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Catalogue: England
Alborough, Suffolk.
Alborough, Suffolk.
Painted by J.M.W. Turner, R.A. Engraved by E. Goodall.
London, Published Dec.r 1. 1827, for the Proprietor, by Robert Jennings, Poultry. Printed by McQueen.
Engraving with small margins. Plate 252 x 305mm (10 x 12").
Part III, No.3 River landscape at Aldeburgh, with figures in a rowing boat in foreground at left handling a mast floating in the water; another rowing boat at right, sailing boat and ships in background; Martello Tower in middle ground at right, windmill and buildings of town in the distance. From 'Picturesque Views in England and Wales'.
[Ref: 34709]   £120.00   (£144.00 incl.VAT)
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Barham Rectory - Suffolk.
Barham Rectory - Suffolk. The Residence of the Rev.d W. Kirby.
Drawn from Nature & on Stone by E.A.B.
[n.d., c.1830].
Lithograph. Sheet size: 225 x 157mm. (8¾ x 6¼"). Slight tear off image on right.
The Suffolk home of William Kirby (1759 - 1850), botanist and entomologist; President of the Ipswich Museum. For Kirby's portrait see Ref: 4014.
[Ref: 31400]   £75.00   (£90.00 incl.VAT)
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Barham Parsonage.
Barham Parsonage. The Residence of the Revd. Wm. Kirby MA, FRS, LS, &c. &c.
Mrs. Lathbury delin. 1828. W. Day lithog, 17 Gate Street.
[n.d., c.1830.]
Lithograph on india paper, very rare, image 175 x 320mm. 7 x 12½". Wide margins slightly soiled.
The Suffolk home of William Kirby (1759 - 1850), botanist and entomologist; President of the Ipswich Museum. For Kirby's portrait see Ref: 4014.
For Kirby's portrait see item Ref: 4014.
[Ref: 22306]   £160.00   (£192.00 incl.VAT)
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Dome House, Bognor.
Dome House, Bognor. The Residence of Mrs. Wilsonn formerly occupied by Her Royal Highness the Princess Charlotte.
Printed by C. Hullmandel.
[n.d. c.1845.]
Rare lithograph. 152 x 209mm. 6 x 8¼".
The Dome House, which Sir Richard Hotham built shortly before his death in 1799 in the hope of attracting King George III to stay there. The King did not stay, but in 1808 his granddaughter the young Princess Charlotte stayed and remained for two years, supporting with her money and patronage the Jubilee School for poor children, founded in 1810.
[Ref: 24129]   £65.00   (£78.00 incl.VAT)
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A View of the Old Eastgate Bridge, (Bury Saint Edmunds.)
A View of the Old Eastgate Bridge, (Bury Saint Edmunds.)
From a Drawing, (by Permission) By the late Lady Blake. A. Friedel, lith. 252, Tottenham Court R.d London.
Published by T.C. Newby, Angel Hill. [n.d. c.1820.]
Tinted lithograph, rare. Sheet 285 x 381mm. 11¼ x 15". Creasing, repaired tear into upper edge.
A view of East Gate Bridge, Bury St Edmunds, Suffolk. Lithographed by Adam Friedel, whose output also includeda series of Greek Revolutionary portraits, and decorative prints from Dutch Golden Age paintings.
[Ref: 27654]   £120.00   (£144.00 incl.VAT)
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The East Prospect of St. Edmunds-Bury, in the County of Suffolk.
The East Prospect of St. Edmunds-Bury, in the County of Suffolk.
Sam.l & Nath.l Buck delin. et sculp. Publish'd according to Act of Parliament Jan. 7.th 1741 Garden Court No.1 Middle Temple London.
Engraving. Plate: 305 x 805mm (12 x 31¾"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Bury St. Edmonds, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46936]   £450.00  
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The Tomb Of Lord Bardolf.  This Tomb is in Dennington Church in ye County of Suffolk, & was erected to ye Memory of Willm. Lord Bardolf, Chamberlain to K. Hen.6. who by his Will, bearing Date Dec.1:1438, bequeath'd his Body to be buried in this place.  To
The Tomb Of Lord Bardolf. This Tomb is in Dennington Church in ye County of Suffolk, & was erected to ye Memory of Willm. Lord Bardolf, Chamberlain to K. Hen.6. who by his Will, bearing Date Dec.1:1438, bequeath'd his Body to be buried in this place. To Sr. John Rouse Bart. This Plate is Inscrib'd, by his most Obedient abd Humble Servt. Jos:a Kirby.
Drawn after ye Tomb by Jos:a Kirby, & Publish'd by him March 25: 1748. Engrav'd by J. Wood.
Engraving. 245 x 315mm (9½ x 12¼"). Some foxing. Crease into lower part of image at right.
Sir William Phelip (1383 - 1441) of Dennington, Suffolk, and Erpingham, Norfolk. He served at Agincourt, was captain of Harfleur 1421 - 1422, treasurer of the household to Henry V, and chamberlain to Henry VI, and on 13 Nov. 1437 was created Baron Bardolf. On his death in 1441 the peerage became extinct. Rare.
[Ref: 7524]   £160.00   (£192.00 incl.VAT)
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Frontispiece to M.r Constable's English Landscape. East Bergholt, Suffolk.
Frontispiece to M.r Constable's English Landscape. East Bergholt, Suffolk. ''Hic locus ætatis nostræ primoerdia novit...''
Painted by John Constable R.A. Engraved by David Lucas.
London, Published by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. Plate: 240 x 235mm (9½ x 9¼") very large margins on 3 sides. Overall foxing. Cut to platemark at bottom.
A view of the village of East Bergholt in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 1. Shirley: 27. Osbert Barnard: I of IV.
[Ref: 44383]   £180.00   (£216.00 incl.VAT)
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[Eye Town Hall.] To Sir Edward Herrison, Bar.t, M.P.,
[Eye Town Hall.] To Sir Edward Herrison, Bar.t, M.P., The Mayor, & Town Council of the Borough of Eye, This View of the Town Hall and Corn Exchange, is respectfully dedicated by their obedient Servant, Edward Buckton Lamb, Arch.t 1856.
E.B. Lamb Arch.t del. F. Bedford lith. Day & Son, Lith.rs to The Queen.
Tinted lithograph. Printed area 230 x 265mm (9¼ x 10½") Tear through inscription. Dusty in margins.
A rare view of Eye Town Hall, designed by Edward Buckton Lamb, a 'Rogue Gothic Revivalist' of the mid-Victorian period, described by Pevsner as 'the most original though certainly not the most accomplished architect of his day'. Among his works are St Luke's Chapel in Brompton Hospital and alterations to Hughenden Manor for Benjamin Disraeli.
[Ref: 39780]   £130.00   (£156.00 incl.VAT)
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Felixtow[e].
Felixtow[e]. Verandah Houses burnt down Nov.r 7th 1845.
1845.
Watercolour in sepia tones. Sheet size: 265 x 360mm (10½ x 14"). Glued to backing sheet at corners. Lower left corner chipped.
A fine watercolour view of Felixstowe, between the River Orwell and River Deben on the North Sea coast of Suffolk, England. Steam and sailing vessels can be seen on the water in the background to the right, as well as figures beside beach huts by the water below. A large row of houses with verendas facing the sea, are in the centre of the image. According to the annotation below the image, these houses were destroyed in a fire, the same year that this painting was made. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37750]   £190.00   (£228.00 incl.VAT)
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Martello Place Felixtow[e].
Martello Place Felixtow[e].
1845.
Watercolour in sepia tones. Sheet size: 265 x 360mm (10½ x 14"). Glued to backing sheet at corners. Small tear in lower right corner. Lower left corner chipped.
A fine and highly detailed watercolour view of Martello Place, Felixstowe, Suffolk, with surrounding gardens. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37748]   £220.00  
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Sir. R. Hartlands Villa. Felixtow[e].
Sir. R. Hartlands Villa. Felixtow[e].
1845.
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Glued to backing sheet in corners.
A fine watercolour view of Ridley House, Felixtowe. In the early 1840's Sir Robert and Lady Harland acquired a Georgian farmhouse by the sea at Old Felixstowe. It was then largely rebuilt in the Italianate style in 1843 by Sir Robert. Twenty years later it was bought by Lady Login who occasionally let it to friends for short periods. The most interesting of these was a short let to Edward Fitzgerald the poet who lived in nearby Woodbridge. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37744]   £240.00  
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Languard Fort.
Languard Fort.
1845.
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Glued to backing sheet at corners.
A fine and highly detailed watercolour view of Landguard Fort, Felixstowe, Suffolk, at the mouth of the River Orwell, with fencing on the left, a clock tower in the centree and a large flag on the right. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37747]   £220.00  
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Stanford channel floating light, Lowestoft Roads, Suffolk.
Stanford channel floating light, Lowestoft Roads, Suffolk.
W. Rushmer del.t & lith.
Published by W. Rushmer, London Road, Lowestoft.
Lithograph, 100 x 115mm. 4 x 4½". Laid on album sheet
'Stanford Float exhibits two lights upon a yard athwart ships which appear steady or in motion, according to the state of the weather. The lights are visible at a distance of two or three leagues, according to the clearness of the atmosphere. They serve as a direction for the Stanford Channel. In the day, a flag is hoisted at the mast-head; and during foggy weather and snow-showers, a bell is tolled night and day' ('The British Pharos' by Alan Stevenson, 1831).
[Ref: 11281]   £75.00   (£90.00 incl.VAT)
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Stoke bridge, Ipswich.
Stoke bridge, Ipswich.
1845
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Glued to backing sheet in corners.
A fine watercolour showing Stoke Bridge, Ipswich, crossing over the point at which the River Gipping becomes the River Orwell. Masts of a number of boats can be seen behind the bridge, with various buildingss including a church in the background to the left. There are records of a bridge existing on the site from the late 13th Century. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37742]   £220.00  
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Ipswich. From the Cliff.
Ipswich. From the Cliff.
on Stone by L. Haghe, from a Sketch by The Rev.d R. Cobbold.
W. Day lithog. 17 Gate St.t
Lithograph. 305 x 425mm. 12 x 16¾". Tears, creasing and slight staining to margins.
A view across the bay in Ipswich, Suffolk, looking towards the town; fishing in the foreground with a steam boat, yachting and rowing; people swimming to the left.
[Ref: 27656]   £160.00   (£192.00 incl.VAT)
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Orwell Lodge, Ipswich. 1844.
Orwell Lodge, Ipswich. 1844.
Watercolour in sepia tones. Sheet size: 265 x 365mm (10¼ x 14¼"). Glued to backing sheet in corners.
A fine watercolour showing Orwell Lodge, Ipswich, the former seat of Joseph Burch Smyth. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37741]   £220.00  
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The South-West Prospect of Ipswich, in the County of Suffolk.
The South-West Prospect of Ipswich, in the County of Suffolk.
Sam.l & Nath.l Buck delin. et sculp. Publish'd according to Act of Parliament Jan. 7.th 1741 Garden Court No.1 Middle Temple London.
Engraving. Plate: 305 x 805mm (12 x 31¾"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Ipswich, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46943]   £450.00  
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Saloon Hintlesham Hall Seat of J.H. Lloyd Anstruther Esqre.
Saloon Hintlesham Hall Seat of J.H. Lloyd Anstruther Esqre.
C.L Nursey del. W.H. Fecit.
[n.d. c.1850.]
Etching on india. Image 297 x 387mm. 11¾ x 15¼". India laid onto card. Repaired tear.
Captain James Hamilton Lloyd (1806-1882). Hintlesham Hall, Ipswich was the family residence for many years.
[Ref: 12933]   £160.00   (£192.00 incl.VAT)
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Lavenham [pencil.]
Lavenham [pencil.]
M. Douglas. [pencil signature.]
[n.d., c.1920.]
Etching. 225 x 150mm, 9 x 6".
The C15th church of Lavenham in Suffolk, paid for by wool-wealth, with the highest church tower in England at 141 ft (43 m).
[Ref: 11649]   £60.00   (£72.00 incl.VAT)
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Lowestoff, Suffolk.
Lowestoff, Suffolk.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1821'. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of Lowestoft from a hillside. A lighthouse is on a hilltop in the middle ground in the centre, with the town on the coast to the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36145]   £190.00   (£228.00 incl.VAT)
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Lowestoff, Suffolk.
Lowestoff, Suffolk.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London, July 1. 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of the coastal town of Lowestoft showing the lighthouse upon the hill. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47141]   £230.00  
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View of Lowestoft Harbour. Respectfully dedicated to the Inhabitants of Lowestoft, By their obedient Servant, The Publisher.
View of Lowestoft Harbour. Respectfully dedicated to the Inhabitants of Lowestoft, By their obedient Servant, The Publisher.
W. Rushmer, Delt. & Lith.
Published by W. Rushmer, Bookseller &c. London Road, Lowestoft. [n.d. c.1837.]
Tinted lithograph. 280 x 376mm. 11 x 14¾". Some nicks and toning along lower edge.
Lowestoft Harbour, Suffolk. The original inner harbour was built by the Lowestoft and Norwich Navigation Company and was constructed in 1837. The development of the harbour led to a rapid growth in the fishing industry and associated engineering and ship building companies such as Brooke Marine, Richard and Boulton and Paul. Large scale ship building, which included the building of vessels for the Royal Navy, continued into the 1980s.
[Ref: 25619]   £170.00   (£204.00 incl.VAT)
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A Mill.
A Mill.
Painted by John Constable R.A. Engraved by David Lucas.
London, Published by M.r Constable, 35 Charlotte S.t Fitzroy Square 1830.
Mezzotint. Plate: 180 x 255mm (7 x 10") very large margins. Slight foxing.
A view of a watermill. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 17. Shirley: 5. Osbert Barnard: I of V.
[Ref: 44384]   £230.00  
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[Newmarket Racecourse.] To his Royal Highness the Price of Wales, The Noblemen & Gentlemen Members of the Jockey Club, This Print of Newmarket Heath,
[Newmarket Racecourse.] To his Royal Highness the Price of Wales, The Noblemen & Gentlemen Members of the Jockey Club, This Print of Newmarket Heath, Is by Permission dedicated by their most obedient humble servant - John Bodger.
Published as the Act directs, October 29th, 1787, & Sold by the Proprietor John Bodger, Land Surveyor, at Stilton, Huntingdonshire. - Mess.rs Boydell, No 90 Cheapside. Mr Weatherby No. 7 Oxendon Street, Haymarket, London: and at the Coffee Room Newmarket, Where may be had, Charts of Whittlesea Mere, the most Spacious Fishery in England.
Aquatint with line engraving, printed on silk. 460 x 690mm (18 x 27"). Foxing. Some wear to edges, slight spotting lower left; damaged.
A very unusual plan of the famous racecourse, printed on silk so that it could be thrust casually into a pocket by a race-goer and, unlike a paper map, is impervious to wet weather. However, as silk reacts badly to sunlight, surviving examples are scarce. The map shows the course on on a scale of c.1:9,600, marking the starting and finishing points of 18 different races. The various texts give a history of the course and a calendar of events. Above the title is a vignette view of a three-horse race approaching the finishing line. Apart from being printed on silk, this map is unusual for its use of aquatint: this etching process leaves areas of tone, here used to represent the grass of the heath. All the lines, including the lettering, have been added using more traditional etching. As aquatint had only been introduced into England in the 1770s it represents quite an early use of the technique. John Bodger was a land surveyor and keen sportsman who dabbled in publishing sporting pictures: he published one of the most famous racing portraits, Wootton's 'The Father of the Turf. Tregonwell Frampton Esqre", 1791. He is known to have published one other map, the chart of the Whittlesea Mere fishery mentioned in the publication line. In 1790 the senior partner, John, became Lord Mayor of London.
[Ref: 33354]   £520.00  
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River Stour Suffolk.
River Stour Suffolk.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. Plate: 220 x 175mm (8½ x 7") very large margins. Slight foxing.
A countryside view showing figures on boats in the River Stour. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 5. Shirley: 19. Osbert Barnard: II of VI.
[Ref: 44392]   £230.00  
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Shrubland Hall, Suffolk.
Shrubland Hall, Suffolk. The Seat Of Sir Wm. Middleton, Bart. To whom, by permission, this Print is respectfully dedicated.
C.J. Greenwood, Delt. E.H. Buckler Lith.
Published by W. Munro, Ipswich Street, Stowmarket. [n.d., c.1850.]
Sepia tinted lithograph heightened in white, image 240 x 335mm. 9½ x 13¼". Trimmed to printed border and glued to album page.
Shrubland Hall near Ipswich, Suffolk, was owned by Sir William F F Middleton, Baronet (1837; fl.). It is now a health farm. For a series of Suffolk country houses.
[Ref: 12928]   £180.00   (£216.00 incl.VAT)
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Stoke by Neyland, Suffolk.
Stoke by Neyland, Suffolk.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1830.
Mezzotint. Plate: 250 x 180mm (9¾ x 7") very large margins. Slight foxing.
A view of Stoke-by-Nayland in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 16. Shirley: 9. Osbert Barnard: I of V.
[Ref: 44389]   £230.00  
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A Lock in Stour Suffolk.
A Lock in Stour Suffolk.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub. by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. Plate: 210 x 180mm (8 x 7") very large margins. Foxing mainly in margins.
A view of a lock on the River Stour in Suffolk. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 13. Shirley: 20. Osbert Barnard: I of VI.
[Ref: 44375]   £230.00  
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Highlands. East Bergholt Suffolk.
Highlands. East Bergholt Suffolk.
1851.
Watercolour in sepia tones. Sheet size: 300 x 410mm (12 x 16"). Glued to backing sheet in corners.
A fine watercolour showing Highlands House, in the village of East Bergholt in the Babergh District of Suffolk, England, just north of the Essex border. The house is sitiuated within large grounds, in which two archery targets can be seen on either side. East Bergholt is the birthplace of painter John Constable (1776 - 1837). The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37757]   £220.00  
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Seckford Arms Houses, Woodbridge.
Seckford Arms Houses, Woodbridge.
Drawn & Published by C.L.N[ursey]
[n.d. c.1860.]
Etching. 230 x 312mm. 9 x 12¼".
The Almshouses at Woodbridge in Suffolk. Thomas Seckford served Elizabeth I in a number of important judicial roles. He amassed a personal fortune and when he died in 1587 he left his estate in Clerkenwell to endow an Almshouse for 13 poor men in Woodbridge. At the start of the Victorian period the old Almshouses were replaced by impressive new buildings. In 1861 it was suggested that the Almshouse charity be joined with the smaller and less well-endowed Free-School charity. The Free-School had been founded in 1662 by Dorothy Seckford and other benefactors. The union took place and a new school was constructed just outside the town.
[Ref: 12934]   £140.00   (£168.00 incl.VAT)
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River Orwell. Woolverstone House.
River Orwell. Woolverstone House.
1843.
Watercolour in sepia tones. Sheet size: 255 x 360mm (10 x 14"). Glued to backing sheet in corners. Extreme right corner detached.
A fine watercolour depicting the River Orwell, with a steam boat travelling on the right and a sailing vessel in the centre. Woolverstone Hall can be seen in the middle gound. The house was built in 1776 for William Berners, a property developer from London who had gradually been acquiring extensive land­holdings on the Shotley peninsula. The back of the house overlooks the River Orwell at a picturesque curve and from the sides of the house there are views both down and upstream towards Ipswich. The high level of skill and accuracy of the painting would suggest that it was made by an architect.
[Ref: 37743]   £220.00  
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Worlingworth Hall. The Property of the Hon.ble John Henniker. [&] View of Worlingwort Church, from Worlingworth Hall. Dedicated to the Right Hon.ble Lord Henniker, Patron.
Worlingworth Hall. The Property of the Hon.ble John Henniker. [&] View of Worlingwort Church, from Worlingworth Hall. Dedicated to the Right Hon.ble Lord Henniker, Patron.
Lithographed by G.E. Madeley, 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph. Sheet 345 x 254mm (13½ x 10"). Rare.
A view of Worlingworth Hall, the former medieval manor house dating back to the 13th century; and a view of St Mary's Church; Suffolk.
[Ref: 31074]   £70.00   (£84.00 incl.VAT)
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