A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Lloyd's Subscription Room.
Rowlandson & Pugin del.t et sculp.t. J.C. Stadler aqua.t.
London, Pub. 1st Jan.y 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 220 x 260mm (8¾ x 10¼"), watermarked 1808. Paper lightly toned.
The interior of the Royal Exchange at Cornhill, centre of London's insurance trade.
Abbey, Scenery: 212.
[Ref: 46885] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. J.C. Stadler aqua.t.
London, Pub. 1st Jan.y 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 220 x 260mm (8¾ x 10¼"), watermarked 1808. Paper lightly toned.
The interior of the Royal Exchange at Cornhill, centre of London's insurance trade.
Abbey, Scenery: 212.
[Ref: 46885] £260.00 (£312.00 incl.VAT)
Lloyd's Subscription Room.
Rowlandson & Pugin del.t et sculp.t. J.C. Stadler aqua.t.
London, Pub. 1st Jan.y 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 220 x 260mm (8¾ x 10¼"), with large margins.
The interior of the Royal Exchange at Cornhill, centre of London's insurance trade. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47229] £240.00 (£288.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. J.C. Stadler aqua.t.
London, Pub. 1st Jan.y 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 220 x 260mm (8¾ x 10¼"), with large margins.
The interior of the Royal Exchange at Cornhill, centre of London's insurance trade. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47229] £240.00 (£288.00 incl.VAT)
![[The Chapel of St Thomas on the Bridge] Inside South View of the Under Chappel from East to West,](jpegs/61252.jpg)
[The Chapel of St Thomas on the Bridge] Inside South View of the Under Chappel from East to West, representing the manner and form of this rare piece of Ancient Architecture, thus drawn and transmitted to posterity, by G. V., Antiquary, 1744.
[George Vertue.]
[Published and sold by G. Vertue, in Brownlow Street, Drury-Lane, 1747.]
Etching with engraving. Sheet 230 x 460 (9 x 18"). Trimmed from a larger sheet, to printed borders on three sides, into image at top.
An interior view of the Lower Chapel of St Thomas on the Bridge, a bridge chapel built near the centre of London Bridge, with windows looking out over the river. Founded c.1205, it was in use as a chapel until 1548, during the Reformation, when it converted to a residence and warehouse. The Upper Chapel was removed in 1747 (when this print was produced); the lower chapel survived until the whole bridge was demolished in 1832. This print originally had a view of the Upper Chapel above. Both views were drawn by Vertue, based on a survey by the architect Nicholas Hawksmoor (1661-1736), published in a pamphlet called A Short Historical Account of London Bridge in 1736.
[Ref: 61252] £120.00 (£144.00 incl.VAT)
[George Vertue.]
[Published and sold by G. Vertue, in Brownlow Street, Drury-Lane, 1747.]
Etching with engraving. Sheet 230 x 460 (9 x 18"). Trimmed from a larger sheet, to printed borders on three sides, into image at top.
An interior view of the Lower Chapel of St Thomas on the Bridge, a bridge chapel built near the centre of London Bridge, with windows looking out over the river. Founded c.1205, it was in use as a chapel until 1548, during the Reformation, when it converted to a residence and warehouse. The Upper Chapel was removed in 1747 (when this print was produced); the lower chapel survived until the whole bridge was demolished in 1832. This print originally had a view of the Upper Chapel above. Both views were drawn by Vertue, based on a survey by the architect Nicholas Hawksmoor (1661-1736), published in a pamphlet called A Short Historical Account of London Bridge in 1736.
[Ref: 61252] £120.00 (£144.00 incl.VAT)
Magdalen Chapel.
Rowlandson & Pugin del.t. et sculp.t. Bluck aqua.t.
London. Pub 1st Feb.y, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½".
An interior of the Chapel of Magdalen House, St Georges Fields, a home for the reception of penitent female prostitutes.
Abbey, Scenery: 212.
[Ref: 11442] £70.00 (£84.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Bluck aqua.t.
London. Pub 1st Feb.y, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½".
An interior of the Chapel of Magdalen House, St Georges Fields, a home for the reception of penitent female prostitutes.
Abbey, Scenery: 212.
[Ref: 11442] £70.00 (£84.00 incl.VAT)
Egyptian Hall, Mansion House.
Rowlandson & Pugin del.t. et sculpt. J. Bluck, aqua.t.
London. Pub 1st Jany, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. Plate 228 x 275mm. 9 x 10¾". Some staining around edges, creasing to the bottom edge of the sheet.
A dining scene inside Egyptian Hall in Mansion House; waiters and servants running around serving all the guests on the long tables. It would seat 350 and was based on the designs by the classical Roman architect Vitruvius of Roman buildings in Egypt, with giant columns supporting a narrower attic area. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47223] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin del.t. et sculpt. J. Bluck, aqua.t.
London. Pub 1st Jany, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. Plate 228 x 275mm. 9 x 10¾". Some staining around edges, creasing to the bottom edge of the sheet.
A dining scene inside Egyptian Hall in Mansion House; waiters and servants running around serving all the guests on the long tables. It would seat 350 and was based on the designs by the classical Roman architect Vitruvius of Roman buildings in Egypt, with giant columns supporting a narrower attic area. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47223] £130.00 (£156.00 incl.VAT)
Egyptian Hall, Mansion House.
Rowlandson & Pugin Del.t. Et Sculpt. J. Bluck, Aqua.t.
London. Pub 1st Jany, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. Plate 230x280mm (9 x 10¾") large margins. .
A dining scene inside Egyptian Hall in Mansion House; waiters and servants running around serving all the guests on the long tables. It would seat 350 and was based on the designs by the classical Roman architect Vitruvius of Roman buildings in Egypt, with giant columns supporting a narrower attic area.
Abbey, Scenery: 212.
[Ref: 53545] £170.00 (£204.00 incl.VAT)
Rowlandson & Pugin Del.t. Et Sculpt. J. Bluck, Aqua.t.
London. Pub 1st Jany, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. Plate 230x280mm (9 x 10¾") large margins. .
A dining scene inside Egyptian Hall in Mansion House; waiters and servants running around serving all the guests on the long tables. It would seat 350 and was based on the designs by the classical Roman architect Vitruvius of Roman buildings in Egypt, with giant columns supporting a narrower attic area.
Abbey, Scenery: 212.
[Ref: 53545] £170.00 (£204.00 incl.VAT)
Hospital, Middlesex.
Rowlandson & Pugin, del.t. et sculp.t. Stadler Aqua.t.
London, Pub, 1.st. Nov.r. 1808 at R. Ackermann's Repository of Arts 101 Strand.
Aquatint with large margins. Plate: 280 x 230mm (11 x 9").
Interior scene depicting a ward in the Middlesex Hospital in London. Several women lie in beds, some attended by nurses and visitors. In the foreground a group of four figures gather round to inspect something held by a bespectacled man. Founded in 1745 in Fitzrovia, the Middlesex Hospital was created in order to provide medical care for the poor. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Sceney: 212.
[Ref: 47228] £160.00 (£192.00 incl.VAT)
Rowlandson & Pugin, del.t. et sculp.t. Stadler Aqua.t.
London, Pub, 1.st. Nov.r. 1808 at R. Ackermann's Repository of Arts 101 Strand.
Aquatint with large margins. Plate: 280 x 230mm (11 x 9").
Interior scene depicting a ward in the Middlesex Hospital in London. Several women lie in beds, some attended by nurses and visitors. In the foreground a group of four figures gather round to inspect something held by a bespectacled man. Founded in 1745 in Fitzrovia, the Middlesex Hospital was created in order to provide medical care for the poor. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Sceney: 212.
[Ref: 47228] £160.00 (£192.00 incl.VAT)
Old Bailey.
Rowlandson & Pugin delt. et sculpt. Stadler aquat.
London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Platemark: 240 x 285mm (9½ x 11¼"). Trimmed to plate at top but large margins on other the three sides.
An interior view of the Old Bailey, London. The court at Old Bailey held sessions eight times a year. It heard the most serious crimes commited in the city of London and Middlesex. In this image a witness is being cross-examined in one of these sessions. The court has been demolished and the present court building dates from 1907. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 58325] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin delt. et sculpt. Stadler aquat.
London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Platemark: 240 x 285mm (9½ x 11¼"). Trimmed to plate at top but large margins on other the three sides.
An interior view of the Old Bailey, London. The court at Old Bailey held sessions eight times a year. It heard the most serious crimes commited in the city of London and Middlesex. In this image a witness is being cross-examined in one of these sessions. The court has been demolished and the present court building dates from 1907. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 58325] £260.00 (£312.00 incl.VAT)
![[His Majesty's Theatre] Opera House.](jpegs/58200.jpg)
[His Majesty's Theatre] Opera House.
Rowlandson & Pugin del.t et sculp.t. J. Bluck, aquat.
London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand-coloured aquatint. 235 x 266mm (9¼ x 10½") very large margins.
His (or Her) Majesty's Theatre, Haymarket, established by architect and playwright John Vanbrugh in 1705 as the Queen's Theatre, but by 1709 had become an opera house. This is the interior of the second theatre, designed by Michael Novosielski after the first succumbed to arson in 1789, opened in 1791 and operating until 1867. A plate from Ackermann's 'Microcosm of London', one of the key visual sources for London in the late Georgian period.
Abbey, Scenery: 212.
[Ref: 58200] £280.00 (£336.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. J. Bluck, aquat.
London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand-coloured aquatint. 235 x 266mm (9¼ x 10½") very large margins.
His (or Her) Majesty's Theatre, Haymarket, established by architect and playwright John Vanbrugh in 1705 as the Queen's Theatre, but by 1709 had become an opera house. This is the interior of the second theatre, designed by Michael Novosielski after the first succumbed to arson in 1789, opened in 1791 and operating until 1867. A plate from Ackermann's 'Microcosm of London', one of the key visual sources for London in the late Georgian period.
Abbey, Scenery: 212.
[Ref: 58200] £280.00 (£336.00 incl.VAT)
![[The inside of the Pantheon in Oxford Road.]](jpegs/12142.jpg)
[The inside of the Pantheon in Oxford Road.]
Brandoin Invnt. R. Earlom sculpst.
R Sayer, Excd., Publish'd Augst, 15, 1772.
Mezzotint, scratched letter proof before title. 470 x 560mm. (18½ x 22"). Trimmed to plate. Diagonal crease through centre of image. Some scuffs and scrapes to the mezzotint surface.
A group of men and women stand conversing amongst tall marble pillars, inside a richly decorated hall. In the background are more open rooms and several figures, with statues set within niches along the walls. A slightly satirical take on fashionable 18th century London society. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Originally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. After Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, a Swiss painter, watercolourist, draughtsman, and caricaturist working in London.
Wessely: 100, I. Chaloner Smith: 45. BM Satires: 5091.
[Ref: 12142] £750.00
Brandoin Invnt. R. Earlom sculpst.
R Sayer, Excd., Publish'd Augst, 15, 1772.
Mezzotint, scratched letter proof before title. 470 x 560mm. (18½ x 22"). Trimmed to plate. Diagonal crease through centre of image. Some scuffs and scrapes to the mezzotint surface.
A group of men and women stand conversing amongst tall marble pillars, inside a richly decorated hall. In the background are more open rooms and several figures, with statues set within niches along the walls. A slightly satirical take on fashionable 18th century London society. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Originally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. After Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, a Swiss painter, watercolourist, draughtsman, and caricaturist working in London.
Wessely: 100, I. Chaloner Smith: 45. BM Satires: 5091.
[Ref: 12142] £750.00
![[The Inside of the Pantheon in Oxford Road.] L'Intérior du Panthéon de Londres.](jpegs/7221.jpg)
[The Inside of the Pantheon in Oxford Road.] L'Intérior du Panthéon de Londres. From an Original Drawing in the Possession of Robt. Sayer.
Cha.s Brandoin inv. et delin. Richd. Earlom fecit. R. Sayer Execud.t.
London, printed for Robt. Sayer No. 53 in Fleet Street. As the Act directs 30 August 1772.
Mezzotint. 475 x 560mm (18¾ x 22". Slightly rubbed.
A group of men and women stand conversing amongst tall marble pillars, inside a richly decorated hall. In the background are more open rooms, with statues set within niches along the wall. Further figures congregrate throughout. The Pantheon, was a place of public entertainment on the south side of Oxford Street. It was designed by James Wyatt and opened in 1772. One of the largest rooms in England, the main rotunda, with its central dome, was somewhat reminiscent of the celebrated Pantheon in Rome. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733-90, known as Charles) was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
Wessely 100.II. CS:45. BM:5091.
[Ref: 7221] £2,200.00
Cha.s Brandoin inv. et delin. Richd. Earlom fecit. R. Sayer Execud.t.
London, printed for Robt. Sayer No. 53 in Fleet Street. As the Act directs 30 August 1772.
Mezzotint. 475 x 560mm (18¾ x 22". Slightly rubbed.
A group of men and women stand conversing amongst tall marble pillars, inside a richly decorated hall. In the background are more open rooms, with statues set within niches along the wall. Further figures congregrate throughout. The Pantheon, was a place of public entertainment on the south side of Oxford Street. It was designed by James Wyatt and opened in 1772. One of the largest rooms in England, the main rotunda, with its central dome, was somewhat reminiscent of the celebrated Pantheon in Rome. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733-90, known as Charles) was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
Wessely 100.II. CS:45. BM:5091.
[Ref: 7221] £2,200.00
An Inside View of the Pantheon exhibiting their Majesties Box &c. as fitted up under the direction of Mr James Wyatt, for the Commemoration of Handel. European Magazine.
J. Dixon del.t. Angus sculp.
Published as the Act directs by J. Sewell May 25, 1784.
Etching with engraving. 205 x 260mm (8 x 10¼"). Trimmed into plate at sides, original binding folds.
The Pantheon, a place of public entertainment on the south side of Oxford Street, was designed by James Wyatt and opened in 1772. It was named after the temple in Rome because of its rotunda, over one of the largest rooms in England, as shown here.
[Ref: 58667] £140.00 (£168.00 incl.VAT)
J. Dixon del.t. Angus sculp.
Published as the Act directs by J. Sewell May 25, 1784.
Etching with engraving. 205 x 260mm (8 x 10¼"). Trimmed into plate at sides, original binding folds.
The Pantheon, a place of public entertainment on the south side of Oxford Street, was designed by James Wyatt and opened in 1772. It was named after the temple in Rome because of its rotunda, over one of the largest rooms in England, as shown here.
[Ref: 58667] £140.00 (£168.00 incl.VAT)
Centre Library, House of Commons. Designed by T. Hopper.
On Stone by T. G. Dutton.
Drawn & Printed at A. Friedel Lith. Estab. 252 Tottenham Court Road.
Lithograph 250 x 220mm image.
Thomas Hopper (1776-1856), Architect proposed the above designs.
[Ref: 2207] £220.00 (£264.00 incl.VAT)
On Stone by T. G. Dutton.
Drawn & Printed at A. Friedel Lith. Estab. 252 Tottenham Court Road.
Lithograph 250 x 220mm image.
Thomas Hopper (1776-1856), Architect proposed the above designs.
[Ref: 2207] £220.00 (£264.00 incl.VAT)
Library of the House of Lords. Designed by T. Hopper.
On Stone by J. Harris. S. Lingham Printer.
Lithograph 200 x 285mm
Thomas Hopper (1776-1856), Architect proposed the above designs.
[Ref: 3036] £320.00
On Stone by J. Harris. S. Lingham Printer.
Lithograph 200 x 285mm
Thomas Hopper (1776-1856), Architect proposed the above designs.
[Ref: 3036] £320.00
Library of the House of Commons. Designed by T. Hopper.
On Stone by J.H.Lynch, 50 Upper Seymour Street,Euston Square. J. Graf printer to the Queen.
Lithograph 200 x 280mm
Thomas Hopper (1776-1856), Architect proposed the above designs.
[Ref: 3983] £320.00
On Stone by J.H.Lynch, 50 Upper Seymour Street,Euston Square. J. Graf printer to the Queen.
Lithograph 200 x 280mm
Thomas Hopper (1776-1856), Architect proposed the above designs.
[Ref: 3983] £320.00
Interior of Mr. Pepys' Library. [Ink above image:] Pepys' Diary.
Lady Charlotte Neville, del. J. Saddler sculp.
London, Henry Colburn, 1854.
Engraving. 121 x 190mm. 4¾ x 7½". Tear and damage to lower right-hand corner. Trimmed.
The library of the diarist and Naval administrator Samuel Pepys, for whom the first free-standing bookcase was supposedly built in 1666. A view of the his library here at the Yorks Buildings, Westminster, London.
[Ref: 21428] £65.00 (£78.00 incl.VAT)
Lady Charlotte Neville, del. J. Saddler sculp.
London, Henry Colburn, 1854.
Engraving. 121 x 190mm. 4¾ x 7½". Tear and damage to lower right-hand corner. Trimmed.
The library of the diarist and Naval administrator Samuel Pepys, for whom the first free-standing bookcase was supposedly built in 1666. A view of the his library here at the Yorks Buildings, Westminster, London.
[Ref: 21428] £65.00 (£78.00 incl.VAT)
Philanthropic Society, the Chapel.
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London Pub. 1.st April 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Plate: 240 x 285mm (9½ x 11¼") large margins.
An interor view of the chapel of the Royal Philanthropic Society founded in 1788. Published in Ackermann's famous work, the 'Microcosm of London'; the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47225] £75.00 (£90.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London Pub. 1.st April 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Plate: 240 x 285mm (9½ x 11¼") large margins.
An interor view of the chapel of the Royal Philanthropic Society founded in 1788. Published in Ackermann's famous work, the 'Microcosm of London'; the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47225] £75.00 (£90.00 incl.VAT)
Royal Polytechnic Institution. Great Hall.
Printed & Published at G.J. Cox's Litho. Establishment Royal Polytechnic Institution 309, Regent S.t London.
A rare lithograph. Printed area: 200 x 145mm (8 x 5¾") large margins.
A view in the Great Hall of the Royal Polytechnic Instituition on Regent Street. The Royal Polytechnic was the first polytechnic institution in Britain and is now the University of Westminster.
[Ref: 46305] £80.00 (£96.00 incl.VAT)
Printed & Published at G.J. Cox's Litho. Establishment Royal Polytechnic Institution 309, Regent S.t London.
A rare lithograph. Printed area: 200 x 145mm (8 x 5¾") large margins.
A view in the Great Hall of the Royal Polytechnic Instituition on Regent Street. The Royal Polytechnic was the first polytechnic institution in Britain and is now the University of Westminster.
[Ref: 46305] £80.00 (£96.00 incl.VAT)
Quakers Meeting.
Rowlandson & Pugin del.t. et sculp.t. Stadler aqua.t.
London. Pub 1st April, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 230 x 270mm.
Abbey, Scenery: 212.
[Ref: 5245] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Stadler aqua.t.
London. Pub 1st April, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 230 x 270mm.
Abbey, Scenery: 212.
[Ref: 5245] £130.00 (£156.00 incl.VAT)
The Banquet at Guildhall. The Royal Table. Taken at the moment of the Queen's drinking the Health of the Citizens of London.
W. Lake. lith. 50, Old Bailey.
Pub.d by E. Davies, 437. Oxford St [n.d., but 1837].
Fine rare lithograph, sheet 230 x 310mm. 9" x 12¼".
A banquet for the young Queen Victoria in the City of London, from a series of prints celebrating her accession to the throne.
Guildhall Library Record 3495.
[Ref: 26822] £160.00 (£192.00 incl.VAT)
W. Lake. lith. 50, Old Bailey.
Pub.d by E. Davies, 437. Oxford St [n.d., but 1837].
Fine rare lithograph, sheet 230 x 310mm. 9" x 12¼".
A banquet for the young Queen Victoria in the City of London, from a series of prints celebrating her accession to the throne.
Guildhall Library Record 3495.
[Ref: 26822] £160.00 (£192.00 incl.VAT)
Drawing from Life at the Royal Academy, (Somerset House.) Plate 1.
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61926] £220.00 (£264.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61926] £220.00 (£264.00 incl.VAT)
Drawing from Life at the Royal Academy, (Somerset House.) Plate 1.
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Very fine hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61927] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Very fine hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61927] £260.00 (£312.00 incl.VAT)
![The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres.](jpegs/7473.jpg)
The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres. From an Original Drawing in the Possession of Rob.t Sayer.
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, image 470 x 555mm. Trimmed just within plate, false margins added.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
Wessely 100.II. Royal Academy CS:44, state ii of iii; Pantheon CS: 45, only state.
[Ref: 7473] £1,650.00 view all images for this item
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, image 470 x 555mm. Trimmed just within plate, false margins added.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
Wessely 100.II. Royal Academy CS:44, state ii of iii; Pantheon CS: 45, only state.
[Ref: 7473] £1,650.00 view all images for this item
![The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres.](jpegs/40707.jpg)
The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres. From an Original Drawing in the Possession of Rob.t Sayer.
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, fine impression. Each sheet: 470 x 555mm (18½ x 22"). Cut to image. Overall paper tone and pin holes. Crease on Pantheon.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
[Ref: 40707] £1,750.00 view all images for this item
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, fine impression. Each sheet: 470 x 555mm (18½ x 22"). Cut to image. Overall paper tone and pin holes. Crease on Pantheon.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
[Ref: 40707] £1,750.00 view all images for this item
The Inside View of the Royal Exchange at London. Veue du dedans de la Bourse Royale a Londres.
Bowles Delin et Sculpt.
London, Printed for Bowles and Carver 69 St Paul's Church, R. Wilkinson 58 Cornhill amd Laurie & Whittle 53, Fleet Street [n.d., c.1794].
Coloured engraving. 285 x 425mm (11¼ x 16¾"). A few marks in title, top corners of margins snipped.
A view of the interior courtyard of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838.
[Ref: 59819] £240.00 (£288.00 incl.VAT)
Bowles Delin et Sculpt.
London, Printed for Bowles and Carver 69 St Paul's Church, R. Wilkinson 58 Cornhill amd Laurie & Whittle 53, Fleet Street [n.d., c.1794].
Coloured engraving. 285 x 425mm (11¼ x 16¾"). A few marks in title, top corners of margins snipped.
A view of the interior courtyard of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838.
[Ref: 59819] £240.00 (£288.00 incl.VAT)
Interior of the Sessions House, Old Bailey.
Published by J. & J. Cundee, Albion Press, London 1813.
Rare stipple. Sheet: 130 x 185mm (5 x 7¼''). Trimmed.
A view inside the court room in the Old Bailey, London showing a trial.
[Ref: 49951] £120.00 (£144.00 incl.VAT)
Published by J. & J. Cundee, Albion Press, London 1813.
Rare stipple. Sheet: 130 x 185mm (5 x 7¼''). Trimmed.
A view inside the court room in the Old Bailey, London showing a trial.
[Ref: 49951] £120.00 (£144.00 incl.VAT)
Society of Agriculture.
Rowlandson & Pugin del.t. et sculp.t. J.C.Stadler aqua.t.
London. Pub. June 1st, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint, watermark W. Balston 1809; plate 225 x 270mm (9¾ x 10½"), very large margins.
The Society of Agriculture, meeting at 32 Sackville Street, off Piccadilly. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 56118] £180.00 (£216.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. J.C.Stadler aqua.t.
London. Pub. June 1st, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint, watermark W. Balston 1809; plate 225 x 270mm (9¾ x 10½"), very large margins.
The Society of Agriculture, meeting at 32 Sackville Street, off Piccadilly. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 56118] £180.00 (£216.00 incl.VAT)
Great Court, Somerset Place.
Publish'd Nov. 5th 1796 by T. Malton.
Aquatint. Sheet: 300 x 395mm (11¾ x 15½"). Repaired tears in edges.
A view of the courtyard in Somerset House, Strand. Figures are shown promenading around the courtyard.
[Ref: 47844] £180.00 (£216.00 incl.VAT)
Publish'd Nov. 5th 1796 by T. Malton.
Aquatint. Sheet: 300 x 395mm (11¾ x 15½"). Repaired tears in edges.
A view of the courtyard in Somerset House, Strand. Figures are shown promenading around the courtyard.
[Ref: 47844] £180.00 (£216.00 incl.VAT)
South Sea House. Dividend Hall.
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½".
The Foundling Hospital in Guildford Street. It was founded in 1742 by Captain Thomas Coram, whose friends included William Hogarth (later a governor of the institution) and Handel (who donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11445] £140.00 (£168.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½".
The Foundling Hospital in Guildford Street. It was founded in 1742 by Captain Thomas Coram, whose friends included William Hogarth (later a governor of the institution) and Handel (who donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11445] £140.00 (£168.00 incl.VAT)
South Sea House. Dividend Hall.
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm (9¾ x 10½"), with large margins
"The hall, in which dividends are paid, is a spaciou room," Ackermann wrote, "and finished in a style of no common elegance, as seen in the plate which represents it." The British South Sea Company was an investment company that specialized in international trade. Well-dressed men and women check their accounts in Dividend Hall at the British South Sea Company in London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61946] £160.00 (£192.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm (9¾ x 10½"), with large margins
"The hall, in which dividends are paid, is a spaciou room," Ackermann wrote, "and finished in a style of no common elegance, as seen in the plate which represents it." The British South Sea Company was an investment company that specialized in international trade. Well-dressed men and women check their accounts in Dividend Hall at the British South Sea Company in London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61946] £160.00 (£192.00 incl.VAT)
Golden Drawing Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27473] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27473] £120.00 (£144.00 incl.VAT)
The Alcove. Golden Drawing Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 310 x 255mm. 12¼" x 10.
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27478] £140.00 (£168.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 310 x 255mm. 12¼" x 10.
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27478] £140.00 (£168.00 incl.VAT)
Dining Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d Oct.r 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27475] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d Oct.r 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27475] £120.00 (£144.00 incl.VAT)
The Circular Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27476] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub.d June 1 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27476] £120.00 (£144.00 incl.VAT)
Golden Drawing Room. Carlton House.
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27477] £120.00 (£144.00 incl.VAT)
Drawn by C. Wild. Engraved by T. Sutherland.
Pub. June 7 1817, by W.H. Pyne, 9 Nassau Street.
Aquatint with fine hand colour and large margins. 255 x 310mm. 10 x 12¼".
One of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.
Abbey: Scenery 396.
[Ref: 27477] £120.00 (£144.00 incl.VAT)
The Throne Room, Carlton House.
C. Wild del.t T. Sutherland sculp.t
Pub. Oct.1.1818, by W.H. Pyne 9 Nassau Street Soho.
Hand-coloured aquatint, fine with large margins. Plate 254 x 311mm. 10 x 12¼".
Interior of the grand room; a long table with chairs below chandelier in centre of room, the ceiling and walls heaviliy decorated, arches draped with curtains over windows on either side. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
[Ref: 27455] £120.00 (£144.00 incl.VAT)
C. Wild del.t T. Sutherland sculp.t
Pub. Oct.1.1818, by W.H. Pyne 9 Nassau Street Soho.
Hand-coloured aquatint, fine with large margins. Plate 254 x 311mm. 10 x 12¼".
Interior of the grand room; a long table with chairs below chandelier in centre of room, the ceiling and walls heaviliy decorated, arches draped with curtains over windows on either side. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
[Ref: 27455] £120.00 (£144.00 incl.VAT)
St. James's Palace.
C. Wild del.t. R. Reeve sculp.t
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Hand-coloured aquatint 250 x 310mm (10 x 12¼").
View of St. James's Palace from Pall Mall, published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 28722] £220.00 (£264.00 incl.VAT)
C. Wild del.t. R. Reeve sculp.t
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Hand-coloured aquatint 250 x 310mm (10 x 12¼").
View of St. James's Palace from Pall Mall, published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 28722] £220.00 (£264.00 incl.VAT)
Kitchen. St. James's Palace.
J. Stephanoff del.t. W.J. Bennett sculp.t.
Pub. April 1. 1819 by W.H. Pyne, 30 Upper Charlotte Str.t Fitzroy Sq.e.
Coloured aquatint. 255 x 315mm (10 x 12¼"). Trimmed to plate at bottom. Large margins on 3 sides.
The interior of the kitchen at St. James's Palace, with the cooks and other servants hard at work. After James Stephanoff, illustration to William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
See Ref: 27454
[Ref: 60095] £230.00 (£276.00 incl.VAT)
J. Stephanoff del.t. W.J. Bennett sculp.t.
Pub. April 1. 1819 by W.H. Pyne, 30 Upper Charlotte Str.t Fitzroy Sq.e.
Coloured aquatint. 255 x 315mm (10 x 12¼"). Trimmed to plate at bottom. Large margins on 3 sides.
The interior of the kitchen at St. James's Palace, with the cooks and other servants hard at work. After James Stephanoff, illustration to William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
See Ref: 27454
[Ref: 60095] £230.00 (£276.00 incl.VAT)
Guard Chamber, St James's.
C. Wild del.t R. Reeve sculp.t
Pub. June 1. 1818 by W.H. Pyne, 9 Nassau Street, Soho.
Hand-coloured aquatint, fine with large margins; Plate 252 x 317mm. 10 x 12½". Soiling to extremities.
Interior of the chamber; three guards sit at table next to fireplace on the left; the walls decorated with arms such as swords and daggers. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:70; Abbey: Scenery 396.
[Ref: 27453] £120.00 (£144.00 incl.VAT)
C. Wild del.t R. Reeve sculp.t
Pub. June 1. 1818 by W.H. Pyne, 9 Nassau Street, Soho.
Hand-coloured aquatint, fine with large margins; Plate 252 x 317mm. 10 x 12½". Soiling to extremities.
Interior of the chamber; three guards sit at table next to fireplace on the left; the walls decorated with arms such as swords and daggers. After Charles Wild, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:70; Abbey: Scenery 396.
[Ref: 27453] £120.00 (£144.00 incl.VAT)
Kitchen St. James's Palace.
J. Stephanoff del.t W.J. Bennett sculp.t
Pub. April 1.1819, by W.H. Pyne, 33 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint with fine hand colour. 259 x 310mm (10 x 12¼"), with wide margins.
Inside the kitchen at St. James's Palace, with cooks, bakers and other culinary experts working in all areas of the room. After James Stephanoff, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:75.; Abbey: Scenery 396.
[Ref: 27454] £160.00 (£192.00 incl.VAT)
J. Stephanoff del.t W.J. Bennett sculp.t
Pub. April 1.1819, by W.H. Pyne, 33 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint with fine hand colour. 259 x 310mm (10 x 12¼"), with wide margins.
Inside the kitchen at St. James's Palace, with cooks, bakers and other culinary experts working in all areas of the room. After James Stephanoff, illustration to Volume III of William Henry Pyne's 'The History of the Royal Residences', published in three volumes.
Adams (London) 132:75.; Abbey: Scenery 396.
[Ref: 27454] £160.00 (£192.00 incl.VAT)
St Margarets, Westminster.
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London, Pub. Aug.t 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 275 x 230mm (10¾ x 9"), paper watermarked 1836, large margins.
The interior of the parish church of the House of Commons, situated in the grounds of Westminster Abbey. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47222] £75.00 (£90.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London, Pub. Aug.t 1st, 1809 at R. Ackermann's Repository of Arts 101 Strand.
Coloured aquatint. 275 x 230mm (10¾ x 9"), paper watermarked 1836, large margins.
The interior of the parish church of the House of Commons, situated in the grounds of Westminster Abbey. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47222] £75.00 (£90.00 incl.VAT)
The Inside of St Martin's in the Fields. ~ in the Liberty of Westminster.
T. Malton delin. G. Bickham sculp.
[n.d., c.1770.]
Coloured etching, rare. 395 x 450mm (15½ x 17¾"), with large margins. Some creasing.
A view of the interior of St Martin's in the Fields, built by James Gibbs in Charing Cross (now Trafalgar Square) 1722-6, detailing the ceiling.
[Ref: 45301] £320.00
T. Malton delin. G. Bickham sculp.
[n.d., c.1770.]
Coloured etching, rare. 395 x 450mm (15½ x 17¾"), with large margins. Some creasing.
A view of the interior of St Martin's in the Fields, built by James Gibbs in Charing Cross (now Trafalgar Square) 1722-6, detailing the ceiling.
[Ref: 45301] £320.00
A Centrical View of the Grand Amphitheatre, Erected annually in St Paul's Cathedral, for the reception of the upwards of 5000 Charity Children, of the Cities of London & Westminster, and their Environs.
London, Published as the Act directs June 11.th 1787, by J. Wallis No.16 Ludgate Street.
A rare engraving. Plate 375 x 248mm. 14¾ x 9¾". Some scuffing.
As early as 1713 the Charity Children of London, some thousands of them, attended a service of thanksgiving under the Dome at St Paul's Cathedral. This became an annual event until the practice was ended after the 1870s rearrangement of the Quire.
[Ref: 20294] £260.00 (£312.00 incl.VAT)
London, Published as the Act directs June 11.th 1787, by J. Wallis No.16 Ludgate Street.
A rare engraving. Plate 375 x 248mm. 14¾ x 9¾". Some scuffing.
As early as 1713 the Charity Children of London, some thousands of them, attended a service of thanksgiving under the Dome at St Paul's Cathedral. This became an annual event until the practice was ended after the 1870s rearrangement of the Quire.
[Ref: 20294] £260.00 (£312.00 incl.VAT)
S.t Pauls Cathedral. Plate 53.
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint with hand colour. Sheet 295 x 395mm (11¾ x 15½"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 58705] £160.00 (£192.00 incl.VAT)
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint with hand colour. Sheet 295 x 395mm (11¾ x 15½"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 58705] £160.00 (£192.00 incl.VAT)
The Anniversary Meeting of the Charity Children in the Cathedral Church of St Paul, Dedicated with permission to His Royal Highness the Duke of Gloucester, President, The Vice Presidents & Treasurers of the Society of Patrons, (And Published in Aid of the Funds of the Female Charity School of St Pancras) by their obedient humble Servant, Robert Havell Jun.r. Proof.
Drawn & Engraved by Rob.t. Havell, Jun.r.
London Published as the Act directs June 1826 by Havell & Son, 79, Newman St.t Oxford St.t.
Very rare coloured aquatint. Sheet 475 x 335mm (18¾ x 13¼"). Trimmed within plate, tears taped, colour slightly faded.
An annual benefit concert with a choir of Charity Children, held from 1704 to 1877, at St Paul's Cathedral from 1782. One concert, held as part of the National Thanksgiving for George III's recovery in 1789, had a choir of 6,000.
[Ref: 57895] £280.00 (£336.00 incl.VAT)
Drawn & Engraved by Rob.t. Havell, Jun.r.
London Published as the Act directs June 1826 by Havell & Son, 79, Newman St.t Oxford St.t.
Very rare coloured aquatint. Sheet 475 x 335mm (18¾ x 13¼"). Trimmed within plate, tears taped, colour slightly faded.
An annual benefit concert with a choir of Charity Children, held from 1704 to 1877, at St Paul's Cathedral from 1782. One concert, held as part of the National Thanksgiving for George III's recovery in 1789, had a choir of 6,000.
[Ref: 57895] £280.00 (£336.00 incl.VAT)
S.t Pauls Cathedral. [Plate 53.]
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)
A view of the Isle at the Entrance of the North Portico of the Cathedral Church of S.t Paul.
Permissu Domini Chrostophori Wren Equitis delineavit Robertus Trevitt.
[n.d., c.1707.] [but later]
Engraving. Sheet 375 x 305mm (14¾ x 12"). Trimmed within plate,tears.
One of a series of prints of the Cathedral by Roger Trevett, commemorating the service of thanksgiving for military successes in 1706, held in the presence of Queen Anne and both Houses of Parliament.
[Ref: 57901] £130.00 (£156.00 incl.VAT)
Permissu Domini Chrostophori Wren Equitis delineavit Robertus Trevitt.
[n.d., c.1707.] [but later]
Engraving. Sheet 375 x 305mm (14¾ x 12"). Trimmed within plate,tears.
One of a series of prints of the Cathedral by Roger Trevett, commemorating the service of thanksgiving for military successes in 1706, held in the presence of Queen Anne and both Houses of Parliament.
[Ref: 57901] £130.00 (£156.00 incl.VAT)
Transept of S.t Paul's from the North Entrance. Plate 54,
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)
![[Eight Paintings by Sir James Thornhill in the Cupola of St. Paul’s Cathedral, engraved by Du Bosc, Beauvais, Baron, Vander Gucht, and Simmoneau.]](jpegs/21364.jpg)
[Eight Paintings by Sir James Thornhill in the Cupola of St. Paul’s Cathedral, engraved by Du Bosc, Beauvais, Baron, Vander Gucht, and Simmoneau.] (1) Saule, Saule, quid me persequeris? Act. Ap. Cap 9. v.4. [The Conversion of Saint Paul] [&] (2) Scito nunc te Domini manu peti. Act: Ap: Cap: 13. v. 11. [Elymas the sorcerer stuck with blindness] [&] (3) Viri, cur ista facitis? Act. Ap: Cap. 14. v. 15. (Saint Paul and Barnabas reputed as Gods.] [&] (4) Domini, quid mihi faciendum est ut salvus sim? Act: Ap: Cap: 16: v: 30. [Saint Paul and Pilas in the prison] [&] (5) Quem ergo ignorantes colitis, hunc ego vobis annuntio. Act: Ap: Cap: 17. v.23. [Saint Paul preaching the unkown God] [&] (6) Qui illicita tractaverant cremabant libros. Act. Ap: Cap: 19. c. 19. [Burning the books at the preaching of St. Paul] [&] (7) Propomodum mihi persuades ut Christianus fiam Act: Ap: Cap: 26. v. 28. [Saint Paul preaching before King Agrippa.] [&] (8) Mutati, dicebant esse Deum. Act. Ap. Cap. 28: v.6. [Saint Paul shaking off the viper]
[Various engravers:] (1) In Tholo Ecc. Cathed. D. Pauli Lond. Jac. Thornhill Pinxt. Car. Du Bosc Sculp. (2) Lond. Beauvais Sculpt. Lond: (3) Baron Sculpt. Lond. (4-6 & 8) Ger. Vdr. Gucht Sculp. Lond. (7) Simmoneau majr. Sculpt. Paris.
[n.d. c.1719.]
Complete set of eight designs for the decoration of the cupola, St Paul's Cathedral; engravings on laid paper. All approx. 440 x 280mm, 17¼ x 11". Occasional wormholes, mostly filled. All with wide margins.
The dome of St. Paul's Cathedral in the City of London is home to the original murals created between 1715 and 1719 by court painter Sir James Thornhill (1676 - 1734), featuring these scenes from the life of Saint Paul (c.AD 5 – c.AD 67). Saint Paul blinded by the light; Conversion of Peter's Guard; [5] a self-portrait of Thornhill; book burning; and the expulsion of snakes.
See BL Maps K.Top.23.36.m.
[Ref: 21364] £880.00 view all images for this item
[Various engravers:] (1) In Tholo Ecc. Cathed. D. Pauli Lond. Jac. Thornhill Pinxt. Car. Du Bosc Sculp. (2) Lond. Beauvais Sculpt. Lond: (3) Baron Sculpt. Lond. (4-6 & 8) Ger. Vdr. Gucht Sculp. Lond. (7) Simmoneau majr. Sculpt. Paris.
[n.d. c.1719.]
Complete set of eight designs for the decoration of the cupola, St Paul's Cathedral; engravings on laid paper. All approx. 440 x 280mm, 17¼ x 11". Occasional wormholes, mostly filled. All with wide margins.
The dome of St. Paul's Cathedral in the City of London is home to the original murals created between 1715 and 1719 by court painter Sir James Thornhill (1676 - 1734), featuring these scenes from the life of Saint Paul (c.AD 5 – c.AD 67). Saint Paul blinded by the light; Conversion of Peter's Guard; [5] a self-portrait of Thornhill; book burning; and the expulsion of snakes.
See BL Maps K.Top.23.36.m.
[Ref: 21364] £880.00 view all images for this item
S.t. Paul's Cathedral.
Pugin & Rowlandson del.t. et sculp.t./ J. Bluck aqua.t
London, Pub. Aug.t. 1.st. 1809 at R. Ackermann's Repoistory of Arts 101 Strand.
Coloured aquatint with large margins. Plate: 230 x 270mm, (9 x 10½").
Interior scene in which several groups of figures examine the sculpture and architecture of St. Pauls Cathedral. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34169] £140.00 (£168.00 incl.VAT)
Pugin & Rowlandson del.t. et sculp.t./ J. Bluck aqua.t
London, Pub. Aug.t. 1.st. 1809 at R. Ackermann's Repoistory of Arts 101 Strand.
Coloured aquatint with large margins. Plate: 230 x 270mm, (9 x 10½").
Interior scene in which several groups of figures examine the sculpture and architecture of St. Pauls Cathedral. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34169] £140.00 (£168.00 incl.VAT)