A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Elizabeth Countess of Derby
W. J. Edwards [after Sir Joshua Reynolds].
Henry Graves & Co [n.d. 1865].
Mezzotint. 285 x 185mm (11¼ x 7¼").
A full-length portrait of Elizabeth Smith-Stanley (1753-1797), leaning on a plinth next to a perched macaw bird and holding a garland of flowers. Elizabeth, eldest daughter of the sixth Duke of Hamilton, married the very enamoured Edward Smith-Stanley, twelfth Duke of Derby, aged 21. She was a pioneer of ladies fashion for the time and notably organised an all female cricket match in 1777.
[Ref: 56579] £65.00 (£78.00 incl.VAT)
W. J. Edwards [after Sir Joshua Reynolds].
Henry Graves & Co [n.d. 1865].
Mezzotint. 285 x 185mm (11¼ x 7¼").
A full-length portrait of Elizabeth Smith-Stanley (1753-1797), leaning on a plinth next to a perched macaw bird and holding a garland of flowers. Elizabeth, eldest daughter of the sixth Duke of Hamilton, married the very enamoured Edward Smith-Stanley, twelfth Duke of Derby, aged 21. She was a pioneer of ladies fashion for the time and notably organised an all female cricket match in 1777.
[Ref: 56579] £65.00 (£78.00 incl.VAT)
Robert Sparrow ESQ.R. (of Worlingham Hall, Suffolk).
Painted by T. Phillips R.A. 1821. Drawn on Stone by R. J. Lane A.R.A. 1828.
Printed by C. Hullmendel.
Stipple with very large margins. India paper, laid on Album sheet. Sheet size: 550 x 380mm (21¾ x 15").
The manor of Worlingham was purchased by Robert Sparrow, the elder, on June 23rd, 1755. He arrived as a wealthy property owner from Kettleburgh where the family had resided as landowners since the 17th century. Sparrow the elder became connected with the area of Lowestoft through a commercial interest in 'fish houses' and owned a 'summer property', called Cliff Cottage, sited at the northern edge of the town. Cliff Cottage was probably an artisan's house, which was gentrified by Robert Sparrow II at the turn of the 18th century. By the end of the 19th century the building, considerably modified and enlarged, became known locally as 'Sparrows Nest'.
NPG: D22419.
[Ref: 35066] £160.00 (£192.00 incl.VAT)
Painted by T. Phillips R.A. 1821. Drawn on Stone by R. J. Lane A.R.A. 1828.
Printed by C. Hullmendel.
Stipple with very large margins. India paper, laid on Album sheet. Sheet size: 550 x 380mm (21¾ x 15").
The manor of Worlingham was purchased by Robert Sparrow, the elder, on June 23rd, 1755. He arrived as a wealthy property owner from Kettleburgh where the family had resided as landowners since the 17th century. Sparrow the elder became connected with the area of Lowestoft through a commercial interest in 'fish houses' and owned a 'summer property', called Cliff Cottage, sited at the northern edge of the town. Cliff Cottage was probably an artisan's house, which was gentrified by Robert Sparrow II at the turn of the 18th century. By the end of the 19th century the building, considerably modified and enlarged, became known locally as 'Sparrows Nest'.
NPG: D22419.
[Ref: 35066] £160.00 (£192.00 incl.VAT)
![[Caroline Duchess of Marlborough with Lady Caroline Spencer her daughter.]](jpegs/24818.jpg)
[Caroline Duchess of Marlborough with Lady Caroline Spencer her daughter.]
J. Reynolds pinx.t J. Watson Fecit.
[n.d. c.1768.]
Very fine mezzotint, artist's names in etched letters, before plate was cleaned. Proof before title and publication line. Plate 451 x 330mm. 17¾ x 13".
Caroline Spencer, Duchess of Marlborough (1743-1811), daughter of John Russell, 4th Duke of Bedford, married George Spencer, Duke of Marlborough in 1762; and Caroline Welbore, Viscountess Clifden (1763-1813).
Hamilton: p.117, i/iii. CS: 99, i. Goodwin: 56, i.
[Ref: 24818] £360.00
J. Reynolds pinx.t J. Watson Fecit.
[n.d. c.1768.]
Very fine mezzotint, artist's names in etched letters, before plate was cleaned. Proof before title and publication line. Plate 451 x 330mm. 17¾ x 13".
Caroline Spencer, Duchess of Marlborough (1743-1811), daughter of John Russell, 4th Duke of Bedford, married George Spencer, Duke of Marlborough in 1762; and Caroline Welbore, Viscountess Clifden (1763-1813).
Hamilton: p.117, i/iii. CS: 99, i. Goodwin: 56, i.
[Ref: 24818] £360.00
![[Caroline Dutchess of Marlborough, With Lady Caroline Spencer her Daughter].](jpegs/28391.jpg)
[Caroline Dutchess of Marlborough, With Lady Caroline Spencer her Daughter].
Sir Joshua Reynolds pinx.t. Rich.d Houston Fecit.
R. Sayer Excudit. [1769].
Mezzotint, platemark 480 x 355mm. (18¾ x 14"). Trimmed. Glued to sheet at corners; rubbed, but a good impressio.
Caroline, Dutchess of Marlborough, holding her daughter, Lady Caroline Spencer, her arms outstretched, above her lap, head turned to face front; pillars and landscape behind; proof before letters. Caroline Spencer (1743 - 1811) was the daughter of John Russell, 4th Duke of Bedford, and married George Spencer, Duke of Marlborough. After Sir Joshua Reynolds (1723 - 1792)
Chaloner Smith 76.I; Hamilton: p.117; From the Oettingen-Wallerstein Collection.
[Ref: 28391] £350.00
Sir Joshua Reynolds pinx.t. Rich.d Houston Fecit.
R. Sayer Excudit. [1769].
Mezzotint, platemark 480 x 355mm. (18¾ x 14"). Trimmed. Glued to sheet at corners; rubbed, but a good impressio.
Caroline, Dutchess of Marlborough, holding her daughter, Lady Caroline Spencer, her arms outstretched, above her lap, head turned to face front; pillars and landscape behind; proof before letters. Caroline Spencer (1743 - 1811) was the daughter of John Russell, 4th Duke of Bedford, and married George Spencer, Duke of Marlborough. After Sir Joshua Reynolds (1723 - 1792)
Chaloner Smith 76.I; Hamilton: p.117; From the Oettingen-Wallerstein Collection.
[Ref: 28391] £350.00
Miss C. Spencer.
London Publishe'd as the Act directs by Sayer & Bennett No53 Fleet Street, 12 June 1774.
Mezzotint. Plate: 110 x 150mm (4¼ x 6"), very large margins. Creases and paper tone.
A portrait of Charlotte Spencer after a larger mezzotint by Valentine Green after Hugh Douglas Hamilton.
Not in CS.
[Ref: 44420] £190.00 (£228.00 incl.VAT)
London Publishe'd as the Act directs by Sayer & Bennett No53 Fleet Street, 12 June 1774.
Mezzotint. Plate: 110 x 150mm (4¼ x 6"), very large margins. Creases and paper tone.
A portrait of Charlotte Spencer after a larger mezzotint by Valentine Green after Hugh Douglas Hamilton.
Not in CS.
[Ref: 44420] £190.00 (£228.00 incl.VAT)
![[George Spencer] His Grace The Duke of Marlborough.](jpegs/24425.jpg)
[George Spencer] His Grace The Duke of Marlborough.
F. Bartolozzi R.A. ad vivum del.
London, Pub.d Apr: 14. 1795, by J. Thane, Spur Street, Leicester Square.
Very fine etching with stipple and crayon-manner, printed in brown ink, with large margins. Plate 274 x 215mm. 10¾ x 8½".
Bust portrait of George Spencer, fourth Duke of Marlborough, body facing front, head turned and looking towards three-quarter to left, with his Order of Garter; in an oval. George Spencer, 4th Duke of Marlborough (1739-1817) was a British courtier and politician. He served as Lord Chamberlain between 1762 and 1763, and as Lord Privy Seal between 1763 and 1765.
NPG: D5214. Not in De Vesme.
[Ref: 24425] £220.00 (£264.00 incl.VAT)
F. Bartolozzi R.A. ad vivum del.
London, Pub.d Apr: 14. 1795, by J. Thane, Spur Street, Leicester Square.
Very fine etching with stipple and crayon-manner, printed in brown ink, with large margins. Plate 274 x 215mm. 10¾ x 8½".
Bust portrait of George Spencer, fourth Duke of Marlborough, body facing front, head turned and looking towards three-quarter to left, with his Order of Garter; in an oval. George Spencer, 4th Duke of Marlborough (1739-1817) was a British courtier and politician. He served as Lord Chamberlain between 1762 and 1763, and as Lord Privy Seal between 1763 and 1765.
NPG: D5214. Not in De Vesme.
[Ref: 24425] £220.00 (£264.00 incl.VAT)
![[The Duke and Duchess of Marlborough and infant Francis Spencer.]](jpegs/27768.jpg)
[The Duke and Duchess of Marlborough and infant Francis Spencer.]
Sam.l Shelley pinxit. F. Bartolozzi sculp.
Publish'd as the Act directs March 28th 1783 by F. Bartolozzi.
Stipple, printed in brown. 250 x 205mm, 10 x 8½".
A portrait of George Spencer, 4th Duke of Marlborough (1739-1817), with his wife and son Francis, later 1st Baron Churchill. After Samuel Shelley (1756-1808), a miniaturist.
De Vesme: 124: iv of v, first published state.
[Ref: 27768] £160.00 (£192.00 incl.VAT)
Sam.l Shelley pinxit. F. Bartolozzi sculp.
Publish'd as the Act directs March 28th 1783 by F. Bartolozzi.
Stipple, printed in brown. 250 x 205mm, 10 x 8½".
A portrait of George Spencer, 4th Duke of Marlborough (1739-1817), with his wife and son Francis, later 1st Baron Churchill. After Samuel Shelley (1756-1808), a miniaturist.
De Vesme: 124: iv of v, first published state.
[Ref: 27768] £160.00 (£192.00 incl.VAT)
![[George Spencer, Duke of Marlborough.]](jpegs/29159.jpg)
[George Spencer, Duke of Marlborough.]
Painted by G. Romney. Engraved by John Jones.
Publish'd as the Act directs Dec.r 16.th 1786, by J. Jones, No.63 Great Portland Street.
Mezzotint, proof before title, with Collector's mark, very large margins. Plate 621 x 380mm (24½ x 15"). Slightly foxed.
Portrait standing whole-length to front with his right hand on his hip, head turned to face l, wearing robes of the Garter and with his hair powdered, holding plumed hat in his right hand; pillars, curtain and tree behind. George Spencer, 4th Duke of Marlborough (1739-1817), the British courtier and politician. He served as Lord Chamberlain between 1762 and 1763 and as Lord Privy Seal between 1763 and 1765.
Ex Collection: Earl of Bute. Horne: 80, i/iii. CS: 54.
[Ref: 29159] £650.00
Painted by G. Romney. Engraved by John Jones.
Publish'd as the Act directs Dec.r 16.th 1786, by J. Jones, No.63 Great Portland Street.
Mezzotint, proof before title, with Collector's mark, very large margins. Plate 621 x 380mm (24½ x 15"). Slightly foxed.
Portrait standing whole-length to front with his right hand on his hip, head turned to face l, wearing robes of the Garter and with his hair powdered, holding plumed hat in his right hand; pillars, curtain and tree behind. George Spencer, 4th Duke of Marlborough (1739-1817), the British courtier and politician. He served as Lord Chamberlain between 1762 and 1763 and as Lord Privy Seal between 1763 and 1765.
Ex Collection: Earl of Bute. Horne: 80, i/iii. CS: 54.
[Ref: 29159] £650.00
Georgiana, Dutchess of Devonshire. Engraved from an Original Picture in the possession of The Right Honorable the Countess Spencer, to whom this Plate is by permission inscribed, by her Ladyships much obliged most obed.t & devoted hum.ble serv.t Geo. Townly Stubbs.
London, Pub.d as the Act directs. July 1.st 1782.
Stipple, very scarce. Sheet size: 190 x 130mm (7½ x 5¼"). Trimmed inside platemark.
A bust portrait of Georgiana Cavendish, Duchess of Devonshire (1757 - 1806), facing the viewer, in an oval. She was a celebrated beauty and socialite who gathered around her a large salon of literary and political figures. She was connected to key figures of the age such as the Prince of Wales and Marie Antoinette. Cavendish was a frequent sitter in portraits and although known for her style, beauty, and her political campaigning, she was also famed for her love of gambling. Even though her own family, the Spencers, and her husband's family, the Cavendishes, were immensely wealthy, she was reported to have died deeply in debt due to her excesses.
Not in CL-B's Stubbs volume.
[Ref: 34387] £220.00 (£264.00 incl.VAT)
London, Pub.d as the Act directs. July 1.st 1782.
Stipple, very scarce. Sheet size: 190 x 130mm (7½ x 5¼"). Trimmed inside platemark.
A bust portrait of Georgiana Cavendish, Duchess of Devonshire (1757 - 1806), facing the viewer, in an oval. She was a celebrated beauty and socialite who gathered around her a large salon of literary and political figures. She was connected to key figures of the age such as the Prince of Wales and Marie Antoinette. Cavendish was a frequent sitter in portraits and although known for her style, beauty, and her political campaigning, she was also famed for her love of gambling. Even though her own family, the Spencers, and her husband's family, the Cavendishes, were immensely wealthy, she was reported to have died deeply in debt due to her excesses.
Not in CL-B's Stubbs volume.
[Ref: 34387] £220.00 (£264.00 incl.VAT)
Lavinia Countess Spencer.
Painted by M.A. Shee Esqr. R.A. Engraved by C. Turner.
London, Published 24 July 1804 by R.Cribb & Son, 288 Holborn.
Mezzotint, before open letters of title filled with horizontal lines, image 295 x 250mm. 11½ x 9¾". Trimmed through publication line.
Portrait of Lavinia Spencer (née Bingham), Countess Spencer (1762 - 1831), society hostess, eldest daughter of 1st Earl of Lucan and wife of George John, 2nd Earl Spencer; amateur artist. After Sir Martin Archer Shee (1769 - 1850).
Whitman 538, I of II. See NPG D4282. Provenance: The Althorp Attic Sale, Christie's 07/07/2010 (lot 694).
[Ref: 22560] £160.00 (£192.00 incl.VAT)
Painted by M.A. Shee Esqr. R.A. Engraved by C. Turner.
London, Published 24 July 1804 by R.Cribb & Son, 288 Holborn.
Mezzotint, before open letters of title filled with horizontal lines, image 295 x 250mm. 11½ x 9¾". Trimmed through publication line.
Portrait of Lavinia Spencer (née Bingham), Countess Spencer (1762 - 1831), society hostess, eldest daughter of 1st Earl of Lucan and wife of George John, 2nd Earl Spencer; amateur artist. After Sir Martin Archer Shee (1769 - 1850).
Whitman 538, I of II. See NPG D4282. Provenance: The Althorp Attic Sale, Christie's 07/07/2010 (lot 694).
[Ref: 22560] £160.00 (£192.00 incl.VAT)
The R.t Hon.ble Countess Spencer.
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A. Engaver to His Majesty.
London, Published February 21.st 1787, by E.M. Diemar, No.114 Strand.
Stipple and etching, printed in dark brown ink, with large margins. Plate 279 x 216mm. 11 x 8½"
The Rt Honble Countess Spencer; half-length standing to left beneath a tree, head turned to face front, wearing a large-brimmed straw hat which shades her eyes; trees beyond at left. Lavinia, Countess Spencer (1762-1831), daughter of Charles Bingham, 1st Earl of Lucan, married Lord George John Spencer (1758-1834), Viscount Althorp in 1781.
De Vesme 1110: iv/iv. Hamilton: iii/v.
[Ref: 27750] £220.00 (£264.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A. Engaver to His Majesty.
London, Published February 21.st 1787, by E.M. Diemar, No.114 Strand.
Stipple and etching, printed in dark brown ink, with large margins. Plate 279 x 216mm. 11 x 8½"
The Rt Honble Countess Spencer; half-length standing to left beneath a tree, head turned to face front, wearing a large-brimmed straw hat which shades her eyes; trees beyond at left. Lavinia, Countess Spencer (1762-1831), daughter of Charles Bingham, 1st Earl of Lucan, married Lord George John Spencer (1758-1834), Viscount Althorp in 1781.
De Vesme 1110: iv/iv. Hamilton: iii/v.
[Ref: 27750] £220.00 (£264.00 incl.VAT)
Barbara, Countess of Coventry.
J. Reynolds pinxit.
[London: Carington Bowles?, c.1770.]
Mezzotint. 345 x 255mm (13½ x 10"). Trimmed into plate at bottom, losing publication line.
The Hon. Barbara, daughter of John St John, 11th Baron St John of Bletso, who married George William Coventry (1722-1809), 6th Earl of Coventry, in 1764. She died in 1804.
Hamilton p.180.
[Ref: 59429] £180.00 (£216.00 incl.VAT)
J. Reynolds pinxit.
[London: Carington Bowles?, c.1770.]
Mezzotint. 345 x 255mm (13½ x 10"). Trimmed into plate at bottom, losing publication line.
The Hon. Barbara, daughter of John St John, 11th Baron St John of Bletso, who married George William Coventry (1722-1809), 6th Earl of Coventry, in 1764. She died in 1804.
Hamilton p.180.
[Ref: 59429] £180.00 (£216.00 incl.VAT)
![Your affect[ionat]e. friend Edwd Beauchamp St. John [facsimile mss.]](jpegs/24905.jpg)
Your affect[ionat]e. friend Edwd Beauchamp St. John [facsimile mss.]
[Anon., British, n.d., c.1835.]
Lithograph on india paper, rare, india 165 x 145mm. With autograph pen mss. extract attached as a tab to upper margin: "The Rt. Honble The Countess Dow. of Macclesfield". Margins trimmed.
Portrait of Edward Beauchamp St. John (1795 - 1856); bust, almost in profile to left. St. John was born in 1795 at Madras, India. He married Mary Gwatkin, daughter of Robert Lovell Gwatkin and Theophila Palmer, in 1844.
See 'The Peerage' Person Page - 13661.
[Ref: 24905] £80.00 (£96.00 incl.VAT)
[Anon., British, n.d., c.1835.]
Lithograph on india paper, rare, india 165 x 145mm. With autograph pen mss. extract attached as a tab to upper margin: "The Rt. Honble The Countess Dow. of Macclesfield". Margins trimmed.
Portrait of Edward Beauchamp St. John (1795 - 1856); bust, almost in profile to left. St. John was born in 1795 at Madras, India. He married Mary Gwatkin, daughter of Robert Lovell Gwatkin and Theophila Palmer, in 1844.
See 'The Peerage' Person Page - 13661.
[Ref: 24905] £80.00 (£96.00 incl.VAT)
![[Edward Stafford]](jpegs/8451.jpg)
[Edward Stafford]
[J. Houbraken sculps. Amst. 1747]
[From a Picture at Magdalene College, Cambridge" and "Impensis J & P Knapton Londini 1747]
Proof before all letters, engraving. 372 x 240mm. 14½" x 9½". Very rare. Spotting in the margins.
Portrait of Edward Stafford, Duke of Buckingham, bust directed to left but looking at the viewer, wearing a fur-trimmed coat and collar of the Order of the Garter; in a laurel oval with banderol below; a cartouche below showing the sitter offering the crown to Richard II - wrongly identified as Henry instead of Edward in the titled state of this engraving, "HENRY STAFFORD DUKE OF BUCKINGHAM". An Ilustration to "The Heads of Illustrious Persons of Great Britain, engraved by Mr Houbraken and Mr Vertue, with their lives and Characters by Thomas Birch, AM, FRS"
[Ref: 8451] £260.00 (£312.00 incl.VAT)
[J. Houbraken sculps. Amst. 1747]
[From a Picture at Magdalene College, Cambridge" and "Impensis J & P Knapton Londini 1747]
Proof before all letters, engraving. 372 x 240mm. 14½" x 9½". Very rare. Spotting in the margins.
Portrait of Edward Stafford, Duke of Buckingham, bust directed to left but looking at the viewer, wearing a fur-trimmed coat and collar of the Order of the Garter; in a laurel oval with banderol below; a cartouche below showing the sitter offering the crown to Richard II - wrongly identified as Henry instead of Edward in the titled state of this engraving, "HENRY STAFFORD DUKE OF BUCKINGHAM". An Ilustration to "The Heads of Illustrious Persons of Great Britain, engraved by Mr Houbraken and Mr Vertue, with their lives and Characters by Thomas Birch, AM, FRS"
[Ref: 8451] £260.00 (£312.00 incl.VAT)
![Sarah Stallybrass. [facsimilie signature.]](jpegs/49366.jpg)
Sarah Stallybrass. [facsimilie signature.]
Painted by Lethbridge. Engraved by J. Cochran.
Fisher, Son & Co. London, 1834.
Engraving. Sheet: 145 x 90mm (5¾ x 3½'').
A portrait of Sarah Stallybrass (1789-1833), the frontispiece to 'Memoir of Mrs. Stallybrass, wife of Edward Stallybrass missionary to Siberia' (c.1835). The Stallybrasses travelled to Siberia c1817.
[Ref: 49366] £60.00 (£72.00 incl.VAT)
Painted by Lethbridge. Engraved by J. Cochran.
Fisher, Son & Co. London, 1834.
Engraving. Sheet: 145 x 90mm (5¾ x 3½'').
A portrait of Sarah Stallybrass (1789-1833), the frontispiece to 'Memoir of Mrs. Stallybrass, wife of Edward Stallybrass missionary to Siberia' (c.1835). The Stallybrasses travelled to Siberia c1817.
[Ref: 49366] £60.00 (£72.00 incl.VAT)
The Rt. Hon.ble Lady Anna Maria Stanhope.
R.Cosway R.A. delin. Anthy.Cardon Sculp.
London, Published April 1, 1801, by Anthy. Cardon, 31 Clipstone Stret, Fitzroy Square.
Stipple in frame. Plate 360 x 248mm.
Lady Anna Maria Stanhope daughter of Charles Stanhope, 3rd Earl of Harrington. [1783 - 1857] married Francis Russell 7th Duke of Bedford in London in in 1808. Tea in the afternoon served with other foods as a snack or meal is believed to have originated from the Duchess of Bedford who experienced a 'sinking feeling' in the late afternoon. With tea figuring as England's favorite drink, it was the most likely choice as the beverage for this new meal. Given that Anna's brother Viscount Petersham was a great tea aficionado coffee and chocolate didn't stand a chance. Anna, the Duchess of Bedford, invited friends to join her for an additional afternoon meal at five o'clock in her rooms at Woburn Abbey. The menu consisted of small cakes, bread and butter sandwiches, assorted sweets, and, of course, tea. The Duchess continued this summer practice when she returned to London, sending invitations to her friends asking them to join her for 'tea and a walking the fields.' (At that time, large open meadows were still to be found in Mayfair.) Other social hostesses soon began to invite friends to afternoon tea.
D: 139
[Ref: 1399] £140.00 (£168.00 incl.VAT)
R.Cosway R.A. delin. Anthy.Cardon Sculp.
London, Published April 1, 1801, by Anthy. Cardon, 31 Clipstone Stret, Fitzroy Square.
Stipple in frame. Plate 360 x 248mm.
Lady Anna Maria Stanhope daughter of Charles Stanhope, 3rd Earl of Harrington. [1783 - 1857] married Francis Russell 7th Duke of Bedford in London in in 1808. Tea in the afternoon served with other foods as a snack or meal is believed to have originated from the Duchess of Bedford who experienced a 'sinking feeling' in the late afternoon. With tea figuring as England's favorite drink, it was the most likely choice as the beverage for this new meal. Given that Anna's brother Viscount Petersham was a great tea aficionado coffee and chocolate didn't stand a chance. Anna, the Duchess of Bedford, invited friends to join her for an additional afternoon meal at five o'clock in her rooms at Woburn Abbey. The menu consisted of small cakes, bread and butter sandwiches, assorted sweets, and, of course, tea. The Duchess continued this summer practice when she returned to London, sending invitations to her friends asking them to join her for 'tea and a walking the fields.' (At that time, large open meadows were still to be found in Mayfair.) Other social hostesses soon began to invite friends to afternoon tea.
D: 139
[Ref: 1399] £140.00 (£168.00 incl.VAT)
The Honourable Lady Stanhope.
Reynolds pinx.t. Watson fecit.
Sold by Ryland & Bryer at the Kings Arms in Cornhill.
Mezzotint. 620 x 380mm (24½ x 15"). Laid on old French mount board, small margins.
Anne Hussey (Delaval), Lady Stanhope (died 1811), Wife of Sir William Stanhope.
CS 135, ii of ii; Goodwin 53 iii of iv.
[Ref: 52976] £490.00
Reynolds pinx.t. Watson fecit.
Sold by Ryland & Bryer at the Kings Arms in Cornhill.
Mezzotint. 620 x 380mm (24½ x 15"). Laid on old French mount board, small margins.
Anne Hussey (Delaval), Lady Stanhope (died 1811), Wife of Sir William Stanhope.
CS 135, ii of ii; Goodwin 53 iii of iv.
[Ref: 52976] £490.00
![Lady Stanhope [Lady Ann de Delaval Stanhope].](jpegs/53721.jpg)
Lady Stanhope [Lady Ann de Delaval Stanhope].
Painted by Benjamin Wilson. Engraved by James Basire, 1771.
Published According to Act of Parliament, May, yr.1st.1772.
Proof engraving. Plate 515 x 350mm (20¼ x 16"), with large margins. Creases and tears to margins. Small hole in the edge of the platemark on the left bottom. Title and publication line slightly faded. Slightly foxed.
Anne Hussey (Delaval), Lady Stanhope (died 1811), Wife of Sir William Stanhope. Skull on table.
[Ref: 53721] £260.00 (£312.00 incl.VAT)
Painted by Benjamin Wilson. Engraved by James Basire, 1771.
Published According to Act of Parliament, May, yr.1st.1772.
Proof engraving. Plate 515 x 350mm (20¼ x 16"), with large margins. Creases and tears to margins. Small hole in the edge of the platemark on the left bottom. Title and publication line slightly faded. Slightly foxed.
Anne Hussey (Delaval), Lady Stanhope (died 1811), Wife of Sir William Stanhope. Skull on table.
[Ref: 53721] £260.00 (£312.00 incl.VAT)
![[Elizabeth Stanhope] Contemplation.](jpegs/52000.jpg)
[Elizabeth Stanhope] Contemplation.
Painted by Sir Joshua Reynolds. Engrav'd by Car.e Watson. Engraver to her Majesty.
Publish'd Jan. 1st. 1790, by John & Josiah Boydell, Cheapside, & at the Shakespeare Gallery, Pall Mall London.
Stipple and mezzotint. 355 x 290mm (14 x 7½"), with large margins. Uncut.
Portrait of Elizabeth Stanhope, daughter of Charles FitzRoy, 2nd Duke of Grafton, and wife of William Stanhope, 2nd Earl of Harrington.
Hamilton: Pg 135 III of IV.
[Ref: 52000] £380.00
Painted by Sir Joshua Reynolds. Engrav'd by Car.e Watson. Engraver to her Majesty.
Publish'd Jan. 1st. 1790, by John & Josiah Boydell, Cheapside, & at the Shakespeare Gallery, Pall Mall London.
Stipple and mezzotint. 355 x 290mm (14 x 7½"), with large margins. Uncut.
Portrait of Elizabeth Stanhope, daughter of Charles FitzRoy, 2nd Duke of Grafton, and wife of William Stanhope, 2nd Earl of Harrington.
Hamilton: Pg 135 III of IV.
[Ref: 52000] £380.00
![[Elizabeth Stanhope.]](jpegs/24736.jpg)
[Elizabeth Stanhope.]
Painted by Sir Joshua Reynolds. Engraved by Car.e Watson. Engraver to Her Majesty.
[n.d. c.1790.]
Stipple with mezzotint; mixed method. Proof before title. 324 x 272mm. 12¾ x 10¾". Slight damage in title area lower right trimmed to plate mark.
Elizabeth Falconer (fl.1782), wife to Henry Fitzroy Stanhope,.
Hamilton: p.135, ii/iv.
[Ref: 24736] £140.00 (£168.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by Car.e Watson. Engraver to Her Majesty.
[n.d. c.1790.]
Stipple with mezzotint; mixed method. Proof before title. 324 x 272mm. 12¾ x 10¾". Slight damage in title area lower right trimmed to plate mark.
Elizabeth Falconer (fl.1782), wife to Henry Fitzroy Stanhope,.
Hamilton: p.135, ii/iv.
[Ref: 24736] £140.00 (£168.00 incl.VAT)
![[Elizabeth Stanhope (née Butler), Countess of Chesterfield]](jpegs/33045.jpg)
[Elizabeth Stanhope (née Butler), Countess of Chesterfield]
[by Thomas Worlidge]
Etching, sheet 70 x 60mm (2¾ x 2¼"). Trimmed inside platemark to oval shape; good impression; ms in old hand verso.
Portrait of Elizabeth Stanhope (née Butler), Countess of Chesterfield (1640-65), 2nd wife of Philip Stanhope. She died of 'spotted fever' in 1665. Her husband also contracted the disease, but recovered. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Worlidge also etched Philip Stanhope's portrait.
D46; not in O'D; Ex collection of the Late Hon. C. Lennox-Boyd. See ref. 33028 for Philip Stanhope
[Ref: 33045] £65.00 (£78.00 incl.VAT)
[by Thomas Worlidge]
Etching, sheet 70 x 60mm (2¾ x 2¼"). Trimmed inside platemark to oval shape; good impression; ms in old hand verso.
Portrait of Elizabeth Stanhope (née Butler), Countess of Chesterfield (1640-65), 2nd wife of Philip Stanhope. She died of 'spotted fever' in 1665. Her husband also contracted the disease, but recovered. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Worlidge also etched Philip Stanhope's portrait.
D46; not in O'D; Ex collection of the Late Hon. C. Lennox-Boyd. See ref. 33028 for Philip Stanhope
[Ref: 33045] £65.00 (£78.00 incl.VAT)
![[Countess of Sefton.]](jpegs/24405.jpg)
[Countess of Sefton.]
R. Cosway R.A. Delin.t W. Dickinson Excudit.
London, Publish'd June 20.th 1783 by W. Dickinson, Engraver & Printseller No. 158. New Bond Street.
Coloured stipple, printed in colours, proof before title. 285 x 228mm. 11¼ x 9".
Isabella Stanhope (1748-1819) was daughter of second Earl of Harrington and married to the first Earl of Sefton at St Martin's-in-the-Fields in 1768.
Daniell [Cosway]: 129.
[Ref: 24405] £240.00 (£288.00 incl.VAT)
R. Cosway R.A. Delin.t W. Dickinson Excudit.
London, Publish'd June 20.th 1783 by W. Dickinson, Engraver & Printseller No. 158. New Bond Street.
Coloured stipple, printed in colours, proof before title. 285 x 228mm. 11¼ x 9".
Isabella Stanhope (1748-1819) was daughter of second Earl of Harrington and married to the first Earl of Sefton at St Martin's-in-the-Fields in 1768.
Daniell [Cosway]: 129.
[Ref: 24405] £240.00 (£288.00 incl.VAT)
![[Jane, Countess of Harrington, with her children Lord Petersham and the Hon. Lincoln Stanhope.]](jpegs/17150.jpg)
[Jane, Countess of Harrington, with her children Lord Petersham and the Hon. Lincoln Stanhope.]
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A.
Publish'd Mar. 15. 1789, by F. Bartolozzi & Co.
Stipple and etching printed in brown ink, proof before title on watermarked laid paper, 380 x 295mm. 15 x 11½". A fine impression.
Jane, Countess of Harrington (1755 - 1824), wife of Charles Stanhope, 3rd Earl of Harrington, with her children. Seated to right, she looks up at Lord Petersham who stands on a stone ledge, wearing a large feathered hat. Her other son stands behind her at left, with his right hand on her shoulder; curtain behind and landscape beyond at right. Collector's mark verso.
Hamilton: pg.106, I.
[Ref: 17150] £230.00 (£276.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A.
Publish'd Mar. 15. 1789, by F. Bartolozzi & Co.
Stipple and etching printed in brown ink, proof before title on watermarked laid paper, 380 x 295mm. 15 x 11½". A fine impression.
Jane, Countess of Harrington (1755 - 1824), wife of Charles Stanhope, 3rd Earl of Harrington, with her children. Seated to right, she looks up at Lord Petersham who stands on a stone ledge, wearing a large feathered hat. Her other son stands behind her at left, with his right hand on her shoulder; curtain behind and landscape beyond at right. Collector's mark verso.
Hamilton: pg.106, I.
[Ref: 17150] £230.00 (£276.00 incl.VAT)
![[Jane, Countess of Harrington, with her children Lord Petersham and the Hon. Lincoln Stanhope.]](jpegs/60349.jpg)
[Jane, Countess of Harrington, with her children Lord Petersham and the Hon. Lincoln Stanhope.]
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A.
Publish'd Mar. 15. 1789, by F. Bartolozzi & Co.
Stipple and etching printed in brown ink, proof before title, 380 x 300mm (15 x 11¾"). Collector's mark in ink on verso of M. Bovi, the famous engraver. Very small & thread margins.
Jane, Countess of Harrington (1755 - 1824), wife of Charles Stanhope, 3rd Earl of Harrington, with her children. Seated to right, she looks up at Lord Petersham who stands on a stone ledge, wearing a large feathered hat. Her other son stands behind her at left, with his right hand on her shoulder; curtain behind and landscape beyond at right.
Hamilton: pg.106, I. De Vesme 1216 iii of iv. Provenance Brussels Gentleman's Club.
[Ref: 60349] £280.00 (£336.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by F. Bartolozzi, R.A.
Publish'd Mar. 15. 1789, by F. Bartolozzi & Co.
Stipple and etching printed in brown ink, proof before title, 380 x 300mm (15 x 11¾"). Collector's mark in ink on verso of M. Bovi, the famous engraver. Very small & thread margins.
Jane, Countess of Harrington (1755 - 1824), wife of Charles Stanhope, 3rd Earl of Harrington, with her children. Seated to right, she looks up at Lord Petersham who stands on a stone ledge, wearing a large feathered hat. Her other son stands behind her at left, with his right hand on her shoulder; curtain behind and landscape beyond at right.
Hamilton: pg.106, I. De Vesme 1216 iii of iv. Provenance Brussels Gentleman's Club.
[Ref: 60349] £280.00 (£336.00 incl.VAT)
Anne, Countess of Chesterfield, Daughter of Thomas Lord Wotton.
A. v. Dyck pinx. 1636. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Engraving. Sheet size: 500 x 300mm (19¾ x 12"). Trimmed to image. Glued at top corners to album sheet.
Portrait of Katherine Stanhope (1609-1667), Countess of Chesterfield, full-length with arm resting on a rock in an open landscape. Katherine was the governess and confidante of Mary Henrietta Stuart, Princess Royal and Princess of Orange. Katherine was the eldest daughter to Thomas Wotton, 2nd Baron Wotton. She married Henry Stanhope, Lord Stanhope (d.1634), known as Sir Henry Stanhope, a noble and politician.
[Ref: 33857] £180.00 (£216.00 incl.VAT)
A. v. Dyck pinx. 1636. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Engraving. Sheet size: 500 x 300mm (19¾ x 12"). Trimmed to image. Glued at top corners to album sheet.
Portrait of Katherine Stanhope (1609-1667), Countess of Chesterfield, full-length with arm resting on a rock in an open landscape. Katherine was the governess and confidante of Mary Henrietta Stuart, Princess Royal and Princess of Orange. Katherine was the eldest daughter to Thomas Wotton, 2nd Baron Wotton. She married Henry Stanhope, Lord Stanhope (d.1634), known as Sir Henry Stanhope, a noble and politician.
[Ref: 33857] £180.00 (£216.00 incl.VAT)
![[Katherine Stanhope] Anne, Countess of Chesterfield, Daughter to Thomas Lord Wotton.](jpegs/21535.jpg)
[Katherine Stanhope] Anne, Countess of Chesterfield, Daughter to Thomas Lord Wotton.
A. v. Dyck pinx. 1636. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 515 x 330mm. 20¼ x 13". Large margins.
Portrait of Katherine Stanhope (1609-1667), Countess of Chesterfield, full-length with arm resting on a rock in an open landscape. Eldest daughter of Thomas Wotton, 2nd Baron Wotton, Katherine was the governess and confidante of Mary Henrietta Stuart, Princess Royal. In 1660, Charles II created her Countess of Chesterfield in recognition of both her Royalist service during the Commonwealth. She married Henry Stanhope, Lord Stanhope in 1626); Jehan van der Kerckhove, Lord of Heenvliet in 1641; and Daniel O'Neill in 1662.
[Ref: 21535] £280.00 (£336.00 incl.VAT)
A. v. Dyck pinx. 1636. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 515 x 330mm. 20¼ x 13". Large margins.
Portrait of Katherine Stanhope (1609-1667), Countess of Chesterfield, full-length with arm resting on a rock in an open landscape. Eldest daughter of Thomas Wotton, 2nd Baron Wotton, Katherine was the governess and confidante of Mary Henrietta Stuart, Princess Royal. In 1660, Charles II created her Countess of Chesterfield in recognition of both her Royalist service during the Commonwealth. She married Henry Stanhope, Lord Stanhope in 1626); Jehan van der Kerckhove, Lord of Heenvliet in 1641; and Daniel O'Neill in 1662.
[Ref: 21535] £280.00 (£336.00 incl.VAT)
![[Lady Ann Stanhope when Miss Ann de Laval?]](jpegs/32787.jpg)
[Lady Ann Stanhope when Miss Ann de Laval?]
[by Thomas Worlidge]
Etching, platemark 100 x 80mm (4 x 3¼"). Fine impression; thread margins; slight foxing and missing margin replaced bottom left.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Unfinished proof before shading to columns finished and before Worlidge added his initials.
State i/iv; W42; D211 (as W19)
[Ref: 32787] £240.00 (£288.00 incl.VAT)
[by Thomas Worlidge]
Etching, platemark 100 x 80mm (4 x 3¼"). Fine impression; thread margins; slight foxing and missing margin replaced bottom left.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Unfinished proof before shading to columns finished and before Worlidge added his initials.
State i/iv; W42; D211 (as W19)
[Ref: 32787] £240.00 (£288.00 incl.VAT)
![[Lady Ann Stanhope when Miss Ann de Laval?]](jpegs/32788.jpg)
[Lady Ann Stanhope when Miss Ann de Laval?]
WT [Thomas Worlidge, signed in reverse]
Etching, 18th century watermark; platemark 100 x 80mm (4 x 3¼"). Fine impression; good margins; on laid paper with watermark.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow issued new impressions in 1767 with number '42' added top right to correspond with the catalogue of his prints she produced.
State iii/iv; W42; D211 (as W19); Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32788] £220.00 (£264.00 incl.VAT)
WT [Thomas Worlidge, signed in reverse]
Etching, 18th century watermark; platemark 100 x 80mm (4 x 3¼"). Fine impression; good margins; on laid paper with watermark.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow issued new impressions in 1767 with number '42' added top right to correspond with the catalogue of his prints she produced.
State iii/iv; W42; D211 (as W19); Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32788] £220.00 (£264.00 incl.VAT)
![[Lady Ann Stanhope when Miss Ann de Laval?]](jpegs/32789.jpg)
[Lady Ann Stanhope when Miss Ann de Laval?]
WT [Thomas Worlidge, signed in reverse]
Etching, platemark 100 x 80mm (4 x 3¼"). Very large margins; on cream laid paper with slight discolouration.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow issued new impressions in 1767 with number '42' added top right to correspond with the catalogue of his prints she produced.
State iii/iv; W42; D211 (as W19).
[Ref: 32789] £95.00 (£114.00 incl.VAT)
WT [Thomas Worlidge, signed in reverse]
Etching, platemark 100 x 80mm (4 x 3¼"). Very large margins; on cream laid paper with slight discolouration.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow issued new impressions in 1767 with number '42' added top right to correspond with the catalogue of his prints she produced.
State iii/iv; W42; D211 (as W19).
[Ref: 32789] £95.00 (£114.00 incl.VAT)
![[Lady Ann Stanhope when Miss Ann de Laval?] [42 top right; 42 crossed out top left]](jpegs/32790.jpg)
[Lady Ann Stanhope when Miss Ann de Laval?] [42 top right; 42 crossed out top left]
WT [Thomas Worlidge, signed in reverse]
Etching, platemark 100 x 80mm (4 x 3¼"). Trimmed inside platemark; glued to backing sheet with glue stains at corners. Slight loss top right.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '42' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iv/iv; W42; D211 (as W19); Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32790] £65.00 (£78.00 incl.VAT)
WT [Thomas Worlidge, signed in reverse]
Etching, platemark 100 x 80mm (4 x 3¼"). Trimmed inside platemark; glued to backing sheet with glue stains at corners. Slight loss top right.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '42' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iv/iv; W42; D211 (as W19); Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32790] £65.00 (£78.00 incl.VAT)
![[Philip Stanhope, Earl of Chesterfield]](jpegs/33028.jpg)
[Philip Stanhope, Earl of Chesterfield]
[by Thomas Worlidge after Peter Lely]
Etching, platemark 80 x 55mm (3¼ x 2¼"). Thread margins; tipped into album sheet. Proof before letters.
Portrait of Philip Stanhope, second earl of Chesterfield (1633–1714), courtier and politician, etched by Thomas Worlidge (1700-66) after the portrait by Peter Lely (Melbourne Hall, Derbyshire). Under the Protectorate Chesterfield was involved in royalist plots but 'perceived as too far engaged with his mistresses to be a major influence' (DNB). After the Restoration he was made lord chamberlain to Catherine of Braganza, and later chief justice. Chesterfield was against declaring William and Mary king and queen after 1688, and subsequently refused all offers of employment from William although he remained active in local politics. One of only two engraved likenesses recorded by O'Donoghue. The printmaker Thomas Worlidge also etched his second wife Elizabeth.
O'D 2; D47/8 (i/iii?); W25; Ex Collection of the Late Hon. C. Lennox-Boyd. See 33045 for Elizabeth Stanhope's portrait.
[Ref: 33028] £160.00 (£192.00 incl.VAT)
[by Thomas Worlidge after Peter Lely]
Etching, platemark 80 x 55mm (3¼ x 2¼"). Thread margins; tipped into album sheet. Proof before letters.
Portrait of Philip Stanhope, second earl of Chesterfield (1633–1714), courtier and politician, etched by Thomas Worlidge (1700-66) after the portrait by Peter Lely (Melbourne Hall, Derbyshire). Under the Protectorate Chesterfield was involved in royalist plots but 'perceived as too far engaged with his mistresses to be a major influence' (DNB). After the Restoration he was made lord chamberlain to Catherine of Braganza, and later chief justice. Chesterfield was against declaring William and Mary king and queen after 1688, and subsequently refused all offers of employment from William although he remained active in local politics. One of only two engraved likenesses recorded by O'Donoghue. The printmaker Thomas Worlidge also etched his second wife Elizabeth.
O'D 2; D47/8 (i/iii?); W25; Ex Collection of the Late Hon. C. Lennox-Boyd. See 33045 for Elizabeth Stanhope's portrait.
[Ref: 33028] £160.00 (£192.00 incl.VAT)
Edward Stanley Early of Darbey. In His Majesty's Collection.
From the Original Drawing by Hans Holbien. Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty.
Publish'd as the Act directs Nov.r 1, 1703, by I. Chamberlaine.
Stipple and etching with hand colour on pink paper, very large paper. Plate 342 x 255mm (13½ x 10"). Some small marks on left.
Edward Stanley (1509-1572), English nobleman who in 1528 accompanied Cardinal Wolsey on a mission to France, and in 1530 was one of the peers who gave Pope Clement VII the declaration regarding Henry's divorce from Catherine of Aragon. When Edward VI ascended to the throne, Stanley was made a Knight of the Garter; and when Mary ascended he was appointed Lord High Steward and became a Privy Councillor. Under Elizabeth I he was appointed Chamberlain of Chester. From a series of prints by Bartolozzi after Holbein portraits in the Royal Collection.
[Ref: 29640] £120.00 (£144.00 incl.VAT)
From the Original Drawing by Hans Holbien. Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty.
Publish'd as the Act directs Nov.r 1, 1703, by I. Chamberlaine.
Stipple and etching with hand colour on pink paper, very large paper. Plate 342 x 255mm (13½ x 10"). Some small marks on left.
Edward Stanley (1509-1572), English nobleman who in 1528 accompanied Cardinal Wolsey on a mission to France, and in 1530 was one of the peers who gave Pope Clement VII the declaration regarding Henry's divorce from Catherine of Aragon. When Edward VI ascended to the throne, Stanley was made a Knight of the Garter; and when Mary ascended he was appointed Lord High Steward and became a Privy Councillor. Under Elizabeth I he was appointed Chamberlain of Chester. From a series of prints by Bartolozzi after Holbein portraits in the Royal Collection.
[Ref: 29640] £120.00 (£144.00 incl.VAT)
![[Elizabeth Stanley] Vera Fffigies Dominæ Elizabethæ nuper Comitissæ Huntingdon.](jpegs/52590.jpg)
[Elizabeth Stanley] Vera Fffigies Dominæ Elizabethæ nuper Comitissæ Huntingdon.
[after John Payne.]
Published Jan.y 1802 by W.m Richardson, York House, No 31 Strand.
Engraving. 190 x 135mm (7½ x 5¼"). Trimmed within plate at sides.
Portrait of Elizabeth Stanley (1588-1633), Countess of Huntingdon. As the great-great-granddaughter of Mary Tudor, Henry VII's sister, she was considered third in line to Elizabeth I's throne (behind her two older sisters). However they were passed over in favour of James I & VI, against the terms of Henry VIII's will, which specifically barred the Scottish descendents of Henry's older sister Margaret. This plate is a copy of the frontispiece portrait to her funeral sermon, 'A sermon preached at Ashby-de-la-zouch' by ''F.J.'' (1635).
[Ref: 52590] £65.00 (£78.00 incl.VAT)
[after John Payne.]
Published Jan.y 1802 by W.m Richardson, York House, No 31 Strand.
Engraving. 190 x 135mm (7½ x 5¼"). Trimmed within plate at sides.
Portrait of Elizabeth Stanley (1588-1633), Countess of Huntingdon. As the great-great-granddaughter of Mary Tudor, Henry VII's sister, she was considered third in line to Elizabeth I's throne (behind her two older sisters). However they were passed over in favour of James I & VI, against the terms of Henry VIII's will, which specifically barred the Scottish descendents of Henry's older sister Margaret. This plate is a copy of the frontispiece portrait to her funeral sermon, 'A sermon preached at Ashby-de-la-zouch' by ''F.J.'' (1635).
[Ref: 52590] £65.00 (£78.00 incl.VAT)
The Right Hon.ble. James Earl of Derby.
[Hamlet Winstanley. Gerard Van der Gucht.]
[n.d., c.1734.]
Etching, very rare. Sheet: 260 x 350mm (10¼ x 13¾"). Trimmed within plate. Small pin hole by pillar. Repaired damage by face. A few fox marks.
Three-quarter length portrait of James Stanley, 10th Duke of Derby (1664-1736), who stands holding a crown in one hand while the other rests on his side. Stanley served in Parliament for Preston and Lancashire before becoming a peer.
[Ref: 36417] £260.00 (£312.00 incl.VAT)
[Hamlet Winstanley. Gerard Van der Gucht.]
[n.d., c.1734.]
Etching, very rare. Sheet: 260 x 350mm (10¼ x 13¾"). Trimmed within plate. Small pin hole by pillar. Repaired damage by face. A few fox marks.
Three-quarter length portrait of James Stanley, 10th Duke of Derby (1664-1736), who stands holding a crown in one hand while the other rests on his side. Stanley served in Parliament for Preston and Lancashire before becoming a peer.
[Ref: 36417] £260.00 (£312.00 incl.VAT)
The Earle of Derby.
P. Lelÿ pinxit.
R.Tompson excudit. [n.d., c.1670.]
Mezzotint. 340 x 245mm (13½ x 9½"). Trimmed to plate and laid on album paper. Light stains in the title area and paper.
William Richard George Stanley (c. 1655-1702), Lord Lieutenant of Lancashire 1676-1687 and 1688-1701, and of Cheshire 1676-1687.
CS: Tompson 13, II of III.
[Ref: 54077] £290.00 (£348.00 incl.VAT)
P. Lelÿ pinxit.
R.Tompson excudit. [n.d., c.1670.]
Mezzotint. 340 x 245mm (13½ x 9½"). Trimmed to plate and laid on album paper. Light stains in the title area and paper.
William Richard George Stanley (c. 1655-1702), Lord Lieutenant of Lancashire 1676-1687 and 1688-1701, and of Cheshire 1676-1687.
CS: Tompson 13, II of III.
[Ref: 54077] £290.00 (£348.00 incl.VAT)
![[Lydia Sterne de Medalle.]](jpegs/58662.jpg)
[Lydia Sterne de Medalle.]
[Painted] by B. West. Engraved by S. Cald[wall].
[Publish'd by T Becket according to Act of Parliament August 10th 1775.]
Engraving. Sheet 130 x 80mm (5 x 3¼"). Trimmed to image and around title, losing part of artist & engraver's signatures and all of the publication line.
A portrait of Laurence Sterne's daughter Lydia (1747-80), posed with a bust of her father, the frontispiece to her edition of his 'Letters'.
[Ref: 58662] £60.00 (£72.00 incl.VAT)
[Painted] by B. West. Engraved by S. Cald[wall].
[Publish'd by T Becket according to Act of Parliament August 10th 1775.]
Engraving. Sheet 130 x 80mm (5 x 3¼"). Trimmed to image and around title, losing part of artist & engraver's signatures and all of the publication line.
A portrait of Laurence Sterne's daughter Lydia (1747-80), posed with a bust of her father, the frontispiece to her edition of his 'Letters'.
[Ref: 58662] £60.00 (£72.00 incl.VAT)
![[Clarissa Strozzi]](jpegs/35212.jpg)
[Clarissa Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21.
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving with small margins, platemark 312 x 254mm (12¼ x 10"). Glued to backing sheet.
Portrait of Clarice Strozzi (1540-1581), part of the great Florentine Strozzi family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. After the painting by Titian (Berlin, Gemäldegalerie) which is acknowledged as a landmark in the portrayal of children in art. During the Renaissance, child portraiture was uncommon, although it was later popularised by Rubens and van Dyck. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
see Von Luba Freedman, 'Titian's Portrait of Clarissa Strozzi: the State Portrait of a Child', Jahrbuch der Berliner Museen, 1989, pp.165-80.
[Ref: 35212] £140.00 (£168.00 incl.VAT)
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving with small margins, platemark 312 x 254mm (12¼ x 10"). Glued to backing sheet.
Portrait of Clarice Strozzi (1540-1581), part of the great Florentine Strozzi family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. After the painting by Titian (Berlin, Gemäldegalerie) which is acknowledged as a landmark in the portrayal of children in art. During the Renaissance, child portraiture was uncommon, although it was later popularised by Rubens and van Dyck. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
see Von Luba Freedman, 'Titian's Portrait of Clarissa Strozzi: the State Portrait of a Child', Jahrbuch der Berliner Museen, 1989, pp.165-80.
[Ref: 35212] £140.00 (£168.00 incl.VAT)
Emily Anne Strutt.
Painted by John Russell R.A. Crayon Painter to His Majesty & to their Rl. Hss's. the Prince of Wales & Duke of York. Engraved by Joseph Strutt.
Publish'd according to Act of Parliament June 1 1794 by Joseph Strutt.
Etching and stipple in sepia, 270 x 220mm. 10½ x 8¾". Light marginal spotting.
A young girl, possibly a relation of the engraver, with a mastiff dog. Engraved and published by Joseph Strutt (1749 - 1802). Strutt was author of the Dictionary of Engravers, and of 'A complete view of the dress and habits of the people of England, from the establishment of the Saxons in Britain to the present time'.
[Ref: 9462] £180.00 (£216.00 incl.VAT)
Painted by John Russell R.A. Crayon Painter to His Majesty & to their Rl. Hss's. the Prince of Wales & Duke of York. Engraved by Joseph Strutt.
Publish'd according to Act of Parliament June 1 1794 by Joseph Strutt.
Etching and stipple in sepia, 270 x 220mm. 10½ x 8¾". Light marginal spotting.
A young girl, possibly a relation of the engraver, with a mastiff dog. Engraved and published by Joseph Strutt (1749 - 1802). Strutt was author of the Dictionary of Engravers, and of 'A complete view of the dress and habits of the people of England, from the establishment of the Saxons in Britain to the present time'.
[Ref: 9462] £180.00 (£216.00 incl.VAT)
![Dudley Coutts Stuart [facsimile signature.]](jpegs/21872.jpg)
Dudley Coutts Stuart [facsimile signature.]
A D'Orsay fecit Oct. 1839- [signed in plate.]
London, Published by John Mitchell, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph with colour added by hand, india paper, india 195 x 150mm. 7¾ x 6".
Portrait of Lord Dudley Coutts Stuart (1803 - 1854), advocate of Polish independence; son of the 1st Marquess of Bute. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.212, 1.
[Ref: 21872] £95.00 (£114.00 incl.VAT)
A D'Orsay fecit Oct. 1839- [signed in plate.]
London, Published by John Mitchell, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph with colour added by hand, india paper, india 195 x 150mm. 7¾ x 6".
Portrait of Lord Dudley Coutts Stuart (1803 - 1854), advocate of Polish independence; son of the 1st Marquess of Bute. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.212, 1.
[Ref: 21872] £95.00 (£114.00 incl.VAT)
Illustrus: Domina Dna: Maria Stuart Comitissa Portlandiae Neylandiae.
Ant: Van Dycke pinxit. W: Hollar fecit A:o 1650. [Ioannes Meyssens] excud: Antuerpiæ.
Etching. Plate 273 x 191mm. 10¾ x 7½". 'Ioannes Meyssens' scratched from plate. Trimmed to plate, printer's crease.
Portrait of Frances Stuart, Countess of Portland, half length, hair in curls, wearing pearl earrings and necklace, low jewelled dress, and fur stole; curtain to right. Frances Stuart (1617-1694) was married to Jerome Weston, Earl of Portland, and English diplomat. Plate to van Dyck's 'Iconographie', 1650.
Pennington: 1484; Wibiral: 135.ii
[Ref: 24628] £60.00 (£72.00 incl.VAT)
Ant: Van Dycke pinxit. W: Hollar fecit A:o 1650. [Ioannes Meyssens] excud: Antuerpiæ.
Etching. Plate 273 x 191mm. 10¾ x 7½". 'Ioannes Meyssens' scratched from plate. Trimmed to plate, printer's crease.
Portrait of Frances Stuart, Countess of Portland, half length, hair in curls, wearing pearl earrings and necklace, low jewelled dress, and fur stole; curtain to right. Frances Stuart (1617-1694) was married to Jerome Weston, Earl of Portland, and English diplomat. Plate to van Dyck's 'Iconographie', 1650.
Pennington: 1484; Wibiral: 135.ii
[Ref: 24628] £60.00 (£72.00 incl.VAT)
The portraiture of the illustreous Princesse Frances Duchess of Richmond and Lenox daugter of Thomas Ld. Howard of Bindon sonne of Thomas Duke of Norfok. Whose mother was Elisabeth daughter of Edward Duke of Buckingham.
Anno 1623 insculptum a Guilh: Passeo Londinium.
Engraving, later 18th century impression. Sheet 160 x 260mm. Trimmed to platemark.
Frances (née Howard), Duchess of Richmond, and Duchess of Lennox [1578-1639]. Wife of Lodovick Stuart, Duke of Richmond. Engraved by Willem van de Passe [1590 - 1660?] as a frontispiece to the 'Generall Historie of Virginia, New England and the Summer Isles.' of 1624 by Captain John Smith.
[Ref: 4561] £280.00 (£336.00 incl.VAT)
Anno 1623 insculptum a Guilh: Passeo Londinium.
Engraving, later 18th century impression. Sheet 160 x 260mm. Trimmed to platemark.
Frances (née Howard), Duchess of Richmond, and Duchess of Lennox [1578-1639]. Wife of Lodovick Stuart, Duke of Richmond. Engraved by Willem van de Passe [1590 - 1660?] as a frontispiece to the 'Generall Historie of Virginia, New England and the Summer Isles.' of 1624 by Captain John Smith.
[Ref: 4561] £280.00 (£336.00 incl.VAT)
Lord Mountstuart.
Painted by Mr. Hone, and Engrav'd by Capt. Bailiie.
Oct.r the 20th 1779.
A very fine stipple, printed in sanguine. Plate: 280 x 190mm (11 x 7½''). Thread margins. Mould on top of 18th century album sheet.
Portrait of John Stuart, 1st Marquess of Bute (1744-1814) after the painting by Nathaniel Hone. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
See ref: 12267 for a later issue printed in black ink.
[Ref: 48789] £260.00 (£312.00 incl.VAT)
Painted by Mr. Hone, and Engrav'd by Capt. Bailiie.
Oct.r the 20th 1779.
A very fine stipple, printed in sanguine. Plate: 280 x 190mm (11 x 7½''). Thread margins. Mould on top of 18th century album sheet.
Portrait of John Stuart, 1st Marquess of Bute (1744-1814) after the painting by Nathaniel Hone. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
See ref: 12267 for a later issue printed in black ink.
[Ref: 48789] £260.00 (£312.00 incl.VAT)
Lord John & Lord Bernard Stuart Sons of Esme Duke of Lenox. Done from the Original in the Collection of the Right Hon.ble Lord Royston and the Marchioness Grey.
Vandyke pinx.t. J.s McArdell fecit.
[n.d. c.1760.]
Mezzotint. 500 x 350mm (19¾ x 13¾"). Small tear in bottom margin. Time stained.
Portrait of the two sons of Esmé Stuart, 3rd Duke of Lennox, who both fought for the Royalist cause in the Civil War: the elder, Lord John Stuart (1621-1644), was killed at the Battle of Cheriton; the younger, Lord Bernard Stuart, Earl of Lichfield (1622-1645), died at the Battle of Rowton Heath. The original painting by Van Dyck in the National Gallery.
CS: 174. Goodwin: 122. Russell: 174. See Ref: 29026 for an earlier reversed version published by Tompson.
[Ref: 43451] £360.00
Vandyke pinx.t. J.s McArdell fecit.
[n.d. c.1760.]
Mezzotint. 500 x 350mm (19¾ x 13¾"). Small tear in bottom margin. Time stained.
Portrait of the two sons of Esmé Stuart, 3rd Duke of Lennox, who both fought for the Royalist cause in the Civil War: the elder, Lord John Stuart (1621-1644), was killed at the Battle of Cheriton; the younger, Lord Bernard Stuart, Earl of Lichfield (1622-1645), died at the Battle of Rowton Heath. The original painting by Van Dyck in the National Gallery.
CS: 174. Goodwin: 122. Russell: 174. See Ref: 29026 for an earlier reversed version published by Tompson.
[Ref: 43451] £360.00
![C Stuart-Wortley [facsimile signature].](jpegs/21867.jpg)
C Stuart-Wortley [facsimile signature].
A d'Orsay fecit 24 Mai 1840 [signed in plate.]
London, Published by J. Mitchell, Royal Library, 33, Old Bond Street. J. Graf, Printer to Her Majesty.
Lithograph on india paper, india 210 x 165mm. 8¼ x 6½". Creases. Messy.
Portrait of Charles Stuart-Wortley (1802 - 1844), son of James Archibald Stuart-Wortley-Mackenzie, first Baron Wharncliffe, statesman. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.214.
[Ref: 21867] £45.00 (£54.00 incl.VAT)
A d'Orsay fecit 24 Mai 1840 [signed in plate.]
London, Published by J. Mitchell, Royal Library, 33, Old Bond Street. J. Graf, Printer to Her Majesty.
Lithograph on india paper, india 210 x 165mm. 8¼ x 6½". Creases. Messy.
Portrait of Charles Stuart-Wortley (1802 - 1844), son of James Archibald Stuart-Wortley-Mackenzie, first Baron Wharncliffe, statesman. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.214.
[Ref: 21867] £45.00 (£54.00 incl.VAT)
Leaders of Society. Florence Chaplin. The Whitehall Review. 3rd February 1877.
A. Maclure Del.t. Maclure & Macdonald Lith.
Lithograph. Sheet. 390 x 265mm (15½ x 10½"). Slight central crease.
Florence Sutherland-Leveson-Gower (1855-81), pictured with one hand on a Scottish deerhound's head. She married Henry Chaplin, 1st Viscount Chaplin, in 1876 but died in childbirth in 1881.
[Ref: 47932] £60.00 (£72.00 incl.VAT)
A. Maclure Del.t. Maclure & Macdonald Lith.
Lithograph. Sheet. 390 x 265mm (15½ x 10½"). Slight central crease.
Florence Sutherland-Leveson-Gower (1855-81), pictured with one hand on a Scottish deerhound's head. She married Henry Chaplin, 1st Viscount Chaplin, in 1876 but died in childbirth in 1881.
[Ref: 47932] £60.00 (£72.00 incl.VAT)
Miss Anna Swan.
W.m Thompson Pinx.t. J.Watson Fecit.
London Printed for Henry Parker opposite Birchin Lane in Cornhill.
Mezzotint. 250 x 355mm.
Half-length portrait. The second state of two, with the original dark background reworked to show a tree and fluted column.
CS: Watson 139.
[Ref: 6122] £180.00 (£216.00 incl.VAT)
W.m Thompson Pinx.t. J.Watson Fecit.
London Printed for Henry Parker opposite Birchin Lane in Cornhill.
Mezzotint. 250 x 355mm.
Half-length portrait. The second state of two, with the original dark background reworked to show a tree and fluted column.
CS: Watson 139.
[Ref: 6122] £180.00 (£216.00 incl.VAT)
Sir Mark Masterman Sykes, Bart. Ob: Feb: 16, 1823: Æt:52.
Engraved by Robert Grave, after a Model in Wax executed 1817 by Peter Rouw.
Pub. by S.Sotheby, Wallington Str.t, Strand, 1824.
Fine Engraving. 210 x 260mm, 8¼ x 10¼".
Mark Masterman Sykes (1771-1823), MP for York from 1807 to 1820, and collector of books and fine arts. He owned one of the 18 known copies of the Gutenberg Bible
[Ref: 19023] £120.00 (£144.00 incl.VAT)
Engraved by Robert Grave, after a Model in Wax executed 1817 by Peter Rouw.
Pub. by S.Sotheby, Wallington Str.t, Strand, 1824.
Fine Engraving. 210 x 260mm, 8¼ x 10¼".
Mark Masterman Sykes (1771-1823), MP for York from 1807 to 1820, and collector of books and fine arts. He owned one of the 18 known copies of the Gutenberg Bible
[Ref: 19023] £120.00 (£144.00 incl.VAT)
Children of Walter Synnot Eqs.r
Engrav'd by J.R. Smith from an Original Picture of J. Wright of Derby.
London Publish'd April 25. 1782 by J.R. Smith No.28 opposite the Pantheon, Oxford Street.
Mezzotint. Sheet: 500 x 345mm (19¾ x 13¾"), with large margins. Repairs in margins.
A portrait of the three children of Walter Synnot of Co. Armagh, the portrait shows Marcus, Walter and Maria Eliza playing with the doves from a cage.
CS 160; Frankau: 343; O'Donoghue 192.
[Ref: 47596] £360.00
Engrav'd by J.R. Smith from an Original Picture of J. Wright of Derby.
London Publish'd April 25. 1782 by J.R. Smith No.28 opposite the Pantheon, Oxford Street.
Mezzotint. Sheet: 500 x 345mm (19¾ x 13¾"), with large margins. Repairs in margins.
A portrait of the three children of Walter Synnot of Co. Armagh, the portrait shows Marcus, Walter and Maria Eliza playing with the doves from a cage.
CS 160; Frankau: 343; O'Donoghue 192.
[Ref: 47596] £360.00
James Napper Tandy Esqr.
Engraved by J. Heath from a Drawing by J. Petrie in the possession of Sir Jonah Barrington.
Published March 1st. 1815, by G. Robinson, Paternoster Row, London.
Engraving. 210 x 250mm.
United Irishman [1740 - 1803]. Plate to Sir J. Barrington's 'Historic Memoirs'.
[Ref: 4621] £70.00 (£84.00 incl.VAT)
Engraved by J. Heath from a Drawing by J. Petrie in the possession of Sir Jonah Barrington.
Published March 1st. 1815, by G. Robinson, Paternoster Row, London.
Engraving. 210 x 250mm.
United Irishman [1740 - 1803]. Plate to Sir J. Barrington's 'Historic Memoirs'.
[Ref: 4621] £70.00 (£84.00 incl.VAT)
![[John Taylor.]](jpegs/50430.jpg)
[John Taylor.]
J. Smart pinx.t. J. Dixon Sculp.t.
[n.d., c.1790.]
Mezzotint. Sheet 390 x 280mm (10¼ x 11"). Framed. Trimmed to plate. Unexamined out of frame.
A portrait of Sir John Taylor (1745-86), a fellow of the Royal Society who was created a baronet of Lysson Hall in Jamaica. Taylor became a baronet on 1st September 1778. In the same year he married an heiress, Elizabeth Godden Houghton. His eldest brother became a Jamaican attorney who represented the large number of absentee plantation owners and he was reputedly the richest person in Jamaica. Taylor lived in London but died in Jamaica in 1786.
Chaloner Smith: 33.
[Ref: 50430] £260.00 (£312.00 incl.VAT)
J. Smart pinx.t. J. Dixon Sculp.t.
[n.d., c.1790.]
Mezzotint. Sheet 390 x 280mm (10¼ x 11"). Framed. Trimmed to plate. Unexamined out of frame.
A portrait of Sir John Taylor (1745-86), a fellow of the Royal Society who was created a baronet of Lysson Hall in Jamaica. Taylor became a baronet on 1st September 1778. In the same year he married an heiress, Elizabeth Godden Houghton. His eldest brother became a Jamaican attorney who represented the large number of absentee plantation owners and he was reputedly the richest person in Jamaica. Taylor lived in London but died in Jamaica in 1786.
Chaloner Smith: 33.
[Ref: 50430] £260.00 (£312.00 incl.VAT)