A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Sultan Ahmed III at the Seraglio with Kizlar Agha, head Eunach of the Imperial Harem.]](jpegs/47035.jpg)
[Sultan Ahmed III at the Seraglio with Kizlar Agha, head Eunach of the Imperial Harem.] Le Grand Seigneur dans le Serrail, avec le Kislar Agassi.
JB. P. Simonneau filius. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47035] £320.00
JB. P. Simonneau filius. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47035] £320.00
![[The Sultana.]](jpegs/47036.jpg)
[The Sultana.] La Sultana Asseki, ou Sultane Reine.
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
The Sultana pointing to her perfumes. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47036] £320.00
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
The Sultana pointing to her perfumes. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47036] £320.00
Quinze Ans de Voyages Autour du Monde, par le Capitaine Gabriel Lafond (de Lurcy). Aniere (Détroit de la Sonde).
Lith. par S.t Aulaire et Freeman.
Lith de Rigo frères, Pass: Saulnier, 19. [n.d., c.1840.]
A rare tinted lithograph. Sheet: 375 x 520mm (14¾ x 20½"). Vertical crease.
A view of the Sunda Islands in North Sumatra with figures in the foreground. An illustration from 'Quinze Ans de Voyages Autour du Monde' by Gabriel Lafond de Lurcy who departed on his second voyage around the world in 1828, his description of his travels was published in 1840.
[Ref: 46712] £260.00 (£312.00 incl.VAT)
Lith. par S.t Aulaire et Freeman.
Lith de Rigo frères, Pass: Saulnier, 19. [n.d., c.1840.]
A rare tinted lithograph. Sheet: 375 x 520mm (14¾ x 20½"). Vertical crease.
A view of the Sunda Islands in North Sumatra with figures in the foreground. An illustration from 'Quinze Ans de Voyages Autour du Monde' by Gabriel Lafond de Lurcy who departed on his second voyage around the world in 1828, his description of his travels was published in 1840.
[Ref: 46712] £260.00 (£312.00 incl.VAT)
![[Itinerant sweet seller]](jpegs/46959.jpg)
[Itinerant sweet seller] Halvadgi. vendeur de Confitures par les rues.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46959] £320.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
[Ref: 46959] £320.00
![[Dancing boy]](jpegs/46928.jpg)
[Dancing boy] Tchingui. Danseur Turc.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Mint engraving. 360 x 250mm (13¾ x 9¾"), with wide margins.
A professional dancing boy or köçek, published in 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. Joseph A. Boone, in 'The Homoerotics of Orientalism', notes the fierce reactions which greeted this print on its publication, and that 'male dancers were commonly assumed to be sexually available for pay'. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
Joseph A. Boone, 'The Homoerotics of Orientalism', pp.102-3.
[Ref: 46928] £320.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Mint engraving. 360 x 250mm (13¾ x 9¾"), with wide margins.
A professional dancing boy or köçek, published in 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. Joseph A. Boone, in 'The Homoerotics of Orientalism', notes the fierce reactions which greeted this print on its publication, and that 'male dancers were commonly assumed to be sexually available for pay'. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
Joseph A. Boone, 'The Homoerotics of Orientalism', pp.102-3.
[Ref: 46928] £320.00
![Siam. Bangkok. Gewürzläden. [No. 9. Siam. Schwimmende Gewürzläden.]](jpegs/46869.jpg)
Siam. Bangkok. Gewürzläden. [No. 9. Siam. Schwimmende Gewürzläden.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 275 x 360mm (10¾ x 14¼"), trimmed to image and mounted on card as issued, title label on reverse as usual.
A view of floating spice shops in Bangkok, after a watercolour by Eduard Hildebrandt (1818-1869). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46869] £480.00
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 275 x 360mm (10¾ x 14¼"), trimmed to image and mounted on card as issued, title label on reverse as usual.
A view of floating spice shops in Bangkok, after a watercolour by Eduard Hildebrandt (1818-1869). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46869] £480.00
![[Turkish Girl Having her Hair Pleated in the Bath.]](jpegs/47018.jpg)
[Turkish Girl Having her Hair Pleated in the Bath.] Fille Turque à qui l'on tresse less cheveaux au bain.
J.B. I. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A naked girl except for a towel. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47018] £290.00 (£348.00 incl.VAT)
J.B. I. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A naked girl except for a towel. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47018] £290.00 (£348.00 incl.VAT)
![[Chef of Ahmed III.]](jpegs/47039.jpg)
[Chef of Ahmed III.] Ast-chi Cuisinier du Grand Seigneur.
JB.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A fine cooking image. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47039] £330.00
JB.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A fine cooking image. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47039] £330.00
![[Turkish Girl Drinking Coffee on a Sofa.]](jpegs/47017.jpg)
[Turkish Girl Drinking Coffee on a Sofa.] Fille Turque prenant le Caffé sur le Sopha.
J.B. I. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"); mint with very large margins.
One of the earliest coffee images. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47017] £330.00
J.B. I. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"); mint with very large margins.
One of the earliest coffee images. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47017] £330.00
![[Confectioner of the Seraglio]](jpegs/47040.jpg)
[Confectioner of the Seraglio] Halvadgi, ou Confisuer du Serail.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47040] £280.00 (£336.00 incl.VAT)
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47040] £280.00 (£336.00 incl.VAT)
![[Turkish Dancer.]](jpegs/47023.jpg)
[Turkish Dancer.] Tchinguis ou Danseuse Turque.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a seductive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47023] £360.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a seductive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47023] £360.00
![[Turkish Girls Playing Mancala.]](jpegs/47021.jpg)
[Turkish Girls Playing Mancala.] Filles Turques qui jouant au Mangala.
JB.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47021] £320.00
JB.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47021] £320.00
![[A Legal Leader.]](jpegs/47043.jpg)
[A Legal Leader.] Le Casi-leskier, Chef des Loix. Il y en a un d'Europe et un d'Asie.
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47043] £330.00
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47043] £330.00
![[Turkish lover slitting his wrists to prove his desire]](jpegs/46965.jpg)
[Turkish lover slitting his wrists to prove his desire] Amant Turc qui se perce le bras devant sa Maitresse pour preuve de son amour.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾"), with very large margins
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 46965] £220.00 (£264.00 incl.VAT)
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint; platemark 360 x 250mm (13¾ x 9¾"), with very large margins
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 46965] £220.00 (£264.00 incl.VAT)
![[A Mufti.]](jpegs/47042.jpg)
[A Mufti.] Le Moufti, ou Chef de la Loy.
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint condition, with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47042] £330.00
JB. G. Scotin major sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint condition, with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47042] £330.00
![[Turkish Woman Playing the Qanun.]](jpegs/47019.jpg)
[Turkish Woman Playing the Qanun.] Fille Turque jouant du Canon.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A musical scene. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47019] £330.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A musical scene. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47019] £330.00
![[Turkish Girl Sewing.]](jpegs/47022.jpg)
[Turkish Girl Sewing.] Fille Turque qui brode.
JB. C. Du Bosc sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47022] £320.00
JB. C. Du Bosc sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"), mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47022] £320.00
![[Turkish Woman Playing the Tehegour.]](jpegs/47020.jpg)
[Turkish Woman Playing the Tehegour.] Fille Turque jouant du Tehegour.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a suggestive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47020] £360.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
A Turkish woman in a suggestive mode. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47020] £360.00
![[Turkish Woman Spinning]](jpegs/47016.jpg)
[Turkish Woman Spinning] Femme Turque filant au Tandour.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"); mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47016] £260.00 (£312.00 incl.VAT)
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾"); mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47016] £260.00 (£312.00 incl.VAT)
Cochinchine. Madarin de Guèrre. Madarin Civil.
Pâris del. Himely sc.
de Sainson Edit. Finct imp. [Paris: Imprimerie Royale, 1833-1835.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing; stain in left margin.
Two portaits of Vietnamese men one showing in military attire and the second in civilian dress. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46789] £220.00 (£264.00 incl.VAT)
Pâris del. Himely sc.
de Sainson Edit. Finct imp. [Paris: Imprimerie Royale, 1833-1835.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing; stain in left margin.
Two portaits of Vietnamese men one showing in military attire and the second in civilian dress. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46789] £220.00 (£264.00 incl.VAT)
Rochers de Marbres en Cochinchine.
Lauvergne del. Himely sc.
de Sainson Edit. Finct imp. [Paris: Imprimerie Royale, 1833-1835.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing, india lifting off. Stain in left margin.
A view of the Marble Mountains in Vietnam. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46785] £250.00 (£300.00 incl.VAT)
Lauvergne del. Himely sc.
de Sainson Edit. Finct imp. [Paris: Imprimerie Royale, 1833-1835.]
Aquatint, printed on india paper. Plate: 290 x 385mm (11½ x 15¼"), with large margins. Foxing, india lifting off. Stain in left margin.
A view of the Marble Mountains in Vietnam. After a drawing by Barthelmey Lauvergne who travelled on the corvette La Favorite commanded by Captain Cyrille Pierre Theodore Laplace (1793-1875) who circumnavigated the world between 1829-1832. A plate from the series 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite'.
[Ref: 46785] £250.00 (£300.00 incl.VAT)
![[Grand Vizier.]](jpegs/47048.jpg)
[Grand Vizier.] Le Grand Visir en Habit et en Turban de ceremonie.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47048] £320.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47048] £320.00
![Whampoa [No 18. Whampoa. Sonnenuntergang.]](jpegs/46874.jpg)
Whampoa [No 18. Whampoa. Sonnenuntergang.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Fine coloured chromolithograph. Image 240 x 340mm (9½ x 13½"), trimmed to image and mounted on card as issued, title label on reverse as usual. Board foxed.
A view of Whampoa, once the main anchorage for Western shipping traading with Canton, after a watercolour by Eduard Hildebrandt (1818-69). Two pagodas are on the far shore. Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46874] £450.00
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Fine coloured chromolithograph. Image 240 x 340mm (9½ x 13½"), trimmed to image and mounted on card as issued, title label on reverse as usual. Board foxed.
A view of Whampoa, once the main anchorage for Western shipping traading with Canton, after a watercolour by Eduard Hildebrandt (1818-69). Two pagodas are on the far shore. Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46874] £450.00