A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Priam, king of Troy, supplicating Achilles to deliver to him the body of his son Hector. Sudden (a venerable sight!) appears; / Embrac'd his knees, and bath'd his hands in tears.
Painted by H.y Fuseli R.A. Engraved by L.s Schiavonetti.
[London: F. I. Du Roveray, 1806.]
Engraving. Sheete 260 x 171mm (10¼ x 6¾"). Bit messy. Trimmed within plate, some surface wear.
Minerva appears to help Odysseus kill off the suitors who are trying to marry Penelope and take over his beloved Ithaca. An illustration from Pope's translation of Homer's 'Illiad', the epic story of the the fall of Troy.
Weinglass: 242.
[Ref: 55607] £60.00 (£72.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by L.s Schiavonetti.
[London: F. I. Du Roveray, 1806.]
Engraving. Sheete 260 x 171mm (10¼ x 6¾"). Bit messy. Trimmed within plate, some surface wear.
Minerva appears to help Odysseus kill off the suitors who are trying to marry Penelope and take over his beloved Ithaca. An illustration from Pope's translation of Homer's 'Illiad', the epic story of the the fall of Troy.
Weinglass: 242.
[Ref: 55607] £60.00 (£72.00 incl.VAT)
![[Cain.]](jpegs/28929.jpg)
[Cain.]
Fuseli Delin. Grignion Sculp..
[n.d. c.1791.]
Etching and engraving. Plate 95 x 64mm (3¾ x 2½").
Cain crouching naked on a rock with a furrowed brow, a fleece over his shoulders. After Fuseli; illustration to Lavater's "Essays on Physiognomy", 1791.
Weinglass: 91.
[Ref: 28929] £95.00 (£114.00 incl.VAT)
Fuseli Delin. Grignion Sculp..
[n.d. c.1791.]
Etching and engraving. Plate 95 x 64mm (3¾ x 2½").
Cain crouching naked on a rock with a furrowed brow, a fleece over his shoulders. After Fuseli; illustration to Lavater's "Essays on Physiognomy", 1791.
Weinglass: 91.
[Ref: 28929] £95.00 (£114.00 incl.VAT)
Sleep & Death conveying the dead body of Sarpedon from the field of battle to Lycia.
Painted by Hy. Fuseli R.A. Engraved by Jas. Stow.
[London, 1810 - 1820.]
Engraving, 265 x 175mm. 10½ x 7".
A scene from the 'Iliad', epic poem presumed to be by Homer (9th century BC - 8th century BC; fl.c.). From 'The Iliad of Homer, etc. A new edition...', after Henry Fuseli (1741 - 1825). One line quotation from Book XVI below.
British Library: 001721976. W: 232 IV of IV.
[Ref: 16380] £70.00 (£84.00 incl.VAT)
Painted by Hy. Fuseli R.A. Engraved by Jas. Stow.
[London, 1810 - 1820.]
Engraving, 265 x 175mm. 10½ x 7".
A scene from the 'Iliad', epic poem presumed to be by Homer (9th century BC - 8th century BC; fl.c.). From 'The Iliad of Homer, etc. A new edition...', after Henry Fuseli (1741 - 1825). One line quotation from Book XVI below.
British Library: 001721976. W: 232 IV of IV.
[Ref: 16380] £70.00 (£84.00 incl.VAT)
Agamemnon deluded by the Vision appearing under the form of Nestor. Monarch Awake! 'tis Jove's command I bear. Iliad Book II.
Painted by H.y Fuseli R.A. Engraved by Ja.s Heath A.
[London, c.1805.]
Engraving. Sheet 265 x 175mm (10½ x 7"). Trimmed within plate.
A plate from Alexander Pope's translation of Homer's 'Iliad', after Henry Fuseli (1741-1825).
W: 228 VII of VII.
[Ref: 53213] £75.00 (£90.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by Ja.s Heath A.
[London, c.1805.]
Engraving. Sheet 265 x 175mm (10½ x 7"). Trimmed within plate.
A plate from Alexander Pope's translation of Homer's 'Iliad', after Henry Fuseli (1741-1825).
W: 228 VII of VII.
[Ref: 53213] £75.00 (£90.00 incl.VAT)
The Anger of Jupiter on finding himself deceived by Juno. Hear this remember and our fury dread. Illiad, Book XV.
Painted by H.y Fuseli R.A. Engraved by J.as Stow.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾").
Juno angers Jupiter by seeing his partiality to the Trojans and as such forms a design to over-reach him: she sets off her charms with the utmost car, and obtains the magic girdle of Venus. Homer's Illiad, the ancient Greek epic poem; set during the Trojan War, the ten-year siege of the city of Troy, by a coalition of Greek states. It tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.
Weinglass: 231
[Ref: 31287] £60.00 (£72.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by J.as Stow.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾").
Juno angers Jupiter by seeing his partiality to the Trojans and as such forms a design to over-reach him: she sets off her charms with the utmost car, and obtains the magic girdle of Venus. Homer's Illiad, the ancient Greek epic poem; set during the Trojan War, the ten-year siege of the city of Troy, by a coalition of Greek states. It tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.
Weinglass: 231
[Ref: 31287] £60.00 (£72.00 incl.VAT)
Diomedes, having slain Rhesus, councelled by Minerva to return to the grecian army. While unresolv'd the son of Tydeus stands, Pallas appears, and thus her chief commands. Illiad Book X.
Painted by H.y Fuseli R.A. Engraved by Isaac Taylor.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut
Odysseus and Diomedes, during the Trojan War, reach the Thracian encampment where Diomedes kills Rhesus's men. He murders twelve of Rhesus' cohorts and then Rhesus himself; Diomedes faces a moment of indecision, torn between killing more and escaping, but Athena appears to him and tells him to get on the chariot with Odysseus and escape. Homer's Illiad, the ancient Greek epic poem; set during the Trojan War, the ten-year siege of the city of Troy, by a coalition of Greek states. It tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.
Weinglass: 230
[Ref: 31288] £45.00 (£54.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by Isaac Taylor.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut
Odysseus and Diomedes, during the Trojan War, reach the Thracian encampment where Diomedes kills Rhesus's men. He murders twelve of Rhesus' cohorts and then Rhesus himself; Diomedes faces a moment of indecision, torn between killing more and escaping, but Athena appears to him and tells him to get on the chariot with Odysseus and escape. Homer's Illiad, the ancient Greek epic poem; set during the Trojan War, the ten-year siege of the city of Troy, by a coalition of Greek states. It tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.
Weinglass: 230
[Ref: 31288] £45.00 (£54.00 incl.VAT)
[Queen Katherine's Dream. Vide Shakespear's Henry 8th. No. 1 of the British Poets.]
Fuseli pinx.t. F. Bartolozzi R.A. & Engraver to his Majesty Sculp.t.
[London, Publish'd April 4th. 1788 by Thos. Macklin, No,, 39 Fleet Street.]
Stipple & etching. Sheet 375 x 470mm (14¾ x 18½"). Trimmed to plate on three sides, into inscription area at bottom, losing title and publication line. Small nicks outside image.
A scene showing Catherine of Aragon dreaming of her crown shortly before her death. From Macklin's series of 'British Poets'.
De Vesme 1427.
[Ref: 58607] £240.00 (£288.00 incl.VAT)
Fuseli pinx.t. F. Bartolozzi R.A. & Engraver to his Majesty Sculp.t.
[London, Publish'd April 4th. 1788 by Thos. Macklin, No,, 39 Fleet Street.]
Stipple & etching. Sheet 375 x 470mm (14¾ x 18½"). Trimmed to plate on three sides, into inscription area at bottom, losing title and publication line. Small nicks outside image.
A scene showing Catherine of Aragon dreaming of her crown shortly before her death. From Macklin's series of 'British Poets'.
De Vesme 1427.
[Ref: 58607] £240.00 (£288.00 incl.VAT)
Shakspeare. Macbeth. Act I. Scene 3. A. Heath _ Macbeth, Banquo, & three Witches.
Painted by H. Fuseli R.A. Engraved by Ja.s Caldwall.
Pub. April 23 1798, by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90. Cheapside.
Engraving with etching, fine impression, J. Whatman 1794 watermark, open letter proof before quote from play. 500 x 630mm (190¾ x 24¾"), with large margins.. Repaired tear in right edge.
Macbeth's first encounter with the three Weird Sisters upon the blasted heath. John Boydell (1720-1804), publisher and Lord Mayor of London in 1790, began his Shakespeare Gallery to encourage British historical painting by commissioning paintings on the theme of Shakeapeare's plays from leading artists and reproducing them as high quality prints. When his gallery in Pall Mall opened in 1789 it contained 34 paintings; by the end it has nearly 170, by artists including Kauffman, Richard Westall, Thomas Stothard, George Romney, Henry Fuseli, Benjamin West, Robert Smirke, John Opie & Francesco Bartolozzi. 96 were engraved, published separately until the bound edition, ''A Collection of Prints, From Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain'' was issued in 1805. The project was over-ambitious and the cost caused the firm to go bankrupt.
Weinglass: 120, state VII of VIII.
[Ref: 59328] £420.00
Painted by H. Fuseli R.A. Engraved by Ja.s Caldwall.
Pub. April 23 1798, by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90. Cheapside.
Engraving with etching, fine impression, J. Whatman 1794 watermark, open letter proof before quote from play. 500 x 630mm (190¾ x 24¾"), with large margins.. Repaired tear in right edge.
Macbeth's first encounter with the three Weird Sisters upon the blasted heath. John Boydell (1720-1804), publisher and Lord Mayor of London in 1790, began his Shakespeare Gallery to encourage British historical painting by commissioning paintings on the theme of Shakeapeare's plays from leading artists and reproducing them as high quality prints. When his gallery in Pall Mall opened in 1789 it contained 34 paintings; by the end it has nearly 170, by artists including Kauffman, Richard Westall, Thomas Stothard, George Romney, Henry Fuseli, Benjamin West, Robert Smirke, John Opie & Francesco Bartolozzi. 96 were engraved, published separately until the bound edition, ''A Collection of Prints, From Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain'' was issued in 1805. The project was over-ambitious and the cost caused the firm to go bankrupt.
Weinglass: 120, state VII of VIII.
[Ref: 59328] £420.00
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Minerva assisting Ulysses in the destruction of the Suitors. The dreadful agis blazes in their eye; Amaz'd they see, they tremble, and they fly. Odyssey, Book XXII.
Painted by H.y Fuseli R.A. Engraved by L. Schiavonetti.
[London: F. I. Du Roveray, 1806.]
Engraving. 260 x 171mm (10¼ x 6¾"). Trimmed within plate.
Minerva appears to help Odysseus kill off the suitors who are trying to marry Penelope and take over his beloved Ithaca. An illustration from Pope's translation of Homer's 'Odyssey', telling the story of the epic 10-year journey home of Odysseus (or Ulysses in Roman myths) after the fall of Troy.
Weinglass: 242.
[Ref: 31294] £45.00 (£54.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by L. Schiavonetti.
[London: F. I. Du Roveray, 1806.]
Engraving. 260 x 171mm (10¼ x 6¾"). Trimmed within plate.
Minerva appears to help Odysseus kill off the suitors who are trying to marry Penelope and take over his beloved Ithaca. An illustration from Pope's translation of Homer's 'Odyssey', telling the story of the epic 10-year journey home of Odysseus (or Ulysses in Roman myths) after the fall of Troy.
Weinglass: 242.
[Ref: 31294] £45.00 (£54.00 incl.VAT)
Penelope weeping over the bow of Ulysses. Across her knees she laid the well-known bow, And pensive say, and tears began to flow. Odyssey, Book XXI.
Painted by H.y Fuseli R.A. Engraved by R.H. Cromek.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut, slight foxing.
Penelope receives Odysseus's bow and begins to weep, fearing that he is now dead. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 241
[Ref: 31293] £45.00 (£54.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by R.H. Cromek.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut, slight foxing.
Penelope receives Odysseus's bow and begins to weep, fearing that he is now dead. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 241
[Ref: 31293] £45.00 (£54.00 incl.VAT)
The Shade of Ajax indignantly refusing to commincate with Ulysses. While yet I speak, the shade disdains to stay, In silence turns, and sullen stalks away. Odyssey, Book XI.
Painted by H.y Fuseli R.A. Engraved by Isaac Taylor.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut.
Odysseus tells the Phaeacians about going to the Underworld to hear the prophesy of Tiresias. When in the Underworld he tried to talk with the shade of Ajax, but it refuses. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 239
[Ref: 31295] £45.00 (£54.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by Isaac Taylor.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut.
Odysseus tells the Phaeacians about going to the Underworld to hear the prophesy of Tiresias. When in the Underworld he tried to talk with the shade of Ajax, but it refuses. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 239
[Ref: 31295] £45.00 (£54.00 incl.VAT)