A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Calendarium Londinense or the London Almanack for the Year 1919. The War Office.
London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12").
View of William Young's neo-baroque War Office building at night with a full moon and the anti-aircraft searchlights, a gun carriage in the foreground. After the abolition of the War Office, the building continued to be used by the Ministry of Defence, but was recently sold and is being converted into a luxury hotel. Very atmospheric. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36790] £180.00 (£216.00 incl.VAT)
London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12").
View of William Young's neo-baroque War Office building at night with a full moon and the anti-aircraft searchlights, a gun carriage in the foreground. After the abolition of the War Office, the building continued to be used by the Ministry of Defence, but was recently sold and is being converted into a luxury hotel. Very atmospheric. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36790] £180.00 (£216.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1924. Piccadilly Circus
London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.1.
Etched image, 175 x 255mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre. Slight staining in margins.
View looking across Piccadilly Circus, with Regent Street curving away to the right. In the centre is Alfred Gilbert's statue 'Eros' (1893), designed and erected in memory of the philanthropic 7th Earl of Shaftesbury. Behind it is the department store Swan & Edgar. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36789] £130.00 (£156.00 incl.VAT)
London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.1.
Etched image, 175 x 255mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre. Slight staining in margins.
View looking across Piccadilly Circus, with Regent Street curving away to the right. In the centre is Alfred Gilbert's statue 'Eros' (1893), designed and erected in memory of the philanthropic 7th Earl of Shaftesbury. Behind it is the department store Swan & Edgar. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36789] £130.00 (£156.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1925. Trafalgar Square.
London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.1.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium". Few marks.
View taking in Nelson's Column and the National Gallery, St Martin's in the Fields on the right. In the foreground on the right is the equestrian statue of Charles I by Hubert le Sueur (c.1633). An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36788] £95.00 (£114.00 incl.VAT)
London. Published by W. Monk. Drawn Etched and Printed by W. Monk, 118, New Bond Street, W.1.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium". Few marks.
View taking in Nelson's Column and the National Gallery, St Martin's in the Fields on the right. In the foreground on the right is the equestrian statue of Charles I by Hubert le Sueur (c.1633). An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36788] £95.00 (£114.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1927. The Strand.
London. Published by W. Monk. Drawn, & Etched, by W. Monk, 118, New Bond Street, W.1.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12").
View looking along the Strand from near the north side of Waterloo Bridge. On the left is the New Gaiety Theatre, advertising a Mozart production. Built in 1903, the theatre was demolished in 1957 and the site was recently redeveloped to become a luxury hotel. James Gibbs' baroque church of St Mary-Le-Strand (1717) is in the centre, with the facade of Somerset House on the right. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36787] £130.00 (£156.00 incl.VAT)
London. Published by W. Monk. Drawn, & Etched, by W. Monk, 118, New Bond Street, W.1.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12").
View looking along the Strand from near the north side of Waterloo Bridge. On the left is the New Gaiety Theatre, advertising a Mozart production. Built in 1903, the theatre was demolished in 1957 and the site was recently redeveloped to become a luxury hotel. James Gibbs' baroque church of St Mary-Le-Strand (1717) is in the centre, with the facade of Somerset House on the right. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36787] £130.00 (£156.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1928. London River.
W. Monk [pencil signature.]
London. Published by W. Monk at 118, New Bond Street, W.1. Drawn, & Etched. by W. Monk.
Etched image with large margins, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Slight staining in margins; cut to platemark at bottom.
View looking across the Thames towards Custom House and the Tower of London, with the river full of working barges. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36786] £160.00 (£192.00 incl.VAT)
W. Monk [pencil signature.]
London. Published by W. Monk at 118, New Bond Street, W.1. Drawn, & Etched. by W. Monk.
Etched image with large margins, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Slight staining in margins; cut to platemark at bottom.
View looking across the Thames towards Custom House and the Tower of London, with the river full of working barges. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36786] £160.00 (£192.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1929. Old Watling Way, Sunday in the City.
W. Monk [pencil signature.]
London. Published by W. Monk at 118 New Bond Street, W.1. Drawn, & Etched, by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium".
View looking down Watling Street towards St Paul's Cathedral. The street, considered the oldest in London, was the principal street of Roman London, the 'Noble' or 'High' street of the city. It subsequently became the Saxon Athalingastrate (noble street) before becoming Wathling Street. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36785] £140.00 (£168.00 incl.VAT)
W. Monk [pencil signature.]
London. Published by W. Monk at 118 New Bond Street, W.1. Drawn, & Etched, by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium".
View looking down Watling Street towards St Paul's Cathedral. The street, considered the oldest in London, was the principal street of Roman London, the 'Noble' or 'High' street of the city. It subsequently became the Saxon Athalingastrate (noble street) before becoming Wathling Street. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36785] £140.00 (£168.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1935. Doctor Johnson's House / Gough Square, Fleet Street.
W. Monk [pencil signature.]
London, Published by W. Monk at 118, New Bond Street, W.1. Drawn & Etched, by W. Monk.
Etched image, 175 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium"; pinhole lower left.
Dr Johnson's House at 17 Gough Square in London. Built at the end of the 17th century, the house was home to Johnson in the 1750s (he moved there to work on his Dictionary of the English Language). It is now open to the public and has a collection and library relating to Johnson. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36783] £120.00 (£144.00 incl.VAT)
W. Monk [pencil signature.]
London, Published by W. Monk at 118, New Bond Street, W.1. Drawn & Etched, by W. Monk.
Etched image, 175 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium"; pinhole lower left.
Dr Johnson's House at 17 Gough Square in London. Built at the end of the 17th century, the house was home to Johnson in the 1750s (he moved there to work on his Dictionary of the English Language). It is now open to the public and has a collection and library relating to Johnson. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36783] £120.00 (£144.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1932. Number 10 Downing Street Whitehall.
W. Monk [pencil signature.]
London. Published by W. Monk & By Walker's Galleries Ltd, 118, New Bond Street, W.1. Drawn, & Etched. by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium".
View of the Prime Minister's official residence from under the arches opposite. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36791] £140.00 (£168.00 incl.VAT)
W. Monk [pencil signature.]
London. Published by W. Monk & By Walker's Galleries Ltd, 118, New Bond Street, W.1. Drawn, & Etched. by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre of "Calendarium".
View of the Prime Minister's official residence from under the arches opposite. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36791] £140.00 (£168.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1933. London from the Pool, Drawn from Tower Bridge.
W. Monk [pencil signature.]
London. Published by W. Monk at 118, New Bond Street, W.1. Drawn, & Etched. by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12").
View from near Tower Bridge, looking upstream from the Thames towards London Bridge. The dome of St Paul's and the Monument can be seen among the industrial chimneys on the right. A fine view of London. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36794] £180.00 (£216.00 incl.VAT)
W. Monk [pencil signature.]
London. Published by W. Monk at 118, New Bond Street, W.1. Drawn, & Etched. by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12").
View from near Tower Bridge, looking upstream from the Thames towards London Bridge. The dome of St Paul's and the Monument can be seen among the industrial chimneys on the right. A fine view of London. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36794] £180.00 (£216.00 incl.VAT)
![Calendarium Londinense or the London Almanack for the Year 1934. [Charles Dickens House.]](jpegs/36781.jpg)
Calendarium Londinense or the London Almanack for the Year 1934. [Charles Dickens House.]
London. Published by W. Monk at 118, New Bond Street, W.1. Drawn & Etched, by W. Monk
Etched image, 185 x 255mm (7¼ x 10"), with calendar underneath, sheet 395 x 290mm (15¾ x 12"). Slightly time stained at edges. Crease through "Calendarium"
Charles Dickens' house on Devonshire Terrace, which he moved into in 1839 after leaving the Doughty Street residence which is now a museum. An issue of 'Monk's Calendar', a publication for print collectors, that year illustrated with an etching of St James's Palace. Founded by William Monk (1863-1937) it was published yearly until the year 2004.
[Ref: 36781] £70.00 (£84.00 incl.VAT)
London. Published by W. Monk at 118, New Bond Street, W.1. Drawn & Etched, by W. Monk
Etched image, 185 x 255mm (7¼ x 10"), with calendar underneath, sheet 395 x 290mm (15¾ x 12"). Slightly time stained at edges. Crease through "Calendarium"
Charles Dickens' house on Devonshire Terrace, which he moved into in 1839 after leaving the Doughty Street residence which is now a museum. An issue of 'Monk's Calendar', a publication for print collectors, that year illustrated with an etching of St James's Palace. Founded by William Monk (1863-1937) it was published yearly until the year 2004.
[Ref: 36781] £70.00 (£84.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1935. The British Museum. The Portico.
W. Monk [pencil signature.]
London & Chester. Published by W. Monk at The Studio, Barrel Well, Chester. Drawn, & Etched. by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre. Very slight crease through "Calendarium"
The portico of the British Museum, the largest and best-known building by architect Robert Smirke. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36782] £140.00 (£168.00 incl.VAT)
W. Monk [pencil signature.]
London & Chester. Published by W. Monk at The Studio, Barrel Well, Chester. Drawn, & Etched. by W. Monk.
Etched image, 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through centre. Very slight crease through "Calendarium"
The portico of the British Museum, the largest and best-known building by architect Robert Smirke. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004.
[Ref: 36782] £140.00 (£168.00 incl.VAT)
Calendarium Londinense or the London Almanack for the Year 1936. Buckingham Palace From St James's Park (floodlit).
W. Monk [pencil signature.]
London & Chester. Published by W. Monk at The Studio, Barrel Well, Chester. Drawn, & Etched. by W. Monk.
Aquatint and etching. Image 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through middle.
View across St James' park towards Buckingham Palace. Text below explaining the history and various alterations made to the building since John Nash's original design. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004. This edition was the first to use aquatint for the scene.
[Ref: 36792] £130.00 (£156.00 incl.VAT)
W. Monk [pencil signature.]
London & Chester. Published by W. Monk at The Studio, Barrel Well, Chester. Drawn, & Etched. by W. Monk.
Aquatint and etching. Image 180 x 250mm (7 x 9¾"), with calendar underneath, sheet 400 x 290mm (15¾ x 12"). Horizontal fold through middle.
View across St James' park towards Buckingham Palace. Text below explaining the history and various alterations made to the building since John Nash's original design. An issue of 'Monk's Calendar', a publication for print collectors founded in 1902 by William Monk (1863-1937) and published yearly until the year 2004. This edition was the first to use aquatint for the scene.
[Ref: 36792] £130.00 (£156.00 incl.VAT)
![[Cheyne Walk]](jpegs/36778.jpg)
[Cheyne Walk]
C.E. Holloway '81 [in image lower right].
Etching with very large margins, Pencil inscription 'CE Holloway to David Law' lower left; platemark 275 x 450mm (10¾ x 17¾"). Uncut.
Cheyne Walk in Chelsea, London. This historic street, whose 19th century residents included Rossetti, Swinburne, Whistler and Turner, was a favoured subject for many printmakers of the Victorian period. By Charles Edward Holloway (1838-97), painter and printmaker specialising in marine and landscape subjects. His work is held in several national collections, including the Tate. This impression was a gift from Holloway to his contemporary, painter and printmaker David Law (1831-1901).
[Ref: 36778] £320.00
C.E. Holloway '81 [in image lower right].
Etching with very large margins, Pencil inscription 'CE Holloway to David Law' lower left; platemark 275 x 450mm (10¾ x 17¾"). Uncut.
Cheyne Walk in Chelsea, London. This historic street, whose 19th century residents included Rossetti, Swinburne, Whistler and Turner, was a favoured subject for many printmakers of the Victorian period. By Charles Edward Holloway (1838-97), painter and printmaker specialising in marine and landscape subjects. His work is held in several national collections, including the Tate. This impression was a gift from Holloway to his contemporary, painter and printmaker David Law (1831-1901).
[Ref: 36778] £320.00
Etch'd Thoughts.
London: Printed for the Etching Club. 1844.
Large folio, green morocco boards, 62 etched plates. Bottom right corner of front board damaged.
From the only edition, as issued in 1844 in one of the Etching Club’s earliest publications.
[Ref: 37004] £1,500.00 view all images for this item
London: Printed for the Etching Club. 1844.
Large folio, green morocco boards, 62 etched plates. Bottom right corner of front board damaged.
From the only edition, as issued in 1844 in one of the Etching Club’s earliest publications.
[Ref: 37004] £1,500.00 view all images for this item
![[Cross Street Chapel, Manchester]](jpegs/36776.jpg)
[Cross Street Chapel, Manchester]
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/10 [etched in plate lower left.] [1910.]
Etching with very large margins, platemark 255 x 345mm (10 x 13½"). Uncut.
Cross Street Chapel in Manchester, the first Non-conformist place of worship in the city. Bombed during World War II, in 1959 a new chapel was constructed on the site. In 2012 this chapel became the first place of worship in Britain to receive a licence to conduct civil partnership ceremonies.
Ex: Agnews.
[Ref: 36776] £220.00 (£264.00 incl.VAT)
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/10 [etched in plate lower left.] [1910.]
Etching with very large margins, platemark 255 x 345mm (10 x 13½"). Uncut.
Cross Street Chapel in Manchester, the first Non-conformist place of worship in the city. Bombed during World War II, in 1959 a new chapel was constructed on the site. In 2012 this chapel became the first place of worship in Britain to receive a licence to conduct civil partnership ceremonies.
Ex: Agnews.
[Ref: 36776] £220.00 (£264.00 incl.VAT)
![[The Royal Exchange, Manchester.]](jpegs/36775.jpg)
[The Royal Exchange, Manchester.]
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/13 [etched in plate lower left.] [1913.]
Etching with very large margins, very fine, platemark 405 x 290mm. 16 x 11½".
The Royal Exchange in Manchester, located in the city centre on the land bounded by St Ann’s Square, Market Street and Cross Street. The building now houses the Royal Exchange Theatre and the Royal Exchange shopping centre. Remarque of a beehive lower left.
Ex: Agnews.
[Ref: 36775] £160.00 (£192.00 incl.VAT)
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/13 [etched in plate lower left.] [1913.]
Etching with very large margins, very fine, platemark 405 x 290mm. 16 x 11½".
The Royal Exchange in Manchester, located in the city centre on the land bounded by St Ann’s Square, Market Street and Cross Street. The building now houses the Royal Exchange Theatre and the Royal Exchange shopping centre. Remarque of a beehive lower left.
Ex: Agnews.
[Ref: 36775] £160.00 (£192.00 incl.VAT)
![[Factories on the Thames]](jpegs/36798.jpg)
[Factories on the Thames]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 255 x 355mm (10 x 14").
View across the Thames towards factories and warhouses across the river. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36798] £220.00 (£264.00 incl.VAT)
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 255 x 355mm (10 x 14").
View across the Thames towards factories and warhouses across the river. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36798] £220.00 (£264.00 incl.VAT)
![[Factories on the Thames.]](jpegs/36799.jpg)
[Factories on the Thames.]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 255 x 355mm (10 x 14"). '1st state' in pencil lower left.
View across the Thames towards factories and warhouses across the river. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36799] £220.00 (£264.00 incl.VAT)
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 255 x 355mm (10 x 14"). '1st state' in pencil lower left.
View across the Thames towards factories and warhouses across the river. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36799] £220.00 (£264.00 incl.VAT)
Morning.
H. Raeburn Macbeth [signed in pencil lower right of plate].
[1881]
Etching, very large margins. 148 x 99mm. 5¾" x 4". Uncut sheet with cover sheet bearing title and artist name.
Print from the 'Edinburgh Etching Club Portfolio' for 1881, by Sir Henry MacBeth Raeburn RA, RE (1860 - 1947). An early work dating to the period in which the artist studied in Edinburgh before moving to London. 'A good etcher' (Guichard).
[Ref: 36779] £85.00 (£102.00 incl.VAT)
H. Raeburn Macbeth [signed in pencil lower right of plate].
[1881]
Etching, very large margins. 148 x 99mm. 5¾" x 4". Uncut sheet with cover sheet bearing title and artist name.
Print from the 'Edinburgh Etching Club Portfolio' for 1881, by Sir Henry MacBeth Raeburn RA, RE (1860 - 1947). An early work dating to the period in which the artist studied in Edinburgh before moving to London. 'A good etcher' (Guichard).
[Ref: 36779] £85.00 (£102.00 incl.VAT)
![[Shot Tower, Thames]](jpegs/36797.jpg)
[Shot Tower, Thames]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, on Chine, platemark 255 x 150mm (10 x 6").
View along the south bank of the river Thames towards St Pauls cathedral and Southwark Bridge. Warehouses and shot tower on the right, a figure stood on a wooden platform on the right. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36797] £160.00 (£192.00 incl.VAT)
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, on Chine, platemark 255 x 150mm (10 x 6").
View along the south bank of the river Thames towards St Pauls cathedral and Southwark Bridge. Warehouses and shot tower on the right, a figure stood on a wooden platform on the right. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36797] £160.00 (£192.00 incl.VAT)
![[Tangiers Market]](jpegs/36777.jpg)
[Tangiers Market]
H Macbeth Raeburn Sct [pencil signature lower right]
Etching, platemark 260 x 165mm (10¼ x 6½").
Market scene in Tangiers, Morocco, by Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Limited to 50 impressions. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36777] £160.00 (£192.00 incl.VAT)
H Macbeth Raeburn Sct [pencil signature lower right]
Etching, platemark 260 x 165mm (10¼ x 6½").
Market scene in Tangiers, Morocco, by Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Limited to 50 impressions. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36777] £160.00 (£192.00 incl.VAT)
![[The Swingbridge.]](jpegs/36718.jpg)
[The Swingbridge.]
C.F.Tunnicliffe signed in pencil. Limited 1/75.
[n.d., c.1928.]
Etching. Rare. Platemark: 205 x 275mm (8¼ x 10¾").
A rural scene showing a farmer with a horse, driving cattle across bridge to the right. Wildlife artist Charles Frederick Tunnicliffe, R.A. R.E. (1901 - 1979) lived on Anglesey having studied at the R.C.A. This work is characteristic of his robust deeply bitten etchings steeped in rural life. In all he produced some sixty etchings.
[Ref: 36718] £620.00
C.F.Tunnicliffe signed in pencil. Limited 1/75.
[n.d., c.1928.]
Etching. Rare. Platemark: 205 x 275mm (8¼ x 10¾").
A rural scene showing a farmer with a horse, driving cattle across bridge to the right. Wildlife artist Charles Frederick Tunnicliffe, R.A. R.E. (1901 - 1979) lived on Anglesey having studied at the R.C.A. This work is characteristic of his robust deeply bitten etchings steeped in rural life. In all he produced some sixty etchings.
[Ref: 36718] £620.00
![[The Thames and City of London from Westminster]](jpegs/36780.jpg)
[The Thames and City of London from Westminster]
W.Walcot [pencil signature.]
[n.d., c.1910]
Etching with very large margins, signed in pencil, platemark 130 x 130mm (5 x 5"). Uncut.
Bird's-eye view of London from near Whitehall, looking towards the City of London, showing St Pauls Cathedral on the left and Tower Bridge in the distance on the right. Etching by William Walcot R.E (1874 - 1943), Scottish architect, who was described by Furst as 'next to Brangwyn the greatest decorative etcher this country has produced'. Walcot was in fact born in Russia and studied in St Petersburg and Paris, subsequently practicing architecture in Moscow before moving to London early in the 20th century. Walcot's training is evident in his prints, which are concerned with architecture and decoration rather than human life.
[Ref: 36780] £290.00 (£348.00 incl.VAT)
W.Walcot [pencil signature.]
[n.d., c.1910]
Etching with very large margins, signed in pencil, platemark 130 x 130mm (5 x 5"). Uncut.
Bird's-eye view of London from near Whitehall, looking towards the City of London, showing St Pauls Cathedral on the left and Tower Bridge in the distance on the right. Etching by William Walcot R.E (1874 - 1943), Scottish architect, who was described by Furst as 'next to Brangwyn the greatest decorative etcher this country has produced'. Walcot was in fact born in Russia and studied in St Petersburg and Paris, subsequently practicing architecture in Moscow before moving to London early in the 20th century. Walcot's training is evident in his prints, which are concerned with architecture and decoration rather than human life.
[Ref: 36780] £290.00 (£348.00 incl.VAT)