A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Catalogue: England
Bedfordshire
Berkshire
Bristol & Clifton
Buckinghamshire
Cambridgeshire
Cheshire
Cornwall
Cumberland
Derbyshire
Devon
Dorset
Durham
Essex
Gloucestershire
Hampshire
Herefordshire
Hertfordshire
Huntingdonshire
Isle of Wight
Kent
Lancashire
Leicestershire
Lincolnshire
Middlesex
Norfolk
Northamptonshire
Northumberland
Nottinghamshire
Oxfordshire
Rutland
Shropshire
Somerset
Staffordshire
Suffolk
Surrey
Sussex
Warwickshire
Westmorland
Wiltshire
Worcestershire
Yorkshire
A View of the Ruins of Risesing Castle in Norfolk (with a Prospect of Lynn Deeps) built about the time of Wm. the Conqueror & was the Seat of ye Albanies Earls of Arundel till about the twenty seventh of Hen. ye 3d. in those days reputed a place of great Strength.
Millecent delin. E. Kirkall sculp.
[n.d., c.1745.]
Rare copper engraving, 290 x 460mm. 11½ x 18". Spotting to left margin, tatty extremities; full margins.
Castle Rising is a ruined castle situated in the village of Castle Rising in Norfolk. It was built in about 1138 by William d'Albini, 1st Earl of Arundel, who also owned Arundel Castle. Much of its square keep, surrounded by a defensive mount, is intact, and it is now in the care of English Heritage.
[Ref: 16868] £190.00 (£228.00 incl.VAT)
Millecent delin. E. Kirkall sculp.
[n.d., c.1745.]
Rare copper engraving, 290 x 460mm. 11½ x 18". Spotting to left margin, tatty extremities; full margins.
Castle Rising is a ruined castle situated in the village of Castle Rising in Norfolk. It was built in about 1138 by William d'Albini, 1st Earl of Arundel, who also owned Arundel Castle. Much of its square keep, surrounded by a defensive mount, is intact, and it is now in the care of English Heritage.
[Ref: 16868] £190.00 (£228.00 incl.VAT)
Costessey Hall, Norfolk. The Seat of the Right Hon.ble Lord Stafford.
Published by Josiah Fletcher, Norwich. Newman & Co, Litho 48 Watling St, London.
Rare lithograph with tintstone, sheet 275 x 415mm (10¾ x 16¼") large margins. Bit dusty. Crease on left.
Fine lithograph of Costessey Hall, near Norwich in Norfolk, following radical alterations by J.C. Buckler from 1826-36 in the Gothic style. Requisitioned by the War Office during World War I, the house was badly damaged, and demolished in 1925.
[Ref: 40376] £95.00 (£114.00 incl.VAT)
Published by Josiah Fletcher, Norwich. Newman & Co, Litho 48 Watling St, London.
Rare lithograph with tintstone, sheet 275 x 415mm (10¾ x 16¼") large margins. Bit dusty. Crease on left.
Fine lithograph of Costessey Hall, near Norwich in Norfolk, following radical alterations by J.C. Buckler from 1826-36 in the Gothic style. Requisitioned by the War Office during World War I, the house was badly damaged, and demolished in 1925.
[Ref: 40376] £95.00 (£114.00 incl.VAT)
![[Road by Park Palings.] [&] [Road Scene, Trowse Hall.]](jpegs/57579.jpg)
[Road by Park Palings.] [&] [Road Scene, Trowse Hall.]
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 105 x 175mm (4¼ x 7") & 230 x 200mm (9 x 8"), sheet with large margins. Backing paper foxed.
Two etchings of rural Norfolk, etched in 1812 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 19 (only state) & 2 (state iii of iv).
[Ref: 57579] £320.00
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 105 x 175mm (4¼ x 7") & 230 x 200mm (9 x 8"), sheet with large margins. Backing paper foxed.
Two etchings of rural Norfolk, etched in 1812 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 19 (only state) & 2 (state iii of iv).
[Ref: 57579] £320.00
Front of the New Mills.
J. Crome, 1813.
[Norfolk, for the benefit of his widow, 1834.] bit later.
Etching. 230 x 305mm (9 x 12"), sheet with very large margins.
A view of the New Mills, Norwich, from the River Wensum, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. This state has the title added at bottom. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 5, state iii of iii. See 57580 for earlier state.
[Ref: 57808] £160.00 (£192.00 incl.VAT)
J. Crome, 1813.
[Norfolk, for the benefit of his widow, 1834.] bit later.
Etching. 230 x 305mm (9 x 12"), sheet with very large margins.
A view of the New Mills, Norwich, from the River Wensum, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. This state has the title added at bottom. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 5, state iii of iii. See 57580 for earlier state.
[Ref: 57808] £160.00 (£192.00 incl.VAT)
![[At Hackford.]](jpegs/57583.jpg)
[At Hackford.]
J. Crome [?] 1812.
[Norfolk, for the benefit of his widow, 1834.]
Etching on chine collé. 175 x 275mm (7 x 10¾"), sheet with large margins. Backing paper foxed, tear taped.
A view of a cottage set in trees by a pond, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 14, state iv of v.
[Ref: 57583] £320.00
J. Crome [?] 1812.
[Norfolk, for the benefit of his widow, 1834.]
Etching on chine collé. 175 x 275mm (7 x 10¾"), sheet with large margins. Backing paper foxed, tear taped.
A view of a cottage set in trees by a pond, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 14, state iv of v.
[Ref: 57583] £320.00
![[Tree Trunk & Bushes.] [&] [Deepham, near Hingham.]](jpegs/57581.jpg)
[Tree Trunk & Bushes.] [&] [Deepham, near Hingham.]
[Deepham] J Crome 1813.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 180 x 145mm (7 x 5¾") & 160 x 175mm (6¼ x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 27 (only state) & 7 (state iv of v).
[Ref: 57581] £320.00
[Deepham] J Crome 1813.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 180 x 145mm (7 x 5¾") & 160 x 175mm (6¼ x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 27 (only state) & 7 (state iv of v).
[Ref: 57581] £320.00
![[Tree Trunks & Lane.] [&] [Footbridge at Cringleford.]](jpegs/57582.jpg)
[Tree Trunks & Lane.] [&] [Footbridge at Cringleford.]
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings on chine collé, on one sheet. 210 x 165mm (8¼ x 6½") & 225 x 175mm (9 x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1812 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 29 & 8 (state ii of iv).
[Ref: 57582] £320.00
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings on chine collé, on one sheet. 210 x 165mm (8¼ x 6½") & 225 x 175mm (9 x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1812 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 29 & 8 (state ii of iv).
[Ref: 57582] £320.00
![Earlham [old ink mss. on album sheet.]](jpegs/50189.jpg)
Earlham [old ink mss. on album sheet.]
[n.d., c.1880.]
Photograph. 140 x 195mm (5½ x 7¾"). Mounted on album paper.
Earlham Hall. built 1642, childhood home of Elizabeth Fry (née Gurney, 1780-1845), the Quaker prison reformer. In 1963 Earlham Hall became the home of the new University of East Anglia and now houses the UEA Law School.
[Ref: 50189] £120.00 (£144.00 incl.VAT)
[n.d., c.1880.]
Photograph. 140 x 195mm (5½ x 7¾"). Mounted on album paper.
Earlham Hall. built 1642, childhood home of Elizabeth Fry (née Gurney, 1780-1845), the Quaker prison reformer. In 1963 Earlham Hall became the home of the new University of East Anglia and now houses the UEA Law School.
[Ref: 50189] £120.00 (£144.00 incl.VAT)
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Es.re
Etch'd by W Blake from the original Model by John Flaxman Esq Sculptor to his Majesty
Publish'd by J. Johnson St Pauls 25 March 1804
Engraving, sheet 280 x 220mm (11 x 8½"). Paper watermarked John Hayes 1803.
Memorial inscription on the tomb of the poet William Cowper (1731-1800) in East Dereham, Norfolk, writen by William Hayley. This print was published as an illustration to the third volume of Hayley's Life of Cowper, engraved by William Blake. Hayley was a patron of Blake and employed him to provide a series of engravings for this project.
[Ref: 31332] £90.00 (£108.00 incl.VAT)
Etch'd by W Blake from the original Model by John Flaxman Esq Sculptor to his Majesty
Publish'd by J. Johnson St Pauls 25 March 1804
Engraving, sheet 280 x 220mm (11 x 8½"). Paper watermarked John Hayes 1803.
Memorial inscription on the tomb of the poet William Cowper (1731-1800) in East Dereham, Norfolk, writen by William Hayley. This print was published as an illustration to the third volume of Hayley's Life of Cowper, engraved by William Blake. Hayley was a patron of Blake and employed him to provide a series of engravings for this project.
[Ref: 31332] £90.00 (£108.00 incl.VAT)
A View of St Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
Francis Stone del. / W. Blake sculp
Publish'd by J. Johnson St Pauls 25 March 1804
Engraving, sheet 280 x 220mm (11 x 8½"). Paper watermarked 1803;
The tomb of the poet William Cowper (1731-1800) in East Dereham, Norfolk, with memorial inscription by William Hayley. This print was the frontispiece to the third volume of Hayley's Life of Cowper, engraved by William Blake. Hayley was a patron of Blake and employed him to provide a series of engravings for this project.
[Ref: 31331] £90.00 (£108.00 incl.VAT)
Francis Stone del. / W. Blake sculp
Publish'd by J. Johnson St Pauls 25 March 1804
Engraving, sheet 280 x 220mm (11 x 8½"). Paper watermarked 1803;
The tomb of the poet William Cowper (1731-1800) in East Dereham, Norfolk, with memorial inscription by William Hayley. This print was the frontispiece to the third volume of Hayley's Life of Cowper, engraved by William Blake. Hayley was a patron of Blake and employed him to provide a series of engravings for this project.
[Ref: 31331] £90.00 (£108.00 incl.VAT)
The South-West Prospect of Yarmouth, in the County of Norfolk.
Sam.l and Nath.l Buck delin. et Sculp.
Publish'd according to Act of Parliament Jan.y 7th 1741. Garden Court, No 1. Middle Temple, London.
Engraving. Sheet 305 x 800mm (12 x 31½"). Trimmed within plate, affecting armorial, inscription rubbed, tears in edges, creases, three horizontal folds, folded onto album sheet.
A detailed view of Great Yarmouth, with a descriptive text below and a key to the right, indicating various landmarks and buildings. One of two plates depicting Norwich from the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42262] £320.00
Sam.l and Nath.l Buck delin. et Sculp.
Publish'd according to Act of Parliament Jan.y 7th 1741. Garden Court, No 1. Middle Temple, London.
Engraving. Sheet 305 x 800mm (12 x 31½"). Trimmed within plate, affecting armorial, inscription rubbed, tears in edges, creases, three horizontal folds, folded onto album sheet.
A detailed view of Great Yarmouth, with a descriptive text below and a key to the right, indicating various landmarks and buildings. One of two plates depicting Norwich from the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42262] £320.00
![[Great Yarmouth] Signal Post Yarmouth. [&] Theatre Yarmouth.](jpegs/45193.jpg)
[Great Yarmouth] Signal Post Yarmouth. [&] Theatre Yarmouth.
W.S. Newman Del.t.
[Theatre only] Published Sep.t 1st 1801.
Pair of scarce etchings. Sheets 160 x 125mm (6¼ x 5"). Trimmed within plate, laid on album paper.
Two sketches of Great Yarmouth: a semaphore signalling post and the Georgian theatre.
[Ref: 45193] £160.00 (£192.00 incl.VAT)
W.S. Newman Del.t.
[Theatre only] Published Sep.t 1st 1801.
Pair of scarce etchings. Sheets 160 x 125mm (6¼ x 5"). Trimmed within plate, laid on album paper.
Two sketches of Great Yarmouth: a semaphore signalling post and the Georgian theatre.
[Ref: 45193] £160.00 (£192.00 incl.VAT)
N.W. View of Yarmouth Jetty.
W. Joy fec. Drawn on Stone & Litho.d by J.M. Johnson, Norwich.
Published by C. Sloman, King St. [n.d., c.1850.]
Rare lithograph. Sheet: 190 x 275mm (7½ x 10¾").
A view of the jetty at Great Yarmouth showing the unloading and loading of various ships, after William Joy (1803-67).
[Ref: 47384] £130.00 (£156.00 incl.VAT)
W. Joy fec. Drawn on Stone & Litho.d by J.M. Johnson, Norwich.
Published by C. Sloman, King St. [n.d., c.1850.]
Rare lithograph. Sheet: 190 x 275mm (7½ x 10¾").
A view of the jetty at Great Yarmouth showing the unloading and loading of various ships, after William Joy (1803-67).
[Ref: 47384] £130.00 (£156.00 incl.VAT)
Market Place, Yarmouth.
Publihsed by S.N. Purdy, Yarmouth.
Tinted lithograph. Printed area 250 x 350mm (9¾ x 13¾"). Large margins. Paper soiled, tear in right margin.
The main square of Great Yarmouth. On the right is Fish Stall House, a public house which, in September 1852, became the only house in Great Yarmouth to be reprimanded by magistrates for misconduct. Located at number 49, it was demolished in 1972.
[Ref: 37895] £180.00 (£216.00 incl.VAT)
Publihsed by S.N. Purdy, Yarmouth.
Tinted lithograph. Printed area 250 x 350mm (9¾ x 13¾"). Large margins. Paper soiled, tear in right margin.
The main square of Great Yarmouth. On the right is Fish Stall House, a public house which, in September 1852, became the only house in Great Yarmouth to be reprimanded by magistrates for misconduct. Located at number 49, it was demolished in 1972.
[Ref: 37895] £180.00 (£216.00 incl.VAT)
![[Holkham Hall] Remarkable Oak in the Earl of Leicester's Park.](jpegs/59195.jpg)
[Holkham Hall] Remarkable Oak in the Earl of Leicester's Park.
Drawn by R.M. Batty. Eng'd by F. Jukes.
London Pub.d Aug.t 10 1794 by F. Jukes, No. 16 Howland Street.
Aquatint with hand colour. 200 x 265mm (8 x 10½") very large margins. Trimmed within plate, slight soiling.
Perhaps from a series of views of the environs of Holkham Hall. R.M. Batty and Francis Jukes produced a set of aquatint views of Hertfordshire in 1793.
Not in Abbey Scenery.
[Ref: 59195] £130.00 (£156.00 incl.VAT)
Drawn by R.M. Batty. Eng'd by F. Jukes.
London Pub.d Aug.t 10 1794 by F. Jukes, No. 16 Howland Street.
Aquatint with hand colour. 200 x 265mm (8 x 10½") very large margins. Trimmed within plate, slight soiling.
Perhaps from a series of views of the environs of Holkham Hall. R.M. Batty and Francis Jukes produced a set of aquatint views of Hertfordshire in 1793.
Not in Abbey Scenery.
[Ref: 59195] £130.00 (£156.00 incl.VAT)
![[Internal View of St. Nicholas' Chapel, Lynn.]](jpegs/18913.jpg)
[Internal View of St. Nicholas' Chapel, Lynn.]
F. Goodwin del.t G. Hawkins. Aquatint.
[n.d. c.1820.]
A scarce aquatint. Plate 503 x 400mm. 19¾ x 15¾". Crease outside plate to lower left-hand corner.
Francis Goodwin (1784-1835) was an English architect, best known for his many provincial churches in the Gothic revival style, civic buildings such as the first Manchester Town Hall and the Macclesfield Town Hall, plus country houses such as Lissadell House, County Sligo. Born at King's Lynn, Norfolk, a pupil of J Coxedge of Kensington and later a pupil or assistant of John Walters. He exhibited in the Royal Academy on 1806 an 'Internal View of St Nicholas' Chapel, Lynn'.
[Ref: 18913] £160.00 (£192.00 incl.VAT)
F. Goodwin del.t G. Hawkins. Aquatint.
[n.d. c.1820.]
A scarce aquatint. Plate 503 x 400mm. 19¾ x 15¾". Crease outside plate to lower left-hand corner.
Francis Goodwin (1784-1835) was an English architect, best known for his many provincial churches in the Gothic revival style, civic buildings such as the first Manchester Town Hall and the Macclesfield Town Hall, plus country houses such as Lissadell House, County Sligo. Born at King's Lynn, Norfolk, a pupil of J Coxedge of Kensington and later a pupil or assistant of John Walters. He exhibited in the Royal Academy on 1806 an 'Internal View of St Nicholas' Chapel, Lynn'.
[Ref: 18913] £160.00 (£192.00 incl.VAT)
![[St Margaret's Church, King's Lynn, Norfolk(?)]](jpegs/26250.jpg)
[St Margaret's Church, King's Lynn, Norfolk(?)]
[Anon., British, n.d., c.1830.]
Lithograph, image 240 x 385mm. 9½ x 15¼". A good impression with margins.
The nave of a church with a round window at one end; with a man and a woman inside.
[Ref: 26250] £65.00 (£78.00 incl.VAT)
[Anon., British, n.d., c.1830.]
Lithograph, image 240 x 385mm. 9½ x 15¼". A good impression with margins.
The nave of a church with a round window at one end; with a man and a woman inside.
[Ref: 26250] £65.00 (£78.00 incl.VAT)
Langley Park, Norfolk. The Seat of Sir William Beauchamp Proctor Bar.t.
E.F.P. [Payne?] del et lithog. Printed by Hullmandel & Walton.
[n.d., c.1850.]
Rare tinted lithograph. Sheet 340 x 420mm (13½ x 16½"). Trimmed within printed border at sides, inscription area with repaired cracks and tear, top right corner cracked.
The facade of the 18th century Palladian hall built by Matthew Brettingham, set in a landscape park attributed to Lancelot 'Capability' Brown. It is now home to Langley School. The print predates Sir William changing his surname to Proctor-Beauchamp in 1852.
[Ref: 62171] £130.00 (£156.00 incl.VAT)
E.F.P. [Payne?] del et lithog. Printed by Hullmandel & Walton.
[n.d., c.1850.]
Rare tinted lithograph. Sheet 340 x 420mm (13½ x 16½"). Trimmed within printed border at sides, inscription area with repaired cracks and tear, top right corner cracked.
The facade of the 18th century Palladian hall built by Matthew Brettingham, set in a landscape park attributed to Lancelot 'Capability' Brown. It is now home to Langley School. The print predates Sir William changing his surname to Proctor-Beauchamp in 1852.
[Ref: 62171] £130.00 (£156.00 incl.VAT)
The South West View of Melton Constable in the County of Norfolk, the Seat of S.r Jacob Astley, Bart:t, is humbly Inscrib'd by His Oblig'd Serv:ts Sam:l & Nath:l Buck.
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving, 18th century watermark. 380 x 600mm (15 x 23½"). Trimmed to plate, creases, tears repaired.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 59339] £280.00 (£336.00 incl.VAT)
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving, 18th century watermark. 380 x 600mm (15 x 23½"). Trimmed to plate, creases, tears repaired.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 59339] £280.00 (£336.00 incl.VAT)
The South West View of Melton Constable in the County of Norfolk, the Seat of S.r Jacob Astley, Bart:t, is humbly Inscrib'd by His Oblig'd Serv:ts Sam:l & Nath:l Buck.
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving. 380 x 600mm (15 x 23½"), large margins. Repairs to margins.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 58724] £480.00 (£576.00 incl.VAT)
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving. 380 x 600mm (15 x 23½"), large margins. Repairs to margins.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 58724] £480.00 (£576.00 incl.VAT)
Plan of the Gardens and Plantations of Narford in the County of Norfolk, the Seat of the Honourable Sr. Andrew Fountain Vice Chamberlain to her Royal Highness the Princess of Wales. &c. Les Jardins &c de Narford dans l' Comte' de Norfolk Maison de Sr. Andrew Fountain. p: 95. Vol: 3.d
Ca: Campbell del: H: Hulsbergh Sculp:
[n.d. c.1731.]
Engraving. Plate 375 x 247mm. 14¾ x 9¾".
Garden plan from Henry Hulsberg's "Vitruvius Britannicus" series by C. Campbell. Sir Andrew Fountaine (1676-1753) bought Narford Hall in Norfolk in 1690. He was an amateur architect and designer who commissioned Henry Bell to over see a grand project. Being a follower of Lord Burlington is is said that Burlington gave to Fountaine the Giovanni Antonio Pellegrini designed inset canvases on hallway walls. Narford is noted for its monkey ceiling, painted by Andien de Clermont, 1739-40. Fountaine was made vice-chamberlain by Queen Caroline, consort of Geroge II, and tutor to her third son, William August.
See ref 18012, 18017 & 18019
[Ref: 18011] £160.00 (£192.00 incl.VAT)
Ca: Campbell del: H: Hulsbergh Sculp:
[n.d. c.1731.]
Engraving. Plate 375 x 247mm. 14¾ x 9¾".
Garden plan from Henry Hulsberg's "Vitruvius Britannicus" series by C. Campbell. Sir Andrew Fountaine (1676-1753) bought Narford Hall in Norfolk in 1690. He was an amateur architect and designer who commissioned Henry Bell to over see a grand project. Being a follower of Lord Burlington is is said that Burlington gave to Fountaine the Giovanni Antonio Pellegrini designed inset canvases on hallway walls. Narford is noted for its monkey ceiling, painted by Andien de Clermont, 1739-40. Fountaine was made vice-chamberlain by Queen Caroline, consort of Geroge II, and tutor to her third son, William August.
See ref 18012, 18017 & 18019
[Ref: 18011] £160.00 (£192.00 incl.VAT)
![A Norfolk Pastoral [pencil, lower margin.]](jpegs/26706.jpg)
A Norfolk Pastoral [pencil, lower margin.]
A. Talmage [pencil signature.] ['AT' monogram etched in plate.]
[British, n.d., c.1930.]
Etching, wove paper, 165 x 165mm. 6½ x 6½". Wide margins.
Fine East Anglian landscape, with cattle. Algernon Talmage (British, 1871-1939), elected RA 1929.
[Ref: 26706] £160.00 (£192.00 incl.VAT)
A. Talmage [pencil signature.] ['AT' monogram etched in plate.]
[British, n.d., c.1930.]
Etching, wove paper, 165 x 165mm. 6½ x 6½". Wide margins.
Fine East Anglian landscape, with cattle. Algernon Talmage (British, 1871-1939), elected RA 1929.
[Ref: 26706] £160.00 (£192.00 incl.VAT)
Norfolk. Railways. 21.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56921] £40.00
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56921] £40.00
The North East Prospect of the City of Norwich.
[after Thomas Kirkpatrick.]
[n.d., c.1760.]
Coloured engraving. 205 x 330mm (8 x 13"), with an 18th century watermark. Narrow margins, small tear.
A reduced version of Kirkpatrick's two-sheet prospect of Norwich of 1723, with a 36-point key.
[Ref: 56026] £240.00 (£288.00 incl.VAT)
[after Thomas Kirkpatrick.]
[n.d., c.1760.]
Coloured engraving. 205 x 330mm (8 x 13"), with an 18th century watermark. Narrow margins, small tear.
A reduced version of Kirkpatrick's two-sheet prospect of Norwich of 1723, with a 36-point key.
[Ref: 56026] £240.00 (£288.00 incl.VAT)
View of Norwich.
Published by Charles Muskett, Norwich, 1849.
Etching on india. 100 x 160mm, 4 x 6". India lifting, Tear in margin.
[Ref: 11654] £60.00 (£72.00 incl.VAT)
Published by Charles Muskett, Norwich, 1849.
Etching on india. 100 x 160mm, 4 x 6". India lifting, Tear in margin.
[Ref: 11654] £60.00 (£72.00 incl.VAT)
![[Norwich] A View of Bishops Bridge from the Ferry. [&] A View of the Cathedral from Hardys Grove.](jpegs/49818.jpg)
[Norwich] A View of Bishops Bridge from the Ferry. [&] A View of the Cathedral from Hardys Grove.
R. Ladbrooke delin. S. Alken Jun.r fecit.
Norwich Published by R. Ladbrooke Jan.y 1st 1806.
Pair of rare aquatints. Plate 360 x 480mm (14¼ x 19"), with large margins, & sheet 360 x 485mm (14¼ x 19"). 'Hardy's Grove' trimmed within plate, repairs off image on left.
Two views of Norwich. Bishop Bridge from the banks of the River Wensum, built in 1340 and stlll in use, making it one of the oldest active bridges in England. Also a view looking down on Norwich Cathedral from a field above the city. Robert Ladbrooke (1768-1842), a painter and drawing master at Norwich, founded the Norwich Society of Artists in 1803 with John Crome and James Sillett.
[Ref: 49818] £460.00 view all images for this item
R. Ladbrooke delin. S. Alken Jun.r fecit.
Norwich Published by R. Ladbrooke Jan.y 1st 1806.
Pair of rare aquatints. Plate 360 x 480mm (14¼ x 19"), with large margins, & sheet 360 x 485mm (14¼ x 19"). 'Hardy's Grove' trimmed within plate, repairs off image on left.
Two views of Norwich. Bishop Bridge from the banks of the River Wensum, built in 1340 and stlll in use, making it one of the oldest active bridges in England. Also a view looking down on Norwich Cathedral from a field above the city. Robert Ladbrooke (1768-1842), a painter and drawing master at Norwich, founded the Norwich Society of Artists in 1803 with John Crome and James Sillett.
[Ref: 49818] £460.00 view all images for this item
Norwich Castle. South Front in Length 95 feet, West Front in Length 90 feet, Height to top of Battlement 69 feet [...]
Drawn by D. Hodgson. On Stone by M. Gauci.
Published by John Stacy, Old Haymarket Norwich & Charles Tilt, 86 Fleet Street London. Printed by Graf & Soret [c/1840]
Lithograph, printed area 235 x 270mm (9¼ x 10½") very large margins. Uncut.
Busy view of Norwich Castle, with horse-and-carts in foreground. Lithograph after a drawing by David Hodgson (1798-1864), Norwich printmaker and painter of architecture and landscapes.
[Ref: 45865] £180.00 (£216.00 incl.VAT)
Drawn by D. Hodgson. On Stone by M. Gauci.
Published by John Stacy, Old Haymarket Norwich & Charles Tilt, 86 Fleet Street London. Printed by Graf & Soret [c/1840]
Lithograph, printed area 235 x 270mm (9¼ x 10½") very large margins. Uncut.
Busy view of Norwich Castle, with horse-and-carts in foreground. Lithograph after a drawing by David Hodgson (1798-1864), Norwich printmaker and painter of architecture and landscapes.
[Ref: 45865] £180.00 (£216.00 incl.VAT)
The Great Hall of the Polytechnic Exhibition, Norwich. Subscribers Proof.
Norwich: Published January 21, 1841, by Joseph Dallinger Sen.r Engraver, &c. 16, Davey Place.
Engraving on india, rare, platemark 260 x 310mm (10¼ x 12¼"). Very large margins.
View of the central gallery of the 1840 Polytechnic Exhibition in Norwich, including machinery (the publisher of this print Joseph Dallinger is represented), flags, and miniature trains and boats.
[Ref: 45866] £160.00 (£192.00 incl.VAT)
Norwich: Published January 21, 1841, by Joseph Dallinger Sen.r Engraver, &c. 16, Davey Place.
Engraving on india, rare, platemark 260 x 310mm (10¼ x 12¼"). Very large margins.
View of the central gallery of the 1840 Polytechnic Exhibition in Norwich, including machinery (the publisher of this print Joseph Dallinger is represented), flags, and miniature trains and boats.
[Ref: 45866] £160.00 (£192.00 incl.VAT)
Norwich Market.
Published by Charles Muskett, Norwich, 1849.
Etching. 100 x 160mm, 4 x 6".
[Ref: 11655] £60.00 (£72.00 incl.VAT)
Published by Charles Muskett, Norwich, 1849.
Etching. 100 x 160mm, 4 x 6".
[Ref: 11655] £60.00 (£72.00 incl.VAT)
![Potters Heigham [pencil].](jpegs/62562.jpg)
Potters Heigham [pencil].
W.P. Robins 1921.
Etching, signed and dated by the artist in pencil. 175 x 275mm (7 x 10¾") very large margins. Faint mount burn.
A view of a river bank on the Norfolk Broads, with a thatched cottage and grazing cow. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62562] £130.00 (£156.00 incl.VAT)
W.P. Robins 1921.
Etching, signed and dated by the artist in pencil. 175 x 275mm (7 x 10¾") very large margins. Faint mount burn.
A view of a river bank on the Norfolk Broads, with a thatched cottage and grazing cow. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62562] £130.00 (£156.00 incl.VAT)
![[Scole Inn, Diss.] Schoale Inn.](jpegs/61263.jpg)
[Scole Inn, Diss.] Schoale Inn.
Joshua Kirby Delin.t. Jn.o Fessey Sculp.
Publish'd by H. Martin according to act of Parliament May 1. 1740.
Rare engraving. Sheet 355 x 475mm (14 x 18¾"). Trimmed within plate, tear through publication line, laid on card.
The exterior of Scole Inn, with its massive sign spanning the road outside. Once called the White Hart, it was built in 1655 to serve this coaching traffic. Both Charles II and Admiral Nelson slept there, and highwayman John Belcher is said to have ridden his horse up the stairs at the inn to evade the law. The hunting-themed sign was also constructed in 1655, costing £1057 to make and erect, with over twenty-five carved figures, including Diana and Cerberus, Neptune and a deer-headed man. It was removed in the early 19th century, as it cost too much to maintain.
[Ref: 61263] £320.00
Joshua Kirby Delin.t. Jn.o Fessey Sculp.
Publish'd by H. Martin according to act of Parliament May 1. 1740.
Rare engraving. Sheet 355 x 475mm (14 x 18¾"). Trimmed within plate, tear through publication line, laid on card.
The exterior of Scole Inn, with its massive sign spanning the road outside. Once called the White Hart, it was built in 1655 to serve this coaching traffic. Both Charles II and Admiral Nelson slept there, and highwayman John Belcher is said to have ridden his horse up the stairs at the inn to evade the law. The hunting-themed sign was also constructed in 1655, costing £1057 to make and erect, with over twenty-five carved figures, including Diana and Cerberus, Neptune and a deer-headed man. It was removed in the early 19th century, as it cost too much to maintain.
[Ref: 61263] £320.00
S.t Andrew's Hall, Norwich. (Built by Sir Thomas Erpingham, Kn.t in 1428.) In which are held the Mayor's Annual Feast, Musical Festival & Public Meetings.
Drawn by D. Hodgson. Day & Haghe, lithog.rs to the King Gate St.
Pub.d by Charles Muskett, Bookseller &c. Corner of Bridewell Alley, Norwich & Co Tilt, Fleet S.t London.
Lithograph. Sheet: 220 x 305mm, (8¾ x 12"). Trimmed. Tears in edges.
An interior view of the fifteenth century hall attached to the fourteenth century friary in Norwich.
[Ref: 40782] £65.00 (£78.00 incl.VAT)
Drawn by D. Hodgson. Day & Haghe, lithog.rs to the King Gate St.
Pub.d by Charles Muskett, Bookseller &c. Corner of Bridewell Alley, Norwich & Co Tilt, Fleet S.t London.
Lithograph. Sheet: 220 x 305mm, (8¾ x 12"). Trimmed. Tears in edges.
An interior view of the fifteenth century hall attached to the fourteenth century friary in Norwich.
[Ref: 40782] £65.00 (£78.00 incl.VAT)
![St. Peters Norfolk [in pencil on the mount].](jpegs/62609.jpg)
St. Peters Norfolk [in pencil on the mount].
W R Hay [in image]. William R. Hay [in pencil].
[n.d. c. 1920]
Etching signed by the artist, 160 x 320mm (6¼ x 12½"), with very large margins. Taped into original mount at top corners.
A view of one of the St. Peter's Churches in Norfolk. William Robert Hay (1886-1964).
[Ref: 62609] £95.00 (£114.00 incl.VAT)
W R Hay [in image]. William R. Hay [in pencil].
[n.d. c. 1920]
Etching signed by the artist, 160 x 320mm (6¼ x 12½"), with very large margins. Taped into original mount at top corners.
A view of one of the St. Peter's Churches in Norfolk. William Robert Hay (1886-1964).
[Ref: 62609] £95.00 (£114.00 incl.VAT)
Stanfield Hall, The Seat of the late Mr. Jermy. Who was Assassinated November 28th. 1848. [On verso in ink:] Charles William Bing 1849 - Stanfield Hall_
J.T. Wood. Holywell Sc.
[n.d. c.1880.]
Engraving. 115 x 146mm. 4½ x 5¾".
Stanfield Hall, Norfolk was the home of Isaac Jermy, Esq, who on the night of November 28th, 1848, stepped outside to smoke, unaware of a strange figure hiding in the bushes. The air was then filled with two shots, whereby he fell to the ground, mortally wounded. The others rushed out of the dining room, and with three more shots, Isaac's son, wife, and a servant fell to the ground. One of the other servants later recognised the murderer as James Blomfield Rush, the family's bailiff. Rush had reneged on previous loans and agreements with Isaac and now his major debt was due for repayment on 30 November, two days after the murders took place. Blomfield was hung for his crime on 21 April 1849.
[Ref: 16839] £45.00 (£54.00 incl.VAT)
J.T. Wood. Holywell Sc.
[n.d. c.1880.]
Engraving. 115 x 146mm. 4½ x 5¾".
Stanfield Hall, Norfolk was the home of Isaac Jermy, Esq, who on the night of November 28th, 1848, stepped outside to smoke, unaware of a strange figure hiding in the bushes. The air was then filled with two shots, whereby he fell to the ground, mortally wounded. The others rushed out of the dining room, and with three more shots, Isaac's son, wife, and a servant fell to the ground. One of the other servants later recognised the murderer as James Blomfield Rush, the family's bailiff. Rush had reneged on previous loans and agreements with Isaac and now his major debt was due for repayment on 30 November, two days after the murders took place. Blomfield was hung for his crime on 21 April 1849.
[Ref: 16839] £45.00 (£54.00 incl.VAT)
Stanfield Hall, The Seat of the late Mr. Jermy. Who was Assassinated November 28th 1848.
J.T. Wood. Holywell sc.
[n.d., c.1849.]
Engraving. Sheet: 110 x 145mm (4¼ x 5¾''). Paper tone.
A view of Stanfield Hall, Norwich where Isaac Jermy and his son Isaac Jermy Jermy were shot and killed in their porch by their delinquant tenant farmer James Bloomfield Rush. Rush had mortgaged and re-mortgaged his farm several times and with time running up and he hadn't raised the funds to repay the loans, facing eviction he came up with a plan to try and defraud the Jermy's of their property and lives. He was hanged in Norwich Castle in 1849.
[Ref: 49900] £45.00 (£54.00 incl.VAT)
J.T. Wood. Holywell sc.
[n.d., c.1849.]
Engraving. Sheet: 110 x 145mm (4¼ x 5¾''). Paper tone.
A view of Stanfield Hall, Norwich where Isaac Jermy and his son Isaac Jermy Jermy were shot and killed in their porch by their delinquant tenant farmer James Bloomfield Rush. Rush had mortgaged and re-mortgaged his farm several times and with time running up and he hadn't raised the funds to repay the loans, facing eviction he came up with a plan to try and defraud the Jermy's of their property and lives. He was hanged in Norwich Castle in 1849.
[Ref: 49900] £45.00 (£54.00 incl.VAT)
![[A Marsh Road]](jpegs/62608.jpg)
[A Marsh Road]
Charles J Watson [in image and in pencil].
1919.
Trial proof etching signed by the artist, 150 x 200mm (6 x 8"). Some time staining in large margins.
Road at Stokesby on the bank of a canal, with old trees and thatched buildings at left and two cattle at centre; distant view of Aclebridge. Charles John Watson (1846 - 1927). Born in Norwich, Watson was a member of the Royal Society of Painter-Etchers and Engravers, and chief Founder and first President of the Norwich Art Circle. After leaving Norwich to move to London in 1888, he exhibited successfully at Robert Dunthorne's Gallery in Vigo Street.
Watson 1931: 197.
[Ref: 62608] £75.00 (£90.00 incl.VAT)
Charles J Watson [in image and in pencil].
1919.
Trial proof etching signed by the artist, 150 x 200mm (6 x 8"). Some time staining in large margins.
Road at Stokesby on the bank of a canal, with old trees and thatched buildings at left and two cattle at centre; distant view of Aclebridge. Charles John Watson (1846 - 1927). Born in Norwich, Watson was a member of the Royal Society of Painter-Etchers and Engravers, and chief Founder and first President of the Norwich Art Circle. After leaving Norwich to move to London in 1888, he exhibited successfully at Robert Dunthorne's Gallery in Vigo Street.
Watson 1931: 197.
[Ref: 62608] £75.00 (£90.00 incl.VAT)
![The Waveney below St. Olaves [pencil].](jpegs/62563.jpg)
The Waveney below St. Olaves [pencil].
W.P. Robins 1921 [pencil].
Etching, signed and dated by the artist in pencil. 145 x 295mm (5¾ x 11½"), large margins. Faint mount burn.
A view of from the bank of the Waveney, the river that divides Norfolk from Suffolk, with a windmill. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62563] £130.00 (£156.00 incl.VAT)
W.P. Robins 1921 [pencil].
Etching, signed and dated by the artist in pencil. 145 x 295mm (5¾ x 11½"), large margins. Faint mount burn.
A view of from the bank of the Waveney, the river that divides Norfolk from Suffolk, with a windmill. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62563] £130.00 (£156.00 incl.VAT)
Wantorton Thwart Lights.
Engraved by W.H. Timms.
Published by C. Richards. [n.d., c.1820.]
Coloured aquatint, very rare. 190 x 255mm (7½ x 10"). Tear in margin.
A view looking past coastal shipping to the 'Thwart Lights', a pair of lighthouses guarding the dunes off Wintertonness, Winterton, Norfolk. The area had had a lighthouse since before 1618.
[Ref: 32202] £140.00 (£168.00 incl.VAT)
Engraved by W.H. Timms.
Published by C. Richards. [n.d., c.1820.]
Coloured aquatint, very rare. 190 x 255mm (7½ x 10"). Tear in margin.
A view looking past coastal shipping to the 'Thwart Lights', a pair of lighthouses guarding the dunes off Wintertonness, Winterton, Norfolk. The area had had a lighthouse since before 1618.
[Ref: 32202] £140.00 (£168.00 incl.VAT)
Yarmouth, Norfolk.
Painted by John Constable R.A. Engraved by David Lucas.
London, Published by Mr Constable, 35 Charlotte S.t Fitzroy Square 1832.
Mezzotint. Plate: 255 x 190mm (10 x 7½"), with very large margins. Foxing in margins.
A view of the jetty in Yarmouth after an oil painting by Constable, now housed in the Tate. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 10. Shirley: 18. Osbert Barnard: II of V.
[Ref: 44377] £230.00 (£276.00 incl.VAT)
Painted by John Constable R.A. Engraved by David Lucas.
London, Published by Mr Constable, 35 Charlotte S.t Fitzroy Square 1832.
Mezzotint. Plate: 255 x 190mm (10 x 7½"), with very large margins. Foxing in margins.
A view of the jetty in Yarmouth after an oil painting by Constable, now housed in the Tate. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832. In 1843 Charles Robert Leslie published his 'Memoirs of John Constable Esq. R.A'. He obtained directly from the Constable family 186 sets of 22 images of the Various Subjects of Landscape in return for 30 copies of his book. This mezzotint is one of those; "see Tate John Constable, David Lucas".
Wedmore 10. Shirley: 18. Osbert Barnard: II of V.
[Ref: 44377] £230.00 (£276.00 incl.VAT)
The South-West Prospect of Yarmouth, in the County of Norfolk.
Sam.l & Nath.l Buck delin. et sculp. Publish'd according to Act of Parliament January 7th 1741 Garden Court No.1 Middle Temple, London.
Engravings. Plate: 305 x 805mm (12 x 31¾"). Central fold as issued, old ink mss. plate number. Slight offsetting in title at top. Small margins.
A detailed prospect of Yarmouth showing the docks, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 48347] £420.00
Sam.l & Nath.l Buck delin. et sculp. Publish'd according to Act of Parliament January 7th 1741 Garden Court No.1 Middle Temple, London.
Engravings. Plate: 305 x 805mm (12 x 31¾"). Central fold as issued, old ink mss. plate number. Slight offsetting in title at top. Small margins.
A detailed prospect of Yarmouth showing the docks, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 48347] £420.00