supported by Death and the Devil. An copy of a plate published by J.B.G. Vogel in 1808, with a demon on the left side replaced by Death, by Rowlandson.
See: Ref: 63973. BM Satires 12235; see 12205 for Cruikshank's version and 11057 for Vogel's original.
[Ref: 63811] £590.00
Océeanie. par J.B. Poirson.
Gravé par Thierry, Rue des Mathurins, S. Jacques, No. 1.
[Paris c.1830.]
Engraved map, coloured. 230 x 335mm, 9 x 13¼". Narrow lateral margins.
A map of Australasia showing north to Hawaii and Taiwan, published in the 'Traite Eleméntaire de Géographie'.
[Ref: 25752] £160.00
Gravé par Thierry, Rue des Mathurins, S. Jacques, No. 1.
[Paris c.1830.]
Engraved map, coloured. 230 x 335mm, 9 x 13¼". Narrow lateral margins.
A map of Australasia showing north to Hawaii and Taiwan, published in the 'Traite Eleméntaire de Géographie'.
[Ref: 25752] £160.00
Caricature. i Sensi miei placido ascolterai. I.
Joan. Bapt. Internari fecit. J. Canale Scul.
[Dresden, n.d. c.1763.]
Etching. 345 x 240mm (13½ x 9½"). Creasing through left; wormholes, stains in margins.
Two ugly men with a Prostitute beckoning them in. Giovanni Battista Internari (1671-1769) specialised in reduction drawings after old masters for engraving. Giuseppe Canale (1725-1802) was an Italian painter and engraver, when in 1751 he was invited to Dresden to assist in engraving plates for the pictures in their gallery, and was appointed engraver to the Court. From "Karikatur zweier Herren".
[Ref: 23894] £130.00 (£156.00 incl.VAT)
Joan. Bapt. Internari fecit. J. Canale Scul.
[Dresden, n.d. c.1763.]
Etching. 345 x 240mm (13½ x 9½"). Creasing through left; wormholes, stains in margins.
Two ugly men with a Prostitute beckoning them in. Giovanni Battista Internari (1671-1769) specialised in reduction drawings after old masters for engraving. Giuseppe Canale (1725-1802) was an Italian painter and engraver, when in 1751 he was invited to Dresden to assist in engraving plates for the pictures in their gallery, and was appointed engraver to the Court. From "Karikatur zweier Herren".
[Ref: 23894] £130.00 (£156.00 incl.VAT)
Mich.l Richard De Lalande Sur-intend.t de la Musique du Roi. Né à Paris, le 15 Décembre 1657. Mort le 18 Janvier 1726.
Santerre Pinx Mathey sculp.
A Paris chez Odieuvre Md d'Estampes quai de l'Ecole vis a vis la Samarite a la belle Image. CPR
Engraving, platemark 160 x 110mm (6¼ x 4¼").
Michel Richard Delalande (1657-1726), French baroque composer and organist in the service of Louis XIV. After the portrait Jean-Baptiste Santerre (1650-1717).
[Ref: 23175] £80.00 (£96.00 incl.VAT)
Santerre Pinx Mathey sculp.
A Paris chez Odieuvre Md d'Estampes quai de l'Ecole vis a vis la Samarite a la belle Image. CPR
Engraving, platemark 160 x 110mm (6¼ x 4¼").
Michel Richard Delalande (1657-1726), French baroque composer and organist in the service of Louis XIV. After the portrait Jean-Baptiste Santerre (1650-1717).
[Ref: 23175] £80.00 (£96.00 incl.VAT)
![[Woman sealing a letter]](jpegs/40296.jpg)
[Woman sealing a letter] Bien mieux, qu'au Siecle ou regnoit l'innocence, / Ou sur un arbre on ecrivoit ses feux [...]
Santerre pinx Chasteau fec 1708
AParis chez Chasteau rue des Marmouzets chez M.l Buirette procu.r avec privil. du Roy
Engraving, good impression; platemark 255 x 185mm (10 x 7¼"). Small margins.
A woman seals a letter to her lover; text below states that 'much better' than in centuries past where declarations of love were carved into trees, making them in the form of letters keeps them private. The text and image play on this ambiguity and our own uncertainty as to who the woman is writing. After a painting by Jean-Baptiste Santerre (1651-1717), Peintre Ordinaire to Philippe II, Duc d'Orléans, who combined the northern tradition of imaginary portraits with the allegorical portraits then fashionable in France (as seen in artists such as François de Troy).
[Ref: 40296] £130.00 (£156.00 incl.VAT)
Santerre pinx Chasteau fec 1708
AParis chez Chasteau rue des Marmouzets chez M.l Buirette procu.r avec privil. du Roy
Engraving, good impression; platemark 255 x 185mm (10 x 7¼"). Small margins.
A woman seals a letter to her lover; text below states that 'much better' than in centuries past where declarations of love were carved into trees, making them in the form of letters keeps them private. The text and image play on this ambiguity and our own uncertainty as to who the woman is writing. After a painting by Jean-Baptiste Santerre (1651-1717), Peintre Ordinaire to Philippe II, Duc d'Orléans, who combined the northern tradition of imaginary portraits with the allegorical portraits then fashionable in France (as seen in artists such as François de Troy).
[Ref: 40296] £130.00 (£156.00 incl.VAT)
Funchal, from the Chapel of Santa Catharina.
Drawn from Nature by J.B. On stone by W. Gauci.
Printed by Engelman, Graf, Coindet & Co. 92 Dean St. [n.d., c.1850].
Hand-coloured lithograph. Sheet size: 247 x 325mm (9¾ x 12¾").
A view of the Portugese city of Funchal, the largest city and capital of Portugal's Autonomous Region of Madeira. A number of figures in traditional costume can be seen around the chapel, with the city in the background and mountains in the distance. The chapel was originally built solely out of wood but was later rebuilt in stone. The wife of one of the island´s discoverers (João Gonçalves Zarco), Lady Constance, ordered the construction of this chapel back in 1425.
Not in Abbey.
[Ref: 32138] £360.00
Drawn from Nature by J.B. On stone by W. Gauci.
Printed by Engelman, Graf, Coindet & Co. 92 Dean St. [n.d., c.1850].
Hand-coloured lithograph. Sheet size: 247 x 325mm (9¾ x 12¾").
A view of the Portugese city of Funchal, the largest city and capital of Portugal's Autonomous Region of Madeira. A number of figures in traditional costume can be seen around the chapel, with the city in the background and mountains in the distance. The chapel was originally built solely out of wood but was later rebuilt in stone. The wife of one of the island´s discoverers (João Gonçalves Zarco), Lady Constance, ordered the construction of this chapel back in 1425.
Not in Abbey.
[Ref: 32138] £360.00
The Matterhorn, from the North. Plate II.
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 200 x 125mm (8 x 5"). Tiny crease upper right corner.
A view of the Matterhorn mountain of the Alps, which straddles the main watershed and border between Italy and Switzerland.
[Ref: 63066] £95.00 (£114.00 incl.VAT)
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 200 x 125mm (8 x 5"). Tiny crease upper right corner.
A view of the Matterhorn mountain of the Alps, which straddles the main watershed and border between Italy and Switzerland.
[Ref: 63066] £95.00 (£114.00 incl.VAT)
Mont Blanc from above the Flégère. Plate IV.
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
[John Murray, Albemarle Street, 1849.]
Lithograph, sheet 200 x 125mm (8 x 5"). End of publisher under title missing due to slight damage and creasing along lower margin.
A view of Mont Blanc, the highest mountain in the Alps and Western Europe, located on the French-Italian border.
[Ref: 63067] £95.00 (£114.00 incl.VAT)
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
[John Murray, Albemarle Street, 1849.]
Lithograph, sheet 200 x 125mm (8 x 5"). End of publisher under title missing due to slight damage and creasing along lower margin.
A view of Mont Blanc, the highest mountain in the Alps and Western Europe, located on the French-Italian border.
[Ref: 63067] £95.00 (£114.00 incl.VAT)
Chain of Monte Rosa from the Riffelberg. Plate I.
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 195 x 125mm (7¾ x 5"). Creasing along lower margin.
A view of Monte Rosa from the Riffelberg, a mountain massif in the eastern part of the Pennine Alps, on the border between Italy and Switzerland.
[Ref: 63065] £95.00 (£114.00 incl.VAT)
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 195 x 125mm (7¾ x 5"). Creasing along lower margin.
A view of Monte Rosa from the Riffelberg, a mountain massif in the eastern part of the Pennine Alps, on the border between Italy and Switzerland.
[Ref: 63065] £95.00 (£114.00 incl.VAT)
![[Netherlands] Z.K.H. De Prins Van Oranje.](jpegs/9760.jpg)
[Netherlands] Z.K.H. De Prins Van Oranje.
J.B.V.D. Hulst, Koninklijke hofschilder pinxt. Get. door Last en V.D. Hulst: gedr. by Desguerrois en Co.
Uitgegeven door A.H. Bakhuijsen, te S'Gravenhage [n.d., c.1825].
Lithograph on india laid paper, image 320 x 250mm. 12½ x 9¾". Small tears to left paper edge.
William Frederick George Louis, Prince of Orange and future King Willliam II of the Netherlands (1792 - 1849). He entered the British Army, and in 1811, as aide-de-camp to Arthur Wellesley, Duke of Wellington, took part in several campaigns in the Peninsular War. He returned to the Netherlands in 1813 when his father became sovereign prince. In 1815, William became crown prince and he took service in the army when Napoleon escaped from Elba. He fought as commander of the Dutch-Belgian forces at the Battle of Quatre Bras (16 June 1815) as well as at Waterloo. He showed personal courage and energy, but frequently displayed atrocious military judgement, leading to many heavy casualties. The Duke of Wellington attributed this to his lack of command experience, however, rather than to him being a bad leader.
[Ref: 9760] £190.00 (£228.00 incl.VAT)
J.B.V.D. Hulst, Koninklijke hofschilder pinxt. Get. door Last en V.D. Hulst: gedr. by Desguerrois en Co.
Uitgegeven door A.H. Bakhuijsen, te S'Gravenhage [n.d., c.1825].
Lithograph on india laid paper, image 320 x 250mm. 12½ x 9¾". Small tears to left paper edge.
William Frederick George Louis, Prince of Orange and future King Willliam II of the Netherlands (1792 - 1849). He entered the British Army, and in 1811, as aide-de-camp to Arthur Wellesley, Duke of Wellington, took part in several campaigns in the Peninsular War. He returned to the Netherlands in 1813 when his father became sovereign prince. In 1815, William became crown prince and he took service in the army when Napoleon escaped from Elba. He fought as commander of the Dutch-Belgian forces at the Battle of Quatre Bras (16 June 1815) as well as at Waterloo. He showed personal courage and energy, but frequently displayed atrocious military judgement, leading to many heavy casualties. The Duke of Wellington attributed this to his lack of command experience, however, rather than to him being a bad leader.
[Ref: 9760] £190.00 (£228.00 incl.VAT)
Omer. Ebu'Bekir. Fig.4. Fig. 3.
J.B. Hilaire, Del. Ingouf junior, Sculp.
[n.d. c.1785.]
Etching and engraving, paper watermarked. 201 x 272mm. 8 x 10¾".
Two Turkish men, turned towards each other, seated on carpet on each side of a small table on which sits a book; the man on the left holds a small book and seems to be conversing with his companion, who makes argumentative gestures. Probably Abu Bakr (573-634), a senior companion of the Islamic prophet Muhammad who ruled over the Rashidun Caliphate from 632 to 634 CE when he became the first Muslim Caliph following the death of Muhammad; and Umar bin Khattab (581-644), the leading companion and adviser to Islamic prophet Muhammad who later became the second Muslim Caliph after Muhammad's death. From Ohsson's 'Tableau général de l'empire Ottoman' (Paris, 1787-1820).
[Ref: 25050] £160.00 (£192.00 incl.VAT)
J.B. Hilaire, Del. Ingouf junior, Sculp.
[n.d. c.1785.]
Etching and engraving, paper watermarked. 201 x 272mm. 8 x 10¾".
Two Turkish men, turned towards each other, seated on carpet on each side of a small table on which sits a book; the man on the left holds a small book and seems to be conversing with his companion, who makes argumentative gestures. Probably Abu Bakr (573-634), a senior companion of the Islamic prophet Muhammad who ruled over the Rashidun Caliphate from 632 to 634 CE when he became the first Muslim Caliph following the death of Muhammad; and Umar bin Khattab (581-644), the leading companion and adviser to Islamic prophet Muhammad who later became the second Muslim Caliph after Muhammad's death. From Ohsson's 'Tableau général de l'empire Ottoman' (Paris, 1787-1820).
[Ref: 25050] £160.00 (£192.00 incl.VAT)
Attack and Capture of the Forts at the Entrance of the River Pei-Ho_ China on the 20th May 1858. By the Allied British and French Gun Boats and Boats of the Squadron in the Gulf of Pechili. Respectfully dedicated by permission to their Excellencies Rear Admiral Sir M. Seymout K.C.B. and Rear Admiral E. Reigault de Genouilby G.E.L.H. K.C.B.
From a Sketch by F.J.E.B. Bedwell. _ T.Picken Lith. Day & Son, Chromolith. to the Queen.
London Published by Day & Son, Lithographers to the Queen, Gate Street, Lincoln's Inn Fields.
Tinted lithograph. Printed area 400 x 600mm (15¾ x 23½"). Image trimmed and laid on sheet with printed titles, as issued. A few knocks to edges.
In 1858 a British naval squadron with Royal Marines attempted to capture the Taku forts at the entrance to the Pei-Ho River, and were ignominiously defeated.
[Ref: 571] £360.00
From a Sketch by F.J.E.B. Bedwell. _ T.Picken Lith. Day & Son, Chromolith. to the Queen.
London Published by Day & Son, Lithographers to the Queen, Gate Street, Lincoln's Inn Fields.
Tinted lithograph. Printed area 400 x 600mm (15¾ x 23½"). Image trimmed and laid on sheet with printed titles, as issued. A few knocks to edges.
In 1858 a British naval squadron with Royal Marines attempted to capture the Taku forts at the entrance to the Pei-Ho River, and were ignominiously defeated.
[Ref: 571] £360.00
Attack and Capture of the Forts at the Entrance of the River Pei-Ho_ China on the 20th May 1858. By the Allied British and French Gun Boats and Boats of the Squadron in the Gulf of Pechili. Respectfully dedicated by permission to their Excellencies Rear Admiral Sir M. Seymout K.C.B. and Rear Admiral E. Reigault de Genouilby G.E.L.H. K.C.B.
From a Sketch by F.J.E.B. Bedwell. _ T.Picken Lith. Day & Son, Chromolith. to the Queen.
London Published by Day & Son, Lithographers to the Queen, Gate Street, Lincoln's Inn Fields.
Tinted lithograph with fine hand colour. Printed area 400 x 600mm (15¾ x 23½"), with very large margins. Image trimmed and laid on sheet with printed titles, as issued.
In 1858 a British naval squadron with Royal Marines attempted to capture the Taku forts at the entrance to the Pei-Ho River, and were ignominiously defeated.
[Ref: 51390] £750.00
From a Sketch by F.J.E.B. Bedwell. _ T.Picken Lith. Day & Son, Chromolith. to the Queen.
London Published by Day & Son, Lithographers to the Queen, Gate Street, Lincoln's Inn Fields.
Tinted lithograph with fine hand colour. Printed area 400 x 600mm (15¾ x 23½"), with very large margins. Image trimmed and laid on sheet with printed titles, as issued.
In 1858 a British naval squadron with Royal Marines attempted to capture the Taku forts at the entrance to the Pei-Ho River, and were ignominiously defeated.
[Ref: 51390] £750.00
Jardin de Serra. Madeira.
Drawn from Nature by J.B. On stone by Villeneuve.
Printed by Engelman, Graf, Coindet & Co [n.d., c.1830].
Hand-coloured lithograph. Sheet size: 265 x 325mm (10¼ x 12¾").
A picturesque scene depicting a few small buildings in a fertile, mountainous landscape, with two figures in the foreground collecting wood. Jardin da Serra (Portuguese meaning "mountain garden") is a civil parish in the municipality of Câmara de Lobos in the archipelago of Madeira.
Not in Abbey.
[Ref: 32144] £240.00 (£288.00 incl.VAT)
Drawn from Nature by J.B. On stone by Villeneuve.
Printed by Engelman, Graf, Coindet & Co [n.d., c.1830].
Hand-coloured lithograph. Sheet size: 265 x 325mm (10¼ x 12¾").
A picturesque scene depicting a few small buildings in a fertile, mountainous landscape, with two figures in the foreground collecting wood. Jardin da Serra (Portuguese meaning "mountain garden") is a civil parish in the municipality of Câmara de Lobos in the archipelago of Madeira.
Not in Abbey.
[Ref: 32144] £240.00 (£288.00 incl.VAT)
Machico. Madeira.
Drawn from Nature by J.B. / On stone by W. Gauci.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830].
Hand-coloured lithograph. Sheet size: 260 x 340mm (10¼ x 13½").
A view of a river in the city of Machico, Portugal. To the right, a women in a white, hooded robe is being carried in a sedan chair by two men in traditional costume. A bridge can be seen in the middle ground and a mountainous landscape in the distance. Machico is a city and municipality in the northeastern part of the island of Madeira, in the Autonomous Region of Madeira.
Not in Abbey.
[Ref: 32141] £330.00
Drawn from Nature by J.B. / On stone by W. Gauci.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830].
Hand-coloured lithograph. Sheet size: 260 x 340mm (10¼ x 13½").
A view of a river in the city of Machico, Portugal. To the right, a women in a white, hooded robe is being carried in a sedan chair by two men in traditional costume. A bridge can be seen in the middle ground and a mountainous landscape in the distance. Machico is a city and municipality in the northeastern part of the island of Madeira, in the Autonomous Region of Madeira.
Not in Abbey.
[Ref: 32141] £330.00
The Church of Nossa Sen.a Do Livramento, In the Curral. Madeira.
Drawn from Nature by J.B. On stone by F. Nicholson.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830].
Hand-coloured lithograph. Sheet size: 275 x 330mm (10¾ x 13").
A picturesque view of the church of Nossa Senhora do Livramento, Curral das Freiras, a civil parish in the Portuguese archipelago of Madeira. The church can be seen in the centre of a fertile and mountainous landscape, with three figures in the foreground and a waterfall near the top of the mountains in the distance.
Not in Abbey.
[Ref: 32143] £240.00 (£288.00 incl.VAT)
Drawn from Nature by J.B. On stone by F. Nicholson.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830].
Hand-coloured lithograph. Sheet size: 275 x 330mm (10¾ x 13").
A picturesque view of the church of Nossa Senhora do Livramento, Curral das Freiras, a civil parish in the Portuguese archipelago of Madeira. The church can be seen in the centre of a fertile and mountainous landscape, with three figures in the foreground and a waterfall near the top of the mountains in the distance.
Not in Abbey.
[Ref: 32143] £240.00 (£288.00 incl.VAT)
Descent into the Curral. From the ridge under Pico Grande. Madeira.
Drawn from Nature by J.B. On stone by E. Nash.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830]
Hand-coloured lithograph. Sheet size: 270 x 335mm (10¾ x 13¼").
A dramatic and picturesque view of the Pico Grande, Madeira, Portugal. Two figures on Donkeys can be seen on a path to the right, descending into the valley of the mountain, whilst a flock of birds fly over ahead in the distance.
Not in Abbey.
[Ref: 32145] £240.00 (£288.00 incl.VAT)
Drawn from Nature by J.B. On stone by E. Nash.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830]
Hand-coloured lithograph. Sheet size: 270 x 335mm (10¾ x 13¼").
A dramatic and picturesque view of the Pico Grande, Madeira, Portugal. Two figures on Donkeys can be seen on a path to the right, descending into the valley of the mountain, whilst a flock of birds fly over ahead in the distance.
Not in Abbey.
[Ref: 32145] £240.00 (£288.00 incl.VAT)
Pico Ruivo, the Torrinhas &.c &.c. From the Paul de Serra. Madeira.
Drawn from nature by J.B. On stone by F. Nicholson.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830]
Hand-coloured lithograph. Sheet size: 285 x 360mm (11¼ x 14¼").
A landscape view of the Pico Ruivo, the highest peak on the Madeira Islands, Portugal. Four figures can be seen on a path in the foreground, carrying large bags across their shoulders, with dramatic mountains in the distance.
Not in Abbey.
[Ref: 32146] £240.00 (£288.00 incl.VAT)
Drawn from nature by J.B. On stone by F. Nicholson.
Printed by Engelman, Graf, Coindet & Co. [n.d., c.1830]
Hand-coloured lithograph. Sheet size: 285 x 360mm (11¼ x 14¼").
A landscape view of the Pico Ruivo, the highest peak on the Madeira Islands, Portugal. Four figures can be seen on a path in the foreground, carrying large bags across their shoulders, with dramatic mountains in the distance.
Not in Abbey.
[Ref: 32146] £240.00 (£288.00 incl.VAT)
L'Imam. Schafiy. L'Imam Azam Ebu-Hanife. Fig. 9. Fig. 8.
[J.B. Hilaire, Del. Ingouf, junior, Sculp.]
[n.d. c.1785.]
Etching and engraving, paper watermarked. 203 x 266mm. 8 x 10½". Crease.
Two Turkish men sitting on a carpet with one reading to the other. From Ohsson's 'Tableau général de l'empire Ottoman' (Paris, 1787-1820).
[Ref: 25052] £90.00 (£108.00 incl.VAT)
[J.B. Hilaire, Del. Ingouf, junior, Sculp.]
[n.d. c.1785.]
Etching and engraving, paper watermarked. 203 x 266mm. 8 x 10½". Crease.
Two Turkish men sitting on a carpet with one reading to the other. From Ohsson's 'Tableau général de l'empire Ottoman' (Paris, 1787-1820).
[Ref: 25052] £90.00 (£108.00 incl.VAT)
Son diversi da' nostri i suoi costumi. 3.
J.B. Intenari fecit. J. Canale Scul.
[Dresden, c.1763.]
Etching. 344 x 235mm (13½ x 9¼"), with large margins. Wormholes outside platemark. 3 repaired wormholes in image.
''They are different us in their habits''. Published in 'Karikatur zweier Herren'. Giovanni Battista Internari (1671-1769) specialised in reduction drawings after old masters for engraving. Giuseppe Canale (1725-1802) was an Italian painter and engraver, when in 1751 he was invited to Dresden to assist in engraving plates for the pictures in their gallery, and was appointed engraver to the Court.
[Ref: 23882] £230.00 (£276.00 incl.VAT)
J.B. Intenari fecit. J. Canale Scul.
[Dresden, c.1763.]
Etching. 344 x 235mm (13½ x 9¼"), with large margins. Wormholes outside platemark. 3 repaired wormholes in image.
''They are different us in their habits''. Published in 'Karikatur zweier Herren'. Giovanni Battista Internari (1671-1769) specialised in reduction drawings after old masters for engraving. Giuseppe Canale (1725-1802) was an Italian painter and engraver, when in 1751 he was invited to Dresden to assist in engraving plates for the pictures in their gallery, and was appointed engraver to the Court.
[Ref: 23882] £230.00 (£276.00 incl.VAT)
![The Cottage at Strawberry Hill [Reversed.].](jpegs/3406.jpg)
The Cottage at Strawberry Hill [Reversed.].
J.B. del. John Watts Fecit.
[n.d., c.1780.]
Sepia aquatint. 125 x 165mm. Narrow margins, laid on card.
All the lettering is reversed.
[Ref: 3406] £120.00 (£144.00 incl.VAT)
J.B. del. John Watts Fecit.
[n.d., c.1780.]
Sepia aquatint. 125 x 165mm. Narrow margins, laid on card.
All the lettering is reversed.
[Ref: 3406] £120.00 (£144.00 incl.VAT)
The Royal Family. Prince Albert. Prince Alfred. The Queen. Princess Helena. Princess Alice. Princess Royal. Princess Louisa. Windsor Castle. Prince of Wales. St. George's Chapel.
J.G.B. del.
London, G. Berger. Holywell St. Strand. [n.d. c.1840.]
Aquatint with etching. 253 x 314mm.
The Royal Family standing on the river bank of the Thames as the Prince of Wales, Edward VII, takes out a rowing boat.
See Ref: 12940
[Ref: 12536] £120.00 (£144.00 incl.VAT)
J.G.B. del.
London, G. Berger. Holywell St. Strand. [n.d. c.1840.]
Aquatint with etching. 253 x 314mm.
The Royal Family standing on the river bank of the Thames as the Prince of Wales, Edward VII, takes out a rowing boat.
See Ref: 12940
[Ref: 12536] £120.00 (£144.00 incl.VAT)
![[Arthur Wellesley, Duke of Wellington] Tragedy. Waterloo 1815. Comedy. Oxford 1834.](jpegs/61232.jpg)
[Arthur Wellesley, Duke of Wellington] Tragedy. Waterloo 1815. Comedy. Oxford 1834. All the worlds a Stage, and all the Men and Women merely players [...]
I.B.
Pub.d October 14, 1834 by J.B. Brooks, 9 New Bond Street.
Coloured lithograph. Framed, sight size 225 x 185mm (8¾ x 7¼"). Unexamined out of frame.
A double caricature comparing the tragedy of Waterloo with the comedy of Wellington being made Chancellor of Oxford University.
Rare: not in BM Satires.
[Ref: 61232] £180.00 (£216.00 incl.VAT)
I.B.
Pub.d October 14, 1834 by J.B. Brooks, 9 New Bond Street.
Coloured lithograph. Framed, sight size 225 x 185mm (8¾ x 7¼"). Unexamined out of frame.
A double caricature comparing the tragedy of Waterloo with the comedy of Wellington being made Chancellor of Oxford University.
Rare: not in BM Satires.
[Ref: 61232] £180.00 (£216.00 incl.VAT)