A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Bath from the Beacon Cliffs.
D. Cox Delt. Smart & Sutherland Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
A prospect of the City of Bath. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 6. Bath Central Library Collection IOB 194 1104675272.
[Ref: 27402] £250.00 (£300.00 incl.VAT)
D. Cox Delt. Smart & Sutherland Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
A prospect of the City of Bath. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 6. Bath Central Library Collection IOB 194 1104675272.
[Ref: 27402] £250.00 (£300.00 incl.VAT)
Lansdown Crescent Bath.
D. Cox Delt. Smart & Sutherland, Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
View of the Royal Crescent, Bath, which was designed by John Palmer and built between 1789 and 1793. It enjoys a view over central Bath, being sited on Lansdown Hill near to but higher than the Royal Crescent. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 3. Bath Central Library Collection IOB 560 1104675272.
[Ref: 27400] £250.00 (£300.00 incl.VAT)
D. Cox Delt. Smart & Sutherland, Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
View of the Royal Crescent, Bath, which was designed by John Palmer and built between 1789 and 1793. It enjoys a view over central Bath, being sited on Lansdown Hill near to but higher than the Royal Crescent. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 3. Bath Central Library Collection IOB 560 1104675272.
[Ref: 27400] £250.00 (£300.00 incl.VAT)
![[Chelsea Bridge.]](jpegs/39834.jpg)
[Chelsea Bridge.]
Ernest H. G. Cox [pencil signature.]
[n.d c.1910.]
Etching. Plate 171 x 246mm. 6¾" x 9¾".
A view of Old Chelsea Bridge with the various power stations and factories which stood where Battersea Power station now stands today. The bridge, originally called Victoria Bridge was opened as a toll bridge to the newly created Battersea Park, however, the bridge was not structually sound and the old Chelsea Bridge was demolised in the 1930s and the new bridge which still stands today was built.
[Ref: 39834] £130.00 (£156.00 incl.VAT)
Ernest H. G. Cox [pencil signature.]
[n.d c.1910.]
Etching. Plate 171 x 246mm. 6¾" x 9¾".
A view of Old Chelsea Bridge with the various power stations and factories which stood where Battersea Power station now stands today. The bridge, originally called Victoria Bridge was opened as a toll bridge to the newly created Battersea Park, however, the bridge was not structually sound and the old Chelsea Bridge was demolised in the 1930s and the new bridge which still stands today was built.
[Ref: 39834] £130.00 (£156.00 incl.VAT)
![[(left) Venus with Juno and Ceres; (right) Venus chastising Cupid]](jpegs/46387.jpg)
[(left) Venus with Juno and Ceres; (right) Venus chastising Cupid] La Dea torata con gran villania / Sgrida al letto il fanciul parlando tale [...]
Ant. Sal. exc. [c.1570]
Engraving, sheet 190 x 225mm (7½ x 8¾"). Trimmed to image and glued to backing sheet at sides.
Plate seventeen from a series of thirty-two plates illustrating the story of Cupid and Psyche. The plates were designed by Flemish artist Michiel Coxie I (1499-1592) and engraved (with the exception of three plates by Augusto Veneziano) by the Master of the Die (so-called for his signature mark, a die with the letter B). This plate is by the Master of the Die, but like most of the series it is unsigned. This impression is from the third state of the series, after the publication line of Antonio Salamanca was added.
[Ref: 46387] £140.00 (£168.00 incl.VAT)
Ant. Sal. exc. [c.1570]
Engraving, sheet 190 x 225mm (7½ x 8¾"). Trimmed to image and glued to backing sheet at sides.
Plate seventeen from a series of thirty-two plates illustrating the story of Cupid and Psyche. The plates were designed by Flemish artist Michiel Coxie I (1499-1592) and engraved (with the exception of three plates by Augusto Veneziano) by the Master of the Die (so-called for his signature mark, a die with the letter B). This plate is by the Master of the Die, but like most of the series it is unsigned. This impression is from the third state of the series, after the publication line of Antonio Salamanca was added.
[Ref: 46387] £140.00 (£168.00 incl.VAT)
Domestick Ducks.
D. Cox Del.t. T. Sutherland sculp.t.
London, Published May 1823 by S. & J. Fuller, 34, Rathbone Place.
Fine aquatint, printed in colours and hand finished; Watermark J. Whatman, Turkey Mill 1822; Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
Sleeping ducks by a pond.
[Ref: 57503] £85.00 (£102.00 incl.VAT)
D. Cox Del.t. T. Sutherland sculp.t.
London, Published May 1823 by S. & J. Fuller, 34, Rathbone Place.
Fine aquatint, printed in colours and hand finished; Watermark J. Whatman, Turkey Mill 1822; Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
Sleeping ducks by a pond.
[Ref: 57503] £85.00 (£102.00 incl.VAT)
Mr. Cox's Museum.
James Cox invt. Engraved by John Keyse Sherwin, Pupil of Mr. Bartolozzi for a Frontispiece to the Descriptive Inventory of Mr. Cox's Museum.
Publish'd according to Act of Parlt. Jany. 7, 1774. [Cox, London.]
Fine etching. 275 x 205mm (10¾ x 8"). Slight damage to top left corner. Small margins.
The etching shows a portrait in profile of King George III (1738 - 1820), in an oval, between elaborate and decorative supports featuring jewelled birds and fine instruments. It was the frontispiece to 'A Descriptive Inventory of the Several Exquisite and Magnificent Pieces of Mechanism and Jewellery, comprised in the schedule annexed to an Act of Parliament ... for enabling Mr. James Cox ... to dispose of his museum by way of lottery'. James Cox was a jeweller and toy maker who, from the mid-1760s, produced luxury articles for trade with the Far East. Cox had been exhibiting automata since at least 1769, and he would hold exhibitions prior to the export of his pieces. He made an application to Parliament to sell the contents of his 'Museum' in 1773. He planned to sell the Museum by Lottery exhibiting his jewelled automania throughout. Cox's Museum attracted visitors, including James Boswell and Dr.Johnson. While Cox's name is on these pieces he would have had to depend on skilled craftsmen to produce the elaborate exhibition pieces that can now be seen in the Metropolitan Museum of Art. A spectacular survivor of Cox's Museum is a Peacock that was taken to St. Petersburg in 1781 and is now in the Hermitage.
British Library: 000807157
[Ref: 40010] £190.00 (£228.00 incl.VAT)
James Cox invt. Engraved by John Keyse Sherwin, Pupil of Mr. Bartolozzi for a Frontispiece to the Descriptive Inventory of Mr. Cox's Museum.
Publish'd according to Act of Parlt. Jany. 7, 1774. [Cox, London.]
Fine etching. 275 x 205mm (10¾ x 8"). Slight damage to top left corner. Small margins.
The etching shows a portrait in profile of King George III (1738 - 1820), in an oval, between elaborate and decorative supports featuring jewelled birds and fine instruments. It was the frontispiece to 'A Descriptive Inventory of the Several Exquisite and Magnificent Pieces of Mechanism and Jewellery, comprised in the schedule annexed to an Act of Parliament ... for enabling Mr. James Cox ... to dispose of his museum by way of lottery'. James Cox was a jeweller and toy maker who, from the mid-1760s, produced luxury articles for trade with the Far East. Cox had been exhibiting automata since at least 1769, and he would hold exhibitions prior to the export of his pieces. He made an application to Parliament to sell the contents of his 'Museum' in 1773. He planned to sell the Museum by Lottery exhibiting his jewelled automania throughout. Cox's Museum attracted visitors, including James Boswell and Dr.Johnson. While Cox's name is on these pieces he would have had to depend on skilled craftsmen to produce the elaborate exhibition pieces that can now be seen in the Metropolitan Museum of Art. A spectacular survivor of Cox's Museum is a Peacock that was taken to St. Petersburg in 1781 and is now in the Hermitage.
British Library: 000807157
[Ref: 40010] £190.00 (£228.00 incl.VAT)
Harvest Scene. 60
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
A still life of a picnic basket, a keg, a cup and a jacket, under a fence with foxglove growing in the verge.
[Ref: 57502] £95.00 (£114.00 incl.VAT)
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
A still life of a picnic basket, a keg, a cup and a jacket, under a fence with foxglove growing in the verge.
[Ref: 57502] £95.00 (£114.00 incl.VAT)
Hay, Brecknockshire.
Drawn by D. Cox. Engraved by G. Hunt.
Pub.d Feb.y 1st by T. Clay, 18 Ludgate Hill, London.
Very fine coloured aquatint. Sheet 190 x 275mm (7½ x 10¾"). Trimmed within plate.
Hay-on-Wye, showing the castle and bridge.
Hickman: p.177.
[Ref: 56627] £140.00 (£168.00 incl.VAT)
Drawn by D. Cox. Engraved by G. Hunt.
Pub.d Feb.y 1st by T. Clay, 18 Ludgate Hill, London.
Very fine coloured aquatint. Sheet 190 x 275mm (7½ x 10¾"). Trimmed within plate.
Hay-on-Wye, showing the castle and bridge.
Hickman: p.177.
[Ref: 56627] £140.00 (£168.00 incl.VAT)
Mackerel.
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, affecting publication line.
A still life of three fish, a basket and a pot on a table.
[Ref: 57501] £140.00 (£168.00 incl.VAT)
D. Cox Del.t. R. Reecve sculp.t.
London, Published June 1823 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, affecting publication line.
A still life of three fish, a basket and a pot on a table.
[Ref: 57501] £140.00 (£168.00 incl.VAT)
![[Chelsea Bridge.]](jpegs/9234.jpg)
[Chelsea Bridge.]
Ernest H. G. Cox [pencil signature.]
[n.d c.1910.]
Etching. Plate 171 x 246mm. 6¾" x 9¾".
A view of Old Chelsea Bridge with the various power stations and factories which stood where Battersea Power station now stands today. The bridge, originally called Victoria Bridge was opened as a toll bridge to the newly created Battersea Park, however, the bridge was not structually sound and the old Chelsea Bridge was demolised in the 1930s and the new bridge which still stands today was built.
See Ref: 39834
[Ref: 9234] £130.00 (£156.00 incl.VAT)
Ernest H. G. Cox [pencil signature.]
[n.d c.1910.]
Etching. Plate 171 x 246mm. 6¾" x 9¾".
A view of Old Chelsea Bridge with the various power stations and factories which stood where Battersea Power station now stands today. The bridge, originally called Victoria Bridge was opened as a toll bridge to the newly created Battersea Park, however, the bridge was not structually sound and the old Chelsea Bridge was demolised in the 1930s and the new bridge which still stands today was built.
See Ref: 39834
[Ref: 9234] £130.00 (£156.00 incl.VAT)
![[Still life of pots & bottles.]](jpegs/57500.jpg)
[Still life of pots & bottles.] 53.
D. Cox, Del.t. T. Sutherland, Sculp.t.
London, Pub. March 1st 1821 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
A broken pot, two bottles and an ewer on a table.
[Ref: 57500] £130.00 (£156.00 incl.VAT)
D. Cox, Del.t. T. Sutherland, Sculp.t.
London, Pub. March 1st 1821 by S. & J. Fuller, 34, Rathbone Place.
Aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
A broken pot, two bottles and an ewer on a table.
[Ref: 57500] £130.00 (£156.00 incl.VAT)
Rainbow Effect, View on the Thames.
D. Cox del. R. Reeve sc.
London, Published Jany. 1. 1814, by S & J Fuller. Temple of Fancy, 34, Rathbone Place.
Coloured aquatint with fine colour, paper watermarked: Ruse & Turners 1813. Plate 266 x 370mm. 10½ x 14½". Slight tear top right.
A view on the River Thames with Westminster Abbey in the background and Battersea Marsh; rainbow overhead. From Cox's "Treatise on Landscape Painting and Effect in Watercolour".
[Ref: 26091] £160.00 (£192.00 incl.VAT)
D. Cox del. R. Reeve sc.
London, Published Jany. 1. 1814, by S & J Fuller. Temple of Fancy, 34, Rathbone Place.
Coloured aquatint with fine colour, paper watermarked: Ruse & Turners 1813. Plate 266 x 370mm. 10½ x 14½". Slight tear top right.
A view on the River Thames with Westminster Abbey in the background and Battersea Marsh; rainbow overhead. From Cox's "Treatise on Landscape Painting and Effect in Watercolour".
[Ref: 26091] £160.00 (£192.00 incl.VAT)
Wood Scene, near Sevenoaks, Kent.
D. Cox Del.t. T. Sutherland sculp.t.
[London, c.1823 by S. & J. Fuller, 34, Rathbone Place.]
Fine aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, losing publication line.
Two men standing on a country lane by a bridge.
[Ref: 57504] £50.00 (£60.00 incl.VAT)
D. Cox Del.t. T. Sutherland sculp.t.
[London, c.1823 by S. & J. Fuller, 34, Rathbone Place.]
Fine aquatint, printed in colours and hand finished. Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, losing publication line.
Two men standing on a country lane by a bridge.
[Ref: 57504] £50.00 (£60.00 incl.VAT)
Sheep Shearing a View in Surry.
Drawn by D. Cox. Engraved by R. Revee [Reeve].
London Publish'd Aug. 1st 1813, by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Coloured aquatint. 290 x 430mm (11½ x 17"). Small margins.
A flock of sheep in a paddock surrounded by trees. From David Cox's 'A Treatise on Landscape Painting and Effect in Water Colours'.
Abbey: 115 (mis-titled).
[Ref: 43477] £150.00 (£180.00 incl.VAT)
Drawn by D. Cox. Engraved by R. Revee [Reeve].
London Publish'd Aug. 1st 1813, by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Coloured aquatint. 290 x 430mm (11½ x 17"). Small margins.
A flock of sheep in a paddock surrounded by trees. From David Cox's 'A Treatise on Landscape Painting and Effect in Water Colours'.
Abbey: 115 (mis-titled).
[Ref: 43477] £150.00 (£180.00 incl.VAT)
![Morning. [&] Midday. Cottage near Birmingham. [&] Twilight. Snowden seen from across Traeth-Mawr, N. Wales.](jpegs/57505.jpg)
Morning. [&] Midday. Cottage near Birmingham. [&] Twilight. Snowden seen from across Traeth-Mawr, N. Wales.
D. Cox Del.t. R. Reeve Sculp.t.
[London, c.1822 by S. & J. Fuller, 34, Rathbone Place.]
Three fine aquatints, printed in colours and hand finished. Morning has J. Whatman 1822 watermark, Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, losing publication line.
The times of day.
[Ref: 57505] £240.00 (£288.00 incl.VAT) view all images for this item
D. Cox Del.t. R. Reeve Sculp.t.
[London, c.1822 by S. & J. Fuller, 34, Rathbone Place.]
Three fine aquatints, printed in colours and hand finished. Morning has J. Whatman 1822 watermark, Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate, losing publication line.
The times of day.
[Ref: 57505] £240.00 (£288.00 incl.VAT) view all images for this item
![[Hubert van Eyck]](jpegs/43314.jpg)
[Hubert van Eyck] Huberto ab Eyck, Joannis Fratri; Pictori. Quas modo communes cum fratre Huberte, merenti / Attribuit laudes nostra Thalia tibi [...] 1.
Th. Galle exc [c.1600]
Engraving, platemark 210 x 120mm (8¼ x 4¾") very large margins.
Hubert van Eyck (b.c.1358-90, d.1426), painter and brother of Jan van Eyck. According to the inscription on the famous Ghent altarpiece, that great work was begun by Hubert and completed by Jan. Other work by Hubert is hard to identify. Third state of a plate engraved in 1572 after an unidentified portrait by Michiel Coxie I. In this state it was published after 1600 in the Antwerp publisher Theodor Galle's 'Illustrium Quos Belgium Habuit Pictorum Effigies. Antwerpiae'.
[Ref: 43314] £140.00 (£168.00 incl.VAT)
Th. Galle exc [c.1600]
Engraving, platemark 210 x 120mm (8¼ x 4¾") very large margins.
Hubert van Eyck (b.c.1358-90, d.1426), painter and brother of Jan van Eyck. According to the inscription on the famous Ghent altarpiece, that great work was begun by Hubert and completed by Jan. Other work by Hubert is hard to identify. Third state of a plate engraved in 1572 after an unidentified portrait by Michiel Coxie I. In this state it was published after 1600 in the Antwerp publisher Theodor Galle's 'Illustrium Quos Belgium Habuit Pictorum Effigies. Antwerpiae'.
[Ref: 43314] £140.00 (£168.00 incl.VAT)