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[Boy, pug and broken cup.]
[Boy, pug and broken cup.]
Published by M. Knśdler & Co., 170 Fifth Avenue, New York. Entered according to act of congress in the year 1880 by M.Knśdler & Co., in the office of the Librarian of congress at Washington.
Mezzotint on india paper. 680 x 530mm (26¾ x 20¾"). Laid on board.
A young child hugs a pug, the handle of a broken tea cup hooked over his thumb.
Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 47329]   £450.00  
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The Chinese House, the Rotunda, & the Company in Masquerade in Ranelagh Gardens.
The Chinese House, the Rotunda, & the Company in Masquerade in Ranelagh Gardens.
[n.d., c.1760.]
Hand-coloured etching. Sheet: 270 x 430mm (10¾ x 17"). Trimmed and backed, title removed and glued on to back for a Vue d'Optique machine.
A view of the pleasure gardens on the bank of the Thames at Chelsea. The print has been backed and edged in black to be used in an zograscope or optical diagonal machine which would use lenses to create the illusion of a 3-D landscape.
[Ref: 46823]   £260.00  
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An Inside View of the Rotundo in Ranelagh Gardens.
An Inside View of the Rotundo in Ranelagh Gardens.
Canaletti delin. N. Parr sculp.
Publish'd according to Act of Parliament Dec.r 2. 1751. London Printed for & Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane Fleet Street.
Hand-coloured etching. Sheet: 250 x 400mm (9¾ x 15¾"). Trimmed and backed, title removed and glued on to back for a Vue d'Optique machine.
A view inside the rotunda in the pleasure gardens on the bank of the Thames at Chelsea. The print has been backed and edged in black to be used in an zograscope or optical diagonal machine which would use lenses to create the illusion of a 3-D landscape.
[Ref: 46824]   £240.00  
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The Reverend John Rhudde, M.A. Minister of the Gospel. Sapere Aude! Dare to be Wise.
The Reverend John Rhudde, M.A. Minister of the Gospel. Sapere Aude! Dare to be Wise.
Williams Pinxit. Dickinson Fecit.
[1757.]
A rare mezzotint. Sheet: 325 x 220mm (12¾ x 8¾"). Trimmed and laid on album sheet at edges.
A portrait of John Rhudde, vicar of Portesham and Weymouth shown in his library.
[Ref: 47268]   £140.00   (£168.00 incl.VAT)
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The Reverend M.r John Rogers, V.D.M.
The Reverend M.r John Rogers, V.D.M. From the Original Picture by James Stewart.
Printed for & Sold by Carington Bowles, No.69 S.t Pauls Church Yard, London. Published as the Act directs 9. Nov.r 1785.
Mezzotint, fine. Plate: 355 x 250mm (14 x 9¾"). Thread margins. Laid onto sheet at top by hinges.
A portrait of nonconformist minister Rev. John Rogers (1716-1790). Minister of Colliers rents 1745.
CS 133 II of II.
[Ref: 47263]   £160.00   (£192.00 incl.VAT)
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[A View of the Castle of St Angelo, Elian Bridge, with part of the City of Rome.]
[A View of the Castle of St Angelo, Elian Bridge, with part of the City of Rome.]
[n.d., c.1760.]
Hand-coloured etching. Sheet: 270 x 430mm (10¾ x 17"). Trimmed and backed, title removed and manuscript title glued on to back for a Vue d'Optique machine.
A view of the Castle St. Angelo in Rome with St Peters Cathedral in the background. The print has been backed and edged in black to be used in an zograscope or optical diagonal machine which would use lenses to create the illusion of a 3-D landscape.
[Ref: 46822]   £240.00  
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Rosina.
Rosina.
Published 12.th May 1794 by Laurie & Whittle, 53 Fleet Street, London.
Mezzotint, platemark 150 x 115mm (6 x 4½"). Small margins.
Young woman in suggestive pose carrying a rake, hayrick on right. Mezzotint published by Laurie & Whittle, and probably a reduced copy of another print.
[Ref: 47098]   £130.00   (£156.00 incl.VAT)
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The Route. Whilst de lads ob de village, so merrily are, Dou and I will be first in de trong.
The Route. Whilst de lads ob de village, so merrily are, Dou and I will be first in de trong. Lewis's Black Jokes. No. 6
W. Summers Del. C. Hunt Sc.
T.C. Lewis & Co. 96 Cheapside London [c.1850]
Etching and aquatint with hand-colouring, sheet 230 x 310mm (9 x 12¼"). Trimmed.
At a gathering of smartly-dressed black people, a couple walk out onto the dance floor as an orchestra plays on the balcony. One of a series of 'Tregear's Black Jokes', a set of twenty caricatures first published in 1834, the year in which the Slavery Abolition Act came into force. The prints, which were advertised as 'A Series of Laughable Caricatures on the March of Manners amongst Blacks', developed the theme of the earlier 'Life in Philadelphia' caricatures lampooning the social aspirations of Philadelphia's black population. These were first published by Edward William Clay in the United States in the 1820s. The London publisher Gabriel Shire Tregear published copies of the 'Life in Philadelphia' caricatures, then followed it up with 'Tregear's Black Jokes'. After Tregear's death his plates passed to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this print. The three mentions of Tregear's name on the plate have either been changed to Lewis', or simply effaced.
Hickman p.131
[Ref: 47096]   £190.00   (£228.00 incl.VAT)
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Ryde.
Ryde.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, Aug.t 1, 1823.
Aquatint with fine original hand colour J. Whatman Turkey Mill 1823 watermark. 230 x 300mm (9 x 12") large margins.
A view from Ryde on the Isle of Wight, looking across the Solent to Hampshire. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47153]   £230.00  
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Sailors at a Quakers funeral.
Sailors at a Quakers funeral.
[After Isaac Cruikshank, c.1810]
Hand-coloured etching, sheet 235 x 330mm (9¼ x 13"). Trimmed inside platemark; small tear to bottom edge.
Quakers, sailors and a gravedigger stood by an open grave. Copy of an etching after George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
See BM Satires 10902; for Cruikshank's etching see ref. 18477.
[Ref: 47197]   £260.00  
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[Sampson Breaking his Bands.]
[Sampson Breaking his Bands.]
Painted by F. Rigaud R.A. Engraved by F. Bartolozzi R.A.
[London Published as the Act directs Jan.y 1.st 1799 by F. Rigaud R.A.]
Engraving, proof before title. Sheet: 255 x 405mm (10 x 16") Trimmed within plate.
A biblical scene showing the Old Testament figure of Samson lying on a bed straining at his bonds while Delilah enters the tent in which he lies.
De Vesme 69.
[Ref: 46915]   £240.00  
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A View of the Rayas Mine, shewing the wall of Stone constructed for the purpose of placing additional whims at the Great Shaft.
A View of the Rayas Mine, shewing the wall of Stone constructed for the purpose of placing additional whims at the Great Shaft. 31st December 1827
Baynes & Harris Lithog 31 Gracechurch St
Lithograph, sheet 280 x 390mm (11 x 15¼"). Tear lower right; surface loss on right. Very scarce.
San Juan de Rayas mine in the state of Guanajuato, Mexico still in operation.
[Ref: 46944]   £360.00  
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[Collection of thirty-eight political satires, published c.1866-8]
[Collection of thirty-eight political satires, published c.1866-8]
Thirty-eight lithographs and wood-engravings, various sizes. Some damage.
Collection of satires, some separately published and others taken from publications such as 'The Tomahawk'. Many were produced in Leeds by artists such as Heslop Woods and Robert Bownes. Politicians depicted include Sir Andrew Fairbairn, Robert Meek Carter, Edward Baines and includes one of Darwin's animals, trains, racing, Irish questions etc.
[Ref: 47289]   £450.00   view all images for this item
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Sir Walter Scott, Bar.t.
Sir Walter Scott, Bar.t.
Painted by D. Wilkie, R.A. Engraved by Edw: Smith.
London, Published, June 1, 1831 by Moon, Boys & Graves, Printsellers to the King, 6 Pall Mall.
Engraving. Sheet: 360 x 270mm (14 x 10½"). Trimmed.
A portrait of Scottish historical novellist, playwright and poet Sir Walter Scott (1771-1832). Bookplate of Johannes de Mare on reverse.
[Ref: 46846]   £80.00   (£96.00 incl.VAT)
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King Sahlela Selassie.
King Sahlela Selassie.
On Stone by W. L. Walton, from a Portrait by Major Harris. Printed by C. Hullmandel.
London Published by Longman & Co. 1844.
Fine hand-coloured lithograph, rare. Sheet: 140 x 220mm (4½ x 8½"). Creasing.
A portrait of Ethiopian Negus (monarch) Shale Selassie (1795-1847). An illustration from William Cornwallis Harris's 'The Highlands of Aethipia' published in three volumes in 1844.
[Ref: 47239]   £130.00   (£156.00 incl.VAT)
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September.
September. Libra dies noctesq, pares suspendit in astris, / Et medio Phoebus cernitur ire gradu [...]
Joachimius Sandrart Pinxit, C.V. Dalen Sculpsit [c.1645]
Engraving, sheet 350 x 250mm (13¾ x 9¾"). Trimmed inside platemark. Very rare.
Plate from a set of the Twelve Months after paintings made by Joachim von Sandrart for the Old Palace Schleissheim, Munich, 1642-3). Each plate has a person engaged in a seasonal activity and a zodiac sign somewhere in the composition (Libra scales in the upper centre here), with Latin verses by C. Barlaeus.
For a set of all twelve months see ref.42822
[Ref: 47309]   £260.00  
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George Shaw, M.D., F.R.S. Author of General Zoology.
George Shaw, M.D., F.R.S. Author of General Zoology. Back View of the British Museum. E.W. Thomson del et scu.
Russell, R.A. Portrait Painter to their Majesties, pinx.t Holl sculp.t
London. Published by Dr. Thornton, Sept.r 1, 1803.
Stipple and engraving, sheet 480 x 345mm (19 x 13½"). Slightly dusty at top.
George Shaw (1751-1813), natural historian. This portrait celebrates his authorship of the multi-volumed 'General Zoology', begun in 1800 but left unfinished at his death. Below the portrait is a view of the British Museum, where Shaw was appointed assistant keeper of the natural history section in 1791, before being promoted to keeper in 1807. It was at his residence at the museum that Shaw died in 1813. This print was published as a plate to Robert Thornton's 'New Illustration of the Sexual System of Linnaeus' (popularly known as the 'Temple of Flora') in 1803.
W2718; O'D 1
[Ref: 46742]   £190.00   (£228.00 incl.VAT)
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Sidmouth, Devon.
Sidmouth, Devon.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with hand colour. Plate: 230 x 300mm (9 x 12") large margins. On card as issued.
A view of Sidmouth in Devon. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47283]   £220.00  
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The Right Reverend Richard Smalbroke D.D. Lord Bishop of Lichfield and Coventry.
The Right Reverend Richard Smalbroke D.D. Lord Bishop of Lichfield and Coventry.
T. Murray pinx. Geo. Vertue Sculpsit 1733.
Engraving. Plate: 385 x 270mm (15¼ x 10¾"). Trimmed to plate. Thread margins.
A portrait of Richard Smalbroke (1672-1749) who served as Bishop of Lichfield.
Alexander: 649.
[Ref: 46825]   £180.00   (£216.00 incl.VAT)
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A Snow Piece.
A Snow Piece.
London, Printed for R. Sayer, Printseller, No. 53 Fleet Street, as the Act directs 10 Oct.r 1779.
Engraving. Plate: 175 x 280mm (7 x 11").
A winter scene showing figures having a snowball fight while a woman with a pipe collects twigs.
Provenance: Edge Hill, Cheshire
[Ref: 46839]   £160.00   (£192.00 incl.VAT)
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Exhibition of Water Coloured Drawings, Old Bond Street.
Exhibition of Water Coloured Drawings, Old Bond Street.
Rowlandson & Pugin del. et sculpt. Stadler Aquat.
London. Pub Sept.r 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
An interior view showing a group of fashionable visitors attending an exhibition of the Society of Painters in Watercolours, in a room hung with many frames, with another room seen through a doorway to the left. The Royal Watercolour Society (originally called the Society of Painters in Water Colours) was founded in 1804 by William Frederick Wells and its original membership consisted of; William Sawrey Gilpin, Robert Hills, John Claude Nattes, John Varley, Cornelius Varley, Francis Nicholson, Samuel Shelley, William Henry Pyne and Nicholas Pocock. The members seceded from the Royal Academy where they felt that their work commanded insufficient respect and attention. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 46887]   £280.00  
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Somerset House, Strand.
Somerset House, Strand.
Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t.
London Pub 1.st. June 1809 at R. Ackermann's Repository of Arts 101, Strand.
Hand-coloured aquatint with large margins. J. Whatman/W. Balston 1809 watermark. Plate: 270 x 230mm (10½ x 9"). Some faint foxing.
View of the quadrangle of Somerset House looking towards what would have been the Admiralty. In the foreground one-legged beggar approaches a soldier accompanied by two women while other groups of figures stand in conversation. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 46888]   £230.00  
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Somerset House, Strand.
Somerset House, Strand.
Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t.
London Pub 1.st. June 1809 at R. Ackermann's Repository of Arts 101, Strand.
Hand-coloured aquatint with large margins. Plate: 270 x 230mm (10½ x 9").
View of the quadrangle of Somerset House looking towards what would have been the Admiralty. In the foreground one-legged beggar approaches a soldier accompanied by two women while other groups of figures stand in conversation. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47221]   £230.00  
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Map of South-Eastern Asia and Northern Australia.
Map of South-Eastern Asia and Northern Australia. Showing The Districts in Annam and Tonquin which France proposes to annex and to place under a Protectorate, The portion of New Guinea proposed to be acquired by Queensland, And the Districts affected by the Volcanic Eruptions in Java.
Supplement to the Graphic, September 22.nd 1883.
Letts Son & Co. Limited London.
Map. Sheet: 420 x 620mm (16½ x 24½"). Cental crease as issued. Foxing.
A map of South East Asia, showing France's proposed annexation of Vietnam, completed the following year. It marks the colonies of the other European powers and shows the routes of the telegraph cables.
[Ref: 47050]   £230.00  
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Vue de Cadiz.
Vue de Cadiz.
Dessiné par Lauvergne. Imp. Lemercier, Bernard et C.e. A. Mayer lith.
Arthus Bertrand éditeur. London Ackermann & C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 245 x 325mm (9¾ x 12¾") very large margins.
A view of Cadiz from the sea. Plate 2 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47195]   £130.00   (£156.00 incl.VAT)
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The Mask.
The Mask.
From a Picture by Sir J. Reynolds. Engraved by C. Turner.
London Pub.d June 19 1823 by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint. Plate: 270 x 230mm (10¾ x 9").
Portrait of two of the daughters of George Spencer, 4th Duke of Marlborough: Charlotte (1769–1802), holding a graecian theatrical mask, and Anne (1773–1865).
Provenance: Edge Hill, Cheshire.
[Ref: 46903]   £130.00   (£156.00 incl.VAT)
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Workhouse, St. James's Parish.
Workhouse, St. James's Parish.
Rowlandson & Pugin del.t et sculp.t. Sunderland aqua.t.
London Pub. Dec.r 1st 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Plate: 240 x 265mm (9½ x 10½") large margins.
An interior scene showing a large room in the St James's workhouse near Carnaby Market in Soho. A plate from Ackermann's 'Microcosm of London' (1808-9), a landmark publication in the documentation of London, bringing together two specialist artists, Thomas Rowlandson to design the figures and Augustus Pugin to provide the architectural draughtsmanship. The result was a series of scenes unprecedented in their combination of vivid activity and architectual accuracy.
Abbey, Scenery: 212.
[Ref: 47219]   £95.00   (£114.00 incl.VAT)
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[The Arrival of St Margaret in Scotland.]
[The Arrival of St Margaret in Scotland.]
AR[unciman] fecit. J. Runciman inv.
[n.d., c.1800.]
Etching. Sheet: 220 x 185mm (8¾ x 7¼"). Trimmed within plate.
A scene showing St Margaret arriving in Scotland to marry King Malcolm III. An etching by Scottish artist Alexander Runciman (1736-1785) after a drawing by his younger brother John Runciman (1744-1768). Runciman was one of the earliest exponents of original etching in Scotland.
[Ref: 46999]   £75.00   (£90.00 incl.VAT)
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St Margarets, Westminster.
St Margarets, Westminster.
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London, Pub. Aug.t 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 275 x 230mm (10¾ x 9"), paper watermarked 1836, large margins.
The interior of the parish church of the House of Commons, situated in the grounds of Westminster Abbey. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47222]   £75.00   (£90.00 incl.VAT)
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Quay at Straddon point, near Plymouth.
Quay at Straddon point, near Plymouth.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of Staddon Point on the south Devon coast. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47139]   £240.00  
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The Dandy Lion an exotic lately discover'd in a Stable Yard.
The Dandy Lion an exotic lately discover'd in a Stable Yard.
[I.R. Cruikshank.]
[S.W. Fores.][1818.]
Etching with hand-colour, rare. Sheet: 335 x 230mm (13 x 9"). Trimmed and laid on album sheet.
A comic scene showing Charles Stanhope (1780-1851), dressed as a dandy, in conversation with a stable hand.
BM Satire 13029.
[Ref: 47276]   £140.00   (£168.00 incl.VAT)
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View of the Proposed Steam Navigation Dock at the Mouth of the River Lea.
View of the Proposed Steam Navigation Dock at the Mouth of the River Lea.
Sketch'd by S. Hemming, Engineer.
Printed by W.N. Vear 24 Tabernacle Row [c.1827]
Lithograph, printed area 195 x 265mm (7¾ x 10¼"). Slight marking on right.
Unrealised plan for a steam navigation dock where the river Lea meets the Thames (known as Leamouth). Designed by Samuel Hemming (1800-76), civil engineer whose plans also included a horse-drawn railway from the nearby East India Dock (see ref. 46935).
[Ref: 46937]   £160.00   (£192.00 incl.VAT)
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[The Landing at Suvla Bay, Gallipoli, 1915]
[The Landing at Suvla Bay, Gallipoli, 1915]
Norman Wilkinson [signed in pencil]
Published by The Fine Art Society, 148, New Bond Street, London, March 1st 1916. Copyright.
A rare coloured photolithograph glued into mount, window 265 x 375mm (10¼ x 14¾").
The landing at Suvla Bay on the Gallipoli peninsula, part of the British attempt to secure the peninsula and capture Constantinople (now Istanbul) during World War I. The landing, and the campaign, ultimately failed and the British commander Sir Frederick Stopford was dismissed. Signed print by Lieut. Norman Wilkinson, CBE (1878-1971), an illustrator for the Illustrated London News, who also worked on camouflage techniques during both World Wars worked developing camouflage techniques. Wilkinson was also a prolific illustrator of salmon and trout fishing.
[Ref: 47084]   £260.00  
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The Tables Turned
The Tables Turned or The Lie circumstantial.
Pub.d by T. Taplain Upper Thames St London
Etching with hand-colouring, sheet 240 x 350mm (9½ x 13¾"). Trimmed inside platemark; tear on left.
Duel between Charles Vane, third marquess of Londonderry (1778-1854) and Ensign Battier. Battier's pistol misfired and he declined the offer of another shot and left. He was later horsewhipped by Londonderry's second, Sir Henry Hardinge. In this image Londonderry (far left) nonchalantly awaits the second shot from Battier, which Hardinge (centre, in brown coat) invites. Battier, next to Hardinge, drops his pistol rather than taking the shot, to the disbelief of his second Lt.-Col. Weston (right). A surgeon in the background observes 'I see they will not want me'.
[Ref: 47120]   £240.00  
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Tattersall's, Horse Repository.
Tattersall's, Horse Repository.
Rowlandson & Pugin del.t et sculp.t. Sunderland aqua.t.
London Pub. Sept.r 1st 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Plate: 240 x 270mm (9½ x 10½") large margins.
A view of the central yard at Tattersall's auction house which sold horses and carriages. In the background several carriages are lined up, in the foreground a group of men are lined up inspecting a horse brought before them. A plate from Ackermann's 'Microcosm of London' (1808-9), a landmark publication in the documentation of London, bringing together two specialist artists, Thomas Rowlandson to design the figures and Augustus Pugin to provide the architectural draughtsmanship. The result was a series of scenes unprecedented in their combination of vivid activity and architectual accuracy.
Abbey, Scenery: 212.
[Ref: 47218]   £120.00   (£144.00 incl.VAT)
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Teignmouth, Devon.
Teignmouth, Devon.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London May 20. 1825.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12") large margins.
A view of coastal town of Teignmouth located on the eastuary of the River Teign. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47131]   £240.00  
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La Tempeste.
La Tempeste. Peint par Joseph Vernet Peintre du Roy.
J. Vernet Pinx. AD *** Sculp.
Se. vend. a. Paris.
Engraving. Sheet: 360 x 420mm (14 x 16½"). Trimmed within plate.
A nautical scene during a storm in which a group of shipwrecked sailors attempt to save sailors still stranded at sea. In the distance a lighting bolt streaks through the sky and another ship leans dangerously.
Provenance: Edge Hill, Cheshire
[Ref: 46837]   £160.00   (£192.00 incl.VAT)
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Choir of the Temple Church.
Choir of the Temple Church.
Percy Thomas 1897.
Published at 17 Queens Road and 8 Clare Street Bristol by Frost & Reed Dec.r 1st 1897.
Etching, in wrappers with letterpress. Plate: 215 x 150mm (8½ x 6") large margins.
Percy Thomas R.E. (c.1846 - 1922) was a painter and etcher of landscapes, genre scenes and portraits. He was born in London in 1846 and studied at the Royal Academy Schools as well as under James Abbott McNeill Whistler as his first pupil. Whistler taught him to etch, and in 1874 he etched a portrait of his master for inclusion in Ralph Thomas's Catalogue of Whistler's Etchings. Percy Thomas exhibited at the Royal Academy from 1867 and was elected a member of the Royal Society of Painter-Etchers and Engravers in 1881. He lived in London and later in Hove, Sussex.
[Ref: 47068]   £50.00   (£60.00 incl.VAT)
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The Temple Church.
The Temple Church.
Percy Thomas 1897.
Published at 17 Queens Road and 8 Clare Street Bristol by Frost & Reed Dec.r 1st 1897.
Etching, in wrappers with letterpress. Plate: 180 x 225mm (7 x 9") large margins.
Percy Thomas R.E. (c.1846 - 1922) was a painter and etcher of landscapes, genre scenes and portraits. He was born in London in 1846 and studied at the Royal Academy Schools as well as under James Abbott McNeill Whistler as his first pupil. Whistler taught him to etch, and in 1874 he etched a portrait of his master for inclusion in Ralph Thomas's Catalogue of Whistler's Etchings. Percy Thomas exhibited at the Royal Academy from 1867 and was elected a member of the Royal Society of Painter-Etchers and Engravers in 1881. He lived in London and later in Hove, Sussex.
[Ref: 47069]   £130.00   (£156.00 incl.VAT)
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Temple Church.
Temple Church.
Rowlandson & Pugin del.t et sculp.t. Bluck aqua.t.
London, Pub. Sep.r 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint J. Whatmark 1808 watermark. Plate: 275 x 230mm (10¾ x 9") large margins.
The late 12th-century church in the City of London, built by the Knights Templar as their English headquarters. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47220]   £80.00   (£96.00 incl.VAT)
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PL.9. Temple of Vimala Sah, Abu.
PL.9. Temple of Vimala Sah, Abu.
Drawn & Lith.d by T.C. Dibden, from a Sketch by J. Fergusson Esq.r. Printed by M.&N. Hanhart.
Published by J. Hogarth, 5, Haymarket. [n.d., c.1847.]
Tinted lithograph. Printed area: 330 x 380mm (13 x 15") large margins. Dusty.
A view of the Vimala Vasahi Temple, a Jain temple near Mount Abu in Rajasthan. A plate from James Fergusson's 'Ancient Architecture in Hindoostan', 1847.
[Ref: 46704]   £180.00   (£216.00 incl.VAT)
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Albert Thorwaldsen.
Albert Thorwaldsen.
D. Stäbli sc.
Impr. di l'imprimerie en t. d. de l'académie royale des arts à Dusseldorf de C. Sohulgen Bettendorff. [n.d., c.1830.]
Engraving, printed on india. Plate: 280 x 220mm (11 x 8½"), with large margins, large margins. Toning and foxing in margins.
A bust portrait of Bertel Thorvaldsen (1770-1844) a Danish/Icelandic sculptor who spent most of his career in Italy.
Provenance: Edge Hill, Cheshire
[Ref: 46730]   £160.00   (£192.00 incl.VAT)
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The Toilet.
The Toilet.
P. Mercier pinx.t C. Spooner fecit.
Printed for Carington Bowles in St. Pauls Church Yard, London [c.1780]
Mezzotint, platemark 155 x 115mm (6 x 4½"). Time stained; trimmed to platemark.
Copy of a larger mezzotint after Philippe Mercier by John Faber the younger. The publisher Carington Bowles and the engraver Charles Spooner both specialised in copies of well-known prints.
[Ref: 47099]   £130.00   (£156.00 incl.VAT)
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Night. Royal York Hotel. Toronto. [In pencil.]
Night. Royal York Hotel. Toronto. [In pencil.]
W.A. Howard. [Signed in pencil.]
[n.d., c.1930.]
Aquatint. Plate: 200 x 150mm (8 x 6") very large margins. Cockling.
A view of the large Royal York Hotel, now the Fairmont York Hotel, in Toronto which opened in 1929.
[Ref: 47063]   £130.00   (£156.00 incl.VAT)
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[A Traveller.]
[A Traveller.]
[Thomas Barker of Bath.]
[n.d., c.1800.]
Aquatint. Plate:125 x 115mm (5 x 4½") large margins. Uncut.
A portrait of a traveller, shown sitting on the ground staring out in to the distance, a staff resting over his shoulder. An aquatint by Thomas Barker of Bath (1769-1847).
[Ref: 47003]   £75.00   (£90.00 incl.VAT)
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John Trehearne.
John Trehearne.
Caulfield exct. 1797
Mezzotint, platemark 225 x 170mm (8¾ x 6¾"). Small margins.
John Trehearne, gentleman porter to James I.
Ex: collection of the Hon. Christopher Lennox-Boyd; O'D 1.
[Ref: 47295]   £75.00   (£90.00 incl.VAT)
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[Turkey choir
[Turkey choir "Choeur de Dindons"]
Schenck.
[Paris: Goupil, c.1880.]
Mixed method engraving, printed in colours. Image 295 x 500mm (11½ x 19¾"), wide margins.
A Christmas image showing a choir of ten turkeys singing from a music sheet.
[Ref: 47321]   £450.00  
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The Two Journals. Jou.l 1.
The Two Journals. Jou.l 1. ''Look here upon this picture_and others, [/] The counterfeit presentment of two brothers, Hamlet''.
[Charles Williams.]
Pub.d July 1814 by Tho.s Tegg 111 Cheapside.
Hand-coloured etching. Plate: 245 x 350mm (9¾ x 13¾"). Creasing at corners. Small margins.
A series of eight vignettes illustrating the activities of Tsar Alexander I during his visit to London in June 1814. Alexander insisted on staying in the Pulteney Hotel where his sister, the Duchess of Oldenburg had taken up residence. The Duchess is shown wearing her poke-bonnet in a style which became known as an Oldenburgh bonnet. This is a companion to BM Satire 12291 which depicts a day spent by George IV.
BM Satire 12290.
[Ref: 47245]   £230.00  
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Porte Extérieure de Montévidéo.
Porte Extérieure de Montévidéo. Uraguay.
Dessiné par Fisquet. Lith. par Bichebois, Fig par Bayot.
Arthus Bertrand éditeur. Im. de Lemercier Bernard et C. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 245 x 325mm (9¾ x 12¾") very large margins.
A view of Montevideo, capital of Uraguay. Plate 13 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47191]   £220.00  
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Marché de Montévidéo.
Marché de Montévidéo. Uraguay.
Dessiné par Lauvergne. Imp. Lemercier, Bernard et C.e. Lith. par Bayot.
Arthus Bertrand Éditeur. London Ackermann & C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 245 x 325mm (9¾ x 12¾") very large margins.
A view of the market in Montevideo, capital of Uraguay. Plate 12 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47192]   £220.00  
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