A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Vespertina Quies.]](jpegs/59622.jpg)
[Vespertina Quies.]
[Etched by Émile Boilvin after Edward Burne-Jones]
Copyright 1897 by Mess.rs Arthur Tooth & Son, Publishers, 5 & 6 Haymarket, London, 295. Fifth Avenue New York, & Mess.rs Stiefbold & Co Berlin, Printed by Mess.rs A. Salmon & Ardail, Paris.
Etching on vellum, signed by Boilvin in pencil. Limited edition of 275 signed proofs. Printed area 395 x 255mm (15½ x 10"), with very large margins. Ink stamp in image corner bottom left.
'Evening Quiet': a woman leans against a balustrade, pensively playing with a ring on her finger, a pose reminiscent of Italian Renaissance portraits. We believe this is a pre publication proof as it does not have the Printsellers' Stamp. It comes from a collection of Solvin proofs (Paris) The model for the oil (pained 1893 and now in the Tate, N05176) is belived to be Elizabeth Keene.
[Ref: 59622] £1,500.00
[Etched by Émile Boilvin after Edward Burne-Jones]
Copyright 1897 by Mess.rs Arthur Tooth & Son, Publishers, 5 & 6 Haymarket, London, 295. Fifth Avenue New York, & Mess.rs Stiefbold & Co Berlin, Printed by Mess.rs A. Salmon & Ardail, Paris.
Etching on vellum, signed by Boilvin in pencil. Limited edition of 275 signed proofs. Printed area 395 x 255mm (15½ x 10"), with very large margins. Ink stamp in image corner bottom left.
'Evening Quiet': a woman leans against a balustrade, pensively playing with a ring on her finger, a pose reminiscent of Italian Renaissance portraits. We believe this is a pre publication proof as it does not have the Printsellers' Stamp. It comes from a collection of Solvin proofs (Paris) The model for the oil (pained 1893 and now in the Tate, N05176) is belived to be Elizabeth Keene.
[Ref: 59622] £1,500.00