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China Under the Guidance & Protection of France and England.
China Under the Guidance & Protection of France and England. The Allies in Pekin. An English and a French Officer try which shall appear To a Chinese Lady least a Barbarian.
London, W.H.J. Carter, Bookseller, Printseller, &c 12, Regent Street, Pall Mall [c.1850]
Rare lithograph with hand-colouring, sheet 345 x 240mm (13 x 9½"). Damaged, foxing. List of W.H.J. Carter's stock of caricatures printed verso.
Satire on relations between the European powers and France: British and French soldiers compete to win the favour of a Chinese woman by displaying their good manners.
[Ref: 47086]   £260.00  
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Anglo-Gallic Salutations in London_or  Practice makes perfect!
Anglo-Gallic Salutations in London_or Practice makes perfect! "Gode a morning Sare, did it rain towmorrow? "yase it vas"
G.C.k sculp.
Pub.d June 6th 1822 by G. Humphrey- 27 S.t James's Stre.t London.
Fine hand-coloured etching. Sheet: 255 x 350mm (10 x 13¾"). Trimmed inside platemark; staining.
A comic scene in which two French men staying in London greet each other in ungrammatical English outside the White Bear, Piccadilly. 'The Original Paris Coach Office' advertising coaches to France. Pair to 'Anglo-Parisian Salutations' (ref. 43642). Etching by George Cruikshank (1792-1878). The son of a notable satirist (who died following a drinking match when George was only 19, leaving him as the family breadwinner), Cruikshank was a prolific and celebrated caricaturist from an early age. Alongside contemporaries such as Rowlandson and Gillray, he ridiculed the excesses of late Georgian Britain with devastating effectiveness (George IV eventually paid him 'not to caricature His Majesty in any immoral situation'). In the 1830s he left behind single-sheet satires such as this to begin a second career as a book illustrator, working with Charles Dickens and other leading writers.
BM Satire 14440.
[Ref: 47119]   £130.00   (£156.00 incl.VAT)
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A Black Ball. La Pastorelle.
A Black Ball. La Pastorelle. Life in Philadelphia No. 10
W. Summers Del. C. Hunt Sc.
T.C. Lewis & Co. 96 Cheapside London [c1850]
Etching and aquatint with hand-colouring, sheet 220 x 275mm (8½ x 10¾"). Trimmed. Very slight staining in middle.
The 'Life in Philadelphia' caricatures lampooning the social aspirations of Philadelphia's black population were first published by Edward William Clay in the United States in the 1820s. Shortly after the London publisher W. Harrison Isaacs published a set of copies drawn by William Summers and engraved by Charles Hunt, augmenting them with new caricatures in the same vein but set in London. Isaacs' plates subsequently passed to Gabriel Shire Tregear, and then to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this impression. Hickman notes that Lewis's reissue of Tregear's set of 20 'Life in Philadelphia' prints is dated to 1860 by the Library Company of Philadelphia, but suggests 'it was probably earlier'.
Hickman p.126
[Ref: 47093]   £140.00   (£168.00 incl.VAT)
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Blackberrying.
Blackberrying. Lewis's Black Jokes. No. 10
W. Summers Del. C. Hunt Sc.
T.C. Lewis & Co. 96 Cheapside London [c.1850]
Etching and aquatint with hand-colouring, sheet 230 x 310mm (9 x 12¼"). Trimmed.
Five adults and one child around a newly dug grave. One of a series of 'Tregear's Black Jokes', a set of twenty caricatures first published in 1834, the year in which the Slavery Abolition Act came into force. The prints, which were advertised as 'A Series of Laughable Caricatures on the March of Manners amongst Blacks', developed the theme of the earlier 'Life in Philadelphia' caricatures lampooning the social aspirations of Philadelphia's black population. These were first published by Edward William Clay in the United States in the 1820s. The London publisher Gabriel Shire Tregear published copies of the 'Life in Philadelphia' caricatures, then followed it up with 'Tregear's Black Jokes'. After Tregear's death his plates passed to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this print. The three mentions of Tregear's name on the plate have either been changed to Lewis', or simply effaced.
Hickman p.135
[Ref: 47094]   £190.00   (£228.00 incl.VAT)
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Christmas Carols.
Christmas Carols.
H.H.
Published 1835, by O. Hodgson. Fleet Street London.
Hand-coloured lithograph. Sheet: 315 x 220mm (12½ x 8¾"). Trimmed to image, tear in left edge.
A comic scene in which a battered young beggar selling songsheets informs a shopper that a pair of pickpockets have stolen her purse.
[Ref: 46890]   £180.00   (£216.00 incl.VAT)
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[Two Figures Following a Donkey.]
[Two Figures Following a Donkey.]
[n.d., c.1824.]
Hand-coloured etching. Plate: 250 x 400mm (10 x 15¾"). Staining and foxing. Holes in top edge.
A scene showing two caricatured figures following a donkey.
Provenance: Edge Hill, Cheshire
[Ref: 46796]   £150.00   (£180.00 incl.VAT)
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[Two Figures Following a Donkey.]
[Two Figures Following a Donkey.] [EWH the gift of his brother Charles. Nov. 1. 1824.][in pencil below image.]
[n.d., c.1824.]
Hand-coloured etching. Plate: 250 x 400mm (10 x 15¾"), large margins.
A scene showing two caricatured figures following a donkey.
Provenance: Edge Hill, Cheshire
[Ref: 46795]   £240.00  
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'Conquering Prejudice', pr
'Conquering Prejudice', pr "Fulfilling a Constitutional duty with alacrity." "My God! My Child! Will no one help! Is there no mercy!" [...]
Printed at P.S. Duval's Steam lith. Press, Philad.a [1850]
Lithograph, scarce, printed area 280 x 315mm (11 x 12½"). Tear lower edge.
Two men and their dogs chase an African woman carrying her child. This print probably alludes to the 1850 Fugitive Slave Act and the vocal support of Massachusetts Senator Daniel Webster for the new law. The title of this print borrows from the title of a speech by Webster that was published shortly before this print appeared. Published by Peter Stephen Duval, who in 1849 publicised the introduction of steam-powered presses to his establishment.
[Ref: 47101]   £450.00  

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A Peep at the Corsican Fairy.
A Peep at the Corsican Fairy.
Pub.d Jan.y 1 1807 by T. Tegg 111 Cheapside.
Etching with hand-colouring, sheet 245 x 345mm (9¾ x 13½"), fleur-de-lys watermark. Trimmed inside platemark; tear top right.
John Bull, as a showman on the left, displays Napoleon, 'the Corsican Fairy' to interested spectators representing various European countries. Napoleon is prevented from moving by a large padlock inscribed 'the British Navy'. John Bull holds in his hand a disk labelled 'Malta' and warns his audience that Napoleon 'put himself into a great passion with me about the sugar plumb I hold in my hand'. One of many prints made in response to the feared invasion of Britain by Napoleon c.1803. The French occupied Malta between 1798 and 1800. This plate was first published by Piercy Roberts in 1803, but after Roberts sold his stock of plates to Thomas Tegg in 1806 Tegg reissued the plate. This impression bears Tegg's 1807 publication line.
BM Satires 10032.
[Ref: 47129]   £280.00  

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A Court-Candidate in Distress.
A Court-Candidate in Distress.
London. Publish'd April 20th 1784 as the Act Directs.
Etching with hand-colouring, sheet 260 x 355mm (10¼ x 14"). Trmmed inside platemark; collector's stamp of Minto Wilson verso.
The politician Sir Cecil Wray (1734-1805) mobbed by maidservants and a Chelsea pensioner. On the floor is a paper inscribed 'Plan for Demolishing Chelsea Hospital and taxing Maid Servants'. This print was a response to Wray's unpopular proposal to reform Chelsea Hospital, whereby more funds would be devoted to pensions and some residential restrictions removed. This impression from the collection of Minto Wilson (1938-51, fl.), collector particularly of caricatures and sporting prints. For other prints from the same collection see refs. 7799, 7825, 47198, 47201
BM Satires 6542a; L.1922a.
[Ref: 47199]   £450.00  
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Grand Celebration ob de Bobalition ob African Slabery.
Grand Celebration ob de Bobalition ob African Slabery. Life in Philadelphia No. 11
Drawn & Eng.d by J. Harris
T.C. Lewis & Co. 96 Cheapside London [c1850]
Etching and aquatint with hand-colouring, platemark 225 x 275mm (8¾ x 10¾") large margins. Borders dusty.
The 'Life in Philadelphia' caricatures lampooning the social aspirations of Philadelphia's black population were first published by Edward William Clay in the United States in the 1820s. Shortly after the London publisher W. Harrison Isaacs published a set of copies mostly drawn by William Summers and engraved by Charles Hunt, augmenting them with new caricatures in the same vein but set in London. Isaacs' plates subsequently passed to Gabriel Shire Tregear, and then to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this impression. Hickman notes that Lewis's reissue of Tregear's set of 20 'Life in Philadelphia' prints is dated to 1860 by the Library Company of Philadelphia, but suggests 'it was probably earlier'. This is the only print in Tregear's/Lewis's set which was not engraved by Charles Hunt. It clearly relates to the passing of the Slavery Abolition Act in 1833.
Hickman p.126
[Ref: 47097]   £230.00  
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Hamlet.
Hamlet.
Metz del. Ansel & Stadler sculp.
[London, Pub.d Oct.r 1809 by W.m Holland No 11 Cockspur St.]
Fine coloured aquatint. Sheet 285 x 345mm (11¼ x 13½"). Trimmed to image on three sides, into inscription area at bottom, losing publication line.
Hamlet burlesqued. Halmet is thin, elderly, and ugly, plainly dressed in black; Marcellus and Horatiowear military coats with knee-breeches and buckled shoes. The Ghost, wearing helmet and armour on his upper body, stands with knees bend, lighting the three men with a bright beam from his eye.
BM Satires 11446.
[Ref: 47325]   £340.00  
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The Holy Alliance Unmasked.
The Holy Alliance Unmasked.
E. Purcell.
London Pub, Feb 1823, by J Dickinson 114 New Bond St.
Hand-coloured lithograph, printed area 250 x 290mm (11¾ x 9½"). Large tear on left going just into image; rare.
Satire, presumably on the 1822 Congress of Verona, in which representatives of the Quintuple Alliance (Russia, Austria, Prussia, France and the United Kingdom) debated, amongst other matters, the 'Spanish Question'. This concerned the proposed French intervention in Spain to restore Ferdinand VII to his throne and bring an end to the 'Trienio Liberal' of 1820-3, three years of liberal democracy following a popular uprising against the king. Those assembled are in favour of restoring the king with the exception of Wellington, on the right, who denounces this 'Unholy Alliance' and insists 'I will have no hand in it'.
For another impression see ref. 37334.
[Ref: 47118]   £240.00  
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Knock - and ye shall enter.
Knock - and ye shall enter.
[Monogram of 'Paul Pry', i.e. William Heath] Esq.
Pub by T McLean 26 Haymarket - Political & other Caricatuers daily Pub. [n.d., c.1829.] All Paul Prys works have T Mc Leans Name attach'd as the publisher, those without are Pirated Copies.
Etching with hand-colouring, platemark 360 x 260mm (14¼ x 10¼") very large margins. Uncut.
A very Jewish-looking old-clothes' man stands gazing up at the inscription ‘Commons’ (referring to the House of Commons) above an old iron-studded oak door; he raises the knocker, a ring in the mouth of an angry lion's head. He is bearded, and has three hats piled on his own, the topmost being very feminine. He wears a ragged and patched gabardine, old-fashioned buckled shoes, and carries across his shoulder a large bag, from a hole in which projects a pig's foot (a pig in his poke). On his back is an open box of trinkets, containing watches. Close behind him stands a turbaned Turk, watching him with eager anxiety. The Jew: 'Come I sha—Open the door vill ye—I vants to come in—and heres a shentlemans a friend of mines—vants to come in too—dont be afeard—I dont vant a sheat for nothing—I can pay for it So help me Got.' Three men, already admitted, look down at the applicants from a small open window beside the door to right: a dissenter, holding his hat, and characterized by lank hair and plebeian feature; a Jesuit wearing a biretta, and putting a thumb to his nose, and a fat elderly monk (frowning). The left door-post is inscribed: 'OAK Suppose to be sound Put up 1688 only latly discovered to be full of Skakes[?peare]. ' Catholic Emancipation, following the repeal of the Test and Corporation Acts in May 1828, raised hopes of Jewish emancipation. By William Heath (1794/5 - 1840), ex-Captain of Dragoons, illustrator of colour-plate books, and prolific caricaturist. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole, that became a tag used for any very inquisitive person) with the emblem of a small man holding a walking stick in a lower corner of his plates. This figure was soon copied by other caricaturists (eg Sharpshooter), and so from 1828 Heath began to sign his plates with his full name. He published regularly with Thomas McLean.
BM Satires: 15804.
[Ref: 47115]   £280.00  
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Military Portraits or a Brace of Heroes.
Military Portraits or a Brace of Heroes. O Such Marchings and Counter-marchings! from St James's to Tottenham Court,! from Tottenham Court to St James's !!!
Pub.d July 30th 1798 by S.W. Fores 50 Piccadilly [...] Folios of Caracature lent out for the Evening
Etching with hand-colouring, fine impression, platemark 335 x 385mm (13¼ x 15¼"). Small margins; collector's stamp of Minto Wilson verso.
'The scene is evidently the presentation of colours by the Duchess of York to the St. James's Volunteers in Calvert's ground, Bedford Square, on 5 July' (British Museum cataloguing). The colonel of the St. James's Volunteers was Baron Amherst, but the profile here resembles William Pitt (an earlier owner has inscribed on the mount 'Pitt as Colonel of the Cinque Port Volunteers?'). Etching by Charles Williams (1797 - 1830, fl.), prolific etcher of satires from his own designs and those of other artists (especially Woodward). Almost all his plates are anonymous and little work has been done to establish for certain which prints he made. As a result Williams is little-known in comparison with contemporaries such as Rowlandson and Gillray in spite of the comparable quality of some of his work. This impression from the collection of Minto Wilson (1938-51, fl.), collector particularly of caricatures and sporting prints. For other prints from the same collection see refs. 7799 and 7825.
L.1922a; BM Satires 9239.
[Ref: 47198]   £450.00  
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[Man with a Pocket Watch.]
[Man with a Pocket Watch.]
[n.d., c.1845.]
Hand-coloured wood-engraving. Sheet:170 x 135mm (6¾ x 5¼"). Trimmed and laid on album sheet.
A scene in which a man inspects his pocket watch while two women look at him from over a wall.
[Ref: 47246]   £50.00   (£60.00 incl.VAT)
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Political Bullbaiting.
Political Bullbaiting.
Published by A. Redford London Road Southwark Feb 1st 1812
Etching with hand-colouring, sheet 190 x 365mm (7½ x 14¼"). Trimmed; folded as issued; hole lower left.
Satire on the costs incurred by the War of 1812 and the lifestyle of the Prince Regent. A (John) Bull, bearing the Print Regent and Queen Charlotte on its back, is attached by dogs (representing the left wing of the Opposition) urged on by the brewer Samuel Whitbread. The setting is Whitehall, with Horseguards on the left and the Banqueting House on the right. Etching published by the little-known Redford of London Road, Southwark. The design may derive from Gillray's 'John Bull, baited by the Dogs of Excise'.
BM Satires 11845
[Ref: 47122]   £160.00   (£192.00 incl.VAT)
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The Political Butcher or Spain Cutting Up Buonaparte,
The Political Butcher or Spain Cutting Up Buonaparte, For the Benifit of her Neighbours.
G.S. Farnham Sep.r 1808
Pub.d September 12 1808 by R. Ackermann N 101 Strand.
Etching with hand-colouring, platemark 255 x 345mm (10 x 13½") very large margins.
A Spanish butcher dissects the carcass of Napoleon, the meat of which feeds the European powers. A Dutch frog, Italian greyhound, Austrian eagle, British Bulldog, Swedish dog, and a Russian bear pick over the bones. The butcher holds aloft Napoleon's head whilst the three bodies of his generals Murat, Dupont and Junot, having been gutted, are suspended by the ankles. Etching by Thomas Rowlandson after a design by George Saulez/George Sauler Farnham.
BM Satires 11025; Grego vol.2, p.97
[Ref: 47127]   £360.00  

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The Polling Plate III.
The Polling Plate III.
Hogarth Pinx. Brocas Jun.r etch'd.
Published by J. Le Petit [Dublin c.1810].
Engraving with hand-colouring, 250 x 355mm (9¾ x 14"). Paper toned.
A rare copy of the famous Election scene by William Hogarth, published in Dublin.
.
[Ref: 47326]   £260.00  
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Prerogatives Defeat or Liberties Triumph
Prerogatives Defeat or Liberties Triumph
Publisd [sic] Aprill 20. 1780 by E. Darchery St Js' Street [partly trimmed]
Etching with hand-colouring, sheet 250 x 310mm (9¾ x 12¼"). Trimmed inside platemark; collector's stamp of Minto Wilson verso.
The Earl of Bute and Lord North lie on the ground, trampled by John Dunning. This is a representation of Dunning's famous resolution stating that the influence of the Crown ought to be diminished (moved 6 Apr. 1780). It also illustrates the first defeat of the Government in the House of Commons that year, when the clause for abolishing the Board of Trade was carried. It anticipates (by almost two years) a change of ministry and subsequent peace with America. The Scot with a sword who attacks Dunning is probably William Fullarton. The scene is watched by America and Ireland, standing together. Unsigned print published by Elizabeth Darchery (1780-84, fl.), publisher of satirical prints based on St James's Street, London. This impression from the collection of Minto Wilson (1938-51, fl.), collector particularly of caricatures and sporting prints. For other prints from the same collection see refs. 7799, 7825, 47198, 47199
BM Satires 5659; L.1922a.
[Ref: 47201]   £650.00  

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Real Sorrow!!!
Real Sorrow!!! An Extemporary Duet, on Quitting the Windsor Castle.
H.H.R.
London Published 5.th July 1830 by John Fairburn Broadway Ludgate Hill.
Etching with hand-colouring with J Whatman watermark, sheet 280 x 410mm (11 x 16"). Trimmed inside platemark.
One of many satires on the departure from Windsor of Elizabeth, Lady Conyngham, mistress of George IV, after the king's death in 1830. Her husband Lord Conyngham, cuckold's horns on his head, weeps with her. Prints produced in response to the event tended to depict Conygham as reluctant to leave Windsor, greedily carrying treasure from the castle on her departure, or attempting to sneak out unnoticed.
BM Satires 16158; for other prints relating to the same event see refs. 30463, 39603, 43635 etc.
[Ref: 47117]   £220.00  

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The Route. Whilst de lads ob de village, so merrily are, Dou and I will be first in de trong.
The Route. Whilst de lads ob de village, so merrily are, Dou and I will be first in de trong. Lewis's Black Jokes. No. 6
W. Summers Del. C. Hunt Sc.
T.C. Lewis & Co. 96 Cheapside London [c.1850]
Etching and aquatint with hand-colouring, sheet 230 x 310mm (9 x 12¼"). Trimmed.
At a gathering of smartly-dressed black people, a couple walk out onto the dance floor as an orchestra plays on the balcony. One of a series of 'Tregear's Black Jokes', a set of twenty caricatures first published in 1834, the year in which the Slavery Abolition Act came into force. The prints, which were advertised as 'A Series of Laughable Caricatures on the March of Manners amongst Blacks', developed the theme of the earlier 'Life in Philadelphia' caricatures lampooning the social aspirations of Philadelphia's black population. These were first published by Edward William Clay in the United States in the 1820s. The London publisher Gabriel Shire Tregear published copies of the 'Life in Philadelphia' caricatures, then followed it up with 'Tregear's Black Jokes'. After Tregear's death his plates passed to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this print. The three mentions of Tregear's name on the plate have either been changed to Lewis', or simply effaced.
Hickman p.131
[Ref: 47096]   £190.00   (£228.00 incl.VAT)
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Sailors at a Quakers funeral.
Sailors at a Quakers funeral.
[After Isaac Cruikshank, c.1810]
Hand-coloured etching, sheet 235 x 330mm (9¼ x 13"). Trimmed inside platemark; small tear to bottom edge.
Quakers, sailors and a gravedigger stood by an open grave. Copy of an etching after George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
See BM Satires 10902; for Cruikshank's etching see ref. 18477.
[Ref: 47197]   £260.00  
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[Collection of thirty-eight political satires, published c.1866-8]
[Collection of thirty-eight political satires, published c.1866-8]
Thirty-eight lithographs and wood-engravings, various sizes. Some damage.
Collection of satires, some separately published and others taken from publications such as 'The Tomahawk'. Many were produced in Leeds by artists such as Heslop Woods and Robert Bownes. Politicians depicted include Sir Andrew Fairbairn, Robert Meek Carter, Edward Baines and includes one of Darwin's animals, trains, racing, Irish questions etc.
[Ref: 47289]   £450.00   view all images for this item
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The Dandy Lion an exotic lately discover'd in a Stable Yard.
The Dandy Lion an exotic lately discover'd in a Stable Yard.
[I.R. Cruikshank.]
[S.W. Fores.][1818.]
Etching with hand-colour, rare. Sheet: 335 x 230mm (13 x 9"). Trimmed and laid on album sheet.
A comic scene showing Charles Stanhope (1780-1851), dressed as a dandy, in conversation with a stable hand.
BM Satire 13029.
[Ref: 47276]   £140.00   (£168.00 incl.VAT)
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The Tables Turned
The Tables Turned or The Lie circumstantial.
Pub.d by T. Taplain Upper Thames St London
Etching with hand-colouring, sheet 240 x 350mm (9½ x 13¾"). Trimmed inside platemark; tear on left.
Duel between Charles Vane, third marquess of Londonderry (1778-1854) and Ensign Battier. Battier's pistol misfired and he declined the offer of another shot and left. He was later horsewhipped by Londonderry's second, Sir Henry Hardinge. In this image Londonderry (far left) nonchalantly awaits the second shot from Battier, which Hardinge (centre, in brown coat) invites. Battier, next to Hardinge, drops his pistol rather than taking the shot, to the disbelief of his second Lt.-Col. Weston (right). A surgeon in the background observes 'I see they will not want me'.
[Ref: 47120]   £240.00  
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[Turkey choir
[Turkey choir "Choeur de Dindons"]
Schenck.
[Paris: Goupil, c.1880.]
Mixed method engraving, printed in colours. Image 295 x 500mm (11½ x 19¾"), wide margins.
A Christmas image showing a choir of ten turkeys singing from a music sheet.
[Ref: 47321]   £450.00  
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The Two Journals. Jou.l 1.
The Two Journals. Jou.l 1. ''Look here upon this picture_and others, [/] The counterfeit presentment of two brothers, Hamlet''.
[Charles Williams.]
Pub.d July 1814 by Tho.s Tegg 111 Cheapside.
Hand-coloured etching. Plate: 245 x 350mm (9¾ x 13¾"). Creasing at corners. Small margins.
A series of eight vignettes illustrating the activities of Tsar Alexander I during his visit to London in June 1814. Alexander insisted on staying in the Pulteney Hotel where his sister, the Duchess of Oldenburg had taken up residence. The Duchess is shown wearing her poke-bonnet in a style which became known as an Oldenburgh bonnet. This is a companion to BM Satire 12291 which depicts a day spent by George IV.
BM Satire 12290.
[Ref: 47245]   £230.00  
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The Have Been Weighed in the Balance, and are found Wanting.
The Have Been Weighed in the Balance, and are found Wanting.
Flagelantes inv.t.
Pub.d March 1809 by Walker No. 7 Cornhill.
Etching with fine hand-colouring, platemark 250 x 350mm (9¾ x 13¾") very large margins. Diagonal crease.
Large pair of scales balance on one side by Mary Anne Clarke, supported by Gwyllym Lloyd Wardle, and other the other side by three lawyers and General Clavering (with Spencer Perceval adding papers to the scales). The beam is supported by the duke of York, standing on the back of William Adam, while John Bull stands behind. Satire relating to the cash-for-commissions scandal involving Clarke and the Duke of York, and specifically on the votes exonerating him. Wardle brought the motion for the removal of the Duke on the grounds that he was aware Clarke (his mistress) had been selling army commissions. This was defeated by Perceval's amendment; eventually Perceval's resolution acquitting the Duke of personal corruption was carried. Clarke calls for the John Bull, carrying the 'Vox Populi', to lend his weight, reflecting public opinion. York did in fact resign the same month this print was published- despite the motion passed by the Commons, this was the only way to avoid a renewal of the allegations. Etching by 'Flagelantes', which BM Satires believes to be a pseudonym for Charles Williams, although many of the attributions to Williams in BM Satires are now questioned.
BM 11269.
[Ref: 47126]   £360.00  
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A Piece of Antiquity Painted on the Wall adjoining to the Kitchen of Winchester College.
A Piece of Antiquity Painted on the Wall adjoining to the Kitchen of Winchester College. A Trusty Servant's Portrait would you see. / This Emblematic Figure will Survey [...]
Published by W. Savage, Fancy Needlework Warehouse & Extribition No. 12, Square, Winchester [c.1820]
Engraving with original hand-colouring, sheet 415 x 265mm (16¼ x 10½"). Laid on linen.
A Berlin type design showing The Arms of Winchester School. Partly human figure of a boar rendered in a grid pattern for needlework. The print and verses are copied from a print published in 1749.
See BM Satires 3045 for source print.
[Ref: 46926]   £130.00   (£156.00 incl.VAT)
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You're Another!
You're Another!
Standidge & Lemon, Litho. 77. Cornhill. [n.d., c.1835.]
Lithograph. Printed area: 210 x 200mm (8¼ x 8"), with very large margins.
A comic scene showing two monkeys having a discussion.
Provenance: Edge Hill, Cheshire
[Ref: 46800]   £95.00   (£114.00 incl.VAT)
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