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New Stock Exchange.
New Stock Exchange.
Rowlandson & Pugin del et Sculpt. J.C. Stadler Aquat.
London, Pub. July 1st July, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 275 x 230mm, 10¾ x 9".
London's 'New' Stock Exchange, built in Capel Court by James Peacock, 1801-2.
Abbey, Scenery: 212.
[Ref: 5236]   £260.00  
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Old Bailey.
Old Bailey.
Rowlandson & Pugin delt. et sculpt. Stadler aquat.
London Pub. 1st. March 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint with very large margins. Platemark: 240 x 285mm (9½ x 11¼").
An interior view of the Old Bailey, London. The court at Old Bailey held sessions eight times a year. It heard the most serious crimes commited in the city of London and Middlesex. In this image a witness is being cross-examined in one of these sessions. The court has been demolished and the present court building dates from 1907. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34160]   £280.00  
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Pillory.
Pillory. Charing Cross.
Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t.
London Pub. 1.st. April 1809, at R. Ackermann's Repository of Arts, 101, Strand.
Coloured aquatint with large margins. Plate: 270 x 225mm (10½ x 9"). Some slight foxing.
Exterior scene depicting the Charing Cross pillory, two men hang in the stocks while crowds flock to watch; on the left a group of women hurry to join the crowd whilst beneath the statue of Charles I, a woman hangs out of a coach waving. Pillory was an ancient form of punishment used for a variety of crimes including libel and publishing books without a licence. From R. Ackermann's 'Microcosm of London.'
Abbey, Scenery: 212.
[Ref: 34099]   £180.00  
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Quakers Meeting.
Quakers Meeting.
Rowlandson & Pugin del.t. et sculp.t. Stadler aqua.t.
London. Pub 1st April, 1809 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. 230 x 270mm.
Abbey, Scenery: 212.
[Ref: 5245]   £130.00   (£156.00 incl.VAT)
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Drawing from Life at the Royal Academy, (Somerset House.)
Drawing from Life at the Royal Academy, (Somerset House.)
Rowlandson & Pugin del.t et sculp.t. Bluck Aqua.t.
London Pub, 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
The interior view of a life drawing class at Somerset House, London. A nude male poses to the left, as the class, arranged in two tiers around the edge of the room, draw the figure. Various busts and statues can be seen on shelves above the artists. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34065]   £260.00  

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Royal Circus.
Royal Circus.
Rowlandson & Pugin del.t et sculp.t. J. Bluck aquat.
London. Pub 1st May, 1809 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. 230 x 270mm.
The interior of the Royal Circus on Blackfriars Road, Southwark, showing the stage and auditorium. Later it was renamed the Surrey Theatre, demolished in 1934.
Abbey, Scenery: 212.
[Ref: 8120]   £220.00  
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Royal Circus.
Royal Circus.
Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t.
London Pub. 1.st. May 1809, at R. Akermann's Repository of Arts, 101 Strand.
Hand-coloured aquatint with large margins. Plate: 270 x 230mm, (10¼ x 9"). Some slight foxing.
View of the stage of the Royal Circus which opened in 1782 and staged pantomimes and other local entertainments. On the stage several figures in elaborate costumes perform infront of a giant teapot and tea cup before a large audience. From Rudolf Ackermann's 'Microcosm of London'.
Abbey Scenery: 212.
[Ref: 34614]   £260.00  
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Royal Exchange.
Royal Exchange.
Rowlandson & Pugin del.t. et sculp.t./ Hill aqua.t.
London Pub 1.st.May 1809, at R.Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Plate: 270 x 230mm, (10½ x 9").
Abbey Scenery: 212.
[Ref: 34356]   £220.00  
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Royal Institution, Albemarle Street.
Royal Institution, Albemarle Street.
Rowlandson & Pugin delt. et sculpt. Stadler, aquat.
London, Pub, 1st May 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint, 230 x 275mm. 9 x 10¾".
The library at the Royal Institution of Great Britain (often abbreviated as the Royal Institution or RI), an organization devoted to scientific education and research. It was founded in 1799 by the leading British scientists of the age, including Henry Cavendish and its first president, George Finch, the 9th Earl of Winchilsea. The Institution's stated aims were "diffusing the knowledge, and facilitating the general introduction, of useful mechanical inventions and improvements; and for teaching, by courses of philosophical lectures and experiments, the application of science to the common purposes of life." Since its founding it has been based on Albemarle Street in Mayfair. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London' (3 vols., 1808-10). Numbered 'Plate 68.' upper right.
Abbey, Scenery: 212, 68.
[Ref: 27664]   £180.00   (£216.00 incl.VAT)
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Sadlers Wells Theatre.
Sadlers Wells Theatre.
Pugin & Rowlandson del.t. et sculp.t./ Bluck aqua.t.
London Pub June 1.st. 809 at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Plate: 270 x 230mm, (10½ x 9"). Large margins.
Interior view of the stage of Sadlers Wells Theatre as seen from the back of the theatre. A large audience watches what could be an aqua drama, a specialty of Sadlers Wells Theatre. The theatre's proximity to the New River provided the necessary water to fill a special tank which provided the setting for several nautical performances such as 'The Seige of Gibraltar' staged in 1804. From Rudolf Ackermann's 'Microcosm of London.'
Abbey, Scenery: 212.
[Ref: 34322]   £240.00  
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Society of Agriculture.
Society of Agriculture.
Rowlandson & Pugin del.t. et sculp.t. J.C.Stadler aqua.t.
London. Pub. June 1st, 1809 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½".
The Society of Agriculture, meeting at 32 Sackville Street, off Piccadilly. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11455]   £130.00   (£156.00 incl.VAT)
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Somerset House, Strand.
Somerset House, Strand.
Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t.
London Pub 1.st. June 1809 at R. Ackermann's Repository of Arts 101, Strand.
Hand-coloured aquatint with large margins. Plate: 270 x 230mm, (10½ x 9"). Some faint foxing.
View of the quadrangle of Somerset House looking towards what would have been the Admiralty. In the foreground one-legged beggar approaches a soldier accompanied by two women while other groups of figures stand in conversation. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34316]   £230.00  
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South Sea House. Dividend Hall.
South Sea House. Dividend Hall.
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½".
The Foundling Hospital in Guildford Street. It was founded in 1742 by Captain Thomas Coram, whose friends included William Hogarth (later a governor of the institution) and Handel (who donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11445]   £140.00   (£168.00 incl.VAT)
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Mounting Guard.
Mounting Guard. S.t. James's Park.
Pugin & Rowlandson del.t. et sculp.t./ J. Bluck aqua.t.
London Pub, 1.st. Feb.y., 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand- coloured aquatint. Plate: 270 x 230mm, (10½ x 9"). Large margins.
Exterior scene depicting the mounting guard at the Horse Guards in St. James's Palace, soldiers march in ranks led by a marching band whilst a group of spectators look on. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34241]   £220.00  
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S.t. Paul's Cathedral.
S.t. Paul's Cathedral.
Pugin & Rowlandson del.t. et sculp.t./ J. Bluck aqua.t
London, Pub. Aug.t. 1.st. 1809 at R. Ackermann's Repoistory of Arts 101 Strand.
Coloured aquatint with large margins. Plate: 230 x 270mm, (9 x 10½").
Interior scene in which several groups of figures examine the sculpture and architecture of St. Pauls Cathedral. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34169]   £140.00   (£168.00 incl.VAT)
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Drawing Room St. James's.
Drawing Room St. James's.
Rowlandson & Pugin delt. et sculpt. J. Bluck aquat.
London Pub. July 1st. 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint, 235 x 280mm. 9¼ x 11".
A social gathering in a plush interior at St. James's Palace. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 76.' upper right.
Abbey, Scenery: 212, 76.
[Ref: 9874]   £180.00   (£216.00 incl.VAT)
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St. Luke's Hospital.
St. Luke's Hospital.
Rowlandson & Pugin delt. et sculpt. J.C. Stadler aquat.
London Pub, Augt. 1st. 1809, at R. Ackermannís Repository of Arts 101, Strand.
Hand coloured aquatint, 230 x 275mm. 9 x 10¾".
St Luke's Hospital for Lunatics was founded in London in 1751 for the treatment of incurable lunatics. It was the second public institution in London created to look after mentally ill people, after the Hospital of St. Mary of Bethlem (Bedlam, founded in 1246). The hospital was originally housed in a converted foundry in Windmill Street, Upper Moorfields, close to Bedlam. It moved to purpose-built premises on Old Street, on the north-west corner of Providence Row, in 1786. Behind the main building were two gardens for the exercise of the less disturbed inmates, one for men and another for women. The patients were transferred to other institutions in 1916, and the buildings were acquired by the Bank of England to become the St Luke's Printing Works, used for printing bank notes until the early 1950s. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 77.' upper right.
Abbey, Scenery: 212, 77.
[Ref: 9873]   £140.00   (£168.00 incl.VAT)
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Stamp Office, Somerset House
Stamp Office, Somerset House
Rowlandson & Pugin Delt. et Sculpt. J. C. Stadler Aquat.
London. Pub. July 1st, 1809 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. 278 x 230mm.
Abbey, Scenery: 212.
[Ref: 5254]   £130.00   (£156.00 incl.VAT)
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Stamp Office, Somerset House.
Stamp Office, Somerset House.
Rowlandson & Pugin delt. et sculpt. J.C. Stadler aquat.
London Pub, July 1st. 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint, 235 x 280mm. 9¼ x 11".
An industrious scene inside the Stamp Office, Somerset House. Along with the Tax Office, it helped form what was to become the Inland Revenue. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 74.' upper right.
Abbey, Scenery: 212, 74.
[Ref: 9875]   £140.00   (£168.00 incl.VAT)
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Surrey Institution.
Surrey Institution.
Rowlandson & Pugin delt. et sculpt. J.C. Stadler aquat.
London Pub. Septr. 1st. 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint, 230 x 275mm. 9 x 10¾".
The packed Lecture Hall of the Surrey Institution, an organisation devoted to scientific education and research on Blackfriars Road on the south side of the Thames, at the time part of the county of Surrey. It was founded by private subscription in 1807, but the Institution lasted only until 1823, when it was dissolved. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 81.' upper right.
Abbey, Scenery: 212, 81.
[Ref: 9870]   £160.00   (£192.00 incl.VAT)
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Synagogue, Dukes Place, Houndsditch.
Synagogue, Dukes Place, Houndsditch.
Pugin & Rowlandson del.t. et sculp.t. Sunderland aqua.t.
London Pub. Sep.t. 1.st. 1809, at R. Ackermann's Repository of Arts 101 Strand.
Fine hand coloured aquatint with very large margins. Watermarked 1809. Plate: 280 x 245mm, (11 x 9¾"). Some slight foxing.
Interior view of the Great Synagogue in London. A synagogue was situated on the site from shortly after the return of the Jews to England in the 17th Century until the Blitz. The building depicted in the image with the third synagogue to be built on the site and was constructed between 1788 and 1790.
Abbey, Scenery: 212
[Ref: 35043]   £350.00  
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Tattersall's, Horse Repository.
Tattersall's, Horse Repository.
Rowlandson & Pugin delt. et sculpt. Sunderland aquat.
London Pub. Septr. 1st. 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint, 235 x 270mm. 9¼ x 10½".
A horse is inspected by prospective buyers as it goes under the hammer at Tattersalls, to this day the main auctioneer of race horses in the United Kingdom. It was founded in 1766 by Richard Tattersall (1724 - 1795), who had been stud groom to the second Duke of Kingston. The first premises occupied were near Hyde Park Corner, in what was then the outskirts of London. Two "Subscription rooms" were reserved for members of the Jockey Club, and they became the rendezvous for sporting and betting men. Among the famous dispersal sales conducted by "Old Tatt" were those of the Duke of Kingston's stud in 1774 and of the stud of the Prince of Wales (afterwards George IV) in 1786. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 83.' upper right.
Abbey, Scenery: 212, 83.
[Ref: 9868]   £160.00   (£192.00 incl.VAT)
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View Of The Tower.
View Of The Tower.
Rowlandson & Pugin delt. et sculpt. Sunderland, aquat.
London Pub. Octr. 1st. 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint, 230 x 280mm. 9 x 11". Slight offsetting.
Tower Hill, London. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 85, Second.' upper right. On Whatman paper watermarked 1808.
Abbey, Scenery: 212, 85.
[Ref: 9867]   £230.00  
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Trinity House.
Trinity House.
Rowlandson & Pugin delt. et sculpt. Sutherland aquat.
London Pub. Octr. 1st. 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
Interior view of a meeting at Trinity House. The Corporation of Trinity House came into being in 1514 by Royal Charter granted by Henry VIII. Trinity House has three main functions; The care of all lighthouses in England, Wales, the Channel Islands and Gibraltar. Providing aids to navigation, e.g. lightvessels, lighthouses, buoys, radio navigation services etc. Serving as a charitable organisation for mariners; looking after their safety, welfare, training etc. The Masters of the Corporation of Trinity House have included the diarist Samuel Pepys and the Duke of Wellington, and Admiral William Penn (father of William Penn, founder of Pennsylvania). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34162]   £140.00   (£168.00 incl.VAT)
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Vauxhall Gardens.
Vauxhall Gardens.
Rowlandson & Pugin delt. et sculpt. J. Bluck, aquat.
London Pub.Oct.r 1.st 1809, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Platemark: 285 x 240mm (11¼ x 9½").
An exterior view of the Vauxhall gardens with an orchestra playing in a balconied tower, which can seen in the centre of the image. A night scene where couples, including military officers, are dancing together. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34161]   £240.00  
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West India Docks.
West India Docks.
Rowlandson & Pugin del.t. et sculp.t./ Bluck aqua.t.
London, Pub. Jan.y. 1. 1810., at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint with large margins. 280 x 230mm (11 x 9").
View of the West India docks which were a walled wet dock constructed between 1800 and 1802 to protect the cargo from thieves. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34170]   £220.00  
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West India Docks.
West India Docks. Plate 92.
Rowlandson & Pugin delt. et sculpt. Bluck aquat.
London Pub. Jany. 1. 1810, at R. Ackermannís Repository of Arts 101 Strand.
Hand coloured aquatint. Plate 235 x 280mm. 9¼ x 11". Slight staining.
A view of the newly-built West India Docks on the Isle of Dogs in London. Outraged at losses due to theft and delay at London's riverside wharves, Robert Milligan (c. 1746 - 1809) headed a group of powerful businessmen, including the chairman of the West India Merchants of London, George Hibbert, who promoted the creation of a wet dock circled by a high wall. The Docks were constructed in two phases. The two northern-most docks were constructed between 1800 and 1802 (officially opened on 27 August 1802) for the West India Dock Company to a design by leading civil engineer William Jessop (John Rennie was a consultant), and were the first commercial wet docks in London. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 92.' upper right. On Whatman paper watermarked 1808.
Abbey, Scenery: 212, 92.
[Ref: 21310]   £190.00   (£228.00 incl.VAT)
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View of Westminster Hall and Bridge.
View of Westminster Hall and Bridge.
Pugin & Rowlandson del.t et sculp.t. J. Bluck Aquat.
London. Pub Sept.r 1, 1810 at R. Ackermannís Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. On watermarked paper, 'J. Whatman 1836'. Platemark: 240 x 285mm (9½ x 11¼"). Slight crease.
A view from the Lambeth bank of the River Thames looking across Westminster Bridge to the Abbey and old Houses of Parliament. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34151]   £230.00  
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