Grosvenor Prints

[Pair] Morning [&] Evening.
Painted by F. Wheatley RA. Engraved by J. Barney.
Published according to Act by J. Barney, Tottenham Court Road opposite the Chapel, Feb 9. 1793.
A pair of mezzotints, very fine & rare. Plate size: 590 x 480mm, 23¼ x 18¾" each. Unexamined out of frame.
Morning. A rural scene outside a cottage with a maid tending to the well; two men are leading three horses past her. Evening. Three maids can be seen cleaning whilst a white horse drinks from water nearby. Francis Wheatley (1747 - 1801) was an English portrait and landscape painter.
[Ref: 28094] £600.00 view all images for this item

Les Nageurs. Dédié a Messire Françoi de Baussan, Chevalier Seig.r de Blanville, Richgroux, et autr.s Lieux...
P. Wouvermens pinx. Beaumont Sculp.
A Paris, chez Basset, Rue St Jacques No 64 [n.d., c.1815].
Rare etching with engraving. 345 x 450mm (13½ x 17¾") very large margins Slight stain bottom right.
Riders watering their horses under a rickety footbridge, with swimmers and washerwomen. Engraved by Pierre François Beaumont and originally published by him in 1738 as part of a set of four scenes after after Philips Wouverman. This example was printed after Paul André Basset moved the family firm to rue Saint Jacques no.64 in 1812.
[Ref: 55417] £290.00 (£348.00 incl.VAT)

L'Ane obstiné.
Gravé par F.S. Ravenet d'aprés le Dessin original de même grandeur inventé et dessiné par Jean Pillement.
London publish'd according to act of Parliament December 26th 1759.
Engraving. 430 x 505mm, 17 x 20". Creased just inside platemark.
The obstinant ass.
[Ref: 11601] £480.00

Alte Liebe rostel nicht. Oude Liefde Roest Niet. Old Love Never Dies.
Nach C. Engel, lith. von C. Bach. Druck, Verlag u. Eigenthuin v. E.G. May & Wirsing in Frankfurt a/m.
[n.d., c.1850.]
Hand-coloured lithograph. Sheet: 305 x 315mm (12 x 12¾''). Staining, creasing.
A scene showing an old married couple sitting at a table in their home.
[Ref: 51089] £230.00 (£276.00 incl.VAT)

Le Passage de l'Eau. d’apres le Tableau de Philippe Wouverman qui se trouve dans la Galerie de S.E. M.r le Comte de Bruhl Premier Ministre de S.M. Polonoise. No.13. haut 1. pied 3. pouces sure 1. pied 6. pouces de largeur.
P. Wovermens pinx. Antonius Tischler Sculp.
[n.d. c.1754.]
Copper engraving and etching with very large margins. Plate 298 x 363mm. 11¾ x 14¼". Very fine.
River hemmed by steep hills linked by a footbridge, running through a landscape; below, at left, a country woman carrying a baby on her back and fording the river; anglers on the opposite bank. Engraved by Anton Tischler as part of 'Recueil d'estampes gravées d'après les tableaux de la galerie de S. E. M. le Comte de Brühl', a set reproducing paintings from the collection of the Count of Brühl published in Dresden in 1754. The prints that Tischler engraved for this series were all after Wouwermans, part of the strategy in this series to assign work to engravers based on their specialities.
see Martin Schuster, 'Remarks on the Development of the "Recueil d'estampes" [...]' in 'A l'origine du livre d'art [...]' (2006)
[Ref: 30621] £250.00 (£300.00 incl.VAT)

Pastoral.
[I.H. Mortimer.]
Publishd Dec.r 8, 1778 by I Mortimer.
Etching. 300 x 197mm (11¾ x 7¾").
A woman sitting with her arm around a shepherd reclining on a bank, holding up her skirts which are full of flowers, sheep around them. From a series of "Fifteen etchings dedicated to Sir Joshua Reynolds".
[Ref: 28025] £120.00 (£144.00 incl.VAT)

1.re Pastorale.
Le Prince 1769. bit later
Etching with aquatint, with hand colour. 305 x 380mm (12 x 15"), very large margins on 3 sides. Narrow right margin.
A shepherd plays a pipe to his family, dog and resting sheep and cows. Drawn and etched by Jean Baptiste Le Prince (1734-81), the possible inventor of aquatint: he first used the technique in 1768, the year before this print.
[Ref: 57651] £260.00 (£312.00 incl.VAT)

I1.e Pastorale.
Le Prince 1769. bit later.
Etching with aquatint, with hand colour. 305 x 380mm (12 x 15"), very large margins on 3 sides. Narrow right margin.
Two shepherds rest, with three sheep and a goat. Drawn and etched by Jean Baptiste Le Prince (1734-81), the possible inventor of aquatint: he first used the technique in 1768, the year before this print.
[Ref: 57652] £260.00 (£312.00 incl.VAT)

[Jocund Peasants.]
Dusart pinx.t. Browne Aqua forte fecit. Woollett sculp.
[n.d., c.1767.]
Engraving. Plate: 380 x 510mm (15 x 20"). Proof before title, fine impresson. Repaired pinhole in title area. Repairs.
A scene outside a rustic building, depicting a group of peasants seated at a table in a courtyard, drinking and smoking pipes. Cornelis Dusart was Van Ostade's pupil and specialised in the portrayal of peasants' lives, and the depictions of fairs and village festivals.
Fagan LVIII. State IV of VII. Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 40344] £280.00 (£336.00 incl.VAT)

A Curious Discovery.
[n.d., c.1825.]
Very fine hand-coloured etching. Sheet: 210 x 285mm (8¼ x 11¼"). Trimmed within plate.
A scene in which two keepers come across a poacher while a spaniel seizes a hare caught in a snare.
[Ref: 43634] £140.00 (£168.00 incl.VAT)

[A Potter on the side of a lane creating. [&] [Women holding a baby on the side of a lane with a pot beside her.]
[n.d. c.1760.]
A pair of watercolours. 209 x 178mm. 8¼ x 7" Cut and laid and scrap sheet.
Dutch scenes of potters.
[Ref: 14505] £450.00 view all images for this item

The Reaper.
Painted by T. Faed R.A. Engraved by F. Stacpoole. [In image area:] TFaed 1863.
London: Published Jan.y 17th. 1865, by B. Brooks & Sons, 48, Fetter Lane.
Mezzotint with very large margins. Plate 711 x 539mm. 28 x 21¼".
A young woman in rustic dress with a shawl around her shoulders, standing full-length in a field directed to left, holding a sickle, looking to right at a bundle of hay; a man is cutting hay behind her.
[Ref: 25295] £230.00 (£276.00 incl.VAT)

Repos du Chasseur. Tiré du Cabinet de Monsieur Prousteau Capitaine des Gardes de la Ville.
A. Gryef pinx. le Vasseur Sculp.
A Paris chez Beauvarlet rue St. Jacques au Temple du Gout. [n.d. c.1770.]
Copper Engraving. Plate 274 x 209mm. 10¾ x 8¼".
Rest during the hunt; a boy seated by a tree with his two dogs and his killings behind him, consisting of a hare, wood pigeon and two other foul. His satchel slung across his chest and his rifle on his lap. In the backgroud can be seen a shepherd with three sheep. An Italianesque landscape.
[Ref: 17987] £120.00 (£144.00 incl.VAT)

Returning from Market. From the Original Picture of the same size, Painted by Nicholas Berchem; In the Collecion of John Darker Esq.r.
N. Berchem Pinx.t. John Boydell excudit, 1771. P. C. Canot Sculpsit.
Published May 1.st. 1771 by John Boydell Engraver in Cheapside London.
Engraving. Plate: 480 x 380mm (19 x 15"). Very large margins.
A landscape view in which several figures, three of whom are mounted, drive their livestock across a river. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38263] £350.00

Rosina.
Published 12.th May 1794 by Laurie & Whittle, 53 Fleet Street, London.
Mezzotint, platemark 150 x 115mm (6 x 4½"). Small margins.
Young woman in suggestive pose carrying a rake, hayrick on right. Mezzotint published by Laurie & Whittle, and probably a reduced copy of another print.
[Ref: 47098] £130.00 (£156.00 incl.VAT)

Rural Felicity. Behold the blest couple return from their toil ... With stories soft stories of love.
H. Corbould del.t Rob.t Cooper sculp.t
London. Published March 1.1814, by S & J. Fuller at the Temple of Fancy Rathbone Place.
Rare stipple. Plate 303 x 229mm (12 x 9"), very large margins.
A couple in rustic dress walking through a hayfield to the right, the youth carrying a cask and staff, his arm around the girl's waist, while she carries a sheaf of hay tied in a cloth on her head, holding her straw hat in her other hand.
[Ref: 31312] £160.00 (£192.00 incl.VAT)

Rural Felicity. [&] Sportive Innocence.
Engraved after an Original Drawing of P.J. Loutherbourgh, Painter to the King of France, by W.m Smith.
London, Printe for R. Sayer and J. Bennett, Map & Printsellers, No.53 Fleet Street: as the Act directs, 2.d June, 1777.
Pair of hand-coloured engravings. Plate 459 x 360mm. 18 x 14¼".
Rocky landscape with figures sitting on high rocks over water beneath a gnarled tree, a woman playing a pipe watched by a man and boy with their dog standing beside; [&] Landscape with boys playing with three dogs beside a river, a girl sitting on rocks at left beneath a gnarled tree with a puppy under her arm, buildings and church bell on cliffs across the water behind, and mountain in the background.
[Ref: 28184] £390.00 view all images for this item

[Rural landscape with castle.]
P. Sandby R.A. del. F. Jukes fec.t.
London Pub.d May 1 1788 by F Jukes Howland Street.
Etching and aquatint, 255 x 290mm (10 x 11½"). Some small creases. Repaired tears and small margins.
Rural landscape with a castle on the right which has a square gate-tower, seen across a bridge over a river which falls steeply on the right. A woman in the foreground speaks to a man who sits at the roadside on a rock, with a basket and stick.
[Ref: 60616] £120.00 (£144.00 incl.VAT)

Le Repos champetre. [Rustic relaxation.]
F. Boucher Del. Ryland Sculp.
A Paris chez Buldet, rue de Gesvres, au Grand Coeur. [n.d., c.1780.]
Engraving, 345 x 250mm (13½ x 9¾"). Full margins.
Peasant women and children resting with their sheep in a makeshift shelter; a thatched cottage in the background. After François Boucher (1703 - 1770).
[Ref: 13365] £280.00 (£336.00 incl.VAT)

[Field with horse and cottage]
J.M. in. & ft 1771
Etching, platemark 120 x 155mm (4¾ x 6"), with large margins.
[Ref: 47661] £80.00 (£96.00 incl.VAT)

[Rustic boors celebrating] Tra i campestri piacer Turba innocente/ Di molesto pensier cura non sente.
Ferg pinx.
Ex Calcographia I. Wagner Ven.a C.P.E.S. [Italian/German, n.d., c.1730s.]
Etching, laid paper, rare, image 240 x 305mm. 9½ x 12". Trimmed to platemark; some staining bottom; small hole top right.
Peasants drinking, cavorting and dancing to two musicians outside a rural inn. After Franz de Paula Ferg (1689 - 1740).
[Ref: 26755] £160.00 (£192.00 incl.VAT)

Rustic Cares Chuck Chuck Chuck.
G. Morland [signature facsimile in plate.] George Morland del. Thomas Williamson sculp.
London, Published Septr. 2. 1805, by R. Bowyer, Historic Gallery, Pall Mall.
Stipple with soft ground etching, 430 x 503mm.
A farm-hand carrying buckets towards a trough at left in a yard, followed by pigs through the gate at right.
BM Registration no: 1872,0511.25
[Ref: 7691] £110.00 (£132.00 incl.VAT)

Rustic Hours. Night. Les Heures Champetres. La Nuit.
Wheatley pinx.t H. Gillbank sculp.t.
London Published Sept.r 29.th 1800. by James Daniell & Co. No.6, Great Charlotte Street, Blackfriars Road. Se Vend à Londres chez James Daniell. Graveur, & Comp.ie
Fine mezzotint, printed in colours and hand-finished. 480 x 580mm (18¾ x 22¾"). Trimmed to the plate along lower edge.
Inside the cottage at night time; the man to the left has fallen asleep with his head in his arms, at the table, after a long day in the fields. The two younger women by the fireplace put the sleeping baby into the wicker cot and wrapping him in a blanket; a dog curled up to the side. Two young children in the centre; the boy seated holding a cat. One of the 'Four Times of the Day (Rustic Hours)' by Francis Wheatley.
Webster: 122.
[Ref: 20209] £320.00

The Rustic Hovel.
Painted by G. Morland. Engraved by E. Bell.
Sold & Published Jan.y 1. 1804 by Edw.d. Orme, His Majesty's Printseller, 59 New Bond Street, London.
Mezzotint, printed in colours. 380 x 460mm, 15 x 18". Tear in bottom margin.
Two men, two donkeys and a dog in a barn. Comp. to "The Cottage Sty."
In Dawe.
[Ref: 13832] £360.00

[Rustic lovers.]
J.B. Huet peintre du Roy. Graveé par Debucourt 1789.
Etching with fine hand colour. Framed, window area 210 x 160mm (8¼ x 10¼"). Unexamined out of frame.
A shepherdess and her lover under an architectural caprice, Cupid hovering at her shoulder.
[Ref: 33153] £220.00 (£264.00 incl.VAT)

[Dutch peasants around a fire outside a cottage.]
[Deutchar]
[n.d., c.1789.]
Etching. 45 x 65mm (1¾ x 2½"). Mounted on album paper.
[Ref: 57785] £80.00 (£96.00 incl.VAT)

A Prosperous Sailor Boy return'd Home to his Distress'd Parents,
Published March 14th 1794 by John Fairburn, Map, Chart and Printseller, No 146 Minories London.
Mezzotint, platemark 250 x 355mm (9¾ x 14"), with very large margins. Tears and creases in margins.
A young sailor returns from a voyage with gifts for his family. The image and subject have much in common with, and me be derived from, 'The Sailor Boy's Return from a Prosperous Voyage', an engraving after a painting by William Redmore Bigg which was published around the same time.
[Ref: 43928] £260.00 (£312.00 incl.VAT)

[Woman breastfeeding and man drinking from a bottle]
[Benjamin Zix, c.1810?]
Pen lithograph, scarce, sheet 200 x 275mm (8 x 10¾").
Early lithograph executed, according to mansucript inscription verso, by Benjamin Zix (1772-1811), French painter and printmaker closely associated with Vivant Denon.
Provenance: Rokeby Park Durham.
[Ref: 46506] £140.00 (£168.00 incl.VAT)

The Sheep Shearer [parallel text in French]
Peint par H. Singleton. Gravé par Ruotte.
A Paris chez Pomel Jne et C.ie rue du Temple 43 [n.d., c.1810].
Stipple engraving, rare, sheet 485 x 355mm (19 x 14"). Trimmed inside platemark; nicks to edges.
Henry Singleton (1766-1839), London-born painter who began painting large and ambitious historical scenes such as 'Paul I Granting Liberty to Kosciuszko' (1797) and 'The Death of Captain Alexander Hood' but turned increasingly to book illustrations and genre scenes (often intended specifically for engraving) in his later years.
[Ref: 44199] £280.00 (£336.00 incl.VAT)

Sheep-Shearing.
Painted by W. Hamilton, R A. Engraved by F. Bartolozzi R. A. Engraver to his Majesty.
London Pub.d as the Act directs. Sep.r 5. 1798. by P. W. Tomkins. No. 49. New Bond Street.
Stipple and etching, chine-collé, title in open letters. 485 x 390mm (19 x 15¼"), with very large margins. Crease in unprinted area on left, slight foxing, margins bit messy.
A scene of a family shearing sheep outside a farmhouse. It was used as a chapter heading for James Thomson's ''The Seasons''. Another state has the title 'Summer'.
De Vesme 1799.
[Ref: 55225] £190.00 (£228.00 incl.VAT)

Le Berger Recompensé. Dedié à Madame La Marechale Duchesse de Duras, Dame d'honneur de Mesdames de France. Par son tres humble et tres obeissant Serviteurt Gaillard.
F. Boucher Pixit. R. Gaillard Sculp.
APAris chés l'Auteur rue St Jacques au dessus des Jacobins, entre un Perruquier et une Lingere [n.d., c.1770].
Fine etching with engraving. 500 x 380mm (20 x 15"), with large margins. Uncut.
A shepherd, lying on the ground playing bagpipes, is given a garland by a peasant girl with a basket of produce. Francois Boucher (1703-70), found favour with the mistress of Louis XV, Madame du Pompadour, soon becoming the 'premier peintre' to the king, in which role he rejuvenated the 'pastoral tradition' in French art.
[Ref: 57885] £260.00 (£312.00 incl.VAT)

A Shepherd Boy.
James Ward R.A.Pinx.t et Del.t. Printed by P. Simoneau.
London Published May 1st 182[5?] No 6 Newman S. & R. Ackermann Strand.
Rare lithograph. Sheet 250 x 300mm (9¾ x 11¾"). Trimmed to the image on three sides, publication line weakly inked.
A young shepherd boy, leaning against a gnarled tree. James Ward, an artist famed for his mezzotint animal scenes, also experimented with making his own lithographs.
[Ref: 51475] £240.00 (£288.00 incl.VAT)

Al Sig. G. Guillon Le Thiere Pittore celeberrimo e Direttore della Imperiale e Reale Accademia di Francia in Roma. Dal Quadro originale presso il S. Cav. Gio. Gherardo De Rossi. Pietro Parboni D. D. D.
Gasparo Pussino dipinse. Niccola de Antoni impresse. Pietro Parboni disegno e incise.
[Rome, n.d. c.1807-1832]
Etching with engraving. 465 x 610mm (18¼ x 24"), with wide margins. Mint.
A rustic scene of two shepherds quiding their sheep and cattle through a wood. After Gaspard Dughet (1615-1675), a student of Poussin. Dughet's successful career as a landscape artist saw him become one of the best known painters in Rome, alonside Poussin and Claude Lorrain.
From the Berkeley Collection, Spetchley Park.
[Ref: 55091] £350.00

[Shepherd and shepherdess sitting by a fountain.]
W.Vincent fec.
[n.d., c.1680.]
Rare mezzotint. Borders bit messy. 180 x 150mm (7 x 6") Trimmed to plate, mounted on album paper.
A shepherd and shepherdess sitting by a dolphin fountain, the man playing a pipe.
CS 15. BM 1868,1114.495.
[Ref: 32163] £220.00 (£264.00 incl.VAT)

[The Silver Age.]
H. Walton Pinxit. Charles West Sculpsit.
Publish'd Sept.r 2.d 1782 by John Boydell Engraver in Cheapside London.
A pair of stipples, printed in sepia and black. Sheet: 290 x 325mm (11½ x 12¾''). Trimmed within plate.
Two versions of the same print, printed in two different colours. The scene shows a young girl looking out across a landscape while two chickens are in a basket next to her.
[Ref: 48856] £480.00

La Belle Dormeuse.
F. Boucher Del. W. Ryland Sculp.
Aparis ches Buldet rue de Gesvres au grand Coeur. [n.d., c.1770].
Engraving. Plate: 270 x 340mm (10½ x 13½'') very large margins.
A scene in a wood showing a young woman asleep near her sheep and dog, behind her a young man watches from behind a tree.
[Ref: 49042] £320.00

[Sleeping women observed by passing man] No. 332
A. Van Dyck del.
J.G. Hertel exc. A.V. [c.1770]
Etching platemark 195 x 285mm (7¾ x 11¼") very large margins.
German etching after a genre scene by Anthony Van Dyck (1599-1641), perhaps after Rubens the leading Flemish painter of the first half of the 17th century. Van Dyck produced history paintings, tapestry designs, etchings and landscape drawings, although it is chiefly as a portrait painter that he is remembered. He was court painter first to Archduchess Isabella of the Spanish Netherlands and then Charles I of England, who had him buried in St Paul’s Cathedral and erected a lavish monument in his honour on his death in 1641.
[Ref: 44226] £160.00 (£192.00 incl.VAT)

The Sleepy Maid.
P. Mercier pinx.t. C. Corbutt fecit. Printed for Rob.t Sayer N.o 53 in Fleet Street.
London, [n.d.].
Mezzotint. 150 x 110mm (6 x 4¼"), with margins.
A maid nodding off as she darns a piece of clothing.
[Ref: 54083] £110.00 (£132.00 incl.VAT)

[Pastoral scene with man playing a shawm.]
[after Dirk Stoop.]
J. Smith ex [n.d., c.1700].
Mezzotint. 165 x 120mm (6½ x 4¾"). Thread margins.
A man sits under a tree, playing a shawm. Two women, one bare-breasted, holding a shepherd's crook, stand above him. A reversed copy of Stoop's design for a fan.
BM 1838,0420.74, state ii of ii, with 'J. Smith ex' rather than 'exc'.
[Ref: 60145] £160.00 (£192.00 incl.VAT)

[Young Woman Spinning.]
J. H. Benwell inv.t. F. Bartolozzi sculp.
London Published Jan. 20th 1784 by J. Walker Carver No.148 Strand.
Stipple, proof before title. Plate: 275 x 200mm (10¾ x 8'') very large margins. Publication line faint.
A scene showing a country girl sitting outside at her spinning wheel with her cat asleep next to her.
[Ref: 48984] £260.00 (£312.00 incl.VAT)

Le Printems. Vue du Rhône. Gravé d'apres le Tableau Original Tiré du Cabinet de B. Cleeve Ecuyer.
D. Teniers pinx.t. T. Major sculp.t.
A Londres chez Major Graveur de S.A.R. le Prince de Galles, à la Tête d'or dans Chandois Street. Publish'd accor.g to Act of Parliam.t May 8th 1753.
Etching with engraving. 340 x 465mm (13½ x 18¼"), large margins. Top border with several nicks. Few small repairs.
Rocky landscape with two shepherds and their animals resting on a river-bank at right, one of them holding bagpipes.
[Ref: 59224] £260.00 (£312.00 incl.VAT)

[The Squire's Pony.]
[James Hardy.]
[London, c.1885.]
Etching, remarque proof on india paper. 240 x 305mm. 9½ x 12". A fine impression.
A young countryman, dead birds slung over his back, has lead a horse to a gate, accompanied by an English setter and pointer. Remarque of two pheasants lower left. After James Hardy (English; 1832 - 1889).
[Ref: 19424] £150.00 (£180.00 incl.VAT)

[The Dutch Stable] L'Ecurie Holandoise. Gravé d'Après le Tableau Original de P.pe Wouvermens [...]
P. Wouvrmens Pinx. J. Moyreau Sculp.
AParis chez Moyreau, Graveur du Roy, rue Gallande vis-à-vis St. Blaise 1739. Avec privilege du Roy.
Engraving, platemark 355 x 470mm (14 x 18½"). Tear from top edge. Small margins.
The Dutch stable: one of several good-quality engravings made in the early 18th century after Philips Wouwermans (1619-68), Dutch painter specialising in horses, who was well represented in important collections during this period. Stable interiors by Wouwermans are in London (National Gallery), Cambridge (Fitzwilliam Museum), Dresden (Staatliche Kunstsammlungen) and Munich (Alte Pinakothek).
[Ref: 40590] £260.00 (£312.00 incl.VAT)

The Temple of Apollo. No 17. bottom right
Swanevelt Pinx.t
London Published July 10.th 1787 by Rob.t Sayer 53 Fleet Street.
Engraving with large margins; paper watermarked. Plate 249 x 355mm (10 x 14"). Slight creasing in margins.
Landscape after Swanevelt, from a series. Cows resting in foreground by the river's edge and two people to the right; to the left a small bridge upon which stand three people. Behind them is a small field of sheep, behind which there is a waterfall and to the right a temple.
From the Oettingen-Wallerstein Collection.
[Ref: 28371] £140.00 (£168.00 incl.VAT)

Uit-lesing vande Tienden der Kudde.
[Jan Luyken.]
[n.d., c.1683.]
Engraving. Plate: 145 x 295mm (5¾ x 11½'').
A print showing shepherds tending their flock. By Dutch printmaker Jan Luyken (1649-1712).
[Ref: 49658] £110.00 (£132.00 incl.VAT)

The Farm.
London, Printed for R. Sayer & J. Bennett No.53 Fleet Street. [n.d. c.1820.]
Copper Engraving. Plate 254 x 368mm. 10 x 14½". Worm hole in left-hand tree.
A rural scene outside a farm house; women and children around milking a cow and collecting the wheat; the men, one cutting wood, the other returning to the stable with the horse; a plough in the lower left corner.
[Ref: 19374] £65.00 (£78.00 incl.VAT)

[Travellers resting.]
Drawn by J. Ibbetson.
Published by Pollard. [n.d., c.1800.]
Aquatint. 190 x 245mm (7½ x 9½"). Thread margins, wormhole in unprinted sky area.
A couple resting on hay in a field, donkeys looking on.
[Ref: 44299] £65.00 (£78.00 incl.VAT)

[Travellers.]
Drawn by J. Ibbetson.
Published by Pollard. [n.d., c.1800.]
Aquatint. 190 x 245mm (7½ x 9½"). Thread margins, wormhole in unprinted sky area.
A couple with their donkeys and a dog.
[Ref: 44300] £65.00 (£78.00 incl.VAT)

The Turnpike Gate [&] The Ale House Door
Painted by J. J. Chalon. Engraved by Charles Turner.
Published July 1st 1803 by Edward Orme. His Majesty's Printseller, 59 New Bond Street.
Scarce pair of mezzotints, printed in colours and hand finish. Each 580 x 490mm (22¾ x 19¼"). Small margins.
The Turnpike Gate: A two-horse cart containing a man, woman an child, stopping at a turnpike gate. The man is paying the toll to the gate keeper; a foal stands behind the mare attached to the cart; behind the cart are two men - one with a spade, the other with a pick axe across his shoulder. The Ale House Door: Scene outside a county inn which has on its signboard a portrait of George III, with 'T.E. Jones' above and 'Fine Amber Ale & c.' below. By the door and two men, a young women serving a soldier with ale, and a child; an old woman looks out fom a lattice window.
Charles Turner Engraver. Whitman: 696. 697.
[Ref: 27943] £1,250.00 view all images for this item

Two Dogs Quarrelling for one bone
Pigal [in image lower left]
London Pubd by A. Sharpe [c.1820's]
Lithograph with hand-colouring; printed area 255 x 185mm (10 x 7¼"); large margins.
Two men argue over a woman, like the two dogs fighting for a bone next to them. Lithograph by Edmé Jean Pigal (1798-1872), French caricaturist who studied under Baron Gros, and published by A. Sharpe, who favoured gentle observational humour such as that found in Pigal's work.
[Ref: 40581] £110.00 (£132.00 incl.VAT)

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