A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Young Boy Seated]](jpegs/36810.jpg)
[Young Boy Seated]
[Thomas] Barker del.
[Published in 1803 by Philipp Andre.]
Very rare pen lithograph, sheet 275 x 210mm (10¾ x 8¼"). Glued to backing sheet at corners. Crease across centre. Overall staining.
A separately issued early lithograph from 'Specimens of Polyautography'. by Thomas Barker (1769-1847) Barker was born in Wales but was known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. He also published 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), the first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath.
Ex collection of the Late Hon. C. Lennox-Boyd; For the complete set of 'Forty Lithographic Impressions' see ref. 13436
[Ref: 36810] £380.00
[Thomas] Barker del.
[Published in 1803 by Philipp Andre.]
Very rare pen lithograph, sheet 275 x 210mm (10¾ x 8¼"). Glued to backing sheet at corners. Crease across centre. Overall staining.
A separately issued early lithograph from 'Specimens of Polyautography'. by Thomas Barker (1769-1847) Barker was born in Wales but was known as "Barker of Bath", after the city he moved to as a young man. As an expert on fresco technique, Barker advised on the redecoration of the Houses of Parliament in 1841. He also published 'Forty Lithographic Impressions From Drawings by Thomas Barker, Selected from His Studies of Rustic Figures After Nature' (1813), the first one-man collection of lithographs ever printed in England. Many of the stones, still bearing Barker's original drawings, are in the Victoria Art Gallery, Bath.
Ex collection of the Late Hon. C. Lennox-Boyd; For the complete set of 'Forty Lithographic Impressions' see ref. 13436
[Ref: 36810] £380.00
![[Woman mourning and embracing a tomb in the form of a pot]](jpegs/35960.jpg)
[Woman mourning and embracing a tomb in the form of a pot]
G.B. Cipriani inv. / F. Bartolozzi sculp.
Published as the Act directs Nov. 20 1776
Etching, sheet 155 x 160mm (6 x 6¼"). Trimmed inside platemark; slight foxing.
Title page to 'Miscellaneous works of Ph. D. Stanhope, Earl of Chesterfield' (1777). In a later state this print was identified as Bathsheba mourning her husband Uriah.
de Vesme 1694.2
[Ref: 35960] £70.00 (£84.00 incl.VAT)
G.B. Cipriani inv. / F. Bartolozzi sculp.
Published as the Act directs Nov. 20 1776
Etching, sheet 155 x 160mm (6 x 6¼"). Trimmed inside platemark; slight foxing.
Title page to 'Miscellaneous works of Ph. D. Stanhope, Earl of Chesterfield' (1777). In a later state this print was identified as Bathsheba mourning her husband Uriah.
de Vesme 1694.2
[Ref: 35960] £70.00 (£84.00 incl.VAT)
![[Moonlit river scene with rowing boat]](jpegs/35901.jpg)
[Moonlit river scene with rowing boat]
Thomas Creswick / Etching Club March 1839
Etching on india with large margins, platemark 95 x 150mm (3¾ x 6").
Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35901] £75.00 (£90.00 incl.VAT)
Thomas Creswick / Etching Club March 1839
Etching on india with large margins, platemark 95 x 150mm (3¾ x 6").
Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35901] £75.00 (£90.00 incl.VAT)
![[Landscape with figures; river and moutnains in distance]](jpegs/35902.jpg)
[Landscape with figures; river and moutnains in distance]
Etching Club / Thomas Creswick May 1839
Etching on india with large margins, platemark 65 x 160mm (2½ x 6¼"). Slight foxing.
Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35902] £75.00 (£90.00 incl.VAT)
Etching Club / Thomas Creswick May 1839
Etching on india with large margins, platemark 65 x 160mm (2½ x 6¼"). Slight foxing.
Skilful etching in the Dutch manner by landscape painter Thomas Creswick (1811-69), published in the portfolio 'Etched Thoughts by the Etching Club' (the influential printmaking society which Creswick was part of, alongside Samuel Palmer and Charles West Cope, among others). Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35902] £75.00 (£90.00 incl.VAT)
![The Overshot hill [ms]](jpegs/35904.jpg)
The Overshot hill [ms]
T. Creswick R.A. [published 1857]
Etching on india with very large margins, platemark 145 x 125mm (5¾ x 5"). Uncut sheet.
Etching by landscape painter Thomas Creswick (1811-69), published by the Etching Club in 1857. The Etching Club was the influential printmaking society which Creswick was part of, alongside Samuel Palmer, who is believed to have been influenced by Creswick in his own printmaking. Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35904] £75.00 (£90.00 incl.VAT)
T. Creswick R.A. [published 1857]
Etching on india with very large margins, platemark 145 x 125mm (5¾ x 5"). Uncut sheet.
Etching by landscape painter Thomas Creswick (1811-69), published by the Etching Club in 1857. The Etching Club was the influential printmaking society which Creswick was part of, alongside Samuel Palmer, who is believed to have been influenced by Creswick in his own printmaking. Creswick exhibited prolifically and successfully at the Royal Academy throughout his career (he became an R.A. in 1851) and his etchings 'demonstrate a sure grasp of the technique and conventions of etching (DNB).
[Ref: 35904] £75.00 (£90.00 incl.VAT)
L'Oreille m'est charmeé...
D. Teniers S.P.I.A. Pictor a Cubiculis. J. Vander Bruggen Fecit et excudit. Brux.
[Brussels, n.d., c.1660.]
Mezzotint with large margins, very rare. 310 x 230mm (12¼ x 9"). 'Brux' in publication line weakly inked.
An old letcherous peasant sitting in a tavern drinking, listening to a young woman playing the flute. Engraved and published by Jan van der Bruggen (c.1648-90) after David Teniers the younger (1610-90).
BM: 1893,1018.46. Ex Collection of Christopher Lennox-Boyd.
[Ref: 36535] £260.00 (£312.00 incl.VAT)
D. Teniers S.P.I.A. Pictor a Cubiculis. J. Vander Bruggen Fecit et excudit. Brux.
[Brussels, n.d., c.1660.]
Mezzotint with large margins, very rare. 310 x 230mm (12¼ x 9"). 'Brux' in publication line weakly inked.
An old letcherous peasant sitting in a tavern drinking, listening to a young woman playing the flute. Engraved and published by Jan van der Bruggen (c.1648-90) after David Teniers the younger (1610-90).
BM: 1893,1018.46. Ex Collection of Christopher Lennox-Boyd.
[Ref: 36535] £260.00 (£312.00 incl.VAT)
![[Riverside Cottage.]](jpegs/36343.jpg)
[Riverside Cottage.]
E. Martin Inv.t & Sculp.t.
Publi.d December 14. 1799. No. 8. Leicester Street.
Etching with hand colouring, large margins and very fine. 145 x 125mm (5¾ x 5"). Paper worn in small area of bottom left corner, inside the platemark. Light staining to sheet.
A picturesque view of a large thatched cottage to the right of a shallow river which is in the centre. Three figures are seen on the left bank, whilst a man rides a horse and leads another in the water. Other buildings can be seen in the distance. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36343] £160.00 (£192.00 incl.VAT)
E. Martin Inv.t & Sculp.t.
Publi.d December 14. 1799. No. 8. Leicester Street.
Etching with hand colouring, large margins and very fine. 145 x 125mm (5¾ x 5"). Paper worn in small area of bottom left corner, inside the platemark. Light staining to sheet.
A picturesque view of a large thatched cottage to the right of a shallow river which is in the centre. Three figures are seen on the left bank, whilst a man rides a horse and leads another in the water. Other buildings can be seen in the distance. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36343] £160.00 (£192.00 incl.VAT)
![[Musicians and Nudes.]](jpegs/36586.jpg)
[Musicians and Nudes.]
Maurin delineavit. Imp. lithog. de Chabert. Le Georgion fecit.
[n.d., c.1835.]
Lithograph. Sheet: 490 x 335mm (19¼ x 13¼"). Large margins. Light foxing in margins.
Exterior scene in which a pair of musicians sit by a well while one woman fills up a jug and a second accomapanies them on a flute. In the distance a shepherd herds a flock of sheep.
[Ref: 36586] £140.00 (£168.00 incl.VAT)
Maurin delineavit. Imp. lithog. de Chabert. Le Georgion fecit.
[n.d., c.1835.]
Lithograph. Sheet: 490 x 335mm (19¼ x 13¼"). Large margins. Light foxing in margins.
Exterior scene in which a pair of musicians sit by a well while one woman fills up a jug and a second accomapanies them on a flute. In the distance a shepherd herds a flock of sheep.
[Ref: 36586] £140.00 (£168.00 incl.VAT)
![[Three figures gathered around a fire.]](jpegs/36532.jpg)
[Three figures gathered around a fire.] Quadro di Pietro Paulo Rubens Alto Piedi 4. Onz. 1 Largo Piedi 3 Onz. 3
C. Hutin delin. C.F. Boece Sculps [c.1810]
Engraving, platemark 430 x 330mm (17 x 13"). Uncut sheet with very large margins. Fine.
Italian engraving of a scene attributed to Rubens of three figures in a cave gathered around a small fire.
[Ref: 36532] £240.00 (£288.00 incl.VAT)
C. Hutin delin. C.F. Boece Sculps [c.1810]
Engraving, platemark 430 x 330mm (17 x 13"). Uncut sheet with very large margins. Fine.
Italian engraving of a scene attributed to Rubens of three figures in a cave gathered around a small fire.
[Ref: 36532] £240.00 (£288.00 incl.VAT)