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[Saint Catherine.] From a Picture in the Collection of Robert Wigram Esq.r M. P. To whom this Plate is dedicated by his obedient Servant C. Turner.
Painted by Correggio. Engraved by Charles Turner.
London, Published Jan.y 18. 1810, by C. Tur[ner No. 50, Warren Street,] Fitzroy Square.
Mezzotint. 560 x 405 mm (22 x 16"), with wide margins. Publisher's inscription weakly inked; evidence of a printer's patch over armorial.
Saint Catherine holding a broken wheel, crowned with a wreath by a cherub. The emperor Maxentius condemned the Christian virgin to death on a spiked breaking wheel but, at her touch, it shattered. She was then beheaded and a milk-like substance flowed instead of blood. Whiman, Turner, 704.
[Ref: 54254] £260.00
(£312.00 incl.VAT)
[Cupid reading from a Scroll.] Frontispiece. To the Select Works of Engravings Under the Direction of William Buchanan Esq.r
Correggio pinxt. Engraved in the School of Morghen.
Pub.d by Mr. Stone at the Historic Gallery, 87, Pall Mall.
Steel engraving on India with very large margins, platemark 260 x 205mm (10¼ x 8"). Fine impression, numered '132' lower right, on uncut sheet.
Engraving of a detail from Correggio's 'Venus with Mercury and Cupid' ('The School of Love') in the National Gallery, London, in which Mercury acts as schoolmaster to the young Cupid. This print was the frontispiece to a series of engravings illustrating 'Portraits and Ideals of the Great Masters of the Various Schools of Painting', supervised by the dealer William Buchanan (1777-1864). The reference to the 'School of Morghen' refers to the famous Italian engraver Raphael Morghen (1758-1833). For another print in this series, see ref. 24232; for Morghen's work see ref. 23992.
[Ref: 33953] £180.00
(£216.00 incl.VAT)
[Rest on the Flight into Egypt.]
Antonio Corregio Pinxit.
Cum privilegio Regis. Sold by Alex: Browne at the Blew Ballcony in little Queen Street_ [n.d. c.1700.]
Mezzotint, fine with large margins, 18th century paper watermarked. Plate 260 x 196mm (10¼ x 7¾").
The Virgin seated amid trees and vegetation, her hair in plaits and tied with a long cloth, cradles the baby Jesus in her lap; above, a winged cherub; to the right, a rabbit. CS: undescribed (under Browne).
[Ref: 31019] £320.00
Cum pervenisset Jesus ad montem Olivarum, positis genibus orabat. Luc. Cap. XXII. V.40. 18.
Ant. Allegri da Coreggio pinxit. Joh. Volpato sculpsit Romae 1773.
Ex Tabula Madriti in Pinacotheca Regis.
Engraving, very large margins. Plate 350 x 369mm (13¾ x 14½"). Water stain to upper left corner.
The Agony in the Garden; the angel appearing to Christ in the Garden of Gethsemene; apostles sleeping behind him; trees and landscape in the background. Print after Correggio's panel The Agony in the Garden, formerly in Milan (XVIIc), then in Madrid (until1813), then captured by the Dukes of Wellington. Now in Apsley House, London. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31012] £130.00
(£156.00 incl.VAT)
Jupiter et Danaé.
Le Correge pinxit. Desrochers sculpsit.
[n.d., c.1730.]
Engraving. Sheet 290 x 335mm (11½ x 13¼"). Trimmed within plate, losing publisher's inscription?
Danaé, sitting with Cupid on a bed, is visited by Jupiter in the guise of golden rain, with two putti dipping the tip of an arrow in poison. One of the 'Loves of Jupiter'. Engraved by Étienne Desrochers after Antonio Correggio's painting (now in the Galleria Borghese), this print was first published by Louis Surugue in Paris c.1720, with a dedication to the Duc d'Orléans, five verses in French, and details on the original's provenance. See BM 1837,0408.337 for the original state.
[Ref: 44975] £270.00
(£324.00 incl.VAT)
[Virgin and Child.]
Antonius de Alegris Corrgiensis pinx: N. Edelinck sculp.
Extat venetiis in Museo D:D: Jacobi Chertemps Galli. 1708.
Copper Engraving, 435 x 320mm. 17 x 12½". A fine impression.
Virgin holding sleeping Child in her arms, sitting in front of an arched window opening onto a landscape. Erroneously attributed to Antonio Correggio (1489 - 1534).
[Ref: 18839] £230.00
(£276.00 incl.VAT)
[Madonna and Child.] Comiti. Iosepho. De. Wilzeck. Iosepho...
Ant.o Allegri detto il Coreggio inv. Domenico Aspar delin. et sculp.
L'Originale della stessa grandezza è appresso il Sig.e Albate Il Carlo Bianconi Secretario perpetuo della Reale Accademia delle Bella arti in Milano.
Engraving. Sheet: 365 x 240mm (14¼ x 9½"). Trimmed. Time stained.
A scene showing the Holy Family after Antonio Allegri da Correggio.
[Ref: 47576] £160.00
(£192.00 incl.VAT)
[Madonna adoring the Child.] Mariae Aloisiae Caroli III Hispaniarum Regis Filiae Coniugi Petri Leopoldi ab Austr. Magni Aetru [...]
Iconem ab Antonio Allegri Patria Corregium, industria [...] 1768.
Engraving, 18th century watermarked paper; platemark 470 x 330mm (18½ x 13"), with large, uncut margins. Crease through centre as issued.
Print after Correggio's painting of the Madonna adoring the Child in the Uffizi Gallery, Florence. Engraved by Florentine printmaker Ferdinando Gregori (1743?-1804), who made many large engravings after Old Master paintings, particularly those in Florence.
[Ref: 38475] £320.00
[Virgin and Child] Dillectus meus mihi et ego illi / Admodum Reverendo Domino: Dno Ioanni Chrisostomo vander Sterre [...]
Correggio p. [c.1628]
Engraving, 17th century watermark; platemark 290 x 205mm (11½ x 8"), with large margins. Loss of margin top right.
Engraving by Lucas Vorsterman (or, as Hollstein believes, one of his studio assistants) after a painting here erroneously attributed to Correggio.
[Ref: 45999] £230.00
(£276.00 incl.VAT)
[Madonna with Jesus and S.t Mary Magdalene.]
Denon. [after Antonio Correggio.]
[n.d., c.1800.]
Etching, scarce. Plate: 245 x 290mm (9¾ x 11½"), with large margins. Foxing.
A bibical scene showing the Madonna and Jesus with Mary Magdalene and an angel. A detail from 'Il Giorno' by Antonio Corregio.
[Ref: 47582] £450.00
S. Catharina. 17.
Correggio pinxi.t Ant: Capellan sculp. Romae 1772.
Napoli in Aedibus Regus vulos a Cap di Monte.
Engraving. 330 x 241mm (13 x 9½"), with wide margins. Water stain lower left of margin.
The Marriage of Saint Catherine; the Virgin, sitting on the ground, holding the Child on her lap; Catherine kneeling before them, holding a palm frond in one hand, and extending the other which is grasped by Mary and Jesus; the Child looking up at Mary; a sword on the ground; trees and a landscape in the background. The original painting in in the Gallerie Nazionale di Capodimonte, Naples. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30998] £230.00
(£276.00 incl.VAT)
Jesus Christ espuse S.te Catherine. d'apres le Tableau de Correge Hault et large de 3. pieds 8. poulces qui est dans le Cabinet du Roy.
[engraved by Etienne Picart after Antonio Corregio.]
[Engraved c. 1689.] [But printed c. 1800's]
Engraving. 450 x 415mm (17¾ x 16¼"), with large margins. Blind stamp of the 'Chalcographie du Louvre' in inscription area. Uncut.
The mystical marriage of St Catherine, with the Christ Child sitting on the Virgin's knees and placing ring on St Catherine's finger, in the presence of young St Sebastian. Top left is a scene of Sabastian's martyrdom. See Lugt: L.1695 for the blindstamp.
[Ref: 57879] £260.00
(£312.00 incl.VAT)
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