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Catalogue: Modern Etchings
![On the River Forth at Aberfoyle. [pencil.]](jpegs/11955.jpg)
On the River Forth at Aberfoyle. [pencil.]
Claude H. Rowbotham [signed in pencil].
[n.d., c.1900.]
Etching and aquatint printed in colours, 160 x 210mm, 6½ x 8¼". With publisher's title label separate.
The bridge over the Forth at Aberfoyle, Stirling.
Claude Hamilton Rowbotham (1864-1949), watercolour painter of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originated in Bristol area. He used characteristically bright colours.
[Ref: 11955] £75.00 (£88.13 incl.VAT)
Claude H. Rowbotham [signed in pencil].
[n.d., c.1900.]
Etching and aquatint printed in colours, 160 x 210mm, 6½ x 8¼". With publisher's title label separate.
The bridge over the Forth at Aberfoyle, Stirling.
Claude Hamilton Rowbotham (1864-1949), watercolour painter of landscapes and coastal scenes, both in England and on the Continent. He was related to the Rowbotham family of painters who originated in Bristol area. He used characteristically bright colours.
[Ref: 11955] £75.00 (£88.13 incl.VAT)
![[Acrobats at Lorca Fair]](jpegs/2499.jpg)
[Acrobats at Lorca Fair]
W.Russell Flint [Ink signature] XLIV [Ink edition no.]
Drypoint, 1931, state v of v, published state, edition of 75. 305 x 345mm.
Wright: 54.
[Ref: 2499] £520.00
W.Russell Flint [Ink signature] XLIV [Ink edition no.]
Drypoint, 1931, state v of v, published state, edition of 75. 305 x 345mm.
Wright: 54.
[Ref: 2499] £520.00
Aka-Kuf.
Charles W. Cain. [signed in pencil]
]n.d. 1923. Third Mesopotamian Set limited to 90]
Etching. 217 x 107mm.
Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator/cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia until the Armistice, and entered the Royal College of Art under Frank Short 1920-1.
[Ref: 1123] £220.00
Charles W. Cain. [signed in pencil]
]n.d. 1923. Third Mesopotamian Set limited to 90]
Etching. 217 x 107mm.
Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator/cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia until the Armistice, and entered the Royal College of Art under Frank Short 1920-1.
[Ref: 1123] £220.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Al-Ajik, beyond Samaria.
Charles W. Cain. [pencil signature]
[n.d. 1921. Second Mesopotamian Set limited to 40.]
Etching. 220 x 105mm.
Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator/cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia until the Armistice, and entered the Royal College of Art under Frank Short 1920-1.
[Ref: 1124] £240.00
Charles W. Cain. [pencil signature]
[n.d. 1921. Second Mesopotamian Set limited to 40.]
Etching. 220 x 105mm.
Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator/cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia until the Armistice, and entered the Royal College of Art under Frank Short 1920-1.
[Ref: 1124] £240.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[Harbour Scene, Majorca]](jpegs/44.jpg)
[Harbour Scene, Majorca]
Cecil Aldin Signed in pencil.
Etching. 235 x 275mm.
Cecil Aldin, the son of a builder was born in Slough, England in 1870 and studied at the South Kensington school of Art. He worked as a comic illustrator in the 1890's before achieving great success as a sporting artist. He retired to Majorca in 1930 and died in 1935.
[Ref: 44] £380.00
Cecil Aldin Signed in pencil.
Etching. 235 x 275mm.
Cecil Aldin, the son of a builder was born in Slough, England in 1870 and studied at the South Kensington school of Art. He worked as a comic illustrator in the 1890's before achieving great success as a sporting artist. He retired to Majorca in 1930 and died in 1935.
[Ref: 44] £380.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[Allegro]](jpegs/2500.jpg)
[Allegro]
W.Russell Flint.. W.Russell Flint [ink signature] XVI [ink edition no.]
Drypoint, 1930, published state, edition of 75. 125 x 115mm.
Wright: 29.
[Ref: 2500] £520.00
W.Russell Flint.. W.Russell Flint [ink signature] XVI [ink edition no.]
Drypoint, 1930, published state, edition of 75. 125 x 115mm.
Wright: 29.
[Ref: 2500] £520.00
![[Anne Hathway's Cottage. Stratford-on-Avon.] 17.](jpegs/14605.jpg)
[Anne Hathway's Cottage. Stratford-on-Avon.] 17. [Anne Hathaway's Cottage, in the village of Shottery, one mile from Shakespeare's Birthplace, was the early home of Shakespeare's wife and of her family. The property was in the Hathaway family from the time of Henry VIII. to 1838. It is a thatched cottage of the Elizabethan period, and is preserved with much furniture of corresponding date. No building in England is more famous than this "humble" cottage, and no place excepting Shakespeare's Birthplace has more visitors. The cottage, or house, is furnished in a homely style. In one room is the famous courting settle beside the hearth, where it would be well in view of the parents sitting at either end of the chimney corner. The house is of interest as a typical thatched Elizabethan farmstead, but it is its association with Shakespeare that has made it a centre of attraction for visitors to Stratford.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 256 x 285mm.
[Ref: 14605] £40.00 (£47.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 256 x 285mm.
[Ref: 14605] £40.00 (£47.00 incl.VAT)
![Anticoli Corrado. Sabine Hills [pencil, lower sheet edge.]](jpegs/13824.jpg)
Anticoli Corrado. Sabine Hills [pencil, lower sheet edge.]
Harry Morley [pencil signature.]
[n.d., c.1930.]
A fine engraving, 195 x 150mm. 7¾ x 6". A good impression.
A street scene, with men women and pigs, in Anticoli Corrado in the Province of Rome, Italy. Anticoli became known in the 19th century because its young inhabitants would pose as models for the community of artists living near Piazza di Spagna in Rome. The town attracted artists until World War II.
Harry Morley RE (1881 - 1943) took up painting in Paris in 1908 and exhibited at the RA. 29 engravings are listed in 'Fine Prints' between 1929 and 1936. He was influenced by Robert Austin.
Guichard: pg.52.
[Ref: 13824] £190.00 (£223.25 incl.VAT)
Harry Morley [pencil signature.]
[n.d., c.1930.]
A fine engraving, 195 x 150mm. 7¾ x 6". A good impression.
A street scene, with men women and pigs, in Anticoli Corrado in the Province of Rome, Italy. Anticoli became known in the 19th century because its young inhabitants would pose as models for the community of artists living near Piazza di Spagna in Rome. The town attracted artists until World War II.
Harry Morley RE (1881 - 1943) took up painting in Paris in 1908 and exhibited at the RA. 29 engravings are listed in 'Fine Prints' between 1929 and 1936. He was influenced by Robert Austin.
Guichard: pg.52.
[Ref: 13824] £190.00 (£223.25 incl.VAT)
![[Arabs around a fire.]](jpegs/11959.jpg)
[Arabs around a fire.]
Iain Macnab [signed in pencil.]
[n.d., c.1940.]
Etching. 250 x 215mm, 9¾ x 8½". Split in platemark.
Iain MacNab [1890 - 1967] was born in Iloilo in the Philippines; he studied at Glasgow School of Art and Heatherley's School of Fine Art, London. He became owner and principal of the Grosvenor School of Modern Art in London, and was influential in spreading the practice of wood engraving and in fostering the development of linocut printmaking. The school encouraged students' individuality and allowed them to join for whatever length of time they chose; it attracted passing visitors from abroad and thus its ideas and activities were carried abroad in their turn. In 1938 he published The Student's Book of Wood Engraving. His work shows clarity of form and composition in a vaguely Vorticist manner. One of the most original printmakers of the twentieth century Scottish Art, He exhibited at all the major public venues, including the Royal Academy, the Royal Scottish Academy, the Royal Glasgow Institute and the Royal Institute of Painters in Oil of which he served as president for nearly twenty years. His work can be found in the permanent collections of the V&A, the British Museum and the Ashmolean, Oxford.
[Ref: 11959] £160.00 (£188.00 incl.VAT)
Iain Macnab [signed in pencil.]
[n.d., c.1940.]
Etching. 250 x 215mm, 9¾ x 8½". Split in platemark.
Iain MacNab [1890 - 1967] was born in Iloilo in the Philippines; he studied at Glasgow School of Art and Heatherley's School of Fine Art, London. He became owner and principal of the Grosvenor School of Modern Art in London, and was influential in spreading the practice of wood engraving and in fostering the development of linocut printmaking. The school encouraged students' individuality and allowed them to join for whatever length of time they chose; it attracted passing visitors from abroad and thus its ideas and activities were carried abroad in their turn. In 1938 he published The Student's Book of Wood Engraving. His work shows clarity of form and composition in a vaguely Vorticist manner. One of the most original printmakers of the twentieth century Scottish Art, He exhibited at all the major public venues, including the Royal Academy, the Royal Scottish Academy, the Royal Glasgow Institute and the Royal Institute of Painters in Oil of which he served as president for nearly twenty years. His work can be found in the permanent collections of the V&A, the British Museum and the Ashmolean, Oxford.
[Ref: 11959] £160.00 (£188.00 incl.VAT)
![[Aragonese String makers, plate II]](jpegs/2502.jpg)
[Aragonese String makers, plate II]
W.Russell Flint. W.Russell Flint [Ink signature] XXXVI [Ink edition no.]
Drypoint, 1930, state vii of vii, published state, edition of 75. 245 x 375mm.
Wright: 40.
[Ref: 2502] £640.00
W.Russell Flint. W.Russell Flint [Ink signature] XXXVI [Ink edition no.]
Drypoint, 1930, state vii of vii, published state, edition of 75. 245 x 375mm.
Wright: 40.
[Ref: 2502] £640.00