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[Arab.]
[Arab.] Arabe du Desert.
J.B. I. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47027]   £260.00  
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[Armenian Architect]
[Armenian Architect] Architecte Armenien.
JB. J. De Franssieres sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46921]   £270.00  
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[Armenian girl going to church to get married]
[Armenian girl going to church to get married] Fille Armenienne, que l'on conduit à l'Eglise pour la marier.
JB. J. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
Armenian girl wearing a veil, led by two other women to church to get married. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46920]   £270.00  
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[Armenian man going to church to get married]
[Armenian man going to church to get married] Armenien qui va à l'Eglise pour se marier, accompagné du Compère qui porte son sabre.
JB. J. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
Armenian man on his way to get married, accompanied by boy holding his sabre. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46919]   £270.00  
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[Albanian butcher feeding mutton to the cats of the Grand Bazaar of Istanbul]
[Albanian butcher feeding mutton to the cats of the Grand Bazaar of Istanbul] Dgi-Guerdgi Albanois qui porte au Bezestein des Foyes de Mouton pour nourrir les Chats.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾") very large margins.
A cat image. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46960]   £260.00  
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Mosquée aux Envrions de Calcutta.
Mosquée aux Envrions de Calcutta. (Inde).
Dessiné par Lauvergne. Imp. Lemercier, Bernadet et C.ie. Bichebois lith. Fig. par V. Adam.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of a mosque near Calcutta. Plate 89 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47167]   £230.00  
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Coup de Vent dans L'Hougly.
Coup de Vent dans L'Hougly. (Rivière de Calcutta, Inde).
Dessiné par Lauvergne. Imp. Lemercier, Bernadet et C.ie. Lith par Lauvergne.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins.
A view of a strong wind causing a boat to almost capsize on the Hooghly River. Plate 90 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47168]   £160.00   (£192.00 incl.VAT)
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Vue prise sur les Bords de L'Hougly.
Vue prise sur les Bords de L'Hougly. (Inde).
Dessiné par Fisquet. Lith. de Rigo Frères et C.ie. Lith. par E. Tudot.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins.
A view taken from the banks of the Hooghly River. Plate 91 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47169]   £130.00   (£156.00 incl.VAT)
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Vue Prise sur les Bords de L'Hougly.
Vue Prise sur les Bords de L'Hougly.
Lauvergne del. Imp. Lemercier. Bichebois lith.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins.
A view taken from the banks of the Hooghly River. Plate 92 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47170]   £160.00   (£192.00 incl.VAT)
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Diamond's Harbour aux environs de Calcutta.
Diamond's Harbour aux environs de Calcutta.
Dessiné par. Lauvergne. Imp. Lemercier. Lith. par Tudot.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins.
A view of Diamond Harbour near Calcutta. A plate from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47171]   £230.00  
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Vue Prise a Calcutta.
Vue Prise a Calcutta.
Dessiné par. Lauvergne. Imp. Lemercier. Lith. par Bichebois.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins.
A view of Calcutta from the river. Plate 88 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47172]   £230.00  
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Fort de L'Entrée de la Typa.
Fort de L'Entrée de la Typa.
Lauvergne del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing. Stain in left margin.
A view of a fort at the entrance of the Typa River near Canton. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46788]   £230.00  
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Une Rue de Canton.
Une Rue de Canton.
Pâris del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing. Stain in left margin.
A view of a street in Canton, now known as Guangzou, showing shops, broadsides posted on the walls and figures going about their daily business. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46787]   £320.00  
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Canton.
Canton. Homme de la haute classe. Femme de la haute classe.
de Sainson del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing; stain in left margin.
A pair of portraits, one showing the dress of an upper class man and the second of an upper class woman. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46792]   £220.00  
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Factoreries à Canton.
Factoreries à Canton.
Lauvergne del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing. Staining in left margin.
A view of some of the factories in Canton, foreign mechants were restricted by various Chinese laws confining them to the area known as the Thirteen Factories in the port of Guangzou. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46786]   £450.00  
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Canton.
Canton.
R.E. del et lith. Hullmandel & Watson, Imp
London: Hurst & Blackett Great Marlborough Street [c.1854]
Colour lithograph, printed area 130 x 180mm (5 x 7"), with large margins.
A view the Chinese town of Guangzhou on the Pearl River. From: Robert Elwes Sketches Tour Around The World.
Abbey: 9
[Ref: 46899]   £140.00   (£168.00 incl.VAT)
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Pagode de Dina marlinga sur les Bords de L'Hougly Près Chandernagor.
Pagode de Dina marlinga sur les Bords de L'Hougly Près Chandernagor. (Inde).
Dessiné par Fisquet. Lith. de Rigo Frères et C.ie. E. Tudot Lith.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins.
A view of pagondas in the town of Chandannagar. Plate 94 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47165]   £220.00  
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Vue de Chandernagor.
Vue de Chandernagor.
Dessiné par Lauvergne. Imp. Lemercier. Lith. par Bichebois. Fig par Bayot.
Paris, Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Paper tone in borders.
A view of the waterfront in the town of Chandannagar. A plate from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52, after an original drawing by B. Lauvergne.
[Ref: 47166]   £220.00  
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Village Chinois.
Village Chinois.
Pâris del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing; stain in left margin..
A view of a Chinese village, showing boats on the river and houses built on its banks. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46791]   £230.00  
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[Itinerant coffee seller]
[Itinerant coffee seller] Vendeur de Caffé par les rues.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
A coffee boy from the Levant; as Joseph A. Boone notes in 'The Homoerotics of Orientalism', these boys were often assumed to be sexually available for payment. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
Joseph A. Boone, 'The Homoerotics of Orientalism', p.102.
[Ref: 46955]   £320.00  
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Dergoumidas,
Dergoumidas, Prestre Armenien condamné par le Grand Visir Ali Pacha, mourut Martir le 5.e Novembre 1707.
JB. J. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾") very large margins. Tear extending into plate lower edge.
The Armenian priest Dergoumidas is condemned to death by the Grand Vizier Alì Pascià for having converted to Catholicism, an episode which actually took place on 5 November 1707. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. The engraving was seemingly the source for G.A. Guardi's 'Dergoumidas Before the Grand Vizier', one of his 'quadri Turchi' painted for Field Marshal Count Johann Matthias von der Schulenburg (1661-1747). Guardi's painting was sold at Sotheby's in 2005 (Old Master Paintings Evening Sale, 7 December 2005, lot 61).
[Ref: 46918]   £230.00  
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[Dervish.]
[Dervish.] Dervich ou Moine Turc qui tourne par devotion.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47047]   £290.00  
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[Whirling Dervishes.]
[Whirling Dervishes.] Les Dervichs dans leur Temple de Péra, achevant de tourner.
JB. J.B. Scotin min. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark: 395 x 455mm (15¾ x 18") mint with very large margins. Central fold as issued.
A double page image of the famous whirling dervishes. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47030]   £380.00  

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[Effendi.]
[Effendi.] Effendi homme de Loy dans son Etude.
JB. G. Scotin sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47046]   £360.00  
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[An Emir.]
[An Emir.] Emir homme de Loy de la Race de Mahomet.
JB. G. Scotin sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47044]   £330.00  
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[Wife of a Frank going to bathe.]
[Wife of a Frank going to bathe.] Femme d'un Franc allant au Bain.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46963]   £230.00  
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[Habit of a Frankish merchant]
[Habit of a Frankish merchant] Marchand Franc.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾") very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46961]   £240.00  
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[Head Chef of Ahmed III.]
[Head Chef of Ahmed III.] Beulouk Bachi Chef de Cuisine du Grand Seigneur.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A fine cooking image. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47038]   £330.00  
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[The Head Eunuch of the Imperial Harem.]
[The Head Eunuch of the Imperial Harem.] Le Kislar-Agassi, Chef des Eunuques noirs. Il est Sur-Intendant du Serrail du G.d Seigneur.
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47037]   £320.00  
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Hong Kong.
Hong Kong.
R.E. del et lith. Hullmandel & Watson, Imp
London: Hurst & Blackett Great Marlborough Street [c.1854]
Colour lithograph, printed area 130 x 180mm (5 x 7"), with large margins.
View in Hong Kong soon after it becane a British colony in 1842. From: Robert Elwes Sketches Tour Around The World.
Not in Chater Collection. Abbey: 9
[Ref: 46895]   £190.00   (£228.00 incl.VAT)
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Hong Kong. Piratenstrasse. [No 16. Hong Kong. Piratenstrasse. ]
Hong Kong. Piratenstrasse. [No 16. Hong Kong. Piratenstrasse. ]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 345 x 240mm (13½ x 9½"), trimmed to image and mounted on card as issued, title label on reverse as usual Board foxed.
A view on one of Hong Kong's narrow alleyways, painted by Eduard Hildebrandt (1818-69), looking south towards the Peak. Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46875]   £750.00  
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Hong Kong. [No 11. Hongkong. Queen's Road.]
Hong Kong. [No 11. Hongkong. Queen's Road.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 280 x 385mm (11 x 15¼"), trimmed to image and mounted on card as issued, title label on reverse as usual Board foxed.
An early view of Queen's Road, Hong Kong, painted by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolors, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde'.
[Ref: 46876]   £750.00  
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[Imam.]
[Imam.] Imam Ministre d'une Mosquée.
J.B. J. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47045]   £330.00  
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[Indian.]
[Indian.] Indien.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47033]   £260.00  
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[The Janissary Aga.]
[The Janissary Aga.] Le Jannissaire-Aga ou Commandant des Jannissaires.
JB. G. Scotin major. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47049]   £320.00  
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Japan. Jeddo. [No 23. Japanische Dschunke.]
Japan. Jeddo. [No 23. Japanische Dschunke.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 240 x 340mm (9½ x 13½"), trimmed to image and mounted on card as issued, title label on reverse as usual.
Junks in the harbour of Ezo, Japan, one with the Rising Sun flag on its sail. After a watercolour by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46873]   £320.00  
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[A Jew.]
[A Jew.] Juif.
J.B. B.Baron sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, early 18th century watermark. Mint. Platemark 360 x 250mm (13¾ x 9¾") very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47103]   £650.00  
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[A Jewish couturier who takes her wares to the houses of young Turkish women who are not permitted to go out.]
[A Jewish couturier who takes her wares to the houses of young Turkish women who are not permitted to go out.] Femme Juive Courtiere qui porte ses Marchandises aux Jeunes Dames Turques qui ne peuvent sortir.
J.B. P. Simmoneau fil sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, early 18th century watermark. Mint. Platemark 360 x 250mm (13¾ x 9¾") very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47104]   £650.00  
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[A Jewish Woman Dressed for a Ceremony.]
[A Jewish Woman Dressed for a Ceremony.] Femme Juive, en habit de cèrèmonie.
J.B. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, early 18th century watermark. Mint. Platemark 360 x 250mm (13¾ x 9¾"), with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47105]   £650.00  
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[Levent, or marine]
[Levent, or marine] Leventi ou Soldat de Marine.
JB. C.N. Cochin sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46964]   £190.00   (£228.00 incl.VAT)
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Procession Chinoise à Macao.
Procession Chinoise à Macao.
Lauvergne del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing; stain in left margin.
A view in Macau showing a procession of men carrying ornate carved boxes into a temple. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46790]   £230.00  
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Macao.
Macao.
Lauvergne del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"). Foxing, stain in left margins.
A view of the town of Macau on the Pearl River in China. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46793]   £480.00  
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Couvent de la Guia à Macao.
Couvent de la Guia à Macao.
Lauvergne del. Himely sc.
de Sainson Edit. Finct imp. [n.d., c.1830.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"). Stain in left margin; foxing in large margins.
A view of the 17th century fortress of Guia with the convent of St Clare in Macau. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite
[Ref: 46784]   £380.00  
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Macau. 1863. [No 6. Def Hafen von Macao.]
Macau. 1863. [No 6. Def Hafen von Macao.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 265 x 385mm (10½ x 15¼"), trimmed to image and mounted on card as issued, title label on reverse as usual. Board foxed.
The harbour of Macao, after a watercolour by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46877]   £550.00  
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Mahmoud II. Empereur des Turcs.
Mahmoud II. Empereur des Turcs.
Devéria 1829.
Imp. lith. de Gihaut frères.
Fine lithograph, printed on chine collé. Printed area: 380 x 280mm (15 x 11"). Foxing at edges.
A portrait of Mahmud II (1785-1839), 30th sultan of the Ottoman Empire. A portrait by French artist (1800-1857) famed for his portraits of famous artist and writers.
[Ref: 47051]   £360.00  
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Manila [No 10. Indisches Dorf auf den Philipinnen.]
Manila [No 10. Indisches Dorf auf den Philipinnen.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 240 x 340mm (9½ x 13½"), trimmed to image and mounted on card as issued, title label on reverse as usual.
A Filippino village on stilts after a watercolour by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46872]   £550.00  
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[Moorish Woman.]
[Moorish Woman.] Femme Moresque.
JB. P. Rochefort sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47032]   £260.00  
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Peking. [No.34. Brücke bei Peking.]
Peking. [No.34. Brücke bei Peking.]
E. Hildebrandt. [Chromofacsimilirt von R.Steinbock nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 260 x 380mm (10¼ x 15"), trimmed to image and laid on card as issued, title label on reverse as usual. Board foxed.
A Chinese bridge, with a pagoda and a pavilion, after a watercolour by by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolors, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs from voyages was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46878]   £420.00  
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Peking. [No.29. Runde Strasse in Peking.]
Peking. [No.29. Runde Strasse in Peking.]
E. Hildebrandt. [Chromofacsimilirt von R.Steinbock nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 260 x 380mm (10¼ x 15"), trimmed to image and laid on card as issued, title label on reverse as usual. Board foxed.
A Peking street scene, after a watercolour by by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolors, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs from voyages was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46879]   £550.00  
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[Persian.]
[Persian.] Persan.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A handsome man with town in distance. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47028]   £330.00  
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