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[The Annunciation.]
[The Annunciation.]
Walter W. Burgess R.E. [signed in pencil].
[n.d., c.1890.]
Etching, very scarce. 285 x 640mm (11¼ x 25¼"). Outside of frame 540 x 880mm (21¼ x 34½"). Unexamined out of frame.
A depicition of the Annunciation in the Pre-Raphaelite manner. On the reverse are labels translating the latin text and stating that the work was exhibited at the Royal Academy and Royal Society of Painter-Etchers. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections.
[Ref: 17391]   £360.00  
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[Chelsea from Cremorne Wharf.]
[Chelsea from Cremorne Wharf.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching, framed. Plate 178 x 285mm. 7 x 11¼".
Very fine view of the Thames. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Lonford: Images of Chelsea, 241.
[Ref: 18154]   £420.00  
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[Old Clothes Shop, Milman's Street.]
[Old Clothes Shop, Milman's Street.]
[Walter W Burgess.]
[n.d. c.1894.]
Proof etching. 190 x 261mm (7½ x 10¼").
William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Longford: Images of Chelsea, 614.
[Ref: 18155]   £180.00   (£216.00 incl.VAT)
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[Chelsea Reach, Looking Towards Battersea.]
[Chelsea Reach, Looking Towards Battersea.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching.Proof. Plate 180 x 285mm (7 x 11¼") large margins.
Fine view of the Thames. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Elizabeth Longford: Images of Chelsea, 223.
[Ref: 53566]   £260.00   (£312.00 incl.VAT)
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[Cheyne Walk, Chelsea in 1871]
[Cheyne Walk, Chelsea in 1871]
W.W.B. [Walter William Burgess]
Etching, 255 x 325mm to platemark. Signed in pencil lower left.
View looking Eastwards along Cheyne Walk showing Cadogan Pier. The historic Magpie & Stump public house, which dated from the days of Henry VIII, is visible on the left. The pub was burnt down in 1887. William Walter Burgess (1844 - 1908), who annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections.
Longford 133.
[Ref: 22457]   £320.00  
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[The Moravian Chapel and Burial Ground.]
[The Moravian Chapel and Burial Ground.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching. Plate 127 x 203mm. 5 x 8". Slight discolouration from old mount.
William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. The Fetter Lane Moravian Church, the King's Road, Chelsea, London. It was founded in 1742 by members of the Church who had come to London in search of passage of the British colonies in the Caribbean in order to take the Gospel to the slave communities. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Lonford: Images of Chelsea, 490.
[Ref: 18152]   £180.00   (£216.00 incl.VAT)
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Royal Hospital from the River before the Embankment.
Royal Hospital from the River before the Embankment.
Walter W. Burgess [signed in pencil].
[n.d. 1894.]
Etching. 260 x 160mm.
Burgess, Walter (Southampton, 1844 - London, 1908).
Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
[Ref: 1097]   £280.00   (£336.00 incl.VAT)
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[Royal Hospital from the River, Before the Embankment.]
[Royal Hospital from the River, Before the Embankment.]
Walter W. Burgess [signed in pencil.]
[n.d, 1894.]
Etching, with Burgress' sun symbol lower right. Limited edition. 203 x 336mm. 8 x 13¼".
William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections.
Longford: Images of Chelsea, 62. Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess.Kegan Paul & Co.: London, 1894
[Ref: 14197]   £230.00   (£276.00 incl.VAT)
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Royal Hospital from the Garden.
Royal Hospital from the Garden.
Walter W. Burgess signed in pencil.
n.d. 1894
etching 255 x 115mm
Burgess, Walter (Southampton, 1844 - London, 1908)
Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
[Ref: 1098]   £280.00   (£336.00 incl.VAT)
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[Chelsea Old Church, Cheyne Walk.]
[Chelsea Old Church, Cheyne Walk.]
[William Walter Burgess aquaf.t
[n.d, c.1895.]
Etching. Plate: 325 x 265mm (12½ x 10½").
A view along Cheyne Walk looking west towards Chelsea Old Church and Battersea Bridge. Two figures walk sit by the river, a milk maid carries her buckets and several carriages and carts are driven along the dirt road. The costume of the figures is of a more Regency style rather than Victorian, looking back at the area before the embankment was built.
Longford by Walter Burgess: 571
[Ref: 41371]   £420.00  
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Dewar Challenge Trophy.
Dewar Challenge Trophy. This is to Certify that M.r Beaumont Critchley Holds the Challenge Trophy for the Year 1903. Presented by Sir Thomas Dewar.
W. W. Burgess R.E. Del et Sculp.
Etching, signed in pencil. 420 x 600mm (16½ x 23¾") with wide margins. Some surface dirt in margins that does go into the top sky part of the image.
A view of London from south of the river, with St Paul's Cathedral and Watt's Shot Tower, Belvedere Road, Lambeth. Sir Thomas Robert Dewar (1864 - 1930) turned his family whisky business into an international success by sponsoring sporting events around the world. In the U.S. there were 'Dewar Challenge Trophys' for Soccer and motor racing. What competition this view celebrates is unknown. Besides his whisky Dewar is known for 'Dewarism', a philosophy stating that success can be attained without compromising joy in life. One of his aphorisms is the famous 'Experience is what you get when you're looking for something else'.
See 52181 for unsigned image.
[Ref: 7591]   £650.00  
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Dewar Challenge Trophy.
Dewar Challenge Trophy. This is to Certify that [blank] M.r Beaumont Critchley Holds the Challenge Trophy for the Year 1[blank]. Presented by Sir Thomas Dewar.
W. W. Burgess R.E. Del et Sculp.
Etching, 420 x 600mm (16½ x 23½) with large margins.
A blank certificate with a view of London from south of the river, with St Paul's Cathedral and Watt's Shot Tower, Belvedere Road, Lambeth. Sir Thomas Robert Dewar (1864 - 1930) turned his family whisky business into an international success by sponsoring sporting events around the world. In the U.S. there were 'Dewar Challenge Trophys' for Soccer and motor racing. What competition this view celebrates is unknown. Besides his whisky Dewar is known for 'Dewarism', a philosophy stating that success can be attained without compromising joy in life. One of his aphorisms is the famous 'Experience is what you get when you're looking for something else'.
See 7591 for signed impression.
[Ref: 52181]   £450.00  
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Dewar's Wharf from Victoria Embankment.
Dewar's Wharf from Victoria Embankment.
Walter W. Burgess. R.E. [signed in pencil.]
Published & Copyrighted by John Dewar & Sons Ltd.
Etching. Plate: 125 x 180mm (5 x 7'').
A view of Dewar's Wharf. John Dewar started his whisky distillery in 1846 and expanded into the global market. William Walter Burgess (1844 - 1908) annually exhibited his etchings at the Royal Academy from 1874 to 1903.
[Ref: 49410]   £95.00   (£114.00 incl.VAT)
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A Summer Evening Repast.
A Summer Evening Repast. To W. Wilson Esq.r This Plate (Engraved from a Drawing in his Possession.) is humbly Dedicated by his Obliged Serv.t J. Harris.
W. Burgess Delin.t J.W. Edye Aqua Tint.
London: Publish'd Oct.r 6.th 1788, by J. Harris, Sweetings Alley, & No.8 Bread St. near the Royal Exchange.
Very fine & scarce hand-coloured aquatint. 437 x 559mm (17¼ x 22"). Repaired tear to right.
A rural scene, a picnic in the countryside: three children and a woman standing to the right, an older woman seated behind, and a man to the left smoking a pipe and behind him a large jug and some good; by his feet lies a dog.
[Ref: 28673]   £550.00  
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North side of the Palace of Westminster, Clock Tower, New Palace Yard, Westminster Hall.
North side of the Palace of Westminster, Clock Tower, New Palace Yard, Westminster Hall.
Walter W. Burgess. R.E. Del et Sc: Signed in pencil below the image.
Copyright by Frederick Keppel New York Paris and London. [n.d. c.1900]
Etching and drypoint printed in brown ink on chine collé. 810 x 565mm 32 x 22 inches.
Born 1846, Burgess was an etcher, engraver, bookplate illustrator and architect, active in London 1874-1908. One of the finest etchers of the old tradition, influenced by Seymour Haden and represented in the Victoria & Albert Museum, British Museum. He exhibited at the Royal Academy. This unusally large scene is combining his talent for both landscape and architecture.
[Ref: 13729]   £490.00  
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