A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Jeû d'enfans. De la Mode, et des ses boutades, Ce Jeû d'enfans rend les excés, Ces atours, malagré leur succés, Sont bien souvent des mascarades.
Peint par Ch. Coypel. gravé par Lepecie.
a Paris chez L'auteur rue St. Jacques au dessus des Jacobins, et chez L. Surugue graveur du Roy rue des Noyers vis avis St. Yves avec privelege du Roy. Le Tableau est dans le Cabinet de Monsieur Fagon Conseiller d'Etat ordinaire, et au Counseil Royal. [n.d., c.1731.]
Engraving with very large margins, rare. Platemark: 450 x 525mm (17¾ x 20½"). Laid on board. Tears and creases to sheet. Light foxing to sheet.
An interior scene within an elegant bedroom. An unusual representation of nine partially naked children masquerading in contemporary fashions and play-acting at adult behaviour. After french painter Charles Antoine Coypel (1694 - 1752), who became 'premier peintre du roi' and director of the Académie Royale in 1747. He received a number of commissions for paintings for the Palais de Versailles.
[Ref: 35784] £450.00
Peint par Ch. Coypel. gravé par Lepecie.
a Paris chez L'auteur rue St. Jacques au dessus des Jacobins, et chez L. Surugue graveur du Roy rue des Noyers vis avis St. Yves avec privelege du Roy. Le Tableau est dans le Cabinet de Monsieur Fagon Conseiller d'Etat ordinaire, et au Counseil Royal. [n.d., c.1731.]
Engraving with very large margins, rare. Platemark: 450 x 525mm (17¾ x 20½"). Laid on board. Tears and creases to sheet. Light foxing to sheet.
An interior scene within an elegant bedroom. An unusual representation of nine partially naked children masquerading in contemporary fashions and play-acting at adult behaviour. After french painter Charles Antoine Coypel (1694 - 1752), who became 'premier peintre du roi' and director of the Académie Royale in 1747. He received a number of commissions for paintings for the Palais de Versailles.
[Ref: 35784] £450.00
![[Widow looking in a mirror.]](jpegs/38501.jpg)
[Widow looking in a mirror.] Entre deux mouvements, sans cess partagée, / La veuve, en cet instant les exprime ala fois [...]
Peint par C. Coypel. gravé par Lepicié [c.1770]
Engraving, sheet 255 x 180mm (10 x 7"). Trimmed to platemark.
A woman sits at her make-up table. Verses below explain that she is a widow caught between 'the freedom to make a new choice' and 'the fear of being changed'. On the table is a portrait miniature, presumably of her former husband. After french painter Charles Antoine Coypel (1694 – 1752), who became 'premier peintre du roi' and director of the Académie Royale in 1747. He received a number of commissions for paintings for the Palais de Versailles.
[Ref: 38501] £110.00 (£132.00 incl.VAT)
Peint par C. Coypel. gravé par Lepicié [c.1770]
Engraving, sheet 255 x 180mm (10 x 7"). Trimmed to platemark.
A woman sits at her make-up table. Verses below explain that she is a widow caught between 'the freedom to make a new choice' and 'the fear of being changed'. On the table is a portrait miniature, presumably of her former husband. After french painter Charles Antoine Coypel (1694 – 1752), who became 'premier peintre du roi' and director of the Académie Royale in 1747. He received a number of commissions for paintings for the Palais de Versailles.
[Ref: 38501] £110.00 (£132.00 incl.VAT)
Don Quichotte fait demander par Sancho ala Duchesse la permision de la voir.
Car. Coypel pinxit. L. Surugue Sc. 1723.
a Paris chez Surugue au bas de la Montagne Ste Genevieve, avec privilege du Roi.
Engraving, 315 x 305mm. 12½ x 12".
A forest, with, in the centre foreground, Sancho Panza addressing an elegant woman on horseback whilst pointing at Don Quijote, who stands in the background. From a series of prints after Charles Coypel (1694 - 1752) illustrating Miguel de Cervantes's 'Don Quijote de la Mancha'. The gentleman, Don Quijote (representing idealism), and his companion, the peasant, Sancho Panza (representing realism), embark on a series of adventures together. Published in Paris by Louis Surugue (c.1686 - 1762).
[Ref: 11853] £90.00 (£108.00 incl.VAT)
Car. Coypel pinxit. L. Surugue Sc. 1723.
a Paris chez Surugue au bas de la Montagne Ste Genevieve, avec privilege du Roi.
Engraving, 315 x 305mm. 12½ x 12".
A forest, with, in the centre foreground, Sancho Panza addressing an elegant woman on horseback whilst pointing at Don Quijote, who stands in the background. From a series of prints after Charles Coypel (1694 - 1752) illustrating Miguel de Cervantes's 'Don Quijote de la Mancha'. The gentleman, Don Quijote (representing idealism), and his companion, the peasant, Sancho Panza (representing realism), embark on a series of adventures together. Published in Paris by Louis Surugue (c.1686 - 1762).
[Ref: 11853] £90.00 (£108.00 incl.VAT)
Don Quichotte est servi par les demoiselles de la Duchesse. Tom.3. Chap.31.
Car. Coypel pinxit. L. Surugue Sc. 1724.
Se vend a Paris chez Surugue au bas de la Montagne Ste. Genevieve avec Privilege du Roi.
Engraving, 330 x 345mm. 13 x 13½".
Elegant interior, with young women dressing Don Quijote with sash and cloak while at left, Sancho Panza bows before two women, with his hat to his chest. From a series of prints after Charles Coypel (1694 - 1752) illustrating Miguel de Cervantes's 'Don Quijote de la Mancha'. The gentleman, Don Quijote (representing idealism), and his companion, the peasant, Sancho Panza (representing realism), embark on a series of adventures together. Published in Paris by Louis Surugue (c.1686 - 1762).
[Ref: 11858] £95.00 (£114.00 incl.VAT)
Car. Coypel pinxit. L. Surugue Sc. 1724.
Se vend a Paris chez Surugue au bas de la Montagne Ste. Genevieve avec Privilege du Roi.
Engraving, 330 x 345mm. 13 x 13½".
Elegant interior, with young women dressing Don Quijote with sash and cloak while at left, Sancho Panza bows before two women, with his hat to his chest. From a series of prints after Charles Coypel (1694 - 1752) illustrating Miguel de Cervantes's 'Don Quijote de la Mancha'. The gentleman, Don Quijote (representing idealism), and his companion, the peasant, Sancho Panza (representing realism), embark on a series of adventures together. Published in Paris by Louis Surugue (c.1686 - 1762).
[Ref: 11858] £95.00 (£114.00 incl.VAT)
![[Eleven scenes from Don Quixote.]](jpegs/26859.jpg)
[Eleven scenes from Don Quixote.]
Cor. Coypel pinx [et al]. J. v.Schley sculp. 1744 [etc.]
[Engraved dates 1742-1745.]
Eleven engravings [of 30?]. Each 220 x 165mm, 8¾ x 10½". Edges folded over.
Engravings by van Schley, Picart and Tanjé after Charles Antoine Coypel. Coypel was commissioned to create designs for a set of tapestries relating the story of Don Quixote in 1720, with a contract for engraving them following in 1721. The engravings were very profitable, and this smaller set was published later, probably to illustrate an edition of Cervantes' picaresque novel.
[Ref: 26859] £350.00 view all images for this item
Cor. Coypel pinx [et al]. J. v.Schley sculp. 1744 [etc.]
[Engraved dates 1742-1745.]
Eleven engravings [of 30?]. Each 220 x 165mm, 8¾ x 10½". Edges folded over.
Engravings by van Schley, Picart and Tanjé after Charles Antoine Coypel. Coypel was commissioned to create designs for a set of tapestries relating the story of Don Quixote in 1720, with a contract for engraving them following in 1721. The engravings were very profitable, and this smaller set was published later, probably to illustrate an edition of Cervantes' picaresque novel.
[Ref: 26859] £350.00 view all images for this item
Don Quichotte est servi par les demoiselles de la Duchesse. Tom. 3. Chap. 31.
Car Coypel Pinx.
[n.d., c.1724.]
Engraving on watermarked paper. Platemark: 320 x 350mm (12¼ x 13¾"). Very large margins. Uncut.
An elegant interior, with several young women dressing Don Quixote with a sash and cloak while, at left, Sancho Panza bows before two women, with his hat to his chest. An illustration from, 'Histoire de Don Quichotte de la Manche. Les principales aventures de l'admirable Don Quichotte.', by Louis Surugue, 1724.
Ex collection Hon. Christopher Lennox-Boyd
[Ref: 39028] £240.00 (£288.00 incl.VAT)
Car Coypel Pinx.
[n.d., c.1724.]
Engraving on watermarked paper. Platemark: 320 x 350mm (12¼ x 13¾"). Very large margins. Uncut.
An elegant interior, with several young women dressing Don Quixote with a sash and cloak while, at left, Sancho Panza bows before two women, with his hat to his chest. An illustration from, 'Histoire de Don Quichotte de la Manche. Les principales aventures de l'admirable Don Quichotte.', by Louis Surugue, 1724.
Ex collection Hon. Christopher Lennox-Boyd
[Ref: 39028] £240.00 (£288.00 incl.VAT)
![[Twenty-one illustrations to 'Don Quixote'.]](jpegs/45116.jpg)
[Twenty-one illustrations to 'Don Quixote'.]
[Louis Surugue and others after Charles Coypel, published by Surugue 1723-36]
Very fine impressions. Platemarks approx. 325 x 305mm (12¾ x 12"), with large margins. Uncut.
Twenty-one plates from a set of twenty-five engravings derived from Charles-Antonie Coypel's (1694-1752) first major commission: a series of tapestry cartoons illustrating scenes from Cervantes' 'Don Quixote' (Compiègne, musée Antoine Vivenel). These prints reproducing the designs were published by Louis Suruge at various points between 1723 and 1736, and were copied several times by other engravers.
Provenance: Library of Pitsligo. For individual plates from the set see refs. 11853, 11856 and 11858.
[Ref: 45116] £2,600.00 view all images for this item
[Louis Surugue and others after Charles Coypel, published by Surugue 1723-36]
Very fine impressions. Platemarks approx. 325 x 305mm (12¾ x 12"), with large margins. Uncut.
Twenty-one plates from a set of twenty-five engravings derived from Charles-Antonie Coypel's (1694-1752) first major commission: a series of tapestry cartoons illustrating scenes from Cervantes' 'Don Quixote' (Compiègne, musée Antoine Vivenel). These prints reproducing the designs were published by Louis Suruge at various points between 1723 and 1736, and were copied several times by other engravers.
Provenance: Library of Pitsligo. For individual plates from the set see refs. 11853, 11856 and 11858.
[Ref: 45116] £2,600.00 view all images for this item
![[The Widow of Ephesus]](jpegs/45143.jpg)
[The Widow of Ephesus] La Matron d'Ephesse. / Un galand peu timide, une adroite suivante, / Et l'espoir de l'impunité [...]
Peint par Ch. Coypel / Gravé par L. Desplaces
A Paris chez Desplaces rue de la Jussienne [c.1750]
Engraving, platemark 380 x 280mm (15 x 11"), with very large margins. Fine impression.
Scene depicting the story of the widow of Ephesus, as told by Petronius.
From the Library of Pitsligo
[Ref: 45143] £280.00 (£336.00 incl.VAT)
Peint par Ch. Coypel / Gravé par L. Desplaces
A Paris chez Desplaces rue de la Jussienne [c.1750]
Engraving, platemark 380 x 280mm (15 x 11"), with very large margins. Fine impression.
Scene depicting the story of the widow of Ephesus, as told by Petronius.
From the Library of Pitsligo
[Ref: 45143] £280.00 (£336.00 incl.VAT)
Mr. de Pourceaugnac Act.1er. Sc.8.
Grave par Joullain sur le dessein de Ch. Coypel 1726.
Sevend a Paris chez Surrugue rue des Noyers.
Etching and engraving. Trimmed within plate.
Monsieur de Pourceaugnac surrounded by two doctors who are both taking his pulse, while in the background a servant approaches from the right, carrying a large syringe. From a series of 6 plates after Charles Coypel: 'Suite d'estampes des principaux sujets des comédies de Molière', representing scenes from Molière's plays.
Ex: Collection of Alec Clunes.
[Ref: 7854] £230.00 (£276.00 incl.VAT)
Grave par Joullain sur le dessein de Ch. Coypel 1726.
Sevend a Paris chez Surrugue rue des Noyers.
Etching and engraving. Trimmed within plate.
Monsieur de Pourceaugnac surrounded by two doctors who are both taking his pulse, while in the background a servant approaches from the right, carrying a large syringe. From a series of 6 plates after Charles Coypel: 'Suite d'estampes des principaux sujets des comédies de Molière', representing scenes from Molière's plays.
Ex: Collection of Alec Clunes.
[Ref: 7854] £230.00 (£276.00 incl.VAT)
![[France] Adrienne Le Couvreur](jpegs/27212.jpg)
[France] Adrienne Le Couvreur Morte a Paris le 20 Mars age de trente sept ans.
Peint par Ch. Coypel . Gravé par P. Drevet.
[French, n.d., c.1730.]
Engraving, 415 x 300mm. 16¼ x 11¾". A nice impression, with large margins. Unidentified collector's stamp verso
Portrait of Adrienne Lecouvreur (1692 - 1730), French actress, as Cornelia in Pierre Corneille’s tragedy 'The Death of Pompey'. In lettered oval masonry frame, on a pedestal inscribed with tribute verse. After Charles Antoine Coypel (French, 1694 - 1752).
BNF FRBNF41506932.
[Ref: 27212] £180.00 (£216.00 incl.VAT)
Peint par Ch. Coypel . Gravé par P. Drevet.
[French, n.d., c.1730.]
Engraving, 415 x 300mm. 16¼ x 11¾". A nice impression, with large margins. Unidentified collector's stamp verso
Portrait of Adrienne Lecouvreur (1692 - 1730), French actress, as Cornelia in Pierre Corneille’s tragedy 'The Death of Pompey'. In lettered oval masonry frame, on a pedestal inscribed with tribute verse. After Charles Antoine Coypel (French, 1694 - 1752).
BNF FRBNF41506932.
[Ref: 27212] £180.00 (£216.00 incl.VAT)
Adrienne Le Couvreur Morte a Paris le 20 Mars age de trente sept ans.
Peint par Ch. Coypel. Gravé par P. Drevet.
[French, n.d., c.1730.]
Engraving, 415 x 300mm. 16¼ x 11¾". Good impression with large margins. Some foxing off image.
Portrait of Adrienne Lecouvreur (1692 – 1730), French actress, as Cornelia in Pierre Corneille’s tragedy 'The Death of Pompey'. In lettered oval masonry frame, on a pedestal inscribed with tribute verse. After Charles Antoine Coypel (French, 1694 - 1752).
BNF FRBNF41506932.
[Ref: 33768] £320.00
Peint par Ch. Coypel. Gravé par P. Drevet.
[French, n.d., c.1730.]
Engraving, 415 x 300mm. 16¼ x 11¾". Good impression with large margins. Some foxing off image.
Portrait of Adrienne Lecouvreur (1692 – 1730), French actress, as Cornelia in Pierre Corneille’s tragedy 'The Death of Pompey'. In lettered oval masonry frame, on a pedestal inscribed with tribute verse. After Charles Antoine Coypel (French, 1694 - 1752).
BNF FRBNF41506932.
[Ref: 33768] £320.00
La Folie pare la Décrépitude des ajustemens de la Jeunesse.
Peint au Pastel par Ch. Coypel Gravé par L. Surugue en 1745
a Paris chez L. Surugue Graveur du Roy rue des Noyers, attenant le Magazin de Papier vis-a-vis St. Yves A.P.D.R.
Engraving, platemark 370 x 270mm (14½ x 10½"). Thread margins; pinholes.
Decrepitude, assisted by Madness, dresses in an extravagant costume with outsized beauty spots; cupid with arrow overhead. Allegorical scene after Charles-Antoine Coypel (1694-1752), son of a successful painter who enjoyed early success, inheriting his father's position of painter to Philippe II, duc d'Orléans and becoming favourite painter of Louis XV's queen, Maria Leczinska. Coypel's moralizing genre scenes such as the pastel from which this print derives, are some of his most original works.
[Ref: 40283] £240.00 (£288.00 incl.VAT)
Peint au Pastel par Ch. Coypel Gravé par L. Surugue en 1745
a Paris chez L. Surugue Graveur du Roy rue des Noyers, attenant le Magazin de Papier vis-a-vis St. Yves A.P.D.R.
Engraving, platemark 370 x 270mm (14½ x 10½"). Thread margins; pinholes.
Decrepitude, assisted by Madness, dresses in an extravagant costume with outsized beauty spots; cupid with arrow overhead. Allegorical scene after Charles-Antoine Coypel (1694-1752), son of a successful painter who enjoyed early success, inheriting his father's position of painter to Philippe II, duc d'Orléans and becoming favourite painter of Louis XV's queen, Maria Leczinska. Coypel's moralizing genre scenes such as the pastel from which this print derives, are some of his most original works.
[Ref: 40283] £240.00 (£288.00 incl.VAT)
![[France] Made. de ** en habit de Bal.](jpegs/12137.jpg)
[France] Made. de ** en habit de Bal.
Peint au pastel par Ch. Coypel. Gravee par L. Surugue en 1746.
a Paris chez L. Surugue Graveur du Roy rue des Noyers attenant le Magazin de papier vis avis St. Yves A.P.D.R.
Engraving, 415 x 300mm. 16½ x 11¾". Trimmed close to plate.
Madame de Mouchy, daughter of M. Duchesne, valet to the King, seated in an armchair in a ball gown looking towards the viewer. She holds a mask in her left hand. The identification of the sitter as Madame de Mouchy, first suggested in 'Catalogue manuscrit de l'oeuvre gravé de et après Charles Coypel', is now accepted by most scholars. An Italian print engraved after the same portrait in 1766 wrongly identifies the sitter as the Marquess of Pompadour. After Charles Coypel (1694 - 1752).
Collector's stamp of Alfred Morrison (1821 - 1897) to verso.
[Ref: 12137] £260.00 (£312.00 incl.VAT)
Peint au pastel par Ch. Coypel. Gravee par L. Surugue en 1746.
a Paris chez L. Surugue Graveur du Roy rue des Noyers attenant le Magazin de papier vis avis St. Yves A.P.D.R.
Engraving, 415 x 300mm. 16½ x 11¾". Trimmed close to plate.
Madame de Mouchy, daughter of M. Duchesne, valet to the King, seated in an armchair in a ball gown looking towards the viewer. She holds a mask in her left hand. The identification of the sitter as Madame de Mouchy, first suggested in 'Catalogue manuscrit de l'oeuvre gravé de et après Charles Coypel', is now accepted by most scholars. An Italian print engraved after the same portrait in 1766 wrongly identifies the sitter as the Marquess of Pompadour. After Charles Coypel (1694 - 1752).
Collector's stamp of Alfred Morrison (1821 - 1897) to verso.
[Ref: 12137] £260.00 (£312.00 incl.VAT)
![[Children building a house of cards.]](jpegs/26215.jpg)
[Children building a house of cards.]
Car. Coypel 1725 [in image.] F. Joullain Sculp.
A Paris chez G. Duchange rue St. Jacques [n.d., c.1730].
Fine etching, 230 x 160mm. 9 x 6¼". A nice impression, with thin margin outside the plate mark.
Two children assembling a house of playing cards on a fancy upholstered table or stool; the boy behind the girl holds his finger to his lips mischievously, both smiling. Four lines of whimsical verse below. This is the fourth state of the print, with the publisher's address added. After Charles Antoine Coypel (French, 1694 - 1752).
BM 2002,0728.25.
[Ref: 26215] £190.00 (£228.00 incl.VAT)
Car. Coypel 1725 [in image.] F. Joullain Sculp.
A Paris chez G. Duchange rue St. Jacques [n.d., c.1730].
Fine etching, 230 x 160mm. 9 x 6¼". A nice impression, with thin margin outside the plate mark.
Two children assembling a house of playing cards on a fancy upholstered table or stool; the boy behind the girl holds his finger to his lips mischievously, both smiling. Four lines of whimsical verse below. This is the fourth state of the print, with the publisher's address added. After Charles Antoine Coypel (French, 1694 - 1752).
BM 2002,0728.25.
[Ref: 26215] £190.00 (£228.00 incl.VAT)
The Sincere Lovers. The tim'rous Youth w.th Prayers intreats ye Fair, Which she rejects with a disdainfull Air: Yet pines in thought, & bears an equal part Of all his Anguish; in her asking Heart. In real Love the Sex alike the same, Fortune themselves to give their Lovers pain.
I. Simon fec et ex, C. Coypel pinx
[n.d. c.1780.]
Rare mezzotint. Plate 349 x 248mm (13¾ x 9¾"). Trimmed to the plate, creasing top right; glued to backing sheet.
Wry comment on the games involved in courtship, in which those involved 'torture themselves to give their Lovers pain.'
From the Oettingen-Wallerstein Collection.
[Ref: 28404] £350.00
I. Simon fec et ex, C. Coypel pinx
[n.d. c.1780.]
Rare mezzotint. Plate 349 x 248mm (13¾ x 9¾"). Trimmed to the plate, creasing top right; glued to backing sheet.
Wry comment on the games involved in courtship, in which those involved 'torture themselves to give their Lovers pain.'
From the Oettingen-Wallerstein Collection.
[Ref: 28404] £350.00