A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Catalogue: England
Bedfordshire
Berkshire
Bristol & Clifton
Buckinghamshire
Cambridgeshire
Cheshire
Cornwall
Cumberland
Derbyshire
Devon
Dorset
Durham
Essex
Gloucestershire
Hampshire
Herefordshire
Hertfordshire
Huntingdonshire
Isle of Wight
Kent
Lancashire
Leicestershire
Lincolnshire
Middlesex
Norfolk
Northamptonshire
Northumberland
Nottinghamshire
Oxfordshire
Rutland
Shropshire
Somerset
Staffordshire
Suffolk
Surrey
Sussex
Warwickshire
Westmorland
Wiltshire
Worcestershire
Yorkshire
Albion Hotel & Parade, Eastbourne.
Published by T.S. Gowland Library, Eastbourne. [n.d. c.1880.]
Engraving. 88 x 114mm. 3½ x 4½". Bit messy.
A view of the Albion Hotel, which was removed in 1882 to make way for the new Electric Light Company.
[Ref: 19104] £30.00 (£36.00 incl.VAT)
Published by T.S. Gowland Library, Eastbourne. [n.d. c.1880.]
Engraving. 88 x 114mm. 3½ x 4½". Bit messy.
A view of the Albion Hotel, which was removed in 1882 to make way for the new Electric Light Company.
[Ref: 19104] £30.00 (£36.00 incl.VAT)
Arundel Castle.
B. Ralph del. I. Ryland sculp.
Engraving. Sheet size: 135 x 175mm (5¼ x 6¾"). Trimmed. Hinged to backing sheet.
A view of Arundel Castle, Sussex, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37684 for drawing.
[Ref: 37639] £50.00 (£60.00 incl.VAT)
B. Ralph del. I. Ryland sculp.
Engraving. Sheet size: 135 x 175mm (5¼ x 6¾"). Trimmed. Hinged to backing sheet.
A view of Arundel Castle, Sussex, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37684 for drawing.
[Ref: 37639] £50.00 (£60.00 incl.VAT)
Arundel Castle.
[B. Ralph del. I. Ryland sculp.]
Pen and ink drawing. Sheet size: 175 x 215mm (6¾ x 8½"). Large margins; hinged to backing sheet.
A view of Arundel Castle, Sussex, within a circle. A pen and ink drawing, possibly by Benjamin Ralph. The image was reproduced as an engraving, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37629 for engraving.
[Ref: 37684] £220.00 (£264.00 incl.VAT)
[B. Ralph del. I. Ryland sculp.]
Pen and ink drawing. Sheet size: 175 x 215mm (6¾ x 8½"). Large margins; hinged to backing sheet.
A view of Arundel Castle, Sussex, within a circle. A pen and ink drawing, possibly by Benjamin Ralph. The image was reproduced as an engraving, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37629 for engraving.
[Ref: 37684] £220.00 (£264.00 incl.VAT)
Beachy Head (1) From this part of the Gun Gardens the late lamented Rev. Henry James, Vicar of Willingdon, Sussex, accidentally fell and lost his life on the 22nd of May, 1850. / (2) Here, on the 10th of March, 1850, at 6 o'clock in the evening, Mr. S.R. Smyth (a stranger then to the Coast), overtaken by the tide and surprised by a very dense fog, endeavoured to ascend the Cliff [...]
Drawn & Litho.d by S.R. Smyth / 1852
Lithograph on india, printed area approx 170 x 240mm (6¾ x 9½"). Scarce.
Very unusual view of the chalk headland of Beachy Head in East Sussex, drawing attention to two accidents which occurred on the cliff within a short space of time. The second befell the printmaker himself who was fortunately saved and perhaps made this print in part to highlight the risks (a key identifies the exact places where the accidents took place).
[Ref: 37373] £140.00 (£168.00 incl.VAT)
Drawn & Litho.d by S.R. Smyth / 1852
Lithograph on india, printed area approx 170 x 240mm (6¾ x 9½"). Scarce.
Very unusual view of the chalk headland of Beachy Head in East Sussex, drawing attention to two accidents which occurred on the cliff within a short space of time. The second befell the printmaker himself who was fortunately saved and perhaps made this print in part to highlight the risks (a key identifies the exact places where the accidents took place).
[Ref: 37373] £140.00 (£168.00 incl.VAT)
Beechlands, Newick. The seat of William Thomson Esqre.
Drawn & Engraved by J.H. Hurdis for Baxter's History of Sussex.
Gad & Co. Printers. London [n.d., c.1830].
Engraving, with large margins, 160 x 225mm. 6¼ x 9".
A village fair attended by a crowd at the Beechland estate, Newick, East Sussex. Baskets lying on grass in foreground at centre, a man selling flowers and vegetables at left, and agricultural products laid out on a table outside a tent within a fenced area behind; building flanked by trees in background. There is an archery competition between two lady archers taking place in the background to right. John Henry Hurdis (1800 - 1857).
[Ref: 24267] £60.00 (£72.00 incl.VAT)
Drawn & Engraved by J.H. Hurdis for Baxter's History of Sussex.
Gad & Co. Printers. London [n.d., c.1830].
Engraving, with large margins, 160 x 225mm. 6¼ x 9".
A village fair attended by a crowd at the Beechland estate, Newick, East Sussex. Baskets lying on grass in foreground at centre, a man selling flowers and vegetables at left, and agricultural products laid out on a table outside a tent within a fenced area behind; building flanked by trees in background. There is an archery competition between two lady archers taking place in the background to right. John Henry Hurdis (1800 - 1857).
[Ref: 24267] £60.00 (£72.00 incl.VAT)
Bersted Church, Sussex.
On Stone by J. O'Bryen Lomax. C. Woody, Lith. Printer.
[British, n.d., c.1850.]
Rare sepia-tinted lithograph, image 210 x 295mm. 8¼ x 11½". Small margins.
South Bersted, West Sussex, England, with a view of the 13th century Anglican church of Saint Mary Magdalene.
[Ref: 26451] £110.00 (£132.00 incl.VAT)
On Stone by J. O'Bryen Lomax. C. Woody, Lith. Printer.
[British, n.d., c.1850.]
Rare sepia-tinted lithograph, image 210 x 295mm. 8¼ x 11½". Small margins.
South Bersted, West Sussex, England, with a view of the 13th century Anglican church of Saint Mary Magdalene.
[Ref: 26451] £110.00 (£132.00 incl.VAT)
High Street, Bognor, Sussex.
C.J. Greenwood, Delt. et Lith. Printed by S. Straker, London.
Published by Richard Holmden, Bognor [n.d, c.1850].
Rare sepia-tinted lithograph heightened in white, image 245 x 350mm. 9¾ x 13¾". Repaired worm holes on top left.
Bognor Regis is a seaside resort town in West Sussex. The publisher of this print (as was common practice) has inserted his premises, a shop and 'Library' into this view of the High Street. Richard Holmden is listed in the Post Office Directory for 1851 as a bookseller, stationer, and owner of circulating library, as well as watchmaker and jeweller.
Not in Abbey Scenery.
[Ref: 26452] £110.00 (£132.00 incl.VAT)
C.J. Greenwood, Delt. et Lith. Printed by S. Straker, London.
Published by Richard Holmden, Bognor [n.d, c.1850].
Rare sepia-tinted lithograph heightened in white, image 245 x 350mm. 9¾ x 13¾". Repaired worm holes on top left.
Bognor Regis is a seaside resort town in West Sussex. The publisher of this print (as was common practice) has inserted his premises, a shop and 'Library' into this view of the High Street. Richard Holmden is listed in the Post Office Directory for 1851 as a bookseller, stationer, and owner of circulating library, as well as watchmaker and jeweller.
Not in Abbey Scenery.
[Ref: 26452] £110.00 (£132.00 incl.VAT)
Bognor.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, Aug.t 1, 1823.
Aquatint with original hand colour on thick paper. 230 x 290mm (9 x 11½").
A view of the beach at Bognor, with horse drawn bathing huts and lobster pots. From the subscription issue of William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49780] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, Aug.t 1, 1823.
Aquatint with original hand colour on thick paper. 230 x 290mm (9 x 11½").
A view of the beach at Bognor, with horse drawn bathing huts and lobster pots. From the subscription issue of William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 49780] £160.00 (£192.00 incl.VAT)
Young Amphibious.
G. Earp del. Charles J. Besebe Lith. Day & Haghe Lith.rs to the Queen.
Published July 1.st 1844, by W.H. Mason, Repository of Arts, Brighton. London, Ackermann & Co. Strand,_Reeves & Son, Cheapside.
A very rare lithograph. 255 x 368mm. 10 x 14½". Some foxing on right.
A view at Brighton, with the pier behind; a woman hold her naked child over the water, with a traditional beach bathing box on wheels to left. For Mason's "Fashionable Handbook for Visitors to Brighton", c.1846. In regency times and later when bathing at Brighton the bather floats or "Bobs" while being supervised. The supervisors where called "dippers" who pushed the bathers through the waves, keeping them afloat, then helped them back into the bathing machine. Brighton’s most famous dipper was Martha Gunn, a large, sturdy woman whose fame exists to this day. See ref:Ref: 5306 for a portrait of Martha Gunn.
See Ford: 128. "Images of Brighton".
[Ref: 23960] £220.00 (£264.00 incl.VAT)
G. Earp del. Charles J. Besebe Lith. Day & Haghe Lith.rs to the Queen.
Published July 1.st 1844, by W.H. Mason, Repository of Arts, Brighton. London, Ackermann & Co. Strand,_Reeves & Son, Cheapside.
A very rare lithograph. 255 x 368mm. 10 x 14½". Some foxing on right.
A view at Brighton, with the pier behind; a woman hold her naked child over the water, with a traditional beach bathing box on wheels to left. For Mason's "Fashionable Handbook for Visitors to Brighton", c.1846. In regency times and later when bathing at Brighton the bather floats or "Bobs" while being supervised. The supervisors where called "dippers" who pushed the bathers through the waves, keeping them afloat, then helped them back into the bathing machine. Brighton’s most famous dipper was Martha Gunn, a large, sturdy woman whose fame exists to this day. See ref:Ref: 5306 for a portrait of Martha Gunn.
See Ford: 128. "Images of Brighton".
[Ref: 23960] £220.00 (£264.00 incl.VAT)
European Magazine. The Baths at Brighton.
Engrav'd by S. Rawle from an original Drawing by J. Nixon Esq.r.
Publishd by J. Asperne, Successor to Mr. Sewell, Cornhill May 1-1803.
Engraving. 123 x 171mm (4¾ x 6¾").
A view of the Bath House at Brighton, the cornerstone of which was laid in 1759.
[Ref: 24931] £70.00 (£84.00 incl.VAT)
Engrav'd by S. Rawle from an original Drawing by J. Nixon Esq.r.
Publishd by J. Asperne, Successor to Mr. Sewell, Cornhill May 1-1803.
Engraving. 123 x 171mm (4¾ x 6¾").
A view of the Bath House at Brighton, the cornerstone of which was laid in 1759.
[Ref: 24931] £70.00 (£84.00 incl.VAT)
View of Brighton, from the Old Steine.
Brighton, Drawn, Engraved, Printed & Publish'd by I. Bruce.
[n.d. c.1829]
Aquatint printed in blue and brown, finished by hand. 285 x 400mm (11¼ x 15¾"), on Whatman paper watermarked 1828 or 1829. Small margins.
A view looking toward the Royal Pavilion from the gardens on the Steine. By local publisher John Bruce.
Ford: Images of Brighton 136.
[Ref: 62488] £320.00
Brighton, Drawn, Engraved, Printed & Publish'd by I. Bruce.
[n.d. c.1829]
Aquatint printed in blue and brown, finished by hand. 285 x 400mm (11¼ x 15¾"), on Whatman paper watermarked 1828 or 1829. Small margins.
A view looking toward the Royal Pavilion from the gardens on the Steine. By local publisher John Bruce.
Ford: Images of Brighton 136.
[Ref: 62488] £320.00
The Beach at Brighton, Sussex.
Drawn by H. Edridge. Engraved by George Cooke.
London, Published by John Murray, Albermarle Street, June 1, 1814.
Engraving. 235 x 291mm (9¼ x 11½").
A view along the beach at Brighton, Sussex with boats on the shore. Horses help pull a tall-masted ship onto the beach; men on the ramp pull a smaller boat up out of the water. From "Picturesque views on the Southern Coast of England".
Tate: T05284 (proof).
[Ref: 28508] £45.00 (£54.00 incl.VAT)
Drawn by H. Edridge. Engraved by George Cooke.
London, Published by John Murray, Albermarle Street, June 1, 1814.
Engraving. 235 x 291mm (9¼ x 11½").
A view along the beach at Brighton, Sussex with boats on the shore. Horses help pull a tall-masted ship onto the beach; men on the ramp pull a smaller boat up out of the water. From "Picturesque views on the Southern Coast of England".
Tate: T05284 (proof).
[Ref: 28508] £45.00 (£54.00 incl.VAT)
Brighthelmstone. Fishermen Returning.
P.J. De Loutherbourg R.A. delt. J. Hill sculp.t
Pub.d Oct.r 1. 1808, by J. & W. Macgavin, No. 107 New Bond Street, London.
Hand-coloured aquatint with etching, very large margins, platemark 385 x 550mm (15¼ x 21½").
Fishermen at work on the shore at Brighton (then named Brighthelmstone). The reissue of 'Picturesque Scenery of Great Britain' after designs by the landscape painter and scene designer Philip James de Loutherbourg (1740 - 1812), published seven years after the first edition. The plates, originally engraved by J.C. Stadler, were re-engraved by J. Hill, 'only slight differences of detail being noticeable in the engraving' (Abbey).
Abbey Scenery 6.5; Ford 75.
[Ref: 31391] £420.00
P.J. De Loutherbourg R.A. delt. J. Hill sculp.t
Pub.d Oct.r 1. 1808, by J. & W. Macgavin, No. 107 New Bond Street, London.
Hand-coloured aquatint with etching, very large margins, platemark 385 x 550mm (15¼ x 21½").
Fishermen at work on the shore at Brighton (then named Brighthelmstone). The reissue of 'Picturesque Scenery of Great Britain' after designs by the landscape painter and scene designer Philip James de Loutherbourg (1740 - 1812), published seven years after the first edition. The plates, originally engraved by J.C. Stadler, were re-engraved by J. Hill, 'only slight differences of detail being noticeable in the engraving' (Abbey).
Abbey Scenery 6.5; Ford 75.
[Ref: 31391] £420.00
Sickelmores' Select Views in Brighton.
Brighton: Printed and Published by C. & R. Sickelmore, Printers, Stationers, Engravers, and Bookbinders, 26 Kings Road. [n.d., c1826.]
Oblong folio, stitched, printed cover with plate descriptions, 9 uncoloured aquatints, as called for, rear two plates watermarked 'J Whatman 1826'. With an extra aquatint slipped in, 'Brunswick Square, Brighton', no imprint. Large margins, scarce complete.
Nine aquatint views of Brighton after Edward Fox and others, most engraved by George Hunt. The plates are: 'Pavilion, Brighton' (Ford 504); 'Brighton Suspension Pier' (207); 'Brighton Chain Pier in a Storm' (318); 'Ireland's Royal Brighton Gardens' (953), with a cricket game; 'General View of Kemp Town' (1136); 'East Cliff Brighton, Storm Approaching' (80); 'Marine Parade' (1102); 'The Temple, the Seat of T.R. Kemp Esq.r Brighton'; and 'The Battery, Brighton' (1061). A econd edition, with an extra plate, was published 1830.
Ford: Images of Brighton; Abbey: Scenery 63. Hickman: p.194.
[Ref: 32155] £1,500.00 view all images for this item
Brighton: Printed and Published by C. & R. Sickelmore, Printers, Stationers, Engravers, and Bookbinders, 26 Kings Road. [n.d., c1826.]
Oblong folio, stitched, printed cover with plate descriptions, 9 uncoloured aquatints, as called for, rear two plates watermarked 'J Whatman 1826'. With an extra aquatint slipped in, 'Brunswick Square, Brighton', no imprint. Large margins, scarce complete.
Nine aquatint views of Brighton after Edward Fox and others, most engraved by George Hunt. The plates are: 'Pavilion, Brighton' (Ford 504); 'Brighton Suspension Pier' (207); 'Brighton Chain Pier in a Storm' (318); 'Ireland's Royal Brighton Gardens' (953), with a cricket game; 'General View of Kemp Town' (1136); 'East Cliff Brighton, Storm Approaching' (80); 'Marine Parade' (1102); 'The Temple, the Seat of T.R. Kemp Esq.r Brighton'; and 'The Battery, Brighton' (1061). A econd edition, with an extra plate, was published 1830.
Ford: Images of Brighton; Abbey: Scenery 63. Hickman: p.194.
[Ref: 32155] £1,500.00 view all images for this item
German Spa and Pump Room. Brighton.
Drawn & Engraved by M.U. Sears & Co. 1 Warwick Sq. London.
[Published by C. & R. Sickelmore. Printers & Stationers. 26 Kings Road, Brighton.][n.d. c.1835.]
Aquatint, sheet 220 x 315mm (8¾ x 12½"). Trimmed to image losing publication line and glued to album sheet. Small nicks and tears on edges, slightly stained on image and on inscription area.
A view of the German Spa in Brighton opened by Dr Friederich Struve of Dresden in 1825, who was able to manufacture mineral waters on the premises. The German Spa was located in Queen’s Park and the skeleton of the building still remains.
Ford: Images of Brighton n.988.
[Ref: 58980] £120.00 (£144.00 incl.VAT)
Drawn & Engraved by M.U. Sears & Co. 1 Warwick Sq. London.
[Published by C. & R. Sickelmore. Printers & Stationers. 26 Kings Road, Brighton.][n.d. c.1835.]
Aquatint, sheet 220 x 315mm (8¾ x 12½"). Trimmed to image losing publication line and glued to album sheet. Small nicks and tears on edges, slightly stained on image and on inscription area.
A view of the German Spa in Brighton opened by Dr Friederich Struve of Dresden in 1825, who was able to manufacture mineral waters on the premises. The German Spa was located in Queen’s Park and the skeleton of the building still remains.
Ford: Images of Brighton n.988.
[Ref: 58980] £120.00 (£144.00 incl.VAT)
The Thunder Storm at Brighton, 17th July, 1850, and Innundation of Pool Valley.
Taken on the Spot by F.E. Morrell. Lithographed by R.Canton, 48, Watling Street, London.
Published by Jn.o Smith, Pool Valley Brighton.
Tinted lithograph. Printed area 195 x 270mm. Repairs.
Pool Valley was flooded to a depth of nearly six feet within an hour.
Ford: Images of Brighton, 1083.
[Ref: 4321] £80.00 (£96.00 incl.VAT)
Taken on the Spot by F.E. Morrell. Lithographed by R.Canton, 48, Watling Street, London.
Published by Jn.o Smith, Pool Valley Brighton.
Tinted lithograph. Printed area 195 x 270mm. Repairs.
Pool Valley was flooded to a depth of nearly six feet within an hour.
Ford: Images of Brighton, 1083.
[Ref: 4321] £80.00 (£96.00 incl.VAT)
![[Repton's design for a dining room for the Royal Pavilion.]](jpegs/60097.jpg)
[Repton's design for a dining room for the Royal Pavilion.]
H. Repton Esq.r del. J.C. Stader sculp.
[n.d., c.1825.]
Aquatint, printed in sepia. 185 x 260mm (7¼ x 10¼"), set in letterpress, watermarked 'Turkey Mill 1824'?, very large margins. Scuff mark on right of plate.
Humphry Repton's design for a dining room at the Royal Pavilion, Brighton which, despite having the same Mughal influences, was never implemented. Despite being primarily a landscape designer, Repton (1752-1818) was hired to remodel the Pavilion by the Prince Regent in 1805. The Prince's money problems caused the project to be shelved, but John Nash made use of Repton's proposals when he finally redeveloped the building from 1814.
[Ref: 60097] £230.00 (£276.00 incl.VAT)
H. Repton Esq.r del. J.C. Stader sculp.
[n.d., c.1825.]
Aquatint, printed in sepia. 185 x 260mm (7¼ x 10¼"), set in letterpress, watermarked 'Turkey Mill 1824'?, very large margins. Scuff mark on right of plate.
Humphry Repton's design for a dining room at the Royal Pavilion, Brighton which, despite having the same Mughal influences, was never implemented. Despite being primarily a landscape designer, Repton (1752-1818) was hired to remodel the Pavilion by the Prince Regent in 1805. The Prince's money problems caused the project to be shelved, but John Nash made use of Repton's proposals when he finally redeveloped the building from 1814.
[Ref: 60097] £230.00 (£276.00 incl.VAT)
A Perspective View of Brighthelmston, and of the Sea Coast as far as the Isle of Wight, Inscribed (by Permission) to His Royal Highness William Henry Duke of Gloucester and Edinburgh, Earl of Connaught of the Kingdom of Ireland, Ranger of Hampton Court Park, and Knight of the Most Noble Order of the Garter By His Royal Highnesses most Obed.t & Devoted Serv.t James Lambert. Lambert's Correct View of Brightelmston in 1765.
Ja.s Lambert pinx.t P.C. Canot sculp.t
Publish'd as the Act directs, 1817. by Ja.s Edwards Brompton Middlesex and Published in his Topographical Surveys.
Copper Engraving. 425 x 635mm. 16¾ x 25". Folds, as normal.
A view of Brighthelmstone, the predecessor of modern-day Brighton. The field was known as Belle Vue Field. A coastal town, with farmers and town-dwellers engaged in the harvesting of the crop; cattle pulling hay to barns, people with scythes cutting the corn; three cloth sailed post-mills standing in the fields.
Ford: 23A.
[Ref: 19066] £330.00
Ja.s Lambert pinx.t P.C. Canot sculp.t
Publish'd as the Act directs, 1817. by Ja.s Edwards Brompton Middlesex and Published in his Topographical Surveys.
Copper Engraving. 425 x 635mm. 16¾ x 25". Folds, as normal.
A view of Brighthelmstone, the predecessor of modern-day Brighton. The field was known as Belle Vue Field. A coastal town, with farmers and town-dwellers engaged in the harvesting of the crop; cattle pulling hay to barns, people with scythes cutting the corn; three cloth sailed post-mills standing in the fields.
Ford: 23A.
[Ref: 19066] £330.00
Brighton Beach.
R. Goff [signed in pencil].
1894.
Etching. Platemark: 55 x 115mm (2¼ x 4½").
An attractive view of Brighton beach, Sussex, with the famous pier to the left and the beach front town on the right. Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes, strongly influenced by the work of James McNeill Whistler. Brighton and Hove Museum and Art Gallery hold a large collection of Goff's work.
Ford: Not in.
[Ref: 38045] £65.00 (£78.00 incl.VAT)
R. Goff [signed in pencil].
1894.
Etching. Platemark: 55 x 115mm (2¼ x 4½").
An attractive view of Brighton beach, Sussex, with the famous pier to the left and the beach front town on the right. Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes, strongly influenced by the work of James McNeill Whistler. Brighton and Hove Museum and Art Gallery hold a large collection of Goff's work.
Ford: Not in.
[Ref: 38045] £65.00 (£78.00 incl.VAT)
![[Brighton] To Her Most Gracious Majesty the Queen, This Panorama is (by Permission)](jpegs/54165.jpg)
[Brighton] To Her Most Gracious Majesty the Queen, This Panorama is (by Permission) most Gratefully and Humbly Dedicated by W.H. Mason, Repository of Arts, 1, Ship St.t Brighton, and W. Mason, Printseller &c. St Mary's Place, Cambridge.
Drawn by H. Wilds, Architect, Brighton. A. Edington sculp.t, 10 Portland St. London.
Ackermann & Co London. Published as the Act Directs 1833.
Very scarce aquatint on several sheets conjoined, with original hand colour, incomplete. Total size c. 140 x 2800mm (5½ x 110"). All folds reinforced on verso, other signs of wear. Lacking approx 1600mm in the west and between Bedford Square and Preston Street.
A rolling prospect of Brighton's King's Road, illustrating the seafront architecture running from the publisher's premises on the corner of Ship Street, west to Waterloo Street in Hove. Among the existing buildings shown are Brunswick Terrace, The Norfolk Hotel (now the 'Mercure Brighton Seafront') and the west of Bedford Square. and street-life captured at a turning point in the town's history, just before its Victorian boom as a resort, precipitated by the arrival of the railway in 1841. William Henry Goodburn Mason (1810 - 1879) was a publisher and printseller, also carver and gilder, based in Brighton. We can trace no other work by the engraver Edington.
Abbey Life 527; Ford: 22.
[Ref: 54165] £750.00 view all images for this item
Drawn by H. Wilds, Architect, Brighton. A. Edington sculp.t, 10 Portland St. London.
Ackermann & Co London. Published as the Act Directs 1833.
Very scarce aquatint on several sheets conjoined, with original hand colour, incomplete. Total size c. 140 x 2800mm (5½ x 110"). All folds reinforced on verso, other signs of wear. Lacking approx 1600mm in the west and between Bedford Square and Preston Street.
A rolling prospect of Brighton's King's Road, illustrating the seafront architecture running from the publisher's premises on the corner of Ship Street, west to Waterloo Street in Hove. Among the existing buildings shown are Brunswick Terrace, The Norfolk Hotel (now the 'Mercure Brighton Seafront') and the west of Bedford Square. and street-life captured at a turning point in the town's history, just before its Victorian boom as a resort, precipitated by the arrival of the railway in 1841. William Henry Goodburn Mason (1810 - 1879) was a publisher and printseller, also carver and gilder, based in Brighton. We can trace no other work by the engraver Edington.
Abbey Life 527; Ford: 22.
[Ref: 54165] £750.00 view all images for this item
Amphitheatre. Entrance. Interior. The above was very tastefully planned and beautifully decorated with Evergreens, Dahlias &c. for the reception of Her Most Gracious Majesty Queen Victoria on Her first Visit to the Palace at Brighton on the 4th Oct.r 1837.
Published by W.Leppard, East Street. [n.d., c.1837.]
Aquatint, scarce. Sheet 120 x 190mm, 4¾ x 7½". Trimmed and laid on album paper.
A triumphal gateway erected at the north entrance to the Royal Pavilion to Queen Victoria on her first visit to Brighton as queen.
Ford: Images of Brighton, 648.
[Ref: 21577] £65.00 (£78.00 incl.VAT)
Published by W.Leppard, East Street. [n.d., c.1837.]
Aquatint, scarce. Sheet 120 x 190mm, 4¾ x 7½". Trimmed and laid on album paper.
A triumphal gateway erected at the north entrance to the Royal Pavilion to Queen Victoria on her first visit to Brighton as queen.
Ford: Images of Brighton, 648.
[Ref: 21577] £65.00 (£78.00 incl.VAT)
The Triumphal Arch, Erected for the 30th. of August 1830, being the Day on which Their Majesties King William IV, & Queen Adelaide, Entered Brighton after their Accession to the Throne.
J.S, delin.
Printed & Published by W. Leppard, Brighton [n.d., c.1830].
Aquatint with etching, rare, sheet 310 x 255mm. 12¼ x 10". Lacking margins. A few closed tears to extremities.
A triumphal arch erected in Marlborough Place to celebrate the arrival of William IV and Queen Adelaide in Brighton. Fifty feet high and fifty wide, it was covered with foliage and flowers; at night it was illuminated by 4000 lamps.
See Ref: 21567. Ford: Images of Brighton, 653.
[Ref: 27686] £240.00 (£288.00 incl.VAT)
J.S, delin.
Printed & Published by W. Leppard, Brighton [n.d., c.1830].
Aquatint with etching, rare, sheet 310 x 255mm. 12¼ x 10". Lacking margins. A few closed tears to extremities.
A triumphal arch erected in Marlborough Place to celebrate the arrival of William IV and Queen Adelaide in Brighton. Fifty feet high and fifty wide, it was covered with foliage and flowers; at night it was illuminated by 4000 lamps.
See Ref: 21567. Ford: Images of Brighton, 653.
[Ref: 27686] £240.00 (£288.00 incl.VAT)
Brighton Characters, No. 2. The Fish Woman. "Fish T'day Marm"?
G. Nibbs lith. Printed by C.Moody, 257 High Holborn.
Published by W. Lane, 3 Market St, Brighton, Nov.r 9th, 1846.
Fine coloured lithograph. Printed area 280 x 180mm, 11 x 7". Tape remains on left edge.
A woman selling fish on the streets of Brighton, calling up to a potential customer at a window.
[Ref: 21579] £75.00 (£90.00 incl.VAT)
G. Nibbs lith. Printed by C.Moody, 257 High Holborn.
Published by W. Lane, 3 Market St, Brighton, Nov.r 9th, 1846.
Fine coloured lithograph. Printed area 280 x 180mm, 11 x 7". Tape remains on left edge.
A woman selling fish on the streets of Brighton, calling up to a potential customer at a window.
[Ref: 21579] £75.00 (£90.00 incl.VAT)
Brighton Characters, No. 4. The Fisherman. "Who'll have this Lot Cheap".
G. Nibbs lith. Printed by C.Moody, 257 High Holborn.
Published by W. Lane, 3 Market St, Brighton, Nov.r 9th, 1846.
Fine coloured lithograph. Printed area 280 x 180mm, 11 x 7". Tape remains on right edge.
A fisherman on Brighton Beach with assorted fish at his feet.
[Ref: 21578] £75.00 (£90.00 incl.VAT)
G. Nibbs lith. Printed by C.Moody, 257 High Holborn.
Published by W. Lane, 3 Market St, Brighton, Nov.r 9th, 1846.
Fine coloured lithograph. Printed area 280 x 180mm, 11 x 7". Tape remains on right edge.
A fisherman on Brighton Beach with assorted fish at his feet.
[Ref: 21578] £75.00 (£90.00 incl.VAT)
The Fish Market, Brighton.
[Printed by C. Moodly, 257 High Holborn. W. Lane, 3, Maret St, Brighton, Septr. 1st 1846]
Rare tinted lithograph. Sheet 235 x 355mm (9¼ x 14"). Slight crease in centre.
View on a very busy Brighton beach, by local artist R.H. Nibbs (identifiable from his anchor monogram lower left).
Ford, 'Images of Brighton' 72
[Ref: 47633] £160.00 (£192.00 incl.VAT)
[Printed by C. Moodly, 257 High Holborn. W. Lane, 3, Maret St, Brighton, Septr. 1st 1846]
Rare tinted lithograph. Sheet 235 x 355mm (9¼ x 14"). Slight crease in centre.
View on a very busy Brighton beach, by local artist R.H. Nibbs (identifiable from his anchor monogram lower left).
Ford, 'Images of Brighton' 72
[Ref: 47633] £160.00 (£192.00 incl.VAT)
Pavilion, Brighton.
Drawn by Edw.d Fox, Brighton. Engraved by Geo. Hunt
Published by C. & R. Sickelmore, Stationers, 26 King's Road, Brighton [n.d., c.1827].
Aquatint with very fine hand colour. Sheet 220 x 300mm (8½ x 11¾"). Trimmed for book publication.
The east front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This plate was first published in Sickelmore's 'Select Views of Brighton', c.1827.
Ford 504. Hickman: p194.
[Ref: 35613] £180.00 (£216.00 incl.VAT)
Drawn by Edw.d Fox, Brighton. Engraved by Geo. Hunt
Published by C. & R. Sickelmore, Stationers, 26 King's Road, Brighton [n.d., c.1827].
Aquatint with very fine hand colour. Sheet 220 x 300mm (8½ x 11¾"). Trimmed for book publication.
The east front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This plate was first published in Sickelmore's 'Select Views of Brighton', c.1827.
Ford 504. Hickman: p194.
[Ref: 35613] £180.00 (£216.00 incl.VAT)
The Royal Palace at Brighton.
Lithograph, rare. Sheet: 225 x 350mm (9 x 13¾"). Trimmed
A view of the Brighton Pavillion as it was when it was a Royal Residence. It was sold by Queen Victoria in 1850 who used the proceeds to furnish her summer residence, Osborne House on the Isle of Wight. Below the image is a key listing the various rooms in the palace.
[Ref: 45728] £140.00 (£168.00 incl.VAT)
Lithograph, rare. Sheet: 225 x 350mm (9 x 13¾"). Trimmed
A view of the Brighton Pavillion as it was when it was a Royal Residence. It was sold by Queen Victoria in 1850 who used the proceeds to furnish her summer residence, Osborne House on the Isle of Wight. Below the image is a key listing the various rooms in the palace.
[Ref: 45728] £140.00 (£168.00 incl.VAT)
To Capt.n S. Brown RN. This plate representing the Entrance of the Chain Pier at Brighton is with permission respectfully dedicated by his Obl.d Ser.y J. Brown.
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1831.]
Aquatint printed in blue and brown, finished by hand. 295 x 410mm (11½ x 16"). Small margins.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. This is the first state of two, before an arch was added to the gateway.
Ford 240.
[Ref: 62489] £320.00
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1831.]
Aquatint printed in blue and brown, finished by hand. 295 x 410mm (11½ x 16"). Small margins.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. This is the first state of two, before an arch was added to the gateway.
Ford 240.
[Ref: 62489] £320.00
Brighton Suspension Pier.
Drawn by Fox. Brighton.
Published by W. Saunders & Son, 112, S.t James's Street, Brighton [n.d., c.1832].
Aquatint. 200 x 415mm (8 x 16¼"). Two tears on right, one entering plate but not image, taped.
A view of the Royal Suspension Chain Pier, designed by Capt. Samuel Brown, open from 1823 to 1896. First published in 1827, this example has been updated, now with railings rather than a rocky fore-shore.
Ford: Images of Brighton, 207a.
[Ref: 58810] £140.00 (£168.00 incl.VAT)
Drawn by Fox. Brighton.
Published by W. Saunders & Son, 112, S.t James's Street, Brighton [n.d., c.1832].
Aquatint. 200 x 415mm (8 x 16¼"). Two tears on right, one entering plate but not image, taped.
A view of the Royal Suspension Chain Pier, designed by Capt. Samuel Brown, open from 1823 to 1896. First published in 1827, this example has been updated, now with railings rather than a rocky fore-shore.
Ford: Images of Brighton, 207a.
[Ref: 58810] £140.00 (£168.00 incl.VAT)
![[Brighton Suspension Pier.]](jpegs/57054.jpg)
[Brighton Suspension Pier.]
[after Edward Fox?]
[c.1825.]
Fine aquatint, proof before letters, printed in sepia. 200 x 410mm (8 x 16"), on paper watermarked 'J Whatman 1825', very large margins..
A view of the Royal Suspension Chain Pier, designed by Capt. Samuel Brown and opened in 1823, from the west. At first glance it looks like the view by Fox as published by C & R Sickelmore c.1827 (Ford: Images of Brighton, 207). However there are too many small differences for it to be the same plate, for example the small dog lower left corner and the figures on the pier.
See Ford: Images of Brighton, 207.
[Ref: 57054] £280.00 (£336.00 incl.VAT)
[after Edward Fox?]
[c.1825.]
Fine aquatint, proof before letters, printed in sepia. 200 x 410mm (8 x 16"), on paper watermarked 'J Whatman 1825', very large margins..
A view of the Royal Suspension Chain Pier, designed by Capt. Samuel Brown and opened in 1823, from the west. At first glance it looks like the view by Fox as published by C & R Sickelmore c.1827 (Ford: Images of Brighton, 207). However there are too many small differences for it to be the same plate, for example the small dog lower left corner and the figures on the pier.
See Ford: Images of Brighton, 207.
[Ref: 57054] £280.00 (£336.00 incl.VAT)
![[The Chain Pier, Brighton.]](jpegs/24126.jpg)
[The Chain Pier, Brighton.]
Published by W.H. Mason. Repository fo Art. 81, King's Road, Brighton. [1841.]
Hand-coloured aquatint. 120 x 229mm. 4¾ x 9". Very fine colour.
A view of the beach and pier at Brighton, Sussex. People sitting and relaxing on the beach with boats on the ocean and a steamer in the background; men fishing just below the pier. From "Fashionable Handbook for Visitors to Brighton".
Ford: 282.
[Ref: 24126] £120.00 (£144.00 incl.VAT)
Published by W.H. Mason. Repository fo Art. 81, King's Road, Brighton. [1841.]
Hand-coloured aquatint. 120 x 229mm. 4¾ x 9". Very fine colour.
A view of the beach and pier at Brighton, Sussex. People sitting and relaxing on the beach with boats on the ocean and a steamer in the background; men fishing just below the pier. From "Fashionable Handbook for Visitors to Brighton".
Ford: 282.
[Ref: 24126] £120.00 (£144.00 incl.VAT)
Brighton Suspension Chain Pier. This brilliant specimem of modern architecture was projected & executed by Cap.n S. Brown R.N. its foundation consists of four clumps of piles, 258ft. distant driven nearly 8ft...The length of the esplanade to the beginning of the Pier, is 1250 ft. & along which carriages pals. Commened Oct.r 1822 openened to ye publick Nov. 1283. Estimated expence 30.000l/
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1824.]
Aquatint, paper watermarked, with very large margins: J Whatman 1823. 276 x 376mm (10¾ x 14¾"). Some creasing.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. It was primarily intended as a landing stage for packet boats to Dieppe, France.
Provenance: Hermitage Hexham. Ford 195.
[Ref: 30102] £180.00 (£216.00 incl.VAT)
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1824.]
Aquatint, paper watermarked, with very large margins: J Whatman 1823. 276 x 376mm (10¾ x 14¾"). Some creasing.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. It was primarily intended as a landing stage for packet boats to Dieppe, France.
Provenance: Hermitage Hexham. Ford 195.
[Ref: 30102] £180.00 (£216.00 incl.VAT)
Brighton Suspension Pier.
Drawn by Fox. Brighton.
Published by C. & R. Sickelmore, Printers &c. Kings Road [n.d., c.1827].
Fine aquatint. 200 x 415mm. 8 x 16¼", on paper watermarked 'J Whatman 1826'. Margin creased.
The Royal Suspension Chain Pier, designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year. Published in Sickelmore's 'Views of Brighton'.
Ford: Images of Brighton, 207; Abbey: Scenery 63.
[Ref: 21568] £160.00 (£192.00 incl.VAT)
Drawn by Fox. Brighton.
Published by C. & R. Sickelmore, Printers &c. Kings Road [n.d., c.1827].
Fine aquatint. 200 x 415mm. 8 x 16¼", on paper watermarked 'J Whatman 1826'. Margin creased.
The Royal Suspension Chain Pier, designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year. Published in Sickelmore's 'Views of Brighton'.
Ford: Images of Brighton, 207; Abbey: Scenery 63.
[Ref: 21568] £160.00 (£192.00 incl.VAT)
Suspension Chain Pier, Brighton.
This Splendid Structure was projected and Executed by Capt. S. Brown R.N. Drawn, Engraved, Printed & Publish'd by J.Bruce, 28 Middle St, Brighton.
Very fine coloured aquatint. 165 x 255mm. 6½ x 9¾". Large margins.
The Royal Suspension Chain Pier, with nine lines of description either side of the title. In the foreground are two wheeled bathing huts. Designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford: Images of Brighton, 187.
[Ref: 21570] £160.00 (£192.00 incl.VAT)
This Splendid Structure was projected and Executed by Capt. S. Brown R.N. Drawn, Engraved, Printed & Publish'd by J.Bruce, 28 Middle St, Brighton.
Very fine coloured aquatint. 165 x 255mm. 6½ x 9¾". Large margins.
The Royal Suspension Chain Pier, with nine lines of description either side of the title. In the foreground are two wheeled bathing huts. Designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford: Images of Brighton, 187.
[Ref: 21570] £160.00 (£192.00 incl.VAT)
Brighton & The Chain Pier from the Pier Head.
Drawn & Lithog by C.W. Wing.
Published by Wm. Tuppen Royal Marine Library Brighton [n.d., c.1830].
Hand-coloured lithograph, sheet 225 x 350mm. 9 x 13¾". A generally good impression in fine, contemporary colour; glued to album page.
A group of male and female figures on the pier at Brighton, Sussex, with a few of the structure and the beach and town beyond. The Royal Suspension Chain Pier was designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford 'Images of Brighton' 298.
[Ref: 23431] £140.00 (£168.00 incl.VAT)
Drawn & Lithog by C.W. Wing.
Published by Wm. Tuppen Royal Marine Library Brighton [n.d., c.1830].
Hand-coloured lithograph, sheet 225 x 350mm. 9 x 13¾". A generally good impression in fine, contemporary colour; glued to album page.
A group of male and female figures on the pier at Brighton, Sussex, with a few of the structure and the beach and town beyond. The Royal Suspension Chain Pier was designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford 'Images of Brighton' 298.
[Ref: 23431] £140.00 (£168.00 incl.VAT)
The Royal Arch. Erected in Honor of Their Most Gracious Majesties Arrival at Brighton. Aug.t 30th 1830. At the Expence of Mess.rs Ranger, Fabian & Lambert
Printed by C.Hullmandel.
Published by C.I. Scott, No 25, West Street, Brighton.
Lithograph with original hand colour highlighted with gum arabic, rare. Printed area 330 x 230mm, 13 x 9". Some toning on paper.
A triumphal arch erected in Marlborough Place to celebrate the arrival of William IV and Queen Adelaide in Brighton. Fifty feet high and fifty wide, it was covered with foliage and flowers; at night it was illuminated by 4000 lamps.
See Ref: 27686. Ford: Images of Brighton, 648.
[Ref: 21567] £260.00 (£312.00 incl.VAT)
Printed by C.Hullmandel.
Published by C.I. Scott, No 25, West Street, Brighton.
Lithograph with original hand colour highlighted with gum arabic, rare. Printed area 330 x 230mm, 13 x 9". Some toning on paper.
A triumphal arch erected in Marlborough Place to celebrate the arrival of William IV and Queen Adelaide in Brighton. Fifty feet high and fifty wide, it was covered with foliage and flowers; at night it was illuminated by 4000 lamps.
See Ref: 27686. Ford: Images of Brighton, 648.
[Ref: 21567] £260.00 (£312.00 incl.VAT)
The West or Garden Front of The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
[Engraved by T.Sutherland.]
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1824.
Aquatint, fine impression. 290 x 350mm (11½ x 13¾") very large margins.
View of the back entrance of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This example lacks the engraver's name.
Ford: Images of Brighton, 538.
[Ref: 44556] £180.00 (£216.00 incl.VAT)
[Engraved by T.Sutherland.]
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1824.
Aquatint, fine impression. 290 x 350mm (11½ x 13¾") very large margins.
View of the back entrance of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This example lacks the engraver's name.
Ford: Images of Brighton, 538.
[Ref: 44556] £180.00 (£216.00 incl.VAT)
The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
Engraved by T.Sutherland.
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1821.
Aquatint printed in colours and hand finished, cut and laid on album paper. Sheet 235 x 305mm, 9¼ x 12".
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. In the foreground is the traffic on the Steine; above the title the rooms are identified, marking the Kitchen, drawing rooms, the Round Salon and the Music Room.
Ford: Images of Brighton, 491.
[Ref: 21576] £160.00 (£192.00 incl.VAT)
Engraved by T.Sutherland.
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1821.
Aquatint printed in colours and hand finished, cut and laid on album paper. Sheet 235 x 305mm, 9¼ x 12".
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. In the foreground is the traffic on the Steine; above the title the rooms are identified, marking the Kitchen, drawing rooms, the Round Salon and the Music Room.
Ford: Images of Brighton, 491.
[Ref: 21576] £160.00 (£192.00 incl.VAT)
![[Perspective View of the Stable Building.]](jpegs/21558.jpg)
[Perspective View of the Stable Building.]
[A. Pugin, Del.t. T.Sutherland Aqua.t.
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued. Image 190 x 330mm, 7½ x 13". Card spotted.
The Stables as seen from the Royal Pavilion at Brighton, built 1803-8 to provided stabling for sixty horses, completed before the main buildings of the Pavilion were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the main feature was a vast 24-metre glass dome which many detractors predicted would collapse as soon as the scaffolding was removed. It survived and is now part of the Dome arts venue. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 458.
[Ref: 21558] £280.00 (£336.00 incl.VAT)
[A. Pugin, Del.t. T.Sutherland Aqua.t.
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued. Image 190 x 330mm, 7½ x 13". Card spotted.
The Stables as seen from the Royal Pavilion at Brighton, built 1803-8 to provided stabling for sixty horses, completed before the main buildings of the Pavilion were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the main feature was a vast 24-metre glass dome which many detractors predicted would collapse as soon as the scaffolding was removed. It survived and is now part of the Dome arts venue. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 458.
[Ref: 21558] £280.00 (£336.00 incl.VAT)
![[Brighton Pavilion.]](jpegs/25546.jpg)
[Brighton Pavilion.] [&] George Baxter, Designer and Engraver on Wood, 37, High Street, Lewes. Emblematic Ornaments for Invoices, Coats of Arms, Fac-similes, &c. engraved on Wood. N.B. Sketches of Gentleman's Seats, Landscapes, Relics of Antiquity, Buildings, Machinery, Cattle, &c. accurately drawn for engraving.
[n.d. c.1827.]
Wood engraving and tradecard. Engraving 103 x 152mm. 4 x 6". Printer's crease on wood engraving.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From Baxter's 'Stranger in Brighton', 1826; and his 'Select Sketches in Brighton', 1827.
Ford: 502 [Images of Brighton].
[Ref: 25546] £160.00 (£192.00 incl.VAT) view all images for this item
[n.d. c.1827.]
Wood engraving and tradecard. Engraving 103 x 152mm. 4 x 6". Printer's crease on wood engraving.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From Baxter's 'Stranger in Brighton', 1826; and his 'Select Sketches in Brighton', 1827.
Ford: 502 [Images of Brighton].
[Ref: 25546] £160.00 (£192.00 incl.VAT) view all images for this item
![Brighton Pavilion. The Steyne Front. [Old ink mss.]](jpegs/21549.jpg)
Brighton Pavilion. The Steyne Front. [Old ink mss.] [Geometrical view of the Steine Front.]
[Augs. Pugin Del.t. T.Fielding Sculp.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, July, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 185 x 300mm, 7¼ x 12". Pinholes in card corners, soiling of card edges, number label bottom right.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 435.
[Ref: 21549] £280.00 (£336.00 incl.VAT)
[Augs. Pugin Del.t. T.Fielding Sculp.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, July, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 185 x 300mm, 7¼ x 12". Pinholes in card corners, soiling of card edges, number label bottom right.
Elevation of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 435.
[Ref: 21549] £280.00 (£336.00 incl.VAT)
![[The East Front, Royal Pavilion, Brighton.]](jpegs/21575.jpg)
[The East Front, Royal Pavilion, Brighton.]
[n.d., c.1820.]
Copper engraving. Sheet 230 x 330mm, 9 x 13". Trimmed to printed border. Glue residue on reverse.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles.
Not traced in Ford's Images of Brighton.
[Ref: 21575] £160.00 (£192.00 incl.VAT)
[n.d., c.1820.]
Copper engraving. Sheet 230 x 330mm, 9 x 13". Trimmed to printed border. Glue residue on reverse.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles.
Not traced in Ford's Images of Brighton.
[Ref: 21575] £160.00 (£192.00 incl.VAT)
![Brighton Pavilion. View of the Steyne Front. [Old ink mss.]](jpegs/21553.jpg)
Brighton Pavilion. View of the Steyne Front. [Old ink mss.] [Perspective view of the Steine Front.]
[G.F. Robinson Del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 436.
[Ref: 21553] £280.00 (£336.00 incl.VAT)
[G.F. Robinson Del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 436.
[Ref: 21553] £280.00 (£336.00 incl.VAT)
![Brighton Pavilion. North Wing of the West Front. The Private Apartments of his Majesty George IV. [Old ink mss.]](jpegs/21554.jpg)
Brighton Pavilion. North Wing of the West Front. The Private Apartments of his Majesty George IV. [Old ink mss.] [The King's Private Apartment.]
[Cha.s Moore, del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the rear of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 442.
[Ref: 21554] £280.00 (£336.00 incl.VAT)
[Cha.s Moore, del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the rear of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 442.
[Ref: 21554] £280.00 (£336.00 incl.VAT)
![Brighton Pavilion. North Front of the Stables. Brighton Pavilion. The Riding Stables [Old ink mss.]](jpegs/21556.jpg)
Brighton Pavilion. North Front of the Stables. Brighton Pavilion. The Riding Stables [Old ink mss.] [Stables towards Church Street. Riding House]
[A. Pugin, Del.t. T.Sutherland Aqua.t. [&] Augs. Pugin Del.t. M.Dubourg Sculp.t ]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, March 1, [& July 1] 1824 ]
Two aquatints printed in colours and hand finished, trimmed and mounted on brown card together, as issued, again laid on later board. Images 110 x 180mm, 4¼ x 7" & 110 x 190, 4¼ x 7½". Pinholes in card corners, soiling of card edges, number label bottom right.
The exterior of the Stables from Church Street and the interior of the Riding House of the Royal Pavilion at Brighton, built 1803-8, before the main buildings were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the building provided stabling for sixty horses. The Stables now form part of the Dome arts venue; the Riding School became the Brighton Corn Exchange. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 460 & 461.
[Ref: 21556] £250.00 (£300.00 incl.VAT)
[A. Pugin, Del.t. T.Sutherland Aqua.t. [&] Augs. Pugin Del.t. M.Dubourg Sculp.t ]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, March 1, [& July 1] 1824 ]
Two aquatints printed in colours and hand finished, trimmed and mounted on brown card together, as issued, again laid on later board. Images 110 x 180mm, 4¼ x 7" & 110 x 190, 4¼ x 7½". Pinholes in card corners, soiling of card edges, number label bottom right.
The exterior of the Stables from Church Street and the interior of the Riding House of the Royal Pavilion at Brighton, built 1803-8, before the main buildings were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the building provided stabling for sixty horses. The Stables now form part of the Dome arts venue; the Riding School became the Brighton Corn Exchange. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 460 & 461.
[Ref: 21556] £250.00 (£300.00 incl.VAT)
![[Dining Room, Royal Pavilion, Brighton.]](jpegs/21572.jpg)
[Dining Room, Royal Pavilion, Brighton.]
H. Repton Esq.r del.t. J.C. Stadler, sculp.
[London: Boydell, Longmans, et al, c.1822.]
Coloured aquatint. 185 x 260mm, 7¼ x 10¼", on paper watermarked 'Turkey Mill'. Paper lightly toned, time stained..
The only interior view from Humphrey Repton's 'Designs for the Pavillion at Brighton'. Originally published 1808, this example comes from the 1822 second edition, issued on the completion of the rebuilding according to the designs of Repton's rival, John Nash.
Abbey: Scenery, 57; Ford: Images of Brighton, 419.
[Ref: 21572] £95.00 (£114.00 incl.VAT)
H. Repton Esq.r del.t. J.C. Stadler, sculp.
[London: Boydell, Longmans, et al, c.1822.]
Coloured aquatint. 185 x 260mm, 7¼ x 10¼", on paper watermarked 'Turkey Mill'. Paper lightly toned, time stained..
The only interior view from Humphrey Repton's 'Designs for the Pavillion at Brighton'. Originally published 1808, this example comes from the 1822 second edition, issued on the completion of the rebuilding according to the designs of Repton's rival, John Nash.
Abbey: Scenery, 57; Ford: Images of Brighton, 419.
[Ref: 21572] £95.00 (£114.00 incl.VAT)
![[Six 'Sea Side Sketches']](jpegs/50449.jpg)
[Six 'Sea Side Sketches']
[Various publishers, c.1870.]
Six steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with three other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'' & ''Kershaw & Son''.
[Ref: 50449] £90.00 (£108.00 incl.VAT)
[Various publishers, c.1870.]
Six steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with three other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'' & ''Kershaw & Son''.
[Ref: 50449] £90.00 (£108.00 incl.VAT)
![[Seven 'Sea Side Sketches']](jpegs/50450.jpg)
[Seven 'Sea Side Sketches']
[Various publishers, c.1870.]
Seven steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with two other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'', ''Newman & Co.'' & ''Kershaw & Son''.
[Ref: 50450] £90.00 (£108.00 incl.VAT)
[Various publishers, c.1870.]
Seven steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with two other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'', ''Newman & Co.'' & ''Kershaw & Son''.
[Ref: 50450] £90.00 (£108.00 incl.VAT)
![[Six 'Sea Side Sketches']](jpegs/50451.jpg)
[Six 'Sea Side Sketches']
[Various publishers, c.1870.]
Six steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with three other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'' & ''Kershaw & Son''.
[Ref: 50451] £90.00 (£108.00 incl.VAT)
[Various publishers, c.1870.]
Six steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with three other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'' & ''Kershaw & Son''.
[Ref: 50451] £90.00 (£108.00 incl.VAT)
![[Six 'Sea Side Sketches']](jpegs/50452.jpg)
[Six 'Sea Side Sketches']
[Various publishers, c.1870.]
Six steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with four other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'' & ''Kershaw & Son''.
[Ref: 50452] £90.00 (£108.00 incl.VAT)
[Various publishers, c.1870.]
Six steel engravings, each c. 100 x 115mm (4 x 4½"), trimmed and laid on album paper with four other prints.
Satires relating to bathing at Brighton. Publishers include ''J.S. & Co.'' & ''Kershaw & Son''.
[Ref: 50452] £90.00 (£108.00 incl.VAT)