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[Dawn on the Broads.]
[Dawn on the Broads.]
K.M. Clayton.
[n.d., c.1930.]
Etching, signed by the artist. 195 x 300mm, 7¾ x 12".
Wild ducks in flight, by 'Miss' K.M. Clayton.
[Ref: 11894]   £130.00   (£156.00 incl.VAT)
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The Bay and Island of Hong-Kong.
The Bay and Island of Hong-Kong.
Drawn by B. Clayton from a Painting by Piqua. On Stone by Gilks.
London, Dean & Co. Threadneedle Street. [n.d., 1847.]
Tinted lithograph. Sheet 165 x 230mm (6½ x 9").
A view of Hong Kong shortly after the British leased the island in 1842. From Julia Corner's 'The History of India & China'.
[Ref: 49632]   £220.00   (£264.00 incl.VAT)
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View of Victoria Town _ Island of Hong-Kong.
View of Victoria Town _ Island of Hong-Kong.
Drawn by B. Clayton from a Painting by Piqua. On Stone by Dean & Co.
London, Dean & Co. Threadneedle Street. [n.d., 1847.]
Tinted lithograph. Sheet 165 x 230mm (6½ x 9").
A view of Hong Kong shortly after the British leased the island in 1842. From Julia Corner's 'The History of India & China'.
[Ref: 49631]   £220.00   (£264.00 incl.VAT)
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Life in Philadelphia. Plate 3.
Life in Philadelphia. Plate 3. ''How you find yourself dis hot Weader Miss Chloe?'' / ''Pretty well I tank you Mr Cesar only I aspire too much.
Eng.d by Cha.s Hunt [after Edward William Clay].
London, Pub. by Harrison Isaacs, Charles St Soho Sq.re. [n.d., c.1832.]
Fine coloured aquatint, very large margins. 235 x 190mm (9¼ x 7½").
A satire from an English edition of Edward William Clay's 'Life in Philadelphia', with two black Philadelphians, both over-dressed à la mode, discuss the weather. Clay, inspired by Edward Cruikshank's 'Life in London' series, published his 'Life in Philadelpia' series from 1828-1830. Of the fourteen aquatints ten were satires on the black populace (who were freed when Pennsylvania banned slavery in 1780), which did much to enforce the negative stereotypes held even in the free North. Very popular, they inspired these copies, published in London.
[Ref: 55386]   £180.00   (£216.00 incl.VAT)
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Lonely Marsh [pencil, to lower margin.]
Lonely Marsh [pencil, to lower margin.]
K.M. Clayton [pencil signature].
[British, n.d., c.1930.]
Etching, 'FJ Head & Co' watermarked laid paper. 195 x 380mm, 7¾ x 15". Diagonal crease through upper left corner. Wide margins.
'Miss' K.M. Clayton. A swan or goose flying low over swampy marshland.
[Ref: 22755]   £70.00   (£84.00 incl.VAT)
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The Meadow Pool [as inscribed on small plaque on lower rim of frame.]
The Meadow Pool [as inscribed on small plaque on lower rim of frame.]
John Clayton Adams. David Law. Charles O. Cummings [pencil signatures.]
Issues October 1.st 1900 in the Art Union of London, W2, Strand. Copyright Registered. F. Goulding, Printer, London, W.
Etching signed in pencil., in original frame. Plate 456 x 705mm. 18 x 27¾".
A countryside view in a meadow by a small pool with floating lillies; a hay bale with farmers behind in the meadow. On verso in ink: "On this Artist's Proof Etching it will be noticed that there are very unusually, two signatures of Etchers in addition to the signature of the painter of the original picture - John Clayton Adams. The reason of this is that David Law was taken seriously ill whilst at work on the etching, and was unable to finish it. The work was then completed for him by Charles O. Cummings." The 1899 painting by John Clayton Adams is in the collection of Brighton & Hove museums.
[Ref: 22623]   £230.00   (£276.00 incl.VAT)
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[Morning Mists.]
[Morning Mists.]
K.M. Clayton.
[n.d., c.1930.]
Etching, signed by the artist. 195 x 300mm, 7¾ x 12".
'Miss' K.M. Clayton.
Wild ducks in flight.

[Ref: 11892]   £130.00   (£156.00 incl.VAT)
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[Brownsea Castle] View of Branksea Castle & Island, with the Town & Harbour of Poole.
[Brownsea Castle] View of Branksea Castle & Island, with the Town & Harbour of Poole. (Taken from Parkestone.)
Clay Litho.
[n.d., c.1850.]
Very scarce tinted lithograph. Sheet 275 x 360mm (10¾ x 14¼"). Faint soiling, backed with waxy paper.
View of Brownsea Island in Poole Harbour from Parkstone, from the ridge to the north-east of Poole, looking towards Purbeck.
Not in Abbey Scenery.
[Ref: 30901]   £420.00  
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South East View of Brownsea Castle & Island,
South East View of Brownsea Castle & Island, the Summer Sea of H. Sturt Esq. Built and planted by the present Possessor consisting of about one thosand Acres. 1774
[n.d., c.1796.]
Engraving. 225 x 375mm (8¾ x 14¾"), with large margins. Some staining on right.
View of Brownsea Island in Poole Harbour. Inheriting the castle in 1765, Sir Humphrey Sturt extended the 16th century blockhouse castle to form a Palladian styled, four-storey tower with battlements, and landscaped the island, importing manure to improve the soil. From The History and Antiquities of the County of Dorset' by Hutchins.
[Ref: 58765]   £160.00  
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The Last Effort of Tipoo Sultan at Seringapatam.
The Last Effort of Tipoo Sultan at Seringapatam.
Drawn by B. Clayton. On Stone by Dean & Co.
London, Dean & Co. Threadneedle Street. [n.d., 1847.]
Tinted lithograph. Sheet 160 x 235mm (6¼ x 9¼''), large margins.
A scene depicting the Siege of Seringapatam 1799, with the final counterattack by the troops of Tipu Sultan. From Julia Corner's 'The History of India & China'.
[Ref: 59520]   £120.00   (£144.00 incl.VAT)
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Shanghae.
Shanghae. One of the Five Ports opened by the Late Treaty to British Commerce.
Drawn by B. Clayton from an original Painting by Piqua. On Stone by Dean & Co.
London, Dean & Co. Threadneedle Street. [n.d., 1847.]
Tinted lithograph. Sheet 165 x 230mm (6½ x 9").
A view of Shanghai soon after it was opened to European trade after the First Opium War, with junks filling the foreground. From Julia Corner's 'The History of India & China'.
[Ref: 39345]   £130.00   (£156.00 incl.VAT)
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The Tomb of the Favourite Sultana of Akber Khan, at Agra.
The Tomb of the Favourite Sultana of Akber Khan, at Agra.
Drawn on the Spot by B. Clayton. On Stone by Dean & Co.
[1847.]
Tinted lithograph. Sheet: 145 x 235mm (5¾ x 9¼'').
A view of the Taj Mahal from the river. An illustration from 'The History of China and India Pictorial and Descriptive...' by Julia Corner 1847.
Abbey 468, Plate 6.
[Ref: 50123]   £130.00   (£156.00 incl.VAT)
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Culture and Preparation of Tea.
Culture and Preparation of Tea.
Drawn by B. Clayton from a Painting by Piqua. On Stone by Gilks.
London, Dean & Co. Threadneedle Street. [n.d., 1847.]
Tinted lithograph. Sheet 165 x 230mm (6½ x 9").
From Julia Corner's 'The History of India & China'.
Abbey 468.
[Ref: 56659]   £75.00   (£90.00 incl.VAT)
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Interior of St. Pauls, Funeral of the Late Duke of Wellington.
Interior of St. Pauls, Funeral of the Late Duke of Wellington.
On Stone by W. Clay.
[n.d. c.1852.]
Lithograph. 210 x 146mm. 8¼ x 5¾".
Interior view of St Paul's Cathedral during funeral service for Duke of Wellington, November 18, 1852, with the coffin laid in the centre. Field Marshal Arthur Wellesley, 1st Duke of Wellington (1769-1852) was one of only a handful of British subjects to be honoured with a state funeral, and was the last heraldic state funeral to be held in Britain. He was buried next to Lord Nelson in St Paul's Cathedral.
[Ref: 25180]   £65.00   (£78.00 incl.VAT)

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