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Catalogue: Trade & Industry
Linen and Woollen Draper.
Linen and Woollen Draper.
[n.d., c.1810.]
Engraving. Proof advert before name of retailer. Sheet: 165 x 130mm (6½ x 5"). Trimmed on left side.
A vignette showing two figures in a fabric shop.
[Ref: 44659]   £65.00   (£78.00 incl.VAT)
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The Pretty Dress-Maker.
The Pretty Dress-Maker.
London Published by Tregear 123 Cheapside.
Hand-coloured lithograph. Sheet: 190 x 240mm (7½ x 9½"). Trimmed and laid on an album sheet.
A portrait of a young woman sewing.
[Ref: 44712]   £120.00   (£144.00 incl.VAT)
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[Dye-House.] Plate XIX. Engraved for the Supplement. Facing Dye-House.
[Dye-House.] Plate XIX. Engraved for the Supplement. Facing Dye-House.
Printed for J. Hinton in Newgate Street. [n.d., c.1750.]
Engraving. Plate: 350 x 220mm (13½ x 8¾"). Marking. Large margins on 3 sides.
A scene in a workshop showing figures dyeing several rolls of cloth patterned with flowers.
[Ref: 44602]   £110.00   (£132.00 incl.VAT)
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Der Seidensticker.
Der Seidensticker.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Slight staining.
A scene in an embroiderer's workshop in which a man leans over a large stretched canvas, a younger figure watched from behind. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38899]   £140.00   (£168.00 incl.VAT)
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The Art of Etching and Engraving.
The Art of Etching and Engraving.
Engrav'd for the Universal Magazine for J. Hinton at the King's Arms in St. Paul's Church-Yard London 1748.
Engraving. Plate: 200 x 235mm (8 x 9¼"). Vertical creases as normal. Time staining.
A scene in an engravers workshop, on the left a figure influenced by a muse draws the original image; on the right an engraver works beneath a screen engraving the plate while in the centre a boy works on a plate.
[Ref: 46430]   £120.00   (£144.00 incl.VAT)
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[Engraver preparing his etching plate.]
[Engraver preparing his etching plate.]
H. Herkomer.
[n.d. c.1910.]
Etching. Plate 200 x 151mm (7¾ x 6").
Sir Francis Seymour (1818-1910), was an English surgeon, but better known as an etcher. Educated at Derby School. Christ's Hospital and University College, London; he went on to complete his degree at the Sorbonne, Paris. In 1842, two years after graduating, he was admitted as a member of the College of Surgeons in London. From 1845 he began to study portfolios of the great original engravers. Withouth an professional training in printmaking, he went on to equip his home with a printing-press and re-kindled the art of original etching and its revival in England. Such efforts resulted in the foundation of the Royal Society of Painter-Etchers and Engravers, where Haden, as president, ruled with a strong hand from its beginnings in 1880.
[Ref: 21313]   £75.00   (£90.00 incl.VAT)
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Artificier.
Artificier.
[Denis Diderot and Jean d'Alembert, c.1760.]
Set of seven engravings with letterpress contents sheet. Bound together in paper wrapper, some sheets loose. Each sheet: 255 x 390mm (10 x 15½") Staining.
Seven plates detailing the tools and equipment of a pyrotechnician, from Diderot and d'Alembert's 'Encyclopédia ou Dictionnaire raisonné des sciences, des arts et des métiers' 17vols (1751-1765).
[Ref: 41357]   £220.00   view all images for this item
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Vue d'un intérieur de forge sur le Hoyoux près de Huy.
Vue d'un intérieur de forge sur le Hoyoux près de Huy.
Le G.l de Howen del. Lith: de Jobard.
[Brussells, Jobard, 1825.]
Tinted lithograph. 160 x 205mm, 6¼ x 8".
A view of the interior of a forge, published in Jean De Cloet's 'Voyage pittoresque dans le royaume des Pays-Bas'.
Ex Collection of Norman Blackburn
[Ref: 16573]   £110.00   (£132.00 incl.VAT)
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[Fortune Teller.]
[Fortune Teller.]
C.W. White Sculpt.
[n.d., c.1800.]
Stipple, 140 x 140mm. 5½ x 5½". Mark on clothing of figure on right.
The figure on the left reads the palm of the girl on the right, while a third girl looks on.
[Ref: 8564]   £80.00   (£96.00 incl.VAT)
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Les Devineresses.
Les Devineresses.
Gouget direx.
[Paris, n.d., c.1770.]
Engraving. 320 x 240mm (12½ x 9½").
A young couple consult a fortune-teller who reads cards. An owl stands on her table. From Jean de La Fontaine's Fables, Fable 15, Book 7.
[Ref: 36871]   £120.00   (£144.00 incl.VAT)
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The Fortune Teller,
The Fortune Teller, To His Grace the Duke of Dorset, Ambassador to the Court of France; This Plate is humbly Dedicated by His Grace's much Obliged and most humble Servant, John Keyse Sherwin.
Sir Joshua Reynolds pinx. Engraved by J.K.Sherwin, Engraver to his Majesty and his Royal Highness the Prince of Wales.
Publish'd Mar. 10th. 1785 by J.K.Sherwin No.28 St. James's Street & W. Hinton No. 5 Sweetings Alley Royal Exchange. _
Engraving and etching, 405 x 460mm. 16 x 18¼". Tatty extremities.
A woman in gypsy dress reads the palm of a shy young girl, sitting on the lap of a boy in a plumed cap.
Hamilton: pg.147, IV of V.
[Ref: 9571]   £280.00  
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Italian Gardener.
Italian Gardener.
Mle. Benedetti Delineavit et Sculpsit.
Publish'd as the Act directs Nov 25th. 1786, by W. Dickinson Engraver Bond Street.
Rare stipple engraving in sepia, sheet 255 x 170mm (10 x 6¾"). Trimmed to plate. Crease.
Michele Benedetti (b.1741) was an Italian-born engraver in stipple who spent some time in London, and who may have been a pupil of Bartolozzi, whose style his work resembles.
From the Norman Blackburn Collection.
[Ref: 7416]   £140.00   (£168.00 incl.VAT)
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Le Jardinier Industrieux.
Le Jardinier Industrieux.
From a Painting by David Teniers in the Possession of Dawson Turner Esq.
[n.d., c.1820.]
Engraving. Plate: 240 x 190mm (9½ x 7½"), with large margins.
A portait of a hard working gardener carrying a heavy pot while a woman behind helps with cuttings.
[Ref: 47007]   £70.00   (£84.00 incl.VAT)
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Der Blatt Muller.
Der Blatt Muller.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼").
A scene inside a cog-maker's workshop. The figure works on a bit of machinery made up of various cogs and keys. An illustration from 'Abbildung der Gemain-Nutzlichen Haupt-Stande'.
[Ref: 39554]   £240.00  
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The Gipsy Fortune Teller. To her Grace the Dutchess of Devonshire This Plate is with permission Inscribed by her Graces most obedient & Devoted humble Servant J. Young.
The Gipsy Fortune Teller. To her Grace the Dutchess of Devonshire This Plate is with permission Inscribed by her Graces most obedient & Devoted humble Servant J. Young.
Painted by W. Beechy. Engrav'd by J. Young.
London Publish'd Novr. 6th. 1786 by J. Young No. 28 Newman Street, Oxford Road.
Mezzotint. 636 x 430mm. 25 x 17".
A gypsy woman with a baby strapped to her back pauses on her way along the path to read a young girl's palm.
Russell: 72: ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14794]   £350.00  
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A New method of Cultivating Vines. &c and procuring their Fruit in the greatest Perfection.
A New method of Cultivating Vines. &c and procuring their Fruit in the greatest Perfection.
Engrav'd for the Universal Magazine 1751, for J. Hinton at the Kings Arms at St Pauls Church Yard London.
Engraving. Sheet: 310 x 200mm (12½ x 8"). Trimmed. Creases as normal.
A diagram showing the design for a hot house for growing vines.
[Ref: 44601]   £65.00   (£78.00 incl.VAT)
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Das Goldspinner.
Das Goldspinner.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Slight staining.
A scene in a goldspinner's workshop, showing a woman spinning the thin gold around a thread. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38894]   £120.00   (£144.00 incl.VAT)
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A Sketch of Part of the Vaults of the Gray's Inn Wine Establishment.
A Sketch of Part of the Vaults of the Gray's Inn Wine Establishment.
[Anon, c.1840]
Wood engraving printed on pink paper, rare; sheet 75 x 125mm (3 x 5"). Trimmed;
The vault of the Gray's Inn Wine Establishment, 23 High Holborn, London. Vignette image published as part of an advertisement and price-list for the premises in 'The Quarterly Review', 1841.
[Ref: 43361]   £95.00   (£114.00 incl.VAT)
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A Brewhouse.
A Brewhouse.
Design'd & Engrav'd for the Universal Magazine Jan.ry 1747/8 & for J.Hinton at the King's Arms in St Paul's Church-Yard, London.
Engraving. 200 x 250mm. Binding folds flattened.
[Ref: 6988]   £80.00   (£96.00 incl.VAT)
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L'Interet.
L'Interet.
Se vend ches Haid. [n.d. c.1780.]
Stipple and etching with large margins, printed in brown ink, paper watermarked. Plate 190 x 139mm (7½ x 5½"). Some slight foxing.
Interest: A girl stood holding a basket watching a butcher-boy take an axe to a leg of meat. From a series of prints of prints showing children performing 'adult' tasks.
[Ref: 28739]   £120.00   (£144.00 incl.VAT)
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A Portrait Of An Italian Dancing Dog Master.
A Portrait Of An Italian Dancing Dog Master.
Painted by E. Bird. Engraved by Will.m Ward Engraver to His Royal Highness the Duke of York.
Bristol Published July 1805, by E. Bird.
Coloured mezzotint. 500 x 355mm (19¾ x 14").
A street entertainer posing with his bagpipe, a monkey sitting on the back of his chair.
[Ref: 8530]   £450.00  
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A Jeweller.
A Jeweller.
Pub. Jan. 1. 1806, by Tabart & Co.
Engraving. Plate: 70 x 115mm (2¾ x 4½").
A scene in a jeweller's workshop, a jeweller shown working at his work bench.
[Ref: 44647]   £130.00   (£156.00 incl.VAT)
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[A Judge.]
[A Judge.]
[W.H. Pyne.]
Published by William Miller, Albermarle Street, Jan.y 1. 1805.
Hand-coloured aquatint, with letterpress sheet. Sheet: 365 x 250mm (14½ x 9¾"). Staple in bottom left corner.
A portrait of a Judge shown seated in large wooden chair with a large book resting on his knee. A plate from 'Costume of Great Britain'.
[Ref: 44616]   £140.00   (£168.00 incl.VAT)
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[Lacemaker.]
[Lacemaker.] Engraved from a Picture of Ger.d Dou in the Collection of His Grace the Duke, of Montague.
Gerard Dou pinxit Wbaillie Sculp.
Published Sept.r 1.st 1773.
Mezzotint, 440 x 320mm. 17¼ x 12½". Later issue c.1800. Margins foxed.
A lacemaker, after Gerard Dou (1613-75), who worked in Rembrandt's studio as a young man and went on to become the first and most famous of the Leiden 'Fine' painters. Engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.

[Ref: 12241]   £230.00  
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[The Lacemaker.]
[The Lacemaker.]
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Slight staining.
A scene in a lacemaker's workshop in which three figures work on the process of making the fine threads for lace. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38910]   £120.00   (£144.00 incl.VAT)
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Law.
Law.
A. Ostade Pinx.t R. Houston fecit [c.1780]
Mezzotint, rare, sheet 335 x 255mm (13¼ x 10"). Trimmed inside platemark, losing publication line;
Engraving of a painting by Dutch artist Adriaen Jansz van Ostade (1610 - 1685) with library books on right, it was the basis of at least three different engravings in Georgian England.
For other versions of this image see refs. 14391 and 13836.
[Ref: 43443]   £260.00  
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The New Law Courts.
The New Law Courts.
Drawn by John O'Connor. Engraved by John Saddler.
[n.d.,c.1860.]
Engraving. Plate: 470 x 260mm, (18½ x 10¼"), with very large margins. Uncut.
A view of 'The New Law Courts' or The Royal Courts of Justice, opened in The Strand, London, by Queen Victoria on 4th December 1882. G.E. Street was the architect. The building was designed to concentrate into one place all the superior courts concerned with civil (i.e. non-criminal) cases.
[Ref: 40211]   £280.00  
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Lithographic Press.
Lithographic Press.
R. Ackermann's Lithog.s [c.1820]
Lithograph, sheet 225 x 280mm (8¾ x 11").
Press used for making lithographs (of which this print is itself an example). To make a lithograph, an image is created on a slab of porous limestone, which is then imprinted on sheets of paper using a process based on the antipathy of grease and water to distinguish between inked and non-inked areas. Rudolf Ackermann, publisher of this print, was one of the first publishers to use lithography on a large commercial scale.
[Ref: 43371]   £140.00   (£168.00 incl.VAT)
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The Macaroni Auctioneer.
The Macaroni Auctioneer.
Pub accor to Act March 24th. 1772 by MDarly Strand.
Etching, platemark 175 x 125mm (7 x 5"). Small margins.
A man standing in profile with an auctioneer's gavel in his right hand, a taper or candle in a stand in his left. He is elegantly dressed in a laced coat, cravat, and ruffled shirt. He is Abraham Langford (1711 - 1774) of the Covent Garden Auction Rooms, the leading auctioneer of the day. This plate was published in the album 'Caricatures, Macaronies & Characters by sundry ladies gentlemen artists &c.', by Mary Darly in January 1776. It is often claimed that her husband Matthew made the plates, although the exact dynamics of their working relationship are still unknown. Numbered 'V.2' upper left and '21' upper right.
BM Satires 5001.
[Ref: 40577]   £320.00  
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Le Maréchal Ferrant, Français.
Le Maréchal Ferrant, Français.
Carlo Vernet del. L.P. Debucourt Sculp. [Inside the image, facsimile:] C. Vernet.
A Paris chez Rolland, Place des Victoires, No.8. Déposé à Bibliotheque Impériale.
Aquatint. Plate 513 x 615mm. 20¼ x 24¼". Large margins. Fine impression, with one or two small marks, very slight stain in title area.
Inside a farrier's a stallion tied off to the wall is having a horseshoe fitted, but agitated and in stress he whinnies and raises his front-right hoof. Two other horses are outside awaiting their turn. Inside another man is softening the metal in the furnace before working it into a horseshoe.
Dayot 35: 3rd state.
[Ref: 16725]   £590.00  
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[Pair.] A Vegetable Market. [&] A Poultry Market.
[Pair.] A Vegetable Market. [&] A Poultry Market.
Painted by Ja.s Ward, Painter and Engraver to H.R.H. the Prince of Wales. Engraved by W.m Ward. [&] Painted & Engraved by Ja.s Ward, Painter and Engraver to H.R.H. the Prince of Wales.
London: Pub. May 1. 1803, ny Mess.rs Wards & Co, No 6, Newman Street.
Pair of fine mezzotints, printed in colours and hand finished. Each 490 x 610mm, 19 x 24". Both trimmed close to plate at bottom. 'Vegetable' with small scratch; 'Poultry' witth a tiny hole in platemark.
A pair of fine mezzotints of markets, very rare as matching pair, both painted by James Ward (1769-1859), one engraved by him and one by his older brother, William (1762 1826).
Ex Collection of the Hon. Christopher Lennox-Boyd. See Frankau 303.
[Ref: 16984]   £1,450.00   view all images for this item
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[Horn turner.] Wildrüffünd horn=drehe...
[Horn turner.] Wildrüffünd horn=drehe...
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼") very large margins.
A horn-turner working on a cow's horn held in a vice. Behind are samples of his products, including musical instruments An illustration from 'Abbildung der Gemain-Nutzlichen Haupt-Stande'.
[Ref: 41740]   £140.00   (£168.00 incl.VAT)
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[Mask Maker] Dockenmache von ßappenseuch...
[Mask Maker] Dockenmache von ßappenseuch...
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Small margins. Foxed.
A scene inside a mask-maker's workshop. An illustration from 'Abbildung der Gemain-Nutzlichen Haupt-Stande'.
[Ref: 41739]   £160.00   (£192.00 incl.VAT)
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The Gold & Silver Refiners at Work.
The Gold & Silver Refiners at Work.
Printed for J. Hinton at the Kings Arms. St Pauls Church Yard. 1747.
Engraving. Plate: 210 x 195mm (8¼ x 7¾"). Central vertical crease as normal.
A scene showing the interior of a metal refinary showing several figures at work.
[Ref: 44592]   £130.00   (£156.00 incl.VAT)
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Laitière. Provinces Méridionale.
Laitière. Provinces Méridionale.
J. Madou fc. Lith. de Burggraaff, à Bs.
[n.d. c.1820.]
Hand coloured lithograph. 246 x 196mm. 9¾ x 7¾ Trimmed and laid on album sheet.
A Milk maid walking through the countryside with a pale of milk balancing on her head, and a basket of two further jugs inside. Behind her walks a man and his ass pulling a cart.
[Ref: 16217]   £70.00   (£84.00 incl.VAT)
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The Milk Maid.
The Milk Maid.
J. Moore Sc.
The London Printing and Publishing Company Limited. [n.d., c.1845.]
Engraving. Sheet: 220 x 245mm (8¾ x 9¾"). Creasing amd surface dirt.
A portrait of a milkmaid with a bucket balanced on her head.
[Ref: 44643]   £35.00   (£42.00 incl.VAT)
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Laitière.
Laitière.
J. Madou Fe.
Lith de Burggraaff, à Brt. [n.d., c.1840.]
Hand-coloured lithograph. Sheet: 200 x 255mm (8 x 10").
A portait of a milkmaid carrying an urn on her head.
[Ref: 44641]   £65.00   (£78.00 incl.VAT)
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La petite Laitière. (Paris).
La petite Laitière. (Paris).
[n.d., c.1840.]
Hand-coloured lithograph. Sheet: 180 x 250mm (7 x 9¾"). Foxing, title excised and stuck on at the bottom.
A portrait of a milkmaid in a red cap.
[Ref: 44642]   £50.00   (£60.00 incl.VAT)
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The General Laws of the Leeds Independent Order of the Miners' Refuge.
The General Laws of the Leeds Independent Order of the Miners' Refuge. Established March 26th 1853, in Remembrance of the Unity.
J. Parrott, Printer, Briggate, Leeds.
Lettrpress pamphlet, 4pp, each 155 x 95mm (6 x 3¾"). Final page glued to backing card.
Pamphlet listing the fifteen rules of the Miners' Association, with preface, presumably printed for distribution to Leeds miners although with nationwide application. Early Trade Union item.
[Ref: 37673]   £170.00   (£204.00 incl.VAT)
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Tableux de Paris. Les Singes.
Tableux de Paris. Les Singes.
Marlet [bottom left inside image.]
[n.d. c.1860.]
Lithograph. 260 x 330mm. 10¼ x 13".
A street scene in Paris with the Pont Neuf in the background. A showman displays his tightrope walking monkeys. From a series of 'Tableaux de Paris' (1820-4).
[Ref: 15091]   £130.00   (£156.00 incl.VAT)
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Der Oelschlager.
Der Oelschlager.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Large margins.
A scene in which a man pours olive oil into a barrel while a woman next to him looks on, in the background a horse turns a large press. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38896]   £95.00   (£114.00 incl.VAT)
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[The old prosecutor]
[The old prosecutor] Le Procureur antique. / Ce rusé Procureur assis à son bureau, / De meme que le Chat, enclin à la rapine [...]
F. Eisen Pere pinx. C.F. Macret sculp.
A Paris chez Mr. Alliamet Graveur du Roi, rue des Mathurins vis à vis celle des Maçons; Et chez L'Auteur rue Gallande vis à vis celle des Rats, chez un Horloger [c.1763]
Fine engraving, platemark 315 x 255mm (12½ x 10"). Trimmed to platemark top and bottom; glued to album sheet at corners.
Scene in trompe l'oeil border with a wiley old prosecutor (and his equally rapacious cat) trying to think of new ways to ruin impoverished defendants. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner. Eisen's son Charles was also a notable artist, hence the need to identify Eisen as 'Pere' [father] on this print.
[Ref: 44950]   £550.00  
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Manner of Sorting Linen Rage, & Mthod of fermenting them for Making Paper.
Manner of Sorting Linen Rage, & Mthod of fermenting them for Making Paper.
Engraved for the Universal Magazine. [n.d., c.1750.]
Engraving. Sheet: 190 x 300mm (7½ x 11¾"). Trimmed within plate. Creasing as normal.
Two scenes showing the processes of making paper. The first scene shows several woman sorting through pieces of fabric which fall through a hole in the floor into a large basin filled with liquid while a man overseas.
[Ref: 44593]   £140.00   (£168.00 incl.VAT)
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[Pewterer]
[Pewterer]
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Slight staining.
A scene in a shop containing dressers stocked with metal platters and jugs. A figure stands behind a counter while another carries a heavy load of dishes towards the door. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38914]   £120.00   (£144.00 incl.VAT)
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[Labourage nivernais, also called Le Sombrage  (Ploughing in Nevers, also called The First Dressing).]
[Labourage nivernais, also called Le Sombrage (Ploughing in Nevers, also called The First Dressing).]
Rosa Bonheur [scratched in plate lower right.]
[n.d., c.1920.]
Colour printed mezzotint, 295 x 530mm. 11½ x 20¾".
Two teams of Charolais-Nivernais oxen pulling heavy ploughs in the Nivernais landscape of France. After Rosa Bonheur's (1822 1899) oil dated 1849. The French State commissioned the painting from Bonheur in 1848 for the Musée de Lyon, but decided to keep it in Paris, at the Musée du Luxembourg. When the artist died it was put in the Louvre and is now part of the Musée d'Orsay collection.
[Ref: 9449]   £240.00  
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Pop In & Popt Out.
Pop In & Popt Out. A noted Wag on frolic bent / Once on a time did stop / Where blocks & wigs in window plac'd / Bedeck'd a Barber's Shop [...]
London, Printed for Bowles & Carver, 69, St. Paul's Church Yard 2 Jan. 1806.
Etching with hand-colouring, platemark 190 x 220mm (7½ x 8½"). Small margins.
Comic song set at a barber's shop.
[Ref: 41574]   £190.00   (£228.00 incl.VAT)
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The Pretty Laundress.
The Pretty Laundress.
Dean & Munday Lithog 35 Threadneedle St.
Pub.d by Treagear 123 Cheapside 1828.
Coloured lithograph. Printed area 250 x 180mm (9¾ x 7").
A woman ironing a square of cloth.
[Ref: 37760]   £120.00   (£144.00 incl.VAT)
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The Pretty Milliner.
The Pretty Milliner.
London Published by Tregear, 123 Cheapside 1828.
Hand-coloured lithograph. Sheet: 180 x 235mm (7 x 9¼"). Trimmed.
A portrait of a woman making a hat.
[Ref: 44713]   £120.00   (£144.00 incl.VAT)
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Printer.
Printer.
[n.d., c.1850.]
Coloured wood engraving. Sheet 135 x 225mm, 5½ x 9". Trimmed, laid on album paper.
An educational image showing a pair of printers at work at their press.
[Ref: 16432]   £140.00   (£168.00 incl.VAT)
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A true & exact Representation of the Art of Casting & Preparing Letters for Printing.
A true & exact Representation of the Art of Casting & Preparing Letters for Printing.
Engrav'd for the Universal Magazine 1750 for J. Hinton at the Kings Arms in St Pauls Church Yard London.
Engraving. Plate: 235 x 195mm (9¼ x 7¾"). Trimmed to plate along top edge. Creasing as normal.
A view in a workshop making letters for printing.
[Ref: 44599]   £70.00   (£84.00 incl.VAT)
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