A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
View of the Admiralty.
J.Gendall Del.t. J.C. Stadler Sculp.t.
London. Published Oct.r 1st 1818 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 395 x 505mm, 15½ x 19¾. Unexamined out of frame.
A view of the Ripley Building of the Admiralty, built by Thomas Ripley 1723-6, with the front screen added by Robert Adam in 1788. It is regarded as the first purpose-built office buildings in Great Britain and now houses the Cabinet Office. The view is from a series of eighteen 'Views of London' published by Ackermann between 1811 and 1822, engraved mostly from paintings by John Gendall and Thomas Shepherd.
Adams; 221 item 12.
[Ref: 23096] £750.00
J.Gendall Del.t. J.C. Stadler Sculp.t.
London. Published Oct.r 1st 1818 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 395 x 505mm, 15½ x 19¾. Unexamined out of frame.
A view of the Ripley Building of the Admiralty, built by Thomas Ripley 1723-6, with the front screen added by Robert Adam in 1788. It is regarded as the first purpose-built office buildings in Great Britain and now houses the Cabinet Office. The view is from a series of eighteen 'Views of London' published by Ackermann between 1811 and 1822, engraved mostly from paintings by John Gendall and Thomas Shepherd.
Adams; 221 item 12.
[Ref: 23096] £750.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Mr. Blades' Upper Show Room.
J. Gendall delt.
No.4 of Ackermann's Repository of Arts &c. Pub. April 1 1813 [101 Strand, London].
Hand coloured etching with aquatint, image 115 x 195mm. 4½ x 7¾". Trimmed within plate.
View inside the premises of an upmarket retailer of lamps, light fittings and chandeliers; after John Gendall (1790 - 1865). From Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 18962] £110.00 (£132.00 incl.VAT)
J. Gendall delt.
No.4 of Ackermann's Repository of Arts &c. Pub. April 1 1813 [101 Strand, London].
Hand coloured etching with aquatint, image 115 x 195mm. 4½ x 7¾". Trimmed within plate.
View inside the premises of an upmarket retailer of lamps, light fittings and chandeliers; after John Gendall (1790 - 1865). From Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 18962] £110.00 (£132.00 incl.VAT)
Vue De Douvres - Prise de la Douane.
J. Gendall del. Himely Sculp.
A Paris dhes Basset Rue st. Jacques. No. 64.
Aquatint. 520 x 410mm. Top edge trimmed to plate.
[Ref: 2672] £390.00
J. Gendall del. Himely Sculp.
A Paris dhes Basset Rue st. Jacques. No. 64.
Aquatint. 520 x 410mm. Top edge trimmed to plate.
[Ref: 2672] £390.00
Edinburgh, from the Calton Hill. No. 2.
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. Sheet 420 x 570mm (16½ x 22½"), paper watermarked 'J Whatman 1827'. Trimmed to plate on three sides.
A large and fine view of Edinburgh, looking up Princes Street towards Edinburgh Castle, one of a set of four prints after Gendall.
[Ref: 58257] £420.00
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. Sheet 420 x 570mm (16½ x 22½"), paper watermarked 'J Whatman 1827'. Trimmed to plate on three sides.
A large and fine view of Edinburgh, looking up Princes Street towards Edinburgh Castle, one of a set of four prints after Gendall.
[Ref: 58257] £420.00
Edinburgh, from Craigleith Quarry. No. 4.
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 420 x 585mm (16½ x 23"), paper watermarked 'J Whatman 1820'. Slight mount burn, slight foxing.
A large and fine view of Edinburgh from Craigleith, looking south-east, with Calton Hill in the centre left, Edinburgh Castle to the right and Arthur's Seat behind. One of a set of four prints after Gendall.
[Ref: 58258] £420.00
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 420 x 585mm (16½ x 23"), paper watermarked 'J Whatman 1820'. Slight mount burn, slight foxing.
A large and fine view of Edinburgh from Craigleith, looking south-east, with Calton Hill in the centre left, Edinburgh Castle to the right and Arthur's Seat behind. One of a set of four prints after Gendall.
[Ref: 58258] £420.00
Kew Palace, as seen from Brentford.
J.Gendall Del.t. T. Sutherland Sculp.t.
London. Published Jan.y 1819 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 395 x 505mm (5½ x 19¾"), with narrow margins.
A view of the 'third' Kew Palace, begun in 1802 by James Wyatt with much input from George III. It was much-ridiculed: in 1820 John Bew, in his 'The ambulator; or, The stranger's companion in a tour round London', wrote; 'This Angleo-Teutonic, castellated, gothized structure, (which has never been completed, and probably never will be,) must be considered as an abortive production, at once illustrative of bad taste and defective judgement'. The Prince Regent didn't like it and after the George III’s confinement at Windsor Queen Charlotte refused to live there. In 1828 it was demolished with the interiors used elsewhere: the main staircase was installed in Buckingham Palace.
[Ref: 54951] £420.00
J.Gendall Del.t. T. Sutherland Sculp.t.
London. Published Jan.y 1819 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 395 x 505mm (5½ x 19¾"), with narrow margins.
A view of the 'third' Kew Palace, begun in 1802 by James Wyatt with much input from George III. It was much-ridiculed: in 1820 John Bew, in his 'The ambulator; or, The stranger's companion in a tour round London', wrote; 'This Angleo-Teutonic, castellated, gothized structure, (which has never been completed, and probably never will be,) must be considered as an abortive production, at once illustrative of bad taste and defective judgement'. The Prince Regent didn't like it and after the George III’s confinement at Windsor Queen Charlotte refused to live there. In 1828 it was demolished with the interiors used elsewhere: the main staircase was installed in Buckingham Palace.
[Ref: 54951] £420.00
Lifton Park. South Front.
Drawn by Gendall. Printed by C. Hullmandel.
Published by Cole & Gendall, Artist's Repository, Exeter. [n.d. c.1840.]
Rare hand-coloured lithograph. 311 x 400mm (12¼ x 15¾"). Tear into upper image area. Tears to edges Cut and laid on paper.
Lifton Park, built c.1815 for William Arundell of Kenegie in Cornwall, in 1857 it was partly remodelled in a more archaeological but still Gothic style.
[Ref: 56069] £160.00 (£192.00 incl.VAT)
Drawn by Gendall. Printed by C. Hullmandel.
Published by Cole & Gendall, Artist's Repository, Exeter. [n.d. c.1840.]
Rare hand-coloured lithograph. 311 x 400mm (12¼ x 15¾"). Tear into upper image area. Tears to edges Cut and laid on paper.
Lifton Park, built c.1815 for William Arundell of Kenegie in Cornwall, in 1857 it was partly remodelled in a more archaeological but still Gothic style.
[Ref: 56069] £160.00 (£192.00 incl.VAT)
Quillebeuf. Plate XXI.
J. Gendall del.t T. Sutherland sculp.t
London. Pub.d May 1.1821, at 101 Strand for R. Ackermann's Views on the Seine.
Coloured aquatint, small margins. Plate 249 x 297mm. 9¾ x 11¾". Very fine.
Quillebeuf-sur-Seine, located in Haute-Normandie and on the left bank of the Seine. A family sit with their dog having a picnic and tradeswomen pack a boat to the left.
[Ref: 27140] £75.00 (£90.00 incl.VAT)
J. Gendall del.t T. Sutherland sculp.t
London. Pub.d May 1.1821, at 101 Strand for R. Ackermann's Views on the Seine.
Coloured aquatint, small margins. Plate 249 x 297mm. 9¾ x 11¾". Very fine.
Quillebeuf-sur-Seine, located in Haute-Normandie and on the left bank of the Seine. A family sit with their dog having a picnic and tradeswomen pack a boat to the left.
[Ref: 27140] £75.00 (£90.00 incl.VAT)
Great School Room of Rugby.
J.Gendall del.t. D.Havell sculp.t.
Pub.d. Nov.r 1 1816, at 101 Strand, for R. Ackermann's History of Rugby School.
Fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins.
A view of the great school room at Rugby School. Pupils are sat on benches around the room, some are reading. From Ackermann's 'History of Rugby School'.
[Ref: 62903] £140.00 (£168.00 incl.VAT)
J.Gendall del.t. D.Havell sculp.t.
Pub.d. Nov.r 1 1816, at 101 Strand, for R. Ackermann's History of Rugby School.
Fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins.
A view of the great school room at Rugby School. Pupils are sat on benches around the room, some are reading. From Ackermann's 'History of Rugby School'.
[Ref: 62903] £140.00 (£168.00 incl.VAT)
Southwark Iron Bridge, as seen from Bank-side.
J. Gendall Del.t. T. Sutherland Sculp.t.
London, Published Jan'y 1st 1819, at R.Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand-finished, 420 x 520mm.
A large aquatint of John Rennie's new Southwark Bridge, known as the 'Iron Bridge' in comparison to the stone London Bridge, published the year the bridge opened. Towering over the bridge is the dome of St Paul's Cathedral.
[Ref: 2670] £1,200.00
J. Gendall Del.t. T. Sutherland Sculp.t.
London, Published Jan'y 1st 1819, at R.Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand-finished, 420 x 520mm.
A large aquatint of John Rennie's new Southwark Bridge, known as the 'Iron Bridge' in comparison to the stone London Bridge, published the year the bridge opened. Towering over the bridge is the dome of St Paul's Cathedral.
[Ref: 2670] £1,200.00
View of the Tower of London.
J. Gendall Del.t. D. Havell sculp.t.
London. Published Octo.r 1819, at R. Ackermann's Repository of Arts, 101 Strand.
Fine aquatint, printed in colours and hand finished. Framed, visible area 410 x 520mm (16 x 20½"). A little spotting. Unexamined out of frame.
A view of the Tower of London from the Thames, looking towards Traitor's Gate. The river is filled with ships docked in the busy Port of London, despite the development of larger docks downstream. After John Gendall (1790-1865), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57224] £1,800.00
J. Gendall Del.t. D. Havell sculp.t.
London. Published Octo.r 1819, at R. Ackermann's Repository of Arts, 101 Strand.
Fine aquatint, printed in colours and hand finished. Framed, visible area 410 x 520mm (16 x 20½"). A little spotting. Unexamined out of frame.
A view of the Tower of London from the Thames, looking towards Traitor's Gate. The river is filled with ships docked in the busy Port of London, despite the development of larger docks downstream. After John Gendall (1790-1865), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57224] £1,800.00
Westminster Hall and Abbey, as seen from Westminster Bridge.
J. Gendall Del.t. D. Havell sculp.t.
London, Published Jan.y 1, 1819, at R. Ackermann's Repository of Arts, 101 Strand.
Rare & fine aquatint, printed in colours and hand finished. Framed, visible area 405 x 510mm (16 x 20"). Repaired tear in top edge, unexamined out of frame.
A view of Westminster before the fire of 1834 and construction of the current Houses of Parliament. After John Gendall (1790-1865), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57366] £1,230.00
J. Gendall Del.t. D. Havell sculp.t.
London, Published Jan.y 1, 1819, at R. Ackermann's Repository of Arts, 101 Strand.
Rare & fine aquatint, printed in colours and hand finished. Framed, visible area 405 x 510mm (16 x 20"). Repaired tear in top edge, unexamined out of frame.
A view of Westminster before the fire of 1834 and construction of the current Houses of Parliament. After John Gendall (1790-1865), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57366] £1,230.00