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Catalogue: Modern Etchings
[The Spirit of the East.]
[The Spirit of the East.]
E. J. D. imp: [pencil.] E.J.Detmold [pencil signature.] [Also artist's monogram on plate.]
[British, n.d., c.1924.]
Etching on thin paper, 255 x 220mm. 10 x 8¾". Artist's presentation proof, inscribed with dedication (lower margin): "To Major Farren with compliments from the artist".
Emblematic composition against a background of palatial architecture, featuring a potentate riding in a howdah on an elephant, various holy men, and monkeys. One of a group of etchings of oriental flavour made in 1923-4. Edward Julius Detmold (1883 - 1957).
[Ref: 27407]   £350.00  
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Frühling.
Frühling.
[n.d., c.1913.]
Etching, 200 x 105mm. 8 x 4".
An etching entitled Frühling ('Spring') in which a putto urinates over a plant which towers over him, whilst butterflies flutter nearby. Signed in pencil by artist.
[Ref: 9298]   £140.00   (£168.00 incl.VAT)
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[Columbine.]
[Columbine.]
Frank Hill [pencil signature.]
[British, n.d., c.1935.]
Etching from a limited edition limited, numbered '14/20' in pencil by the artist. Watermarked laid paper. 225 x 150mm, 9 x 6".
A ballerina? looking at the viewer over her shoulder, smiling coyly.
[Ref: 24285]   £90.00   (£108.00 incl.VAT)
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Stirling from Millhall Siding.
Stirling from Millhall Siding.
James Crockart. 1910. [Pencil signature:] James Crockart.
Etching with large margins; paper watermarked. Plate 146 x 203mm (5¾ x 8").
A view of Stirling, Scotland, with the towering Castle in the background. James Crockart (1885-1974).
[Ref: 31083]   £65.00   (£78.00 incl.VAT)
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[River scene, spire over trees.]
[River scene, spire over trees.]
AHHaig [pencil signature.]
18W83 [monogram lower left of image.]
Etching signed in pencil.(200 proofs)216 x 310mm. 8½ x 12¼". Paper loss to lower right-hand corner of paper.
Possibly 'River Scene, Sweden - A punt and Figures on the Bank'.
CLB: 43.
[Ref: 22890]   £190.00   (£228.00 incl.VAT)
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[Street Scene by Night.]
[Street Scene by Night.]
Pauline Baumann [pencil signature.]
[British, c.1930s.]
Scarce lithograph on laid paper, image 315 x 250mm.
A night view of a busy building where the viewer sees all the activity in the lighted rooms above the commercial premises below. Two women walking along the poorly illuminated pavement seem exagerated in size compared to the hairdresser's window the pass. The artist appears not to have made many prints but was known as a painter, printmaker and teacher. Baumann was particularly noted for her etchings, engravings and lithographs and lived in London where she studied at St Martin's School of Art and the Royal College of Arts. Her work is represented in the collection of the Museum of London.
See Guichard: Appendix 1, p.70: "Baumann, Miss C.A.P."
[Ref: 18841]   £480.00  
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Devil of Notre Dame [in pencil below image.] [Le Stryge. The empire.]
Devil of Notre Dame [in pencil below image.] [Le Stryge. The empire.]
after C. Meryon [in pencil below image.]
[n.d. c.1853.]
Etching. Sheet 280 x 190mm. 11 x 7½".
This vampire is one of the stone gargoyles on the parapet of the upper balcony of a tower of Notre Dame, Paris. Charles Meryon (1821-1868) was a French artist, who worked almost entirely in etching, as he suffered from colour-blindness. He was the most significant etcher of 19th century France, but suffering from mental illness, he died in an asylum.
[Ref: 22165]   £45.00   (£54.00 incl.VAT)
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'The Tailor' [in pencil]
'The Tailor' [in pencil]
D. Smith 1929 [in pencil]
Etching. 268 x 268m. 10½ x 10½". Paper toned.
A Tailor sewing sitting on a wall with his sewing materials around him. A countryside landscape in the background.
[Ref: 14270]   £150.00   (£180.00 incl.VAT)
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[Tangiers Market]
[Tangiers Market]
H Macbeth Raeburn Sct [pencil signature lower right]
Etching, platemark 260 x 165mm (10¼ x 6½").
Market scene in Tangiers, Morocco, by Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Limited to 50 impressions. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36777]   £160.00   (£192.00 incl.VAT)
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[The Thames.]
[The Thames.]
William Walcot [signed in pencil.]
H.C. Dickins. London & New York MCMXXII.
Etching, mint. 240 x 394mm. 9½ x 15½".
From The Arteries of Great Britain, commentary by Neil Munro.
[Ref: 15248]   £360.00   view all images for this item
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Waiting to pass. R. Tigris.
Waiting to pass. R. Tigris.
Charles Cain. [Pencil signiature]
Drypoint etching. Plate size: 105 x 210mm. 4¼ x 8¼".
Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator/cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia the Armistice, and entered the Royal College of Art under Frank Short 1920-1.
[Ref: 27945]   £230.00  
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[Fishing on the Tigris.]
[Fishing on the Tigris.]
Charles W. Cain. [signed and numbered 58/75.]
[n.d., c.1930]
Etching. 212 x 105mm. Very fine in original mount.
Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator/cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia the Armistice, and entered the Royal College of Art under Frank Short 1920-1.
[Ref: 26920]   £280.00  
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[A Tigris Night - Ezra's Tomb]
[A Tigris Night - Ezra's Tomb]
84.90 Charles W Cain [pen and ink signature, with CW monogram in image]
Etching on pale green paper, platemark 255 x 380mm (9¾ x 15"). Unidentified 'KG' collector's stamp verso.
View on the Tigris river, which flows from Turkey through Iraq and into the Persian Gulf. The site depicted is believed to be the burial place of the biblical figure Ezra. The etcher Charles William Cain (1893 - 1962) travelled in the Middle East, and lived in Baghdad for some years. A student of Camberwell School of Art, he was then an illustrator and cartoonist for the Johannesburg Star. During the Great War, he served with the Border Regiment in India and Mesopotamia until the Armistice. In 1920-21, he studied at the Royal College of Art under Frank Short.
[Ref: 46586]   £230.00  
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John Greenways Porch, Tiverton.
John Greenways Porch, Tiverton.
[n.d., c.1930.]
Etching. 445 x 290mm, 17¾ x 11½".
The entrance to the Greenway Chapel of St Peter's, Tiverton. Founded by in 1518 it was dismantled and rebuilt in 1825, it is adorned with carvings of ships, woolpacks, staple marks, figures of men, children & horses.
[Ref: 12041]   £120.00   (£144.00 incl.VAT)
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Tivoli - Italy.
Tivoli - Italy.
Wilfred Huggins. [pencil signature.]
[n.d., c.1925.]
Etching, signed by the artist. 205 x 130mm, 8 x 5".
Classic ruins at Tivoli.
Huggins exhibited his etchings between 1912 and 1928.

[Ref: 11970]   £75.00   (£90.00 incl.VAT)
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Irrigation Pump, Nr. Toledo. [ink mss. lower right.]
Irrigation Pump, Nr. Toledo. [ink mss. lower right.]
D.I. Smart [pencil signature.]
[n.d., c.1945.]
Etching, 250 x 350mm. 9¾ x 13¾".
A donkey, visible in silhouette upper right, powers the pump. Buildings in Toledo, Castile, Spain, can be glimpsed in the distance by the river.
By Douglas Ian Smart RE (1879 - 1970), watercolourist and etcher and pupil of Short best known for his Thames scenes featuring shipping.

Guichard British Etchers: pg. 59.
[Ref: 12202]   £160.00   (£192.00 incl.VAT)
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[Tom Tit Family].
[Tom Tit Family].
Winifred Austen [signed in pencil lower right].
[n.d.]
Coloured aquatint 190 x 260mm Laid on card backing. Some printing stains in outer margins
By Winifred Austen, R.I., R.E. (1876-1964). Although she also worked in both oils and watercolours, Austen is most highly regarded as an etcher. She made some two hundred etched plates and the naturalist Sir Peter Scott said she was 'certainly the best bird etcher of this century'. illustrator, painter, etcher and aquatint engraver of birds and mammals.
Guichard British Etchers: pg.24. "Warwick Galleries" stamp lower right.
[Ref: 471]   £320.00  
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Tower of London [pencil, lower left.]
Tower of London [pencil, lower left.]
WMurray [signed in pencil lower right.]
[n.d., c.1930s.]
Etching, 155 x 205mm. 6 x 8". Some mount staining.
The Tower of London, a tug boat towing a barge passing on the Thames in the foreground.
By W. Murray.

[Ref: 10688]   £120.00   (£144.00 incl.VAT)
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[Tranquillity.]
[Tranquillity.]
A.R. Blundell [signed in pencil.]
[n.d. c.1920.]
Drypoint etching, Publisher's stamp. Plate: 125 x 125mm, (5 x 5").
A serene scene of lush vegetation with a stream running through the middle by Alfred Richard Blundell (1883-1968)
[Ref: 39792]   £65.00   (£78.00 incl.VAT)
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[A path through trees, a figure in the distance.]
[A path through trees, a figure in the distance.]
C M Nichols. [etched in plate lower right.] Cath. Nichols. F.R.P.E. [signed in pencil lower left.]
[n.d., c.1880.]
Drypoint etching, 255 x 140mm. 10 x 5½".
Catherine Maud Nichols (1848 - 1923). Probably a view in East Anglia.
[Ref: 10078]   £130.00  
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[Trolling in the Norwegian Highlands.]
[Trolling in the Norwegian Highlands.]
F.H. Haagensen [pencil signature.]
[n.d., c.1920.]
Etching, signed by the artist, numbered 14/75. 190 x 300mm (7½ x 11¾").
A rowing boat in a fjord.
[Ref: 41734]   £190.00   (£228.00 incl.VAT)
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[The Troubadour.]
[The Troubadour.]
S. van Abbé. [signed in pencil and in plate.]
[n.d., c.1925.]
Drypoint etching on laid paper, signed artist's proof from a limited edition. 260 x 260mm, 10¼ x 10¼". Numbered '2/60' in pencil lower left. Very fine.
A street musician singing and playing his guitar. Salomon van Abbe (1883 - 1955), painter and book illustrator of Dutch origin; came to England when 5 years old and studied with Tripp, C.Rae, W.Baynes and W.Seymour; he exhibited at the Royal Society of Arts between 1933-55.
Guichard: pg.23. The Print Society 'Fine Prints', p.169.
[Ref: 19375]   £220.00  
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[Trout with fly.]
[Trout with fly.]
Geo. Marples [pencil signature].
[n.d., c.1930.]
Etching, signed by the artist. 75 x 135mm, 3 x 5¼".
A trout approaching a fly on the water, by George Marples (1869-1939).
[Ref: 26398]   £160.00   (£192.00 incl.VAT)
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[The Swingbridge.]
[The Swingbridge.]
C.F.Tunnicliffe signed in pencil. Limited 1/75.
[n.d., c.1928.]
Etching. Rare. Platemark: 205 x 275mm (8¼ x 10¾").
A rural scene showing a farmer with a horse, driving cattle across bridge to the right. Wildlife artist Charles Frederick Tunnicliffe, R.A. R.E. (1901 - 1979) lived on Anglesey having studied at the R.C.A. This work is characteristic of his robust deeply bitten etchings steeped in rural life. In all he produced some sixty etchings.
[Ref: 36718]   £620.00  
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[Scene in Turkey (Istanbul?)]
[Scene in Turkey (Istanbul?)]
Alex. Lunois [pencil signature.]
[French, n.d., c.1900.]
Very scarce etching on india laid paper, one of only two impressions from the plate. 170 x 250mm. 6¾ x 9¾". A good impression with full margins.
Alexandre Lunois (French, 1863–1916), painter, etcher and lithographer. He has annotated the lower left margin "1/2 planche efface" in pencil. This suggests the print is from a plate cancelled after only two impressions were taken.
[Ref: 26762]   £260.00  
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Twyford Bridge nr Maidenhead. [in pencil.]
Twyford Bridge nr Maidenhead. [in pencil.]
Murray. [in pencil.]
[n.d. c.1930.]
Etching. 145 x 191mm. 5¾ x 7½". Some tears in the margins.
Yalding is a village in the Maidstone District of Kent. It is the point where the Rivers Teise and Beult join the River Medway. This image is of Twyford Bridge, one of three bridges crossing the Medway in Yalding.
[Ref: 14895]   £45.00   (£54.00 incl.VAT)
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[The Tyne.]
[The Tyne.]
William Walcot [signed in pencil.]
H.C. Dickins. London & New York MCMXXII.
Etching, mint. 249 x 324mm. 9¾ x 12¾".
From The Arteries of Great Britain, commentary by Neil Munro. Here along the tyne there are many barges for the transportation of goods and machinery from the upper to the lower reaches.
[Ref: 15249]   £360.00   view all images for this item
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[Still life]
[Still life]
Urushibara [pencil signature.]
[n.d., c.1922]
Attractive woodblock printed in colours, signed by the artist in pencil. 420 x 280mm (16½ x 11"). Glued into mount
Vase of flowers with text on right. Yoshijiro Urushibara (1888 - 1953) was a Japanese printmaker who came to England at the age of nineteen to demonstrate Japanese printmaking at the Anglo-Japanese Exhibition. He worked with Frank Brangwyn, producing a portfolio of woodblocks called 'Bruges' in 1919, and 'Ten Woodcuts by Yoshijiro Urushibara after designs by Frank Brangwyn' in 1924. He returned to Japan on the outbreak of World War II, but again collaborated with Brangwyn on a portfolio entitled 'Leaves from the sketch books of Frank Brangwyn'.
[Ref: 20038]   £280.00  
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The Valleys of the Mist.
The Valleys of the Mist.
Fred Middlehurst.
[n.d. c.1950.]
Aquatint, signed in pencil by artist. As issued by "The Print Collectors Club" with the label; Plate 164 x 210mm (6½ x 8¼").
Birds in flight through a misty valley. By Fred Middlehurst, A.R.E.
[Ref: 29046]   £130.00   (£156.00 incl.VAT)
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[Piazza San Marco (St Mark's Square), Venice.]
[Piazza San Marco (St Mark's Square), Venice.]
[Unidentified signature.] W.H. Sweet [pencil signature.]
[n.d., c.1920.]
Etching, 135 x 180mm. 5¼ x 7".
Guichard: pg.75, Appendix 1 'Minor Etchers'.
[Ref: 14040]   £140.00   (£168.00 incl.VAT)
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[III. - The Grand Canal.]
[III. - The Grand Canal.]
Wilfred Huggins [signed inside plate in pencil.] W.H
[MDCCCCXXIII.] W.R. Howell & Co.
Etching. Sheet 380 x 457mm. 15 x 18".
From: "A Series of Etchings made in Venice by Mr. Wilfrid Huggins." Limited Edition: 206.
Lined on both sides by a succession of palaces, built in general by great or wealthy Venetians of the past, the Grand Canal forms one of the main arteries of the city. Broad and dignified, there is room in it to catch the feeling of a peace which is almost literally musical. The lapping of the waters is gently audible,-the occasional song of a gondolier is sweet as the song of a bird! What life there is, forms, or necessity, a succession of scenes appealing to the imagination in a way far rmoved from the chaotic effects felt amidst noises and scenes in other cities. The large dome of the Church of Santa Maria della Salute, whose façade is shown in a previous etching, here appears against the distant sky.

[Ref: 16316]   £250.00  
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[The Thames and City of London from Westminster]
[The Thames and City of London from Westminster]
W.Walcot [pencil signature.]
[n.d., c.1910]
Etching with very large margins, signed in pencil, platemark 130 x 130mm (5 x 5"). Uncut.
Bird's-eye view of London from near Whitehall, looking towards the City of London, showing St Pauls Cathedral on the left and Tower Bridge in the distance on the right. Etching by William Walcott R.E (1874 - 1943), who was described by Furst as 'next to Brangwyn the greatest decorative etcher this country has produced'. Walcot was in fact born in Russia and studied in St Petersburg and Paris, subsequently practicing architecture in Moscow before moving to London early in the 20th century. Walcot's training is evident in his prints, which are concerned with architecture and decoration rather than human life.
[Ref: 36780]   £290.00  
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Eastern Water Carriers [pencil, lower left.]
Eastern Water Carriers [pencil, lower left.]
C.B. Prescott [pencil signature.]
[British, c.1920.]
Etching, signed proof from an edition limited to 300 impressions. 275 x 205mm, 10¾ x 8".
Street scene in the figures gathering at a well. Inscribed to lower left margin in pencil: 'Edition 300/ Available 200', Fine Art Trade Guild blindstamp lower left. Painter, etcher and Society artist Charles Barrow Prescott (1870 - 1932).
Guichard: Appendix 1, p.74.
[Ref: 19386]   £140.00   (£168.00 incl.VAT)
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[Waterloo Bridge.]
[Waterloo Bridge.]
J. Spencer [pencil.]
[n.d., c.1930.]
Etching, signed by the artist in pencil. 150 x 225mm (6 x 9"), on cartridge paper.
Waterloo Bridge, with the dome of St Paul's Cathedral rising above and barges on the Thames.
[Ref: 33853]   £95.00   (£114.00 incl.VAT)
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[Watermill.]
[Watermill.]
T.Bullen Cato. [pencil signature.]
[n.d., c.1900.]
Etching, signed by the artist. 200 x 255mm, 8 x 10".
A watermill, probably in Norfolk, a haunt of the artist.
[Ref: 16927]   £60.00   (£72.00 incl.VAT)
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[St. Etienne du Mont, Paris. Interior.]
[St. Etienne du Mont, Paris. Interior.]
Charles J. Watson 1906
Etching, 205 x 230mm. (8 x 9"). Outside of frame 530 x 440mm (21 x 17¼"). Pencil signature bottom left. Unexamined out of frame.
Atmospheric view of the spiralling staircases of the famous church of St.-Etienne-du-Mont in Paris. The church contains the shrine of St. Geneviève, patron saint of Paris, and contains the tombs of Blaise Pascal and Jean Racine. Jean-Paul Marat is buried in the church's cemetery. Etched by Charles John Watson (1846-1927). Born in Norwich, Watson was a member of the Royal Society of Painter-Etchers and Engravers, and chief Founder and first President of the Norwich Art Circle. After leaving Norwich to move to London in 1888, he exhibited successfully at Robert Dunthorne's Gallery in Vigo Street.
'Catalogue of the Etched and Engraved work of Charles J. Watson, R.E.' cat. 159. For this reference book see ref. 10362. For other material relating to Watson' exhibitions at Robert Dunthorne's galler
[Ref: 18220]   £160.00   (£192.00 incl.VAT)
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[Brentford Bridge]
[Brentford Bridge]
[by H. George Webb, 1906]
Etching with very large margins, platemark 105 x 130mm (4 x 5").
Figures on a covered barge passing beneath Brentford Bridge in west London. By Harry George Webb (1882-1914), landscape and architectural painter and etcher who exhibited at the Royal Academy and the Royal Society of Etchers. He set up the Caradoc Press in Chiswick in 1899 with his wife Hesba.
Impression in British Museum, museum no. 1949,0411.2261. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36795]   £140.00   (£168.00 incl.VAT)
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Mary Webb.
Mary Webb.
[n.d., c.1930.]
Woodcut on green paper. Printed area 150 x 100mm (5 x 4") very large margins. Uncut.
A stark image of a woman's head peering through foliage. A pencil annotation on another example reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39942]   £150.00   (£180.00 incl.VAT)
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Mary Webb.
Mary Webb.
[n.d., c.1930.]
Woodcut. Printed area 150 x 100mm (5 x 4"); large margins. Mounted.
A stark image of a woman's head peering through foliage. A pencil annotation on the mount reads 'Gone to Earth', a novel by Webb made into a film by Michael Powell and Emeric Pressburger in 1950. Mary Webb (1881-1927) was a novelist whose works, described as 'loam and lovechild' romances, were parodied by Stella Gibbons's 1932 novel 'Cold Comfort Farm'.
[Ref: 39938]   £130.00   (£156.00 incl.VAT)
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[Westminster Bridge.]
[Westminster Bridge.]
J. W. Jackson. [Signed in pencil.]
[n.d., c.1910.]
Etching with very large margins. Platemark: 145 x 225mm (5¾ x 8¾").
A view of the river Thames, with Westminster Bridge in the midde ground, and the Houses of Parliament and 'Big Ben' on the right. Smoking chimneys can be seen in the distance, with various small boats on the river. Signed by the artist .W. Jackson.
[Ref: 35781]   £130.00   (£156.00 incl.VAT)
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[Wild Geese on the Marshes.]
[Wild Geese on the Marshes.]
Winifred Austen [signed in pencil lower right].
[n.d.]
Coloured aquatint 290 x 390mm
By Winifred Austen, R.I., R.E. (1876-1964). Although she also worked in both oils and watercolours, Austen is most highly regarded as an etcher. She made some two hundred etched plates and the naturalist Sir Peter Scott said she was 'certainly the best bird etcher of this century'. illustrator, painter, etcher and aquatint engraver of birds and mammals.
Guichard British Etchers: pg.24.
[Ref: 472]   £280.00  
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[Wilder Kaiser: Hinterbärenbad]
[Wilder Kaiser: Hinterbärenbad]
Hans Figura [pencil signature.]
[n.d. c.1930.]
Coloured aquatint and etching on silk. 171 x 140mm. 6¾ x 5½".
Wilder Kaiser: Hinterbärenbad in the Austrian state of Tyrol. Hans Figura (Vienna, Austria 1898-1978) was well known for his European and American landscape and cityscape aquatint etchings. He exhibited his prints and original oil paintings in various international venues during his lifetime. Walter Meibohm worked with Mr Figura personally post WWII and maintained a friendship with him until his death in 1978. A contemporary of two other famous Austrian artists – Luigi Kasimir and T.F. Simon – Hans Figura was amongst the great pioneers in colour etching and aquatint. By the late 1920s, with studios in both Vienna and New York, Figura was well established as a regular exhibitor in these cities as well as in Paris, London and Berlin. Figura produced landscapes in almost every European city, combining the intricacies of colour etching and aquatint with amazing results. Highly successful during the golden era of this demanding medium, Figura's work is still sought after by fine art collectors today.
[Ref: 19937]   £130.00   (£156.00 incl.VAT)
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Wimbledon Park.
Wimbledon Park.
IB Kerr MDCCCXII.
Rare etching. Plate 138 x 185mm. 5½ x 7¼". Creasing and foxing. Damaged.
Wimbledon Park in Merton; thatched cottages.
[Ref: 20026]   £40.00   (£48.00 incl.VAT)
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Against the Wind and Open Sky.
Against the Wind and Open Sky.
Herbert Dicksee signed in pencil.
Published at 8 Clare Street, Bristol, by Frost & Reed, Printsellers of Bristol, Clifton & London, June 1st 1900.
Etching. 565 x 300mm.
[Ref: 1818]   £750.00  
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[A flat, watery landscape with two windmills.]
[A flat, watery landscape with two windmills.]
E.J.Detmold [pencil signature.]
[British, n.d., c.1925.]
Etching on watermarked J. Whatman paper, 145 x 285mm. 5¾ x 11¼". Worm holes to lower margin, with large margins.
A stark landscape study by Edward Julius Detmold (1883 - 1957).
[Ref: 27410]   £240.00  
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[Sacramento Street].
[Sacramento Street].
Joseph Winkler.
[n.d. c.1930]
Signed etching. 5 x 7½".
[Ref: 6661]   £220.00  
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[Winter Lanscape, Portsonachan.]
[Winter Lanscape, Portsonachan.]
K Mackenzie 1954.
Aquatint signed in pencil by artist, large sheet. As issued by "The Print Collectors Club" (with their label verso, as normal) Plate 127 x 175mm (5 x 7").
A winter scene in Portsonachan, Argyllshire, West Scotland. By Keith Mackenzie, A.R.E.
[Ref: 29043]   £140.00   (£168.00 incl.VAT)
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[A woodsman tying a bundle of faggots in a wooded landscape.]
[A woodsman tying a bundle of faggots in a wooded landscape.]
Komjate [ink signature.] Komjati ft 1934 [scratched in plate lower left.]
Etching, 380 x 260mm. 15 x 10¼".
A pleasing and delicate etching.
[Ref: 12334]   £180.00   (£216.00 incl.VAT)
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[Royal Yacht Squadron, Cowes, Isle of Wight.]
[Royal Yacht Squadron, Cowes, Isle of Wight.]
W.L. Wyllie [pencil signature.]
[n.d., c.1920]
Drypoint etching, 130 x 390mm. 5 x 15¼". Faint crease.
An atmospheric yacht race in Cowes.
William L. Wyllie [1851-1931] was born on July 5th 1851, in London. He attended Heatherley’s art school until the age of fifteen, leaving to study at the Royal Academy Schools, where he won the Turner Medal at the age of eighteen. In the early 1870’s Wyllie became an illustrator for the Graphic and also held several exhibitions at the galleries of the Fine Art Society. In 1889 he was elected an associate of the Royal Academy, where he exhibited his work in 1901. Wyllie spent much of his time at sea working for the White Star Shipping Line. He also served in the Royal Navy during WWI, painting seascapes and coastal landscapes. His etchings and watercolours showing working life on the Thames and the Medway brought him widespread popularity. Later in his life he played an important role in the restoration of the Victory. Wyllie died on the 6th April 1931 in Hampstead, and scouts from the 1st Portchester Sea Scout Troop, which he had founded, rowed his coffin across Portsmouth Harbour for his burial at Portchester Castle.

[Ref: 17290]   £850.00  
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[Yachts running down past Ryde.]
[Yachts running down past Ryde.]
W. L. Wyllie. [Signed in pencil.]
[n.d., c.1920.]
Etching. Platemark: 85 x 330mm (3¼ x 143").
A seascape depicting the town of Ryde, Isle of Wight, in the distance, and a number of yachts and various sailing vessels on the water. By illustrator, etcher and marine painter William L. Wyllie (1851-1931.
[Ref: 37783]   £230.00  
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