A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[The Harrowing of Hell.]](jpegs/41706.jpg)
[The Harrowing of Hell.]
[Anon. after Albrecht Dürer, c.1650.]
Etching, platemark 125 x 100mm (5 x 4"). Top right corner missing, damaged. Thread margins.
Copy of Albrecht Dürer's (1471-1528) woodcut 'The Harrowing of Hell' from his small woodcut passion series of 1510-11. Dürer's series told the story of Man's Salvation from the Fall to the Last Judgement, in 37 images. It was published in a book with a text by a Nuremberg Benedictine monk, evolving a new kind of book in which the pictures were the main element.
[Ref: 41706] £320.00
[Anon. after Albrecht Dürer, c.1650.]
Etching, platemark 125 x 100mm (5 x 4"). Top right corner missing, damaged. Thread margins.
Copy of Albrecht Dürer's (1471-1528) woodcut 'The Harrowing of Hell' from his small woodcut passion series of 1510-11. Dürer's series told the story of Man's Salvation from the Fall to the Last Judgement, in 37 images. It was published in a book with a text by a Nuremberg Benedictine monk, evolving a new kind of book in which the pictures were the main element.
[Ref: 41706] £320.00
![[Albrecht Dürer] Pictorum et Chalcographor, Germaniae, Principis, Alberti Dureri Genuina Effigies.](jpegs/39788.jpg)
[Albrecht Dürer] Pictorum et Chalcographor, Germaniae, Principis, Alberti Dureri Genuina Effigies. Ornatiss. Viris; Dominico Custodi, Vitrico. Iacobo Millero, Socero: Chariss. Suis. Hanc Pictorum facile principis genuinam effigiem in amoris, et observantiae argumentum offert Lucas Kilianus. an.o 1608. Ab excellentiss.o pictore Iohanne Rotenhamero Boio ex originali ipsius Alb. Dur. depict. A. Luca Kiliano Aug. Sculpta.
Georg Kummelman Excud.
C.S.C.M. Privil. [n.d., c.1750.]
Engraving, later impression. Sheet: 200 x 335mm (8 x 13¼"). Laid down. Trimmed within plate. Damage to corners.
Portrait of Albrecht Dürer (1471-1528), after Johann Rottenhammer's copy of Dürer's self-portrait from the Feast of Rose Garlands. The familiarity of Kilian's image is in part a result of the fact that Joachim von Sandrart, used it as the basis for his illustration of Dürer in his book on German artists, the Teutsche Akademie of 1675. Sandrart's biography, which is the first full appreciation of Dürer's life and art to be published in his own country, played a vital role in the growth of the Dürer cult.
[Ref: 39788] £260.00 (£312.00 incl.VAT)
Georg Kummelman Excud.
C.S.C.M. Privil. [n.d., c.1750.]
Engraving, later impression. Sheet: 200 x 335mm (8 x 13¼"). Laid down. Trimmed within plate. Damage to corners.
Portrait of Albrecht Dürer (1471-1528), after Johann Rottenhammer's copy of Dürer's self-portrait from the Feast of Rose Garlands. The familiarity of Kilian's image is in part a result of the fact that Joachim von Sandrart, used it as the basis for his illustration of Dürer in his book on German artists, the Teutsche Akademie of 1675. Sandrart's biography, which is the first full appreciation of Dürer's life and art to be published in his own country, played a vital role in the growth of the Dürer cult.
[Ref: 39788] £260.00 (£312.00 incl.VAT)
![[Hercules at the Crossroads.]](jpegs/62298.jpg)
[Hercules at the Crossroads.]
AH [monogram of Albrecht Dürer].
[n.d., c.1750.]
Engraving. Sheet 320 x 220mm (12½ x 8¾"), on 18th century paper, watermarked 'A M'. Trimmed into image at top, within plate elsewhere, mounted in album paper.
A close copy of Dürer's 'Hercules at the Crossroads' (1498), depicting the female personification of Virtue trying to cudgel Pleasure, who is lying with a satyr, with a stick. Hercules, naked but for a winged helmet, raises his own club to stop the blow.
[Ref: 62298] £280.00 (£336.00 incl.VAT)
AH [monogram of Albrecht Dürer].
[n.d., c.1750.]
Engraving. Sheet 320 x 220mm (12½ x 8¾"), on 18th century paper, watermarked 'A M'. Trimmed into image at top, within plate elsewhere, mounted in album paper.
A close copy of Dürer's 'Hercules at the Crossroads' (1498), depicting the female personification of Virtue trying to cudgel Pleasure, who is lying with a satyr, with a stick. Hercules, naked but for a winged helmet, raises his own club to stop the blow.
[Ref: 62298] £280.00 (£336.00 incl.VAT)
![Sixtus Oelhafen in Schöllenbach [...]](jpegs/41985.jpg)
Sixtus Oelhafen in Schöllenbach [...]
J.A. Böner sc [after Albrecht Dürer, n.d., c.1670]
Engraving, sheet 205 x 120mm (8 x 4¾"). Trimmed and glued at top to backing sheet.
Portrait of Sixtus Ölhafen von Schöllenbach, after a 1503 painting by Albrecht Dürer (1471-1528) of Nuremburg, artist, printmaker and theorist, still considered by many scholars to be the greatest of all German artists.
[Ref: 41985] £160.00 (£192.00 incl.VAT)
J.A. Böner sc [after Albrecht Dürer, n.d., c.1670]
Engraving, sheet 205 x 120mm (8 x 4¾"). Trimmed and glued at top to backing sheet.
Portrait of Sixtus Ölhafen von Schöllenbach, after a 1503 painting by Albrecht Dürer (1471-1528) of Nuremburg, artist, printmaker and theorist, still considered by many scholars to be the greatest of all German artists.
[Ref: 41985] £160.00 (£192.00 incl.VAT)
![Sixtus Oelhafen in Schöllenbach [...]](jpegs/41986.jpg)
Sixtus Oelhafen in Schöllenbach [...]
[After Albrecht Dürer, n.d., c.1670]
Engraving, sheet 195 x 120mm (7½ x 4¾"). Trimmed.
Portrait of Sixtus Ölhafen von Schöllenbach, after a 1503 painting by Albrecht Dürer (1471-1528) of Nuremburg, artist, printmaker and theorist, still considered by many scholars to be the greatest of all German artists.
[Ref: 41986] £80.00 (£96.00 incl.VAT)
[After Albrecht Dürer, n.d., c.1670]
Engraving, sheet 195 x 120mm (7½ x 4¾"). Trimmed.
Portrait of Sixtus Ölhafen von Schöllenbach, after a 1503 painting by Albrecht Dürer (1471-1528) of Nuremburg, artist, printmaker and theorist, still considered by many scholars to be the greatest of all German artists.
[Ref: 41986] £80.00 (£96.00 incl.VAT)