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Catalogue: Modern Etchings
[Dawn on the Broads.]
[Dawn on the Broads.]
K.M. Clayton.
[n.d., c.1930.]
Etching, signed by the artist. 195 x 300mm, 7¾ x 12".
Wild ducks in flight, by 'Miss' K.M. Clayton.
[Ref: 11894]   £130.00   (£156.00 incl.VAT)
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[Destroyers in convoy.]
[Destroyers in convoy.]
[Pencil signature:] Frank H. Mason.
[n.d. c.1939.]
Etching. 190 x 388mm. 7½ x 15½".
British Naval vessels at sea, the coastline visible in the backgroud, a harbour marker buoy in the centre foreground. Frank Henry Mason (1876 - 1965) was a cadet on HMS Conway. Having served in the Royal Navy in the First World War, Mason became a war artist, with several such images held at the Imperial War Museum. Between the wars he became a full-time artist, working as an illustrator, a poster artist for railway companies, and supplying posters and postcards for shipping companies. From 1900 onwards he exhibited at the RA, and was awarded R.I. in 1929. Mason illustrated the book North Sea Fishers and Fighters in 1911, and was a 'significant artist of marine and coastal scenes, as well as an illustrator of shipping books'.
[Ref: 17985]   £180.00   (£216.00 incl.VAT)
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The Dijk Bell [pencil].
The Dijk Bell [pencil].
Frank Short [pencil signature.]
[n.d., c.1930.]
Etching. 130 x 105mm, 5 x 4".
H.290 iv.
[Ref: 11967]   £85.00   (£102.00 incl.VAT)
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Tangled Branches.
Tangled Branches.
Georges Dottless.
Etching with aquatint, Artist's trial proof, signed and titled in pencil, 8 x 7".
[Ref: 1870]   £70.00   (£84.00 incl.VAT)
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[First Italian Head].
[First Italian Head].
Paul Drury '28 fec & imp signed in pencil.
PD'28 in plate. [No.12 in pencil lower left]
Etching 135 x 170mm.
Paul Drury (1903-1987) born in London, studied at Goldsmiths College. He made some 92 prints of which about a half were portraits. President of the Royal Society of Painter-Etchers. A gifted printmaker and etcher who exhibited regularly at the RA and RE.
[Ref: 1907]   £420.00  
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Sundown [pencil].
Sundown [pencil].
F.S. Farley [pencil signature.]
[n.d., c.1920.]
Etching, signed and titled by the artist. 130 x 115mm, 5 x 4½".
Ducks landing.
[Ref: 12043]   £120.00   (£144.00 incl.VAT)
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[Eagle.]
[Eagle.]
E.J. Detmold [pencil signature.] "M.D." "E.J.D." [in pencil.]
"C.M.D" "E.D" [printed into top corners of the image. [n.d. c.1920.]
Etching. Plate 110 x 110mm. 4¼ x 4¼".
This etching is one of the very few etchings produced over four years by the Detmold twins for distribution at Christmas. This impression is double Initalled for both brothers and signed in pencil by Edward. The brothers' individual monograms appear upper left and right in the etching. Edward supervised and edition of the etchings in a very limited number of proofs in 1920. An Eagle with wings spread stands on a branch, below is a bag with 'amitié ' written on it. Edward Julius Detmold (1883-1957) was twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. He became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment. Edward expressed artistic versatility and published a number of books of fine fantasy drawings in the 1920s; they portrayed a vivid imagination and he utilised warm colouring, which suited the period. The Jungle Book (1908) was to be the last substantial commission that the brothers worked on - due to the death of Charles in that same year. The extraordinary success of their illustrations to accompany Kipling's classic tale, however, firmly established the reputation for Edward and the following year, a suite of illustrations prepared to Aesop's tales were published in The Fables of Aesop (1909).
[Ref: 17294]   £280.00  
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Egham Lock.
Egham Lock.
Seymour Haden. [Signed in pencil.]
1864.
Etching. Plate: 220 x 150mm (8¾ x 6") large margins.
A view of the lock by Egham in Surrey, built by the Thames Navigation Commission in 1817 it was originally known as Egham Lock. It was rebuilt in 1866 and re-named after the first lockeeper Charlie Bell and is now called the Bell Weir Lock. Francis Seymour Haden (1818 - 1910) was an etcher and engraver (also physician and surgeon) and brother-in-law of James McNeill Whistler.
Sch. 21 III of X.
[Ref: 39966]   £220.00  
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Line Engraving. Dry Point. Soft Ground.
Line Engraving. Dry Point. Soft Ground.
[n.d. c.1880.]
Engraving with etching. 217 x 165mm. 8½ x 6½".
A diagram depicting three techniques of engraving/etching. Line engraving with an art deco floral pattern. Dry point etching of rolling clouds against a landscape. Soft ground etching of a topographical view.
[Ref: 14442]   £45.00   (£54.00 incl.VAT)
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Espadelada - Lougada.
Espadelada - Lougada. The Brake of Flax - in Lougada - Portugal.
Delin, esculp et imp. Albert Tousay (Porto) 1931 Portugal.
Limited edition: 5/8. Very rare drypoint. 235 x 160mm, 9¼ x 6¼". Paper watermarked. "Johannot-Montgolfier. Annonay" Some faint toning.
Flax strippers in Lougada, Portugal.
Johannot and Montgolfier had paper mills at Annonay in France. The balloonist Montgolfier brothers were from the same town so it is likely they were from the same family.

[Ref: 12702]   £140.00   (£168.00 incl.VAT)
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Etch'd Thoughts.
Etch'd Thoughts.
London: Printed for the Etching Club. 1844.
Large folio, green morocco boards, 62 etched plates. Bottom right corner of front board damaged.
From the only edition, as issued in 1844 in one of the Etching Club’s earliest publications.
[Ref: 37004]   £1,500.00   view all images for this item
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Place St. Gervais, Falaise. [Pencil.]
Place St. Gervais, Falaise. [Pencil.]
Stanley Anderson [pencil signature.] ['S. Anderson' etched in plate lower right.]
[n.d., c.1930.]
Etching, 285 x 220mm, 11¼ x 8¾". Slight age toning.
A market square in Falaise, Normandy, France, with figures and a memorial.
By Stanley Anderson, RE, ARA (1884 - 1966).

[Ref: 12323]   £240.00  
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Los ultimos celajes. [The last light.]
Los ultimos celajes. [The last light.]
Joaquin Macias [pencil signature.]
[n.d., c.1940s.]
Etching, 90 x 125mm. 3½ x 5". Glued into mount; glue stains to corners.
A man in a sombrero-type hat harvesting crops with a sickle as dusk falls; two other men and an ox in the background. An atmospheric scene somewhere in central or South America. The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain. He seems to have etched most of his plates in the 1930s, 40s and 50s.
[Ref: 26880]   £65.00   (£78.00 incl.VAT)
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[Feasting.]
[Feasting.]
Wm Strang [pencil signature.]
[Printed by David Strang, c.1920.]
Proof drypoint etching inscribed '30 proofs only' in pencil lower right, 200 x 280mm. 8 x 11". A fine impression on watermarked laid paper.
Only the man in the centre, who wears a hat, has a place set at the long table; he is surrounded by a crowd of people, two of whom toast more people leaning into the room from the window above. In a semi-circular frame.
William Strang R.A. R.E. (Scottish, 1859 - 1921), chief pupil of Alphonse Legros. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in Portfolio and other art magazines.

[Ref: 16046]   £140.00   (£168.00 incl.VAT)
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[Feeding Chickens.]
[Feeding Chickens.]
Eileen A. Soper. [Pencil Signature]
[n.d., c.1925.]
Etching, with large margins; Plate 115 x 140mm. 4½" x 5½". 1: Watermarked 'Hand Made'.
Girl feeding chickens.
[Ref: 26914]   £260.00  
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[An Angler in Waders.]
[An Angler in Waders.]
[Joseph Simpson, c.1930.]
Etching, progress proof, 110 x 125mm. 4¼ x 5".
Joseph Simpson (1879 - 1939), painter and etcher of portraits and sporting subjects. Simpson was born in Carlisle and studied art at Glasgow School of Art. He became a close friend of D.Y. Cameron and was elected RBA in 1909. Simpson designed covers for Edinburgh publishers and was a prolific designer of bookplates. In 1918 he became an official war artist for the RAF and was stationed in France. Simpson was already forty-five when he took up etching in 1925, at the height of the boom period for the medium. His first twenty or so plates were etched with a gramophone needle and printed by the artist himself on the small press lent to him by a local Carlisle printing firm. His first exhibition of etchings took place in Glasgow at Wishart Brown in March 1926. His friend Frank Brangwyn wrote the catalogue introduction. A second highly successful show was staged in November 1926 by Alex, Reid and Lefevre in London. Simpson exhibited in Munich, Venice, Florence & Stockholm.
[Ref: 16261]   £110.00   (£132.00 incl.VAT)
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[Fishing a Fair Maiden.]
[Fishing a Fair Maiden.]
Jul. Hanriot inv. sc.
[n.d. c.1880.]
Etching. 298 x 210mm. 11¾ x 8¼".
Jules Arnand Hanriot (1853-1930) was a French artist famous for female nudes such as this. A young man fishing on the river bank, looks most surprised when his catch is a nude female "hooked" on her ample buttocks. She clings to the low tree branches as he continues to reel her in.
[Ref: 17508]   £220.00  
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[Fleet Street.]
[Fleet Street.]
Henry Lambert [signed in pencil.]
[n.d., c.1950.]
Etching with very large margins. Platemark: 190 x 150mm (7½ x 6").
A lively view of Fleet Street looking towards St. Paul's Cathedral. Various shops signs such as 'Old Cheshire Cheese', and 'Daily Telegraph' can be seen along the left, with a number of buses along the street. By Terrence Henry Lambert.
[Ref: 35782]   £120.00   (£144.00 incl.VAT)
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Flight.
Flight.
F.S. Farley.
[n.d., c.1920.]
Etching, 125 x 140mm. 5 x 5½".
A group of Canadian geese in flight.
[Ref: 9299]   £70.00   (£84.00 incl.VAT)
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[Andalusian women.]
[Andalusian women.] Paper: English, 1800.[in brown ink]
W. Russell Flint.
4: 2. 12. 35 WRF [pencil, 'F' reversed].
Etching on laid paper watermarked with initials and date 1800, initialled by the artist? 120 x 215mm (4¾ x 8½"). Faint mount burn around image.
An etching by William Russell Flint (1880-1969), printed on old paper.
[Ref: 38920]   £480.00  
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Flood [pencil.]
Flood [pencil.]
Grace L.Clarke. [pencil signature.]
[n.d., c.1940.]
Woodcut. Printed area 130 x 205mm, 5 x 8".
[Ref: 11958]   £220.00   (£264.00 incl.VAT)
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[The Monk's Garden.] & [The Madonna of the Mount.] & [A Melody of Morn.] & [Sans Souci.]
[The Monk's Garden.] & [The Madonna of the Mount.] & [A Melody of Morn.] & [Sans Souci.]
Wilfred Huggins [signed inside plate in pencil.] W.H.
[Printed at the Oldfield House Studios and Published by W.R. Howell & Co. The Gallery Bedfore Row Chambers. 42, Theobald's Road, London, W.C.1.] [n.d. c.1920.]
A set of four etchings printed in colour. Mint. Limited edition 27/200. 571 x 458mm. 22½ x 18". [&] 565 x 451mm. 22¼ x 17¾". [&] 571 x 452mm. 22¼ x 17¾". [&] 456 x 565mm. 18 x 22½".
From: "Four New Original Etchings (Florentine Idylls) by Wilfrid Huggins Printed in Old Time Style of Colour Printing and Limited to Two Hundred Signed Artist's Proofs, Numbered. The Plates Will Then Be Destroyed."
[Ref: 16021]   £650.00   view all images for this item
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[Forget-me-nots.]
[Forget-me-nots.]
Hall Thorpe [pencil signature].
Published by Hall Thorpe, London. Copyright U.S.A. 1922.
Coloured woodblock, signed in pencil, with large margins. 272 x 229mm (10¾ x 9"). Damage to pot.
John Hall Thorpe (1874-1947), the Australian-born artist, who learnt the art of colour woodblock printing in the early 1890's while still living in Sydney. In 1902 he moved to London and soon became one of the foremost exhibitors at the Colour Woodcut Society, formed in 1920, and by 1930 his woodcuts were sold worldwide.
[Ref: 34778]   £160.00   (£192.00 incl.VAT)
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[Scene in a Continental port town, probably France; boats in the foreground.]
[Scene in a Continental port town, probably France; boats in the foreground.]
Andrew F. Affleck [pencil signature.]
[n.d., c.1910.]
Etching, 295 x 275mm. 11½ x 10¾".
By Andrew Fairbairn Affleck (1874 - 1935). Along with Hedley Fitton and Axel Haig, Affleck ranked as one of Britain's most important architectural etchers of the early twentieth century. Best known for his large plates, Affleck etched many views in England, Holland, Italy, Belgium and in America. Around 1910, he moved permanently to France and some of his finest art deals with French buildings and their interiors. Today, the largest collections of Andrew Affleck's original etchings are housed in the British Museum, London.
[Ref: 12780]   £95.00   (£114.00 incl.VAT)
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From Pirae.
From Pirae.
Charles Surendorf. Tahiti 1939. 7/50 [Signed in pencil].
A very scarce woodcut printed on india paper. Limited to 50. 172 x 216mm. Tipped on corners to old card.
Charles Surendorf, American, 1906--1979 Charles Frederick Surendorf was born in Richmond, Indiana in November 1906. He left Richmond to spend time at the Chicago Art Institute, Art Student's League, New York and two semesters at Ohio State University in the Fine Arts program. In 1929, he moved to Los Angeles and to San Francisco in 1935. Charles Surendorf's early prints were woodblock, but he soon moved to a process he called "Linoleum Engravings." A view from Pirae, on the Northern coastline of Tahiti.
From the Harmsworth Estate: Desmond Harmsworth.
[Ref: 13055]   £360.00  
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[The Fully Licensed Man.]
[The Fully Licensed Man.]
S. Van Abbé A.R.E [signed in pencil.]
[n.d, 1923.]
Signed etching, 38/100 Limited. 272 x 270mm. Surface scratch in the plate.
A cigar-smoking publican at the bar with a glass of stout,
Salomon van Abbe (Dutch, 1883-1972). Born in Amsterdam, he came to England as a child. Studied in London and was elected Associate of the Royal Society of Painter Etchers and Exhibited at the Salon, Royal Academy.

[Ref: 6249]   £250.00  
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[Boat on the Ganges.]
[Boat on the Ganges.]
Etching by Francis Fane [in ink outside the image.]
[n.d. c.1850.]
Etching, extremely scarce. 109 x 120mm.
A view along the Ganges, the river that linked Delhi with Lucknow during the India Mutiny 1857-1859.
Colonel Francis Augustus Fane (1824-1893) was a Colonel who fought in the Indian Mutiny. He was commander of the Peshawar Light Horse. He gained the rank of Colonel in the service of the 25th Regiment. His life was full of excitement starting first as a soldier, then a banker before settling down as a country gentleman. He started life as a soldier in Antigua where he did some extensive sightseeing before returning to England for his second assignment which took him to Quebec, leading to further sightseeing with his uncle Major -General Mildmay Fane, around Niagara, New York, Boston, Philadelphia, Washington and Boston. In 1854 he returned to England to immediately join his uncle in India. It was until 1860 when he next moved to join the 25th regiment in Gibraltar. Following the death of his father in 1862 and the later death of his brother-in-law Anthony Willson, the Sleaford banker in 1866, he returned in November to end his army career, and embarked on a career in banking and finance.

During his time as a soldier he managed to find a lot of free time to indulge in numerous pastimes. This enabled him to become adept at music, and at drawing, painting and engraving. Whilst in the West Indies he had a large organ, which he took with him and exchanged in Calcutta in 1857 for a large harmonium, which was lost during the Mutiny. This ability enabled him to play in church in Quebec and in 1860 he received a new piano from Berlin in Gibraltar. It wasn’t until 1851 that he began etching, at which point he was in London based at a printers to learn that art of printing and engraving. He then bought his own printing press, which he took to India.

After leaving finance he soon became involved in local affairs in Fulbeck and in farming. He became a Justice of the Peace in 1875; and was very active in the affairs of the Conservative Association and of the Agricultural Society. His diaries came to abrupt end in 1884, nine years before his death, so little can be said about his remaining years.

[Ref: 16161]   £140.00   (£168.00 incl.VAT)
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[The George Inn.]
[The George Inn.]
W. Dendy Salder [signed in pencil.] James Dobie [signed in pencil.]
Copyright 1919, by L.H. Lefevre & Son in U.S.A. London, Published, 1919 by L.H. Lefevre & Son. 1.a King St. St. James;s, S.W. the proprietors of the Copyright. Printed by F. Brooker & Co.
Etching. Remarque of inn sign underneath image. Signed in pencil both by artist and engraver. Plate 502 x 642mm. 19¾ x 25¼".
Inside a drawing room; three men seated drinking, a fourth man standing to left holding an open paper; a woman sits to right with a dead bird and nuts on the table in front of her. A sign on the back wall reads "Freehold Corn Windmill...C. Underwood...The George Inn".
Not in PSA.
[Ref: 24154]   £180.00   (£216.00 incl.VAT)
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The Chairman [pencil inscription].
The Chairman [pencil inscription].
3rd T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 3rd trial proof, signed in pencil. 175 x 250mm.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39, this print illustrated on plate 25, but named as "Extra Turn".
[Ref: 6895]   £260.00   (£312.00 incl.VAT)
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[Next Pair Out.]
[Next Pair Out.]
1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 220 x 180mm.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6896]   £140.00   (£168.00 incl.VAT)
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[One of the Bucks.]
[One of the Bucks.]
Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, signed in pencil. 270 x 335mm.
Titled in pencil in different hand to the signature.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6898]   £95.00   (£114.00 incl.VAT)
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[A Spaniard?]
[A Spaniard?]
3rd T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 3rd trial proof, signed in pencil. 130 x 170mm.
Untitled image of a Spaniard [?] at a writing desk.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6902]   £95.00   (£114.00 incl.VAT)
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[To Brighton.]
[To Brighton.]
1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 270 x 335mm.
The driver and passengers on the top of a coach. Titled in pencil in different hand to the signature.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6897]   £260.00   (£312.00 incl.VAT)
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[A Traveller.]
[A Traveller.]
1st State. 1st T.P. Frank Gillett [pencil inscription].
[n.d., c.1925.]
Drypoint, 1st trial proof, signed in pencil. 225 x 175mm. Creased.
Untitled image of a traveller with a valise.
Edward Frank Gillett (1874-1927), illustrator for the 'Daily Graphic' 1898-1908. He also worked as a book illustrator, for example for Henty's 'Lion of the North', 1900.
Gillett created fewer than fifty drypoints during his career, the majority untitled. Both the British Museum and the Victoria and Albert Museum have comprehensive collections.

Guichard p.39.
[Ref: 6901]   £85.00   (£102.00 incl.VAT)
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Girl from Anacapri [:in pencil lower corner left.]
Girl from Anacapri [:in pencil lower corner left.]
[W. Wise after F. Leighton R.A.]
[n.d. c.1880.]
Etching. 425 x 286mm. 16¾ x 11¼".
Anacapri is on the island of Capri, in the province of Naples, Italy. These girls became famous, and many artists who visited the island were captivated by their exotic beauty; one particularly famous girl was Rosina Ferrara (1861-1934) who became the favourite muse of John Singer Sargent.
[Ref: 17506]   £80.00   (£96.00 incl.VAT)
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Les Glaneuses.
Les Glaneuses.
[After J.F. Millet.]
Copyright. Published by Etching & Photogravure Co. London E.C. [n.d. c.1870.]
Etching on india with large margins. India 255 x 330mm (10 x 13"). Remarqué of flowers lower right.
'The Gleaners', etching reproducing the famous painting by Millet (Paris, Musée d'Orsay).
[Ref: 28999]   £70.00   (£84.00 incl.VAT)
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Ye Wicked Goat.
Ye Wicked Goat.
Joaquin Macias [signed in pencil lower right.]
[n.d., c.1940.]
Etching, 150 x 225mm. 6 x 9". Upper left corner missing.
A goat in a yard eating washing hanging on a line.
The Latin American artist Joaquin Macias is known to have lived in Rio de Janeiro, Brazil, and Nicaragua, and to have visited Chile in 1951. In a hand written note discovered with a group of his etchings, he mentions a period of "30 years residence" in Britain.
He seems to have etched most of his plates in the 1930s, 40s and 50s.

[Ref: 9944]   £250.00  
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Going to the Park. 2.
Going to the Park. 2.
J.E.Millais R.A.
[n.d. c.1872] [Published by the Etching Club for 'Etchings for the Art Union of London', 1872 (no 9).]
Etching on india. Signed with the monogram in the plate. Plate 184 x 133mm. 7¼" x 5¼".
Two little girls, one in a three-wheeler pram being pushed by nursemaid.
[Ref: 8949]   £280.00   (£336.00 incl.VAT)
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[Lindsey Wharf & Battersea Bridge.]
[Lindsey Wharf & Battersea Bridge.]
W. Greaves. 1872.
Etching. 140 x 200mm. Tear in image.
Greaves, Walter 1846-1930. A close associate of Whistler.
Longford: Images of Chelsea, 229.
[Ref: 2823]   £320.00  
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Greetings.
Greetings.
A. Bauerle [pencil signature].
[n.d., c.1900.]
Etching, signed by the artist. 80 x 130mm, 3½ x 5¼". Glued into a mount.
An angel embracing a small boy, at the head of a queue of children, apparently an alternative Christmas card. Amelia Bauerle (or Bowerley), died 1916.
Guichard: "Competant lady etcher with a penchant for mermaids". Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 17780]   £70.00   (£84.00 incl.VAT)
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[Grotesque figure.] No. 47 by Gordon Craig [old ink mss.]
[Grotesque figure.] No. 47 by Gordon Craig [old ink mss.]
[by Edward Gordon Craig.]
[n.d., c.1920.]
Wood engraving on Japon. Printed area 250 x 170mm (9¾ x 6¾").
A wood engraving of a figure by Edward Gordon Craig (1872-1966), modernist actor, director and scenic designer, son of Ellen Terry and lover of Isadore Duncan. In 1910 he wrote 'A Note on Masks', in which he expounded on the use of masks to capture the audience’s attention, imagination and soul: certainly this figure's features resemble a Japanese Noh mask.
Ex: collection of the Hon Christopher Lennox-Boyd.
[Ref: 33998]   £650.00  
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The Gulley [pencil, to lower margin.]
The Gulley [pencil, to lower margin.]
Robert Bartlett [pencil signature.]
[British, n.d., c.1930s.]
Wood engraving on chine appliqué from a limited edition; image 150 x 120mm. 6 x 4¾". A good impression with wide margins.
A rocky inlet between cliffs, with a high sea to foreground and a landscape with house and church beyond.
[Ref: 22536]   £130.00   (£156.00 incl.VAT)
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[Little Calais Pier.]
[Little Calais Pier.]
Seymour Haden. [Signed in pencil.]
Calais. S. Haden 1865. 3am.
Etching. Platemark: 75 x 150mm (3 x 6").
An attractive view of the pier at Calais, France. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818 - 1910) married the sister of James McNeill Whistler (1834 - 1903) and became an important influence on the American-born etcher's style.
H:98.
[Ref: 38026]   £170.00   (£204.00 incl.VAT)
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[Little Moat House.]
[Little Moat House.]
Seymour Haden. [Signed in pencil.]
1866.
Etching. Platemark: 150 x 225mm (6 x 9"). Very large margins. Some foxing.
An attractive view at the waters edge, with a house to the left. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818 - 1910) married the sister of James McNeill Whistler (1834 - 1903) and became an important influence on the American-born etcher's style.
H:114.
[Ref: 38025]   £250.00  
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[Little Shere Mill Pond.]
[Little Shere Mill Pond.]
Seymour Haden. [Signed in pencil.]
[n.d., c.1860.]
Etching. Platemark: 110 x 170mm (4¼ x 6¾"). Slight staining.
A view of Shere Mill Pond, surrounded by trees and reeds, with a building in the background in the centre. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818 - 1910) married the sister of James McNeill Whistler (1834 - 1903) and became an important influence on the American-born etcher's style.
H:37.
[Ref: 38027]   £160.00   (£192.00 incl.VAT)
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[Beach scene.]
[Beach scene.]
Liu Haiming.
1994.
Lithograph, printed area 310 x 400mm (12¼ x 15½") Signed by artist, numbered 3/70.
Lithograph of birds in flight by Liu Haiming (b.1954, Pingyao, China) from 1994, by which time he was exhibiting regularly in the UK.
[Ref: 19876]   £350.00  
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[Cactus.]
[Cactus.]
Liu Haiming.
1992.
Lithograph, printed area 460 x 410mm (18 x 16") Signed by artist, numbered 3/50.
Lithograph by Liu Haiming (b.1954, Pingyao, China) from 1992, by which time he was exhibiting regularly in the UK.
[Ref: 19875]   £350.00  
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Spring Warm.
Spring Warm.
Liu Haiming.
1982.
Lithograph, printed area 310 x 400mm (12¼ x 15½") Signed by artist, numbered 11/50.
Lithograph by Liu Haiming (b.1954, Pingyao, China) from 1982, during which time he was lecturer in Art History, Painting and Printmaking at the College of Art and Culture of Shanxi.
[Ref: 19879]   £350.00  
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Haitian Belle [pencil, to lower margin.]
Haitian Belle [pencil, to lower margin.]
Philip Kappel [pencil signature.]
[American, n.d., c.1928.]
Etching, laid paper, 190 x 150mm. 7½ x 6". Inscribed by the artist in pencil "To my friend Samuel Endicott".
Charming study of a European woman riding side-saddle on a donkey, wearing a wide-brimmed hat. By Philip Kappel (American, 1901 - 1981), etcher, illustrator and painter. Born Hartford, Connecticut in 1901.
[Ref: 23193]   £160.00   (£192.00 incl.VAT)
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Halvergate Marshes [in pencil].
Halvergate Marshes [in pencil].
C.H. Baskett del et imp. [pencil signature.]
[n.d., c.1920.]
Pure aquatint, 170 x 320mm. 6¾ x 12½".
View of the Halvergate Marshes south of the River Bure on the Norfolk Broads in Norfolk, England; several windmills. Charles Henry Baskett (British, 1872 - 1953).
[Ref: 19860]   £130.00   (£156.00 incl.VAT)
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