A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[12 landscape prints most engraved by Benjamin Green after Paul Sandby, Thomas Daniell, S.H. Grimn, etc.]](jpegs/58838.jpg)
[12 landscape prints most engraved by Benjamin Green after Paul Sandby, Thomas Daniell, S.H. Grimn, etc.]
[all but one] Pub.d Aug.st 1st 1787 by C. Phillips.
Album of 12 stipples and etchings, various sizes, largest 185 x 250mm (7¼ x 9¾"). Three plates with heavy oxidisation of paper.
A collection of plates reissued by Charles Phillips. Scarce collection stitched as purchased in the 18th century.
[Ref: 58838] £650.00 view all images for this item
[all but one] Pub.d Aug.st 1st 1787 by C. Phillips.
Album of 12 stipples and etchings, various sizes, largest 185 x 250mm (7¼ x 9¾"). Three plates with heavy oxidisation of paper.
A collection of plates reissued by Charles Phillips. Scarce collection stitched as purchased in the 18th century.
[Ref: 58838] £650.00 view all images for this item
Boot & Shoe Shop.
J. Green del.t J.C. Stadler sculp.t
[Pub. 1813, at R. Ackermann, 101 Strand.]
Hand-coloured aquatint. 132 x 222mm (5¼ x 8¾").
Boot and shoe shop: Women customers try on shoes and boots at Leatherhead cobblers. From 'Poetical Sketches of Scarborough', illustrated by James Green.
[Ref: 52404] £85.00 (£102.00 incl.VAT)
J. Green del.t J.C. Stadler sculp.t
[Pub. 1813, at R. Ackermann, 101 Strand.]
Hand-coloured aquatint. 132 x 222mm (5¼ x 8¾").
Boot and shoe shop: Women customers try on shoes and boots at Leatherhead cobblers. From 'Poetical Sketches of Scarborough', illustrated by James Green.
[Ref: 52404] £85.00 (£102.00 incl.VAT)
![[A set of four etchings by Benjamin Green].](jpegs/31833.jpg)
[A set of four etchings by Benjamin Green].
B. Green f.
Pub.d Nov.r 24, 1806, by Laurie & Whittle, 58 Fleet Street, London.
Four bound etchings. Platemark: 123 x 90mm (5 x 3½") each. Time staining to edges of sheets. Puncture holes in bottom margin on all four sheets. Bound at top margin by thread.
A set of four etchings by Benjamin Green (1739 - 1798), plates numbered 1 - 4. Plate 1; untitled, depicts three figures on a large boulder by the side of a path, with what appears to be a ruined building behind. Two other figures, one on horseback, can be seen in the distance. Plate 2; 'At Abingdon'. Two figures are stood outside a house with a ladder leaning up against it. A dog can be see to the right. Plate 3; 'At Islington'. A figure is sat in the foreground with a dog, facing towards a large Georgian house. A church spire can be seen in the background to the left. Plate 4; untitled scene at the waters edge, with a sailing boat in the centre. Two figures can be seen in the foreground, one kneeling down to a basket, the other standing. Green was one of the first English artists to use soft-ground etching (the technique employed here). Many of his plates were sold on to other publishers, with the result that impressions continued to be printed posthumously (as here).
DNB
[Ref: 31833] £220.00 (£264.00 incl.VAT) view all images for this item
B. Green f.
Pub.d Nov.r 24, 1806, by Laurie & Whittle, 58 Fleet Street, London.
Four bound etchings. Platemark: 123 x 90mm (5 x 3½") each. Time staining to edges of sheets. Puncture holes in bottom margin on all four sheets. Bound at top margin by thread.
A set of four etchings by Benjamin Green (1739 - 1798), plates numbered 1 - 4. Plate 1; untitled, depicts three figures on a large boulder by the side of a path, with what appears to be a ruined building behind. Two other figures, one on horseback, can be seen in the distance. Plate 2; 'At Abingdon'. Two figures are stood outside a house with a ladder leaning up against it. A dog can be see to the right. Plate 3; 'At Islington'. A figure is sat in the foreground with a dog, facing towards a large Georgian house. A church spire can be seen in the background to the left. Plate 4; untitled scene at the waters edge, with a sailing boat in the centre. Two figures can be seen in the foreground, one kneeling down to a basket, the other standing. Green was one of the first English artists to use soft-ground etching (the technique employed here). Many of his plates were sold on to other publishers, with the result that impressions continued to be printed posthumously (as here).
DNB
[Ref: 31833] £220.00 (£264.00 incl.VAT) view all images for this item
Portrait of Joseph Charles Horsley, carried off by Charles Rennett, on the 8th. November, and recovered again at Brake, near Bremen, Novr. 23rd 1818.
J. Green pinxt. R. Cooper sculpt.
Published May 25th. 1819, at R. Ackermann's, 101, Strand.
Aquatint and etching, sheet 295 x 225mm (11½ x 9"). Trimmed to plate. Small amounts of foxing occur in the margins, over the title of the print and across the image itself.
Portrait of a young boy sitting facing the viewer and holding a flower, a terrier beside at right with sad expression. A dramatic mask with snake lies on the ground in the left foreground, sea behind. By sweet-talking a nursery-servant, Rennett kidnapped the three-year-old son of his first cousin, who had inherited an estate that Rennett felt should have been his. He absconded to Germany, where he was apprehended and brought back to England. Found guilty, Rennett was sentenced to seven years’ transportation to Australia.
See 53141 for a portrait of Rennell
[Ref: 53549] £190.00 (£228.00 incl.VAT)
J. Green pinxt. R. Cooper sculpt.
Published May 25th. 1819, at R. Ackermann's, 101, Strand.
Aquatint and etching, sheet 295 x 225mm (11½ x 9"). Trimmed to plate. Small amounts of foxing occur in the margins, over the title of the print and across the image itself.
Portrait of a young boy sitting facing the viewer and holding a flower, a terrier beside at right with sad expression. A dramatic mask with snake lies on the ground in the left foreground, sea behind. By sweet-talking a nursery-servant, Rennett kidnapped the three-year-old son of his first cousin, who had inherited an estate that Rennett felt should have been his. He absconded to Germany, where he was apprehended and brought back to England. Found guilty, Rennett was sentenced to seven years’ transportation to Australia.
See 53141 for a portrait of Rennell
[Ref: 53549] £190.00 (£228.00 incl.VAT)
A General View of the City of Oxford. Veuë Générale de la Ville d'Oxford.
J. Green delin et sculp.
London, Printed for Rob.t Sayer, Map & Printseller, at No.53 in Fleet Street, as the Act directs 10 August 1773.
Etching with fine hand colour. 320 x 480mm (12½ x 19") Some faint staining, several small tears in borders taped.
A very impressive distant view of the spires of Oxford, with cows grazing in the foreground.
[Ref: 64323] £480.00
J. Green delin et sculp.
London, Printed for Rob.t Sayer, Map & Printseller, at No.53 in Fleet Street, as the Act directs 10 August 1773.
Etching with fine hand colour. 320 x 480mm (12½ x 19") Some faint staining, several small tears in borders taped.
A very impressive distant view of the spires of Oxford, with cows grazing in the foreground.
[Ref: 64323] £480.00
![A View of the Physic Gardens in the University of Oxford. [parallel text in French]](jpegs/38537.jpg)
A View of the Physic Gardens in the University of Oxford. [parallel text in French]
J. Green delin et sculp
London, Printed for Rob.t Sayer, Map & Printseller No 53 in Fleet Street, as the Act directs 10 August 1773.
Engraving with original hand-colouring, platemark 340 x 460mm (13½ x 18"). Tears; very fine and rare.
Rare view of the Oxford Physic Garden, with putti presenting plans and scroll bearing the inscription on the entrance to the garden. The view focuses on the famous gateway and entrance portico built by Nicholas Stone after designs by Inigo Jones. Founded in 1621 by Henry Danvers, Earl of Danby, its purpose was the study of medicinal plants. Building the Garden, on the site of the former medieval Jewish cemetery, cost the enormous sum of £5000. Much of that sum went on the walls which enclosed the original garden, and comparatively little was left for plants! It was renamed the Oxford Botanic Garden in 1840 and is the oldest surviving physic and botanic garden in Britain.
[Ref: 38537] £490.00
J. Green delin et sculp
London, Printed for Rob.t Sayer, Map & Printseller No 53 in Fleet Street, as the Act directs 10 August 1773.
Engraving with original hand-colouring, platemark 340 x 460mm (13½ x 18"). Tears; very fine and rare.
Rare view of the Oxford Physic Garden, with putti presenting plans and scroll bearing the inscription on the entrance to the garden. The view focuses on the famous gateway and entrance portico built by Nicholas Stone after designs by Inigo Jones. Founded in 1621 by Henry Danvers, Earl of Danby, its purpose was the study of medicinal plants. Building the Garden, on the site of the former medieval Jewish cemetery, cost the enormous sum of £5000. Much of that sum went on the walls which enclosed the original garden, and comparatively little was left for plants! It was renamed the Oxford Botanic Garden in 1840 and is the oldest surviving physic and botanic garden in Britain.
[Ref: 38537] £490.00