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Catalogue: Old Master
[An old woman's head] [22 in reverse top left]
[An old woman's head] [22 in reverse top left]
T.W. [Thomas Worlidge]
Etching, platemark 95 x 80mm (3¾ x 3"). Thread margins; good impression; tipped into album sheet.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '127' added upper right to correspond with the catalogue of his prints she produced.
State i/iii; W127; D227.
[Ref: 32938]   £90.00   (£108.00 incl.VAT)
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[An old woman's head]
[An old woman's head]
T.W. [Thomas Worlidge]
Etching, platemark 95 x 80mm (3¾ x 3"). Very large margins; on cream wove paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Late impression after retouching to the plate, erasing numbers in top corners.
State iii/iii; W127; D227.
[Ref: 32939]   £60.00   (£72.00 incl.VAT)
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[An old woman's head]
T.W. [Thomas Worlidge]
Etching, platemark 95 x 80mm (3¾ x 3"). Thread margins; good impression; tipped into album sheet.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '127' added upper right to correspond with the catalogue of his prints she produced.
State i/iii; W127; D227.
[Ref: 33021]   £90.00   (£108.00 incl.VAT)
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[Oriental figure behind bannister]
[Oriental figure behind bannister]
Tho.s Worlidge 1759
Etching with large margins, platemark 170 x 130mm (6¾ x 5"). Early state (cloak unfinished). Glued to backing sheet in corners; excellent condition.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. The headgear worn by the figure here is adapted from Rembrandt's 'Second Oriental Head' (itself based loosely on a print by Lievens).
Ex: Collection of the Late Honourable Christopher Lennox-Boyd
[Ref: 32579]   £220.00  
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[Savoyard organ-grinder]
[Savoyard organ-grinder]
[Thomas Worlidge after Adriaen van Ostade, c.1755]
Etching, platemark 90 x 80mm (3½ x 3¼"). Good impression on laid paper with margins.
Copy of an etching by Adriaen van Ostade (Hollstein 8) by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '20' added in lower right and in reverse top left by Worlidge's widow to correspond with number in her posthumous sale of his prints.
Only known state; W20; D201.
[Ref: 32750]   £140.00   (£168.00 incl.VAT)
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Pietro da Cortona
Pietro da Cortona
Thos. Worlidge Fecit 1757
Etching, platemark 140 x 95mm (5½ x 3¾"). Thread margins; good impression on laid paper.
Portrait of Pietro da Cortona (?1596-1669), one of the leading artists of the Roman Baroque. Pietro was also an architect, in which he was less influential. All of Pietro's major works were engraved in his lifetime or the late 17th century, spreading his influence across Europe. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W41; D61; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33041]   £95.00   (£114.00 incl.VAT)
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Pietro da Cortona
Pietro da Cortona
Thos. Worlidge Fecit 1757.
Etching, platemark 140 x 95mm (5½ x 3¾"). Trimmed on platemark; on india paper and glued to backing.
Portrait of Pietro da Cortona (?1596-1669), one of the leading artists of the Roman Baroque. Pietro was also an architect, in which he was less influential. All of Pietro's major works were engraved in his lifetime or the late 17th century, spreading his influence across Europe. By Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W41; D61; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33042]   £60.00   (£72.00 incl.VAT)
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[Portrait of a bearded man; style of Rembrandt.]
[Portrait of a bearded man; style of Rembrandt.]
T. Worlidge fecit 1752 [but a later impression].
Etching with drypoint, wove paper, state with (faint) plate number. 120 x 95mm, 4¾ x 3¾".
Portrait study of an unidentified man, looking towards the viewer, bearded, in fur-trimmed jacket. Numbered '1' [or 4] upper right. Thomas Worlidge Senior (1700 - 1766).
[Ref: 23493]   £65.00   (£78.00 incl.VAT)
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[Portrait of a young man, so-called portrait of Rembrandt.]
[Portrait of a young man, so-called portrait of Rembrandt.]
[Thomas Worlidge.]
[n.d., c.1770.]
Etching, unlettered state on laid paper, sheet 210 x 160mm. 8¼ x 6¼". Trimmed within plate.
Bust portrait turned to right to face the viewer, a heavy round collar and chain around his neck, thick dark hair. By Thomas Worlidge Senior (1700 - 1766), probably a later state, with evidence of re-working to the sitter's face. After a painting in a private collection, probably an eighteenth century copy of a painting formerly attributed Rembrandt (1606 - 1669). Collector's stamp to verso.
[Ref: 17158]   £130.00   (£156.00 incl.VAT)
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Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
by Thomas Worlidge Painter in Bath.
[n.d., c.1760]
Etching, platemark 215 x 160mm (8½ x 6¼"). Thread margins; good impression; Collector's stamp of C. Kemeys-Tynte (L.2444) lower right.
Supposed self-portrait by Rembrandt, as copied by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '72' added top right to correspond with the catalogue of his prints she produced. From the collection of colonel and MP C. Kemeys-Tynte of Halswell Park, Bridgwater (1779-1860).
State ii/iii; W72; D190; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32866]   £180.00   (£216.00 incl.VAT)
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Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
by Thomas Worlidge Painter in Bath.
[n.d., c.1760]
Etching, platemark 215 x 160mm (8½ x 6¼"). Small margins; staining.
Supposed self-portrait by Rembrandt, as copied by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression postdating the 1767 catalogue of Worlidge's prints produced by his widow Mary.
State iii/iii; W72; D190; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32884]   £120.00   (£144.00 incl.VAT)
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Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
by Thomas Worlidge Painter in Bath.
[n.d., c.1760]
Etching, platemark 215 x 160mm (8½ x 6¼"). Thread margins; staining; wove paper.
Supposed self-portrait by Rembrandt, as copied by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression postdating the 1767 catalogue of Worlidge's prints produced by his widow Mary.
State iii/iii; W72; D190; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32885]   £60.00   (£72.00 incl.VAT)
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[Rembrandt Self-portrait]
[Rembrandt Self-portrait]
T Worlidge
[date illegible, c.1755]
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; good impression on cream laid paper; slight paper tone and crease.
Etching by Thomas Worlidge (1700-66) based on part of a Rembrandt etching showing the artist and his wife Saskia (White + Boon 19). Worlidge, known as 'the English Rembrandt', was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W13; Ex collection of the Late Hon. C. Lennox-Boyd. For a copy see ref. 33032.
[Ref: 33033]   £110.00   (£132.00 incl.VAT)
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[Rembrandt Self-portrait]
[Rembrandt Self-portrait]
T Worlidge
[date illegible, c.1755]
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark top and bottom; good impression on laid paper; glued to old backing sheet with slight glue staining.
Etching by Thomas Worlidge (1700-66) based on part of a Rembrandt etching showing the artist and his wife Saskia (White + Boon 19). Worlidge, known as 'the English Rembrandt', was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W13; Ex collection of the Late Hon. C. Lennox-Boyd. For a copy see ref. 33032.
[Ref: 33034]   £90.00   (£108.00 incl.VAT)
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[Rembrandt's Head.]
[Rembrandt's Head.]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Good impression; large margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '111' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'Rembrandt's Head').
State ii/iv; W111; D189.
[Ref: 32917]   £250.00  
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[Rembrandt's Head.]
[Rembrandt's Head.]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Good impression; trimmed on platemark; stain at top.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '111' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'Rembrandt's Head').
State ii/iv; W111; D189.
[Ref: 32918]   £200.00  
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[Rembrandt's Head.]
[Rembrandt's Head.]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Very large margins; uncut; cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '111' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'Rembrandt's Head').
State iii/iv; W111; D189.
[Ref: 32919]   £140.00   (£168.00 incl.VAT)
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[Rembrandt's Head]
[Rembrandt's Head]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Large margins; good impression; white wove paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression after engraved catalogue number erased from upper right. This print was listed as 'Rembrandt's head' in Mary Worlidge's 1767 Worlidge catalogue.
State iv/iv; W111; D189; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32920]   £220.00  
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[Rembrandt's Head.]
[Rembrandt's Head.]
[Thomas Worlidge, 1758]
Etching, platemark 80 x 65mm (3 x 2½"). Unfinished proof; good impression; large margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. In her catalogue of Worlidge prints, his widow Mary listed this plate as 'Rembrandt's head'.
State i/iv; W111; D189.
[Ref: 32916]   £320.00  
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[Rembrandt Self-portrait]
[Rembrandt Self-portrait]
[after Worlidge's etching]
[n.d., c.1760]
Etching, platemark 120 x 85mm (4¾ x 3¼"). Very large margins; bit messy; on laid paper with staining lower right.
Copy in reverse of an etching by Thomas Worlidge (1700-66) which was itself based on part of a Rembrandt etching showing the artist and his wife Saskia (White + Boon 19).
W13 (copy); Ex collection of the Late Hon. C. Lennox-Boyd. For Worlidge's etching see ref. 33033.
[Ref: 33032]   £90.00   (£108.00 incl.VAT)
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[Head after Rembrandt]
[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, sheet 80 x 65mm (3 x 2½"). Fine impression; trimmed on platemark; 'J.B.' (for John Barnard) verso; mark on right.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt'). From the Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iii; W99; D160.
[Ref: 32900]   £280.00  
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[Head after Rembrandt]
[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, sheet 75 x 65mm (2¾ x 2½"). Fine impression; trimmed inside platemark; glued to backing sheet; glue stains at corners.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State i/iii; W99; D160; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32901]   £140.00   (£168.00 incl.VAT)
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[Head after Rembrandt]
[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Fine impression; small margins; light foxing.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State i/iii; W99; D160.
[Ref: 32902]   £280.00  
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[Head after Rembrandt] [2 in right corner]
[Head after Rembrandt] [2 in right corner]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Trimmed on platemark
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State ii/iii; W99; D160.
[Ref: 32903]   £180.00   (£216.00 incl.VAT)
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[Head after Rembrandt]
[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Very large margins; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '99' & '2' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State iii/iii; W99; D160.
[Ref: 32904]   £120.00   (£144.00 incl.VAT)
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Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street.
Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street.
By T: Worlidge Portrait Painter, in the Piazza Covent Garden [c.1757-8]
Etching, platemark 200 x 150mm (8 x 6"). Good impression with very large margins;
Unidentified portrait supposedly after Rembrandt, showing sitter in his study. Thomas Worlidge (1700-66) specialised in etchings either copied from, or in the style of Rembrandt.
Ex: Collection of the Late Honourable Christopher Lennox-Boyd.
[Ref: 32589]   £240.00  
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Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
By T: Worlidge Portrait Painter, in the Piazza Covent Garden
Etching, platemark 195 x 145mm (7¾ x 5¾"). Trimmed on platemark; very good impression; on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State i/ii; D131.
[Ref: 33055]   £220.00  
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Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
By T: Worlidge Portrait Painter, in the Piazza Covent Garden
Etching, platemark 195 x 145mm (7¾ x 5¾"). Thread margins; good impression on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State i/ii; D131.
[Ref: 33056]   £220.00  
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Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street. 313
Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street. 313
By T: Worlidge Portrait Painter, in the Piazza Covent Garden.
Etching, platemark 195 x 145mm (7¾ x 5¾"). Very large margins; good impression on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State ii/ii; D131.
[Ref: 33057]   £160.00   (£192.00 incl.VAT)
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[Rocius]
[Rocius]
Thos. Worlidge Fecit 1753.
Etching, sheet 200 x 150mm (7¾ x 5¾"). Very large margins; uncut, good impression.
Male bust by Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. In Mary Worlidge's posthumous sale of Worlidge's prints (from which time this impression dates) this plate was listed as 'Rocius' (possibly a mispelling of 'Roscius', the ancient Roman actor often referenced in Georgian Britain).
State iii/iii; W57; D198.
[Ref: 32863]   £140.00   (£168.00 incl.VAT)
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[Rocius]
[Rocius]
Thos. Worlidge Fecit 1753.
Etching, sheet 180 x 145mm (7 x 5¾"). Trimmed inside platemark; glued to backing sheet at top; good impression.
Male bust by Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. In Mary Worlidge's posthumous sale of Worlidge's prints this plate was listed as 'Rocius' (possibly a mispelling of 'Roscius', the ancient Roman actor often referenced in Georgian Britain). Lifetime impression.
State ii/iii; W57; D198.
[Ref: 32861]   £95.00   (£114.00 incl.VAT)
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Sr. Peter Paul Rubens Kt.
Sr. Peter Paul Rubens Kt.
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 140 x 95mm (5¼ x 4"). Good impression; thread margins; on white laid paper.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Lifetime impression.
State iv/v ; W48; D195; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32798]   £120.00   (£144.00 incl.VAT)
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[Sr. Peter Paul Rubens Kt.]
[Sr. Peter Paul Rubens Kt.]
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 140 x 95mm (5¼ x 4"). Good impression; trimmed on platemark; paper discolouration and staining.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Lifetime impression.
State iii/v [inscription reworked]; W48; D195.
[Ref: 32796]   £75.00   (£90.00 incl.VAT)
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Sr. Peter Paul Rubens Kt.
Sr. Peter Paul Rubens Kt.
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 140 x 95mm (5¼ x 4"). Thread margins; printed on fine tissue laid on backing sheet; glue stains and slightly foxed at corners; Worlidge inscription weak.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Lifetime impression.
State iv/v ; W48; D195.
[Ref: 32800]   £65.00   (£78.00 incl.VAT)
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[Sr. Peter Paul Rubens Kt.]
[Sr. Peter Paul Rubens Kt.]
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 135 x 100mm (5¼ x 4"). Trimmed inside platemark; good impression; glue stains; discolouration and slight staining.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Early impression.
State i/ ; W48; D195.
[Ref: 32793]   £70.00   (£84.00 incl.VAT)
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Sr. Peter Paul Rubens Kt.
Sr. Peter Paul Rubens Kt.
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 140 x 95mm (5¼ x 4"). Good impression; thread margins; printed on fine cream tissue (slightly wrinkled) laid on backing sheet and false margins added.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Lifetime impression.
State iv/v ; W48; D195.
[Ref: 32799]   £120.00   (£144.00 incl.VAT)
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Sr. Peter Paul Rubens Kt.
Sr. Peter Paul Rubens Kt.
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 140 x 95mm (5¼ x 4"). Large margins; foxing around margins.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Posthumous impression with number '48' added in top left by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State v/v ; W48; D195.
[Ref: 32801]   £30.00   (£36.00 incl.VAT)
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[Sr. Peter Paul Rubens Kt.]
[Sr. Peter Paul Rubens Kt.]
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 140 x 95mm (5¼ x 4"). Good impression; trimmed on platemark; glued to album sheet.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Lifetime impression.
State iii/v [inscription reworked]; W48; D195. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32797]   £60.00   (£72.00 incl.VAT)
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[Sr. Peter Paul Rubens Kt.]
[Sr. Peter Paul Rubens Kt.]
Thos Worlidge Fecit 1757 [after Rubens]
Etching, sheet 140 x 95mm (5¼ x 4"). Good impression; trimmed on platemark; glued to backing sheet.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Lifetime impression.
State ii/v [cloak reworked and inscription faded]; W48; D195. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32795]   £90.00   (£108.00 incl.VAT)
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Sr. Peter Paul Rubens Kt.
Sr. Peter Paul Rubens Kt.
Tho.s Worlidge. Fecit: 1757.
Etching. Plate 140 x 95mm. 5½ x 3¾". Trimmed to the plate.
Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt.
Ex Collection: R. Hobson of Hove.
[Ref: 25522]   £80.00   (£96.00 incl.VAT)
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Sr. Peter Paul Rubens Kt. [ms.]
Sr. Peter Paul Rubens Kt. [ms.]
Thos Worlidge Fecit 1757 [after Rubens]
Etching, platemark 140 x 95mm (5¼ x 4"). Very fine; thread margins; tipped into album sheet.
Self-portrait of Peter Paul Rubens (1577-1640) the Flemish Baroque painter, diplomat and proponent of the extravagant Baroque style that emphasised movement, colour and sensuality. Etched by Thomas Worlidge, the 'English Rembrandt' who reproduced prints by earlier artists, particularly Rembrandt. Early impression.
State i/v ; W48; D195. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32794]   £160.00   (£192.00 incl.VAT)
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[Man wearing a ruff]
[Man wearing a ruff]
TW [Thomas Worlidge] 1751
Etching, platemark 120 x 95mm (4¾ x 3¾"). Trimmed inside platemark; good impression; 'J.B.' for John Barnard verso (Lugt 1419).
Portrait study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Previously in the collection of the famous print collector John Barnard.
State i/ii; D146.
[Ref: 33059]   £180.00   (£216.00 incl.VAT)
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[Man wearing a ruff]
[Man wearing a ruff]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Good margins; good impression on cream laid paper.
Portrait study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State i/ii; D146.
[Ref: 33058]   £180.00   (£216.00 incl.VAT)
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[Man wearing a ruff]
[Man wearing a ruff]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Very large margins; on white wove paper.
Portrait study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression after number added top left and then erased.
State ii/ii; D146.
[Ref: 33060]   £45.00   (£54.00 incl.VAT)
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[Abraham offering up his son Isaac] [37, 18, 36]
[Abraham offering up his son Isaac] [37, 18, 36]
T. Worlidge 1753.
Etching, sheet 190 x 155mm (7½ x 6"). Trimmed inside platemark.
Abraham leads Isaac to his sacrifice, pointing to the heavens as he guides his son. Scene from Genesis (22:7). Posthumous impression of an etching by Thomas Worlidge (1700-66). After Worlidge's death, his prints were republished by his widow who added additional numbers to the plates to correspond with the numbers in the catalogue of Worlidge's prints which she produced. The 'English Rembrandt', Worlidge (1700-66) was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W36; D2. See BM 1925,0511.185. Ex: Collection of the Late Honourable Christopher Lennox-Boyd.
[Ref: 32600]   £140.00   (£168.00 incl.VAT)
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[Saint with a cross]
[Saint with a cross]
[by Thomas Worlidge]
Etching, platemark 125 x 100mm (5 x 4"). Good margins.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '47' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State i/ii; W47; D197.
[Ref: 32791]   £140.00   (£168.00 incl.VAT)
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[Saint with a cross]
[Saint with a cross]
Etched by T. Worlidge. Pub. by R. Pollard, Spa Fields, 1790.
Etching, platemark 125 x 100mm (5 x 4"). Good margins; on white wove paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression reworked with aquatint added, as republished by Thomas Pollard after the plate was sold to him
State i/ii; W47; D197.
[Ref: 32792]   £85.00   (£102.00 incl.VAT)
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[Unidentified sitting woman] [16]
[Unidentified sitting woman] [16]
T.W. 1753
Etching with small margins, platemark 195 x 140mm (7¾ x 5½").
Etching by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced.
Ex: collection of the Late Hon. C. Lennox-Boyd
[Ref: 32587]   £160.00   (£192.00 incl.VAT)
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[A side head]
[A side head]
[by Thomas Worlidge]
Etching, platemark 200 x 145mm (8 x 5¾"). Good impression; small margins; cream laid paper.
Portrait study by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '77' added in the top right corner.
State i/ii; W77; D204
[Ref: 32879]   £90.00   (£108.00 incl.VAT)
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[A side head]
[A side head]
[by Thomas Worlidge]
Etching, platemark 200 x 145mm (8 x 5¾"). Good impression; small margins; lightly foxed; cream laid paper.
Portrait study by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression from the reissue by Worlidge's widow Mary in 1767 with the number '77' added in the top right corner.
State i/ii; W77; D204
[Ref: 32878]   £30.00   (£36.00 incl.VAT)
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