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A selection of stock we have recently added to our website.
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A Long Pull a Strong Pull and a Pull Altogether.
[Rowlandson.]
Published by [T. Tegg] 1813 Nov.r 25 No.111 [Cheapside.]
Hand-coloured etching, 1817 watermark. Plate: 245 x 350mm (9¾ x 13¾''). Trimmed, staining, repaired hole.
A political satire showing the representatives of six of the Allies, the most prominent being John Bull, stand on a bluff (left) tugging at a rope by which they pull a row of seven uniform Dutch men-of-war from the opposite coast.
BM Satire 12102.
[Ref: 50744] £280.00 (£336.00 incl.VAT)
[Rowlandson.]
Published by [T. Tegg] 1813 Nov.r 25 No.111 [Cheapside.]
Hand-coloured etching, 1817 watermark. Plate: 245 x 350mm (9¾ x 13¾''). Trimmed, staining, repaired hole.
A political satire showing the representatives of six of the Allies, the most prominent being John Bull, stand on a bluff (left) tugging at a rope by which they pull a row of seven uniform Dutch men-of-war from the opposite coast.
BM Satire 12102.
[Ref: 50744] £280.00 (£336.00 incl.VAT)
After Sweet Meat comes Sour Sauce. or Corporal Casey got into the wrong box. Tegg's Caricatures NO. 24.
Rowlandson Del.
[Pub.d Nov.r 30 1810 by Thos Tegg No 111 Cheapside.]
Coloured etching. 245 x 350mm (9¾ x 13¾"). Narrow margins.
In a rustic bedroom a buxom young woman kneels to kiss her soldier who has been hiding in a large chest. A later printing with the publication line erased.
BM Satires 11642.
[Ref: 41121] £290.00 (£348.00 incl.VAT)
Rowlandson Del.
[Pub.d Nov.r 30 1810 by Thos Tegg No 111 Cheapside.]
Coloured etching. 245 x 350mm (9¾ x 13¾"). Narrow margins.
In a rustic bedroom a buxom young woman kneels to kiss her soldier who has been hiding in a large chest. A later printing with the publication line erased.
BM Satires 11642.
[Ref: 41121] £290.00 (£348.00 incl.VAT)
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All The Talents. Monstrum horrendum, informe, ingens, cui lumen ademptum.
[P]olypus designavit. Rowlandson sculp.
Pub. April 18th. 1807 by I. I. Stockdale Pall Mall.
Etching, sheet 205 x 130mm (8 x 5"). Trimmed within plate on left and bottom.
Frontispiece to 'All the Talents', 18th edition, satirical verses by 'Polypus', i.e. E. S. Barrett (1786-1820) , attacking the late Ministry.
BM Satires 10720.
[Ref: 61712] £130.00 (£156.00 incl.VAT)
[P]olypus designavit. Rowlandson sculp.
Pub. April 18th. 1807 by I. I. Stockdale Pall Mall.
Etching, sheet 205 x 130mm (8 x 5"). Trimmed within plate on left and bottom.
Frontispiece to 'All the Talents', 18th edition, satirical verses by 'Polypus', i.e. E. S. Barrett (1786-1820) , attacking the late Ministry.
BM Satires 10720.
[Ref: 61712] £130.00 (£156.00 incl.VAT)
![[Set of eight scenes] The Baliff's Hunt.](jpegs/60674.jpg)
[Set of eight scenes] The Baliff's Hunt. Going Out in the Morning. [&] Plate 2. In Full Scent. [&] Plate 3. Breaking Cover. [&] Plate 4. The Pursuit. [&] Plate 5. At Fault. [&] Plate 6. The Second Escape. [&] Plate 7. Double and Squat. [&] Plate 8. The Seizure.
Woodward Del. Rowlandson Scul.
[n.d., c.1809.]
Eight coloured etchings. Each sheet 90 x 145mm (3½ x 5¾"). Trimmed and laid on album paper in a strip, concertinaed into a leather pouch with facsimile of Rowlandson's signature.
A work of bailiffs chasing a debtor through the streets satirised as a fox hunt.
[Ref: 60674] £700.00 view all images for this item
Woodward Del. Rowlandson Scul.
[n.d., c.1809.]
Eight coloured etchings. Each sheet 90 x 145mm (3½ x 5¾"). Trimmed and laid on album paper in a strip, concertinaed into a leather pouch with facsimile of Rowlandson's signature.
A work of bailiffs chasing a debtor through the streets satirised as a fox hunt.
[Ref: 60674] £700.00 view all images for this item
For the Benefit of the Champion. A Catch to be Perform'd at the New Theatre Covent Garden _ for Admission Apply to the D____ ss_ NB. Gratis to those who wear Large Tails.
Etch'd by T. Rowlandson.
Pubd. and sold by Wm. Humphrey. [n.d. c.1784.]
Fine hand-coloured etching. Plate 248 x 354mm (9¾ x 13½"). With small margins. Very slight centre crease.
The Duchess of Devonshire with two other catch-singers, Fox and North, who are dressed as fat old market-women. The Duchess (left) elegantly dressed, but with her breast uncovered and wearing her election hat with 'Fox' favours, feathers, and fox's brush, puts her left hand on Fox's shoulder, pointing to a tomb-stone beside her (left) inscribed, beneath its skull and cross-bones, 'Here lies poor C--C--L--RAY' [Cecil Wray]. Fox, his left hand grasping a crutch-headed stick, turns to North and sings. North (right), also with a stick, sings. Through the wings peers the anxious-looking, spectacled profile of Burke (right). Three framed pictures decorate the wall behind the performers: 'The fox who had lost his Tail', a tail-less fox looking at four others who are discussing the situation. This is flanked by two oval pictures, 'Fox and Crow' (left), the fox looking up longingly at the crow on a branch, and 'Fox and Grapes' (right), a fox on its hind-legs below a vine-branch.
BM Satires 6591.
[Ref: 52361] £320.00
Etch'd by T. Rowlandson.
Pubd. and sold by Wm. Humphrey. [n.d. c.1784.]
Fine hand-coloured etching. Plate 248 x 354mm (9¾ x 13½"). With small margins. Very slight centre crease.
The Duchess of Devonshire with two other catch-singers, Fox and North, who are dressed as fat old market-women. The Duchess (left) elegantly dressed, but with her breast uncovered and wearing her election hat with 'Fox' favours, feathers, and fox's brush, puts her left hand on Fox's shoulder, pointing to a tomb-stone beside her (left) inscribed, beneath its skull and cross-bones, 'Here lies poor C--C--L--RAY' [Cecil Wray]. Fox, his left hand grasping a crutch-headed stick, turns to North and sings. North (right), also with a stick, sings. Through the wings peers the anxious-looking, spectacled profile of Burke (right). Three framed pictures decorate the wall behind the performers: 'The fox who had lost his Tail', a tail-less fox looking at four others who are discussing the situation. This is flanked by two oval pictures, 'Fox and Crow' (left), the fox looking up longingly at the crow on a branch, and 'Fox and Grapes' (right), a fox on its hind-legs below a vine-branch.
BM Satires 6591.
[Ref: 52361] £320.00
The Billiard Table.
Design'd & Etched by Rowlandson.
[London, R. Ackermann, c.1820 (publication line faint).]
Hand coloured etching with aquatint, sheet 150 x 235mm. 6 x 9¼".
Doctor Syntax playing billiards in an interior with five women; one lady scores the match using a wall-mounted dial above the fireplace to left. From 'The Tour of Doctor Syntax, in Search of a Wife' by William Combe. The various tours following the escapades of the fictional 19th century clergyman 'Dr. Syntax' were a satire on William Gilpin’s series of picturesque journeys to different parts of England. By Thomas Rowlandson (1757 - 1827).
Abbey Life: 267, 8.
[Ref: 56175] £160.00 (£192.00 incl.VAT)
Design'd & Etched by Rowlandson.
[London, R. Ackermann, c.1820 (publication line faint).]
Hand coloured etching with aquatint, sheet 150 x 235mm. 6 x 9¼".
Doctor Syntax playing billiards in an interior with five women; one lady scores the match using a wall-mounted dial above the fireplace to left. From 'The Tour of Doctor Syntax, in Search of a Wife' by William Combe. The various tours following the escapades of the fictional 19th century clergyman 'Dr. Syntax' were a satire on William Gilpin’s series of picturesque journeys to different parts of England. By Thomas Rowlandson (1757 - 1827).
Abbey Life: 267, 8.
[Ref: 56175] £160.00 (£192.00 incl.VAT)
Black Brown & Fair. You tell me dear Girl, that I'm given to rove, That I sport with each lass on the green, that I join in the dance and sing sonnets of Love...
Design'd by Sir E. Bunbury. Rowlandson sculp.
London Pub. May 6 -1807 by T.Tegg III Cheapside.
Hand coloured etching 280 x 210mm (11 x 8¼"). Some slight staining.
A satirical songsheet with a scene at Wapping docks. The men, a Chinese, a Dutchman with a long pipe and a dog, and a lean foppish Frenchman, stand on the pavement gazing up at four smiling women, one of whom is black, leaning out a window. A black sailor walks inside, his arm round the waist of another girl. The BM states there was no ‘Sir E. Bunbury’, instead suggesting it was drawn by Henry Bunbury.
BM Satires 10925.
[Ref: 58480] £280.00 (£336.00 incl.VAT)
Design'd by Sir E. Bunbury. Rowlandson sculp.
London Pub. May 6 -1807 by T.Tegg III Cheapside.
Hand coloured etching 280 x 210mm (11 x 8¼"). Some slight staining.
A satirical songsheet with a scene at Wapping docks. The men, a Chinese, a Dutchman with a long pipe and a dog, and a lean foppish Frenchman, stand on the pavement gazing up at four smiling women, one of whom is black, leaning out a window. A black sailor walks inside, his arm round the waist of another girl. The BM states there was no ‘Sir E. Bunbury’, instead suggesting it was drawn by Henry Bunbury.
BM Satires 10925.
[Ref: 58480] £280.00 (£336.00 incl.VAT)
Black Brown & Fair. You tell me dear Girl, that I'm given to rove, That I sport with each lass on the green, that I join in the dance and sing sonnets of Love... [R2]
Design'd by Sir E. Bunbury. Rowlandson sculp.
London Pub. May 6 -1807 [but later] by T.Tegg III Cheapside.
Hand coloured etching. 280 x 210mm (11 x 8¼"), watermarked 1817. Extremely fine colour. Very slight offsetting near title left.
A fine example of this satirical songsheet with a scene at Wapping docks. The men, a Chinese, a Dutchman with a long pipe and a dog, and a lean foppish Frenchman, stand on the pavement gazing up at four smiling women, one of whom is black, leaning out a window. A black sailor walks inside, his arm round the waist of another girl. The BM states there was no ‘Sir E. Bunbury’, instead suggesting it was drawn by Henry Bunbury.
BM Satires 10925.
[Ref: 59957] £480.00
Design'd by Sir E. Bunbury. Rowlandson sculp.
London Pub. May 6 -1807 [but later] by T.Tegg III Cheapside.
Hand coloured etching. 280 x 210mm (11 x 8¼"), watermarked 1817. Extremely fine colour. Very slight offsetting near title left.
A fine example of this satirical songsheet with a scene at Wapping docks. The men, a Chinese, a Dutchman with a long pipe and a dog, and a lean foppish Frenchman, stand on the pavement gazing up at four smiling women, one of whom is black, leaning out a window. A black sailor walks inside, his arm round the waist of another girl. The BM states there was no ‘Sir E. Bunbury’, instead suggesting it was drawn by Henry Bunbury.
BM Satires 10925.
[Ref: 59957] £480.00
Description of a Boxing Match, June 9th 1812.
Rowlandson 1812.
Pub.d March 1st 1812 by Th. Rowlandson, N1 James Street, Adelphi.
Coloured etching. 355 x 255mm (14 x 10"). Paper slightly toned. Cut without nine-line description of the fight.
A caricature of the brutal bare-knuckled match with Rowlandson giving as much attention to the braying spectators as to the boxers. Ward, the better boxer, was beaten by Quirk, the stronger man.
Not in the BM.
[Ref: 58502] £650.00
Rowlandson 1812.
Pub.d March 1st 1812 by Th. Rowlandson, N1 James Street, Adelphi.
Coloured etching. 355 x 255mm (14 x 10"). Paper slightly toned. Cut without nine-line description of the fight.
A caricature of the brutal bare-knuckled match with Rowlandson giving as much attention to the braying spectators as to the boxers. Ward, the better boxer, was beaten by Quirk, the stronger man.
Not in the BM.
[Ref: 58502] £650.00
The Bull and Mouth.
Woodward Del. Rowlandson scul.
by Tho.s Tegg No.11 Cheapside.
Hand-coloured etching. Sheet: 335 x 240mm (13¼ x 9½''). Trimmed within plate.
An elderly ugly and obese 'cit', seated full face in an arm-chair, yawns cavernously, with closed eyes. He wears a nightcap. His comely and meretricious-looking young wife holds up her fingers above his head, to signify the cuckolds horns, while she slips a letter into the hand of a handsome young military officer who stands in the doorway behind her, a finger on his nose.
BM Satire 11145.
[Ref: 50748] £280.00 (£336.00 incl.VAT)
Woodward Del. Rowlandson scul.
by Tho.s Tegg No.11 Cheapside.
Hand-coloured etching. Sheet: 335 x 240mm (13¼ x 9½''). Trimmed within plate.
An elderly ugly and obese 'cit', seated full face in an arm-chair, yawns cavernously, with closed eyes. He wears a nightcap. His comely and meretricious-looking young wife holds up her fingers above his head, to signify the cuckolds horns, while she slips a letter into the hand of a handsome young military officer who stands in the doorway behind her, a finger on his nose.
BM Satire 11145.
[Ref: 50748] £280.00 (£336.00 incl.VAT)
Business and Pleasure.
Woodward del. Rowlandson scul.
London Published by Thomas Tegg No 111 Cheapside. [n.d., c.1810.]
Coloured etching. 'J. Whatman Turkey Mill' watermark. 250 x 350mm (9¾ x 13¾") large margins.
A cobbler and his neighbour chat: their idea of pleasure is to go to see five men being hung.
BM Satire 11133B.
[Ref: 50796] £320.00
Woodward del. Rowlandson scul.
London Published by Thomas Tegg No 111 Cheapside. [n.d., c.1810.]
Coloured etching. 'J. Whatman Turkey Mill' watermark. 250 x 350mm (9¾ x 13¾") large margins.
A cobbler and his neighbour chat: their idea of pleasure is to go to see five men being hung.
BM Satire 11133B.
[Ref: 50796] £320.00
View on the River Camel, Cornwall.
Drawn & Etched by Rowlandson.
[London: Thomas Tegg, n.d., 1822.]
Coloured etching. 185 x 235mm (7¼ x 9¼"), with very large margins.
A view of the River Camel on Bodmin Moor. From Rowlandson's 'Sketches from Nature': The plate was first published in 1812 by Rowlandson in a fortnightly series: it was not published in a book until 1822.
Abbey 33.
[Ref: 61107] £130.00 (£156.00 incl.VAT)
Drawn & Etched by Rowlandson.
[London: Thomas Tegg, n.d., 1822.]
Coloured etching. 185 x 235mm (7¼ x 9¼"), with very large margins.
A view of the River Camel on Bodmin Moor. From Rowlandson's 'Sketches from Nature': The plate was first published in 1812 by Rowlandson in a fortnightly series: it was not published in a book until 1822.
Abbey 33.
[Ref: 61107] £130.00 (£156.00 incl.VAT)
![[Title Page] Caricature Magazine](jpegs/61921.jpg)
[Title Page] Caricature Magazine or Hudibrastic Mirror, By Thomas Rowlandson, Esq.r Vol. II.
[After Woodward]
Published by T. Tegg N.o 111 Cheapside. [n.d. c.1807]
Hand-coloured etching, sheet 250 x 405mm (10 x 15¾"). On paper watermarked '1816', with large margins left & right. Trimmed to plate at top & bottom. Some staining.
The title is engraved across the centre of the page. Comic Mirror' is inscribed on a half-length figure of a jester wearing a fool's cap, strung from two ribbon festoons that are centred by a bow. A ribbon loop with the words "To hold as t'were the Mirror up to Nature" is engraved beneath it. Shakespeare. Half-length figures scrutinising bound numbers (or volumes) of the Magazine are supported by one festoon with the inscription 'Country Observations on the Caricature Magazine'. A attractive woman approaches John and says, "Come on, let me look, don't keep it all to yourself." "Don't be in a hurry well these things be the drollest things ever sent into our Country," and "There is one exactly like our Exciseman," are said by two oafish men while holding an open book. As he looks through a volume, a third man remarks, "I wonder how they think of all these things." The second festoon, "Town Observations on the Caricature Magazine," features two men and two ladies (three-quarter length), who appear unattractive but rather stylish, as they enthusiastically examine the bound images. They respond with: "It is certainly very amuseing" ; "Pray Sir have they commenced the second Volume" ; "Just got the first number Ma'am from Mr Teggs." Two processions surround the sides and lower portion of the motif. 'Whimsical Characters climbing to the Temple of Fame' are located on the left. Back view of men and women ascending, perspective regressing to a circular temple where Fame sounds his horn. A chubby parson, a flirtatious military officer with a large cocked hat, and a plump 'cit' walking hand in hand with a slender woman are the people in the foreground. They see a Highlander walking ahead of them. "A Grotesque Deputation from the Temple of Momus-returning thanks for past favors and soliciting future patronage" is the text on the left. These are Lilliputian figures, with large grotesque heads of men and women, all smiling, descending from a temple that straddles Momus."The Genius of Caricature opening the Second Volume" is positioned between the two processions and forms a tail-piece. Perhaps a fantastic representation of Tegg, the man has a large smile on his face, faun's ears, and butterfly wings. He is sprawled on the ground with an open volume in his hands, which is "Caricature Magazine Vol 2d." He has "Caricature Magazine, Vol. 1" resting on his elbow. Next to him are documents with the following inscriptions: 'Bulls,' 'Anecdotes,' 'Jests,' 'Puns,' 'Bon Mot[s]', and distinct prints.
BM Satires 10917.
[Ref: 61921] £360.00
[After Woodward]
Published by T. Tegg N.o 111 Cheapside. [n.d. c.1807]
Hand-coloured etching, sheet 250 x 405mm (10 x 15¾"). On paper watermarked '1816', with large margins left & right. Trimmed to plate at top & bottom. Some staining.
The title is engraved across the centre of the page. Comic Mirror' is inscribed on a half-length figure of a jester wearing a fool's cap, strung from two ribbon festoons that are centred by a bow. A ribbon loop with the words "To hold as t'were the Mirror up to Nature" is engraved beneath it. Shakespeare. Half-length figures scrutinising bound numbers (or volumes) of the Magazine are supported by one festoon with the inscription 'Country Observations on the Caricature Magazine'. A attractive woman approaches John and says, "Come on, let me look, don't keep it all to yourself." "Don't be in a hurry well these things be the drollest things ever sent into our Country," and "There is one exactly like our Exciseman," are said by two oafish men while holding an open book. As he looks through a volume, a third man remarks, "I wonder how they think of all these things." The second festoon, "Town Observations on the Caricature Magazine," features two men and two ladies (three-quarter length), who appear unattractive but rather stylish, as they enthusiastically examine the bound images. They respond with: "It is certainly very amuseing" ; "Pray Sir have they commenced the second Volume" ; "Just got the first number Ma'am from Mr Teggs." Two processions surround the sides and lower portion of the motif. 'Whimsical Characters climbing to the Temple of Fame' are located on the left. Back view of men and women ascending, perspective regressing to a circular temple where Fame sounds his horn. A chubby parson, a flirtatious military officer with a large cocked hat, and a plump 'cit' walking hand in hand with a slender woman are the people in the foreground. They see a Highlander walking ahead of them. "A Grotesque Deputation from the Temple of Momus-returning thanks for past favors and soliciting future patronage" is the text on the left. These are Lilliputian figures, with large grotesque heads of men and women, all smiling, descending from a temple that straddles Momus."The Genius of Caricature opening the Second Volume" is positioned between the two processions and forms a tail-piece. Perhaps a fantastic representation of Tegg, the man has a large smile on his face, faun's ears, and butterfly wings. He is sprawled on the ground with an open volume in his hands, which is "Caricature Magazine Vol 2d." He has "Caricature Magazine, Vol. 1" resting on his elbow. Next to him are documents with the following inscriptions: 'Bulls,' 'Anecdotes,' 'Jests,' 'Puns,' 'Bon Mot[s]', and distinct prints.
BM Satires 10917.
[Ref: 61921] £360.00
![[John Cartwright] The Drum Major of Sedition.](jpegs/61823.jpg)
[John Cartwright] The Drum Major of Sedition. All Gentlemen and others Electors for Westminster who are ready and willing to Surrender their rights and those of their Fellow Citizens to Secret Influence and the Lords of the Bedchamber let them repair to the Prerogative Standard lately erected at the Cannon Coffee House where they shall be kindly receiv'd untill their Services are no longer Wanted....
[Thomas Rowlandson]
Pub.d March 29 1784 by Mrs. Dacheray St James's Street.
Coloured etching, 18th century watermark. 350 x 250mm (13¾ x 9¾"). Printer's crease entering image left centre tear in margin taped top centre.
Major John Cartwright stands legs apart, holding a long staff, addressing the populace before the hustings in Covent Garden, being ignored by everyone but Lord Hood in admiral's uniform, sword drawn. Under the title is a lengthy speech. John Cartwright (1740-1824) campaigned for Parliamentary reform, including universal suffrage and secret ballots. His younger brother Edmund Cartwright was the inventor of the power loom.
BM Satires 6474; Grego I, 121.
[Ref: 61823] £380.00
[Thomas Rowlandson]
Pub.d March 29 1784 by Mrs. Dacheray St James's Street.
Coloured etching, 18th century watermark. 350 x 250mm (13¾ x 9¾"). Printer's crease entering image left centre tear in margin taped top centre.
Major John Cartwright stands legs apart, holding a long staff, addressing the populace before the hustings in Covent Garden, being ignored by everyone but Lord Hood in admiral's uniform, sword drawn. Under the title is a lengthy speech. John Cartwright (1740-1824) campaigned for Parliamentary reform, including universal suffrage and secret ballots. His younger brother Edmund Cartwright was the inventor of the power loom.
BM Satires 6474; Grego I, 121.
[Ref: 61823] £380.00
![[Mary Anne Clarke] The Road to Preferment Through Clarkes Passage.](jpegs/62054.jpg)
[Mary Anne Clarke] The Road to Preferment Through Clarkes Passage.
[Thomas Rowlandson.]
Pub.d March 5. 1809 by Tho.s Tegg No 111 Cheapside.
Coloured etching, pt. watermark. Sheet 230 x 330mm (9 x 13"). Trimmed within plate, small tear in title.
Mrs Clarke, dressed in a military jacket and hat, stands in a massive archway, addressing a mixture of young, old and infirm soldiers, parsons and civilians, one of whom holds up a money bag marked '500'. Mary Anne Clarke (1776-1852), mistress of Frederick, Duke of York, was found out to be selling army commissions while he was Commander-in-Chief of the army. York was forced to resign from his position, though he was later exonerated and reinstated. Mrs Clarke was prosecuted for libel in 1813 and imprisoned. On her release, she went to live in France.
BM Satires 11239; Grego II 149.
[Ref: 62054] £180.00 (£216.00 incl.VAT)
[Thomas Rowlandson.]
Pub.d March 5. 1809 by Tho.s Tegg No 111 Cheapside.
Coloured etching, pt. watermark. Sheet 230 x 330mm (9 x 13"). Trimmed within plate, small tear in title.
Mrs Clarke, dressed in a military jacket and hat, stands in a massive archway, addressing a mixture of young, old and infirm soldiers, parsons and civilians, one of whom holds up a money bag marked '500'. Mary Anne Clarke (1776-1852), mistress of Frederick, Duke of York, was found out to be selling army commissions while he was Commander-in-Chief of the army. York was forced to resign from his position, though he was later exonerated and reinstated. Mrs Clarke was prosecuted for libel in 1813 and imprisoned. On her release, she went to live in France.
BM Satires 11239; Grego II 149.
[Ref: 62054] £180.00 (£216.00 incl.VAT)
Connoisseurs.
Rowlandson.
[n.d., c.1810.]
Hand-coloured etching, watermarked 'John Pine 1810'. Plate: 340 x 265mm (13¼ x 10½''). Trimmed within plate on right edge, repaired tear. Foxing verso.
A comic print showing three men ogling a portrait of a young, scantily dressed woman.
BM Satire 11451.
[Ref: 50815] £290.00 (£348.00 incl.VAT)
Rowlandson.
[n.d., c.1810.]
Hand-coloured etching, watermarked 'John Pine 1810'. Plate: 340 x 265mm (13¼ x 10½''). Trimmed within plate on right edge, repaired tear. Foxing verso.
A comic print showing three men ogling a portrait of a young, scantily dressed woman.
BM Satire 11451.
[Ref: 50815] £290.00 (£348.00 incl.VAT)
The Contrast 1792. Which is Best?
[Thomas Rowlandson.]
[n.d., c.1792.]
Etching. Plate: 270 x 375mm (10¾ x 14¾''), with very large margins on 3 sides. Creasing. Paper tone.
A satirical print commenting on the barbarity of the French Revolution. The medallion on the left shows the figure of Britannia holding the Magna Carta and the scales of Justice, beneath the medallion are positive words like 'Protection', 'Morality' and 'Loyalty'. On the right is a contrasting medallion showing a murderous Fury walking over the dead while carrying a trident with a head impaled on it representing the French Revolution. Beneath this oval are inscribed words such as 'Rebellion', 'Cruelty' and 'Injustice'. Etched by Rowlandson after a design by Lord George Murray, a Kent clergyman, these prints were circulated as propaganda by the Crown and Anchor Society; the price of the etching was low in order to maximise circulation.
BM Satire 8149 (variation with added grammar.)
[Ref: 48161] £520.00
[Thomas Rowlandson.]
[n.d., c.1792.]
Etching. Plate: 270 x 375mm (10¾ x 14¾''), with very large margins on 3 sides. Creasing. Paper tone.
A satirical print commenting on the barbarity of the French Revolution. The medallion on the left shows the figure of Britannia holding the Magna Carta and the scales of Justice, beneath the medallion are positive words like 'Protection', 'Morality' and 'Loyalty'. On the right is a contrasting medallion showing a murderous Fury walking over the dead while carrying a trident with a head impaled on it representing the French Revolution. Beneath this oval are inscribed words such as 'Rebellion', 'Cruelty' and 'Injustice'. Etched by Rowlandson after a design by Lord George Murray, a Kent clergyman, these prints were circulated as propaganda by the Crown and Anchor Society; the price of the etching was low in order to maximise circulation.
BM Satire 8149 (variation with added grammar.)
[Ref: 48161] £520.00
Sports of a Country Fair. Part the Third. Teggs Caricatures No 41.
[Thomas Rowlandson.]
Pub.d October 5th 1810 by Thos Tegg No 111 Cheapside.
Coloured etching. 250 x 355mm (9¾ x 14"). Tear reaching image lower left, creasing.
Chaos in the interior of a large theatrical tent as a tiger bursts through the flimsy canvas wall. From a set of four plates of similar disasters.
BM Satires 11631
[Ref: 51688] £190.00 (£228.00 incl.VAT)
[Thomas Rowlandson.]
Pub.d October 5th 1810 by Thos Tegg No 111 Cheapside.
Coloured etching. 250 x 355mm (9¾ x 14"). Tear reaching image lower left, creasing.
Chaos in the interior of a large theatrical tent as a tiger bursts through the flimsy canvas wall. From a set of four plates of similar disasters.
BM Satires 11631
[Ref: 51688] £190.00 (£228.00 incl.VAT)
Sports of a Country Fair. Part the First. Teggs Caricatures No 38.
[Thomas Rowlandson.]
Pub.d October 5th 1810 by Thos Tegg No 111 Cheapside. Price One Shilling Coloured.
Very finely coloured etching, early state. 250 x 355mm (9¾ x 14"). Laid on album paper with some cockling of paper.
The horse breaks free from a cart carrying people around the fair, tipping them onto the ground. From a set of plates of similar disasters. Showmen including tight rope walkers in background. Pasted on the back are two Bunbury caricatures of coach drivers.
BM Satires 11629.
[Ref: 59288] £350.00
[Thomas Rowlandson.]
Pub.d October 5th 1810 by Thos Tegg No 111 Cheapside. Price One Shilling Coloured.
Very finely coloured etching, early state. 250 x 355mm (9¾ x 14"). Laid on album paper with some cockling of paper.
The horse breaks free from a cart carrying people around the fair, tipping them onto the ground. From a set of plates of similar disasters. Showmen including tight rope walkers in background. Pasted on the back are two Bunbury caricatures of coach drivers.
BM Satires 11629.
[Ref: 59288] £350.00
Sports of a Country Fair. Teggs Caricatures No 40.
[Thomas Rowlandson.]
Pub.d October 5th 1810 by Thos Tegg No 111 Cheapside. Price One Shilling Coloured.
Coloured etching, early state with very fine colour. 250 x 355mm (9¾ x 14"). Trimmed within plate, laid on album paper.
Spectators flee from the upper storey of a burning theatre, landing in a heap at the bottom of some stairs. From a set of plates of similar disasters. Circus including tight rope walker in background.
BM Satires 11629. See Ref: 59288
[Ref: 59290] £350.00
[Thomas Rowlandson.]
Pub.d October 5th 1810 by Thos Tegg No 111 Cheapside. Price One Shilling Coloured.
Coloured etching, early state with very fine colour. 250 x 355mm (9¾ x 14"). Trimmed within plate, laid on album paper.
Spectators flee from the upper storey of a burning theatre, landing in a heap at the bottom of some stairs. From a set of plates of similar disasters. Circus including tight rope walker in background.
BM Satires 11629. See Ref: 59288
[Ref: 59290] £350.00
Crimping a Quaker.
Rowlandson 1814.
[Pub.d March 1st 1814] by Thos Tegg No 111 Cheapside [but later].
Fine coloured etching. 350 x 250mm (13½ x 10¾") Small margins.
Prostitutes try to hustle a Quaker into a brothel. One sings 'Wont you come, wont you come Mr Mug' (a popular song).
BM: Satires 12401, this example with date erased.
[Ref: 61817] £320.00
Rowlandson 1814.
[Pub.d March 1st 1814] by Thos Tegg No 111 Cheapside [but later].
Fine coloured etching. 350 x 250mm (13½ x 10¾") Small margins.
Prostitutes try to hustle a Quaker into a brothel. One sings 'Wont you come, wont you come Mr Mug' (a popular song).
BM: Satires 12401, this example with date erased.
[Ref: 61817] £320.00
![[Duke of Cumberland] A Portrait.](jpegs/32086.jpg)
[Duke of Cumberland] A Portrait.
[Thomas Rowlandson.]
Pub.d January 10th 1812 by H. Humphrey, 27 St. James's Street.
Fine hand-coloured etching with large margins. Platemark: 270 x 215mm (10¾ x 8½").
The Duke of Cumberland walks in profile to the left, putting his spy-glass to his right eye. He holds hat and cane, wears a high-collared coat with a star, blue with red facings (the Windsor uniform), leather breeches, and spurred top-boots. Behind is the pagoda in Kew Gardens, with a background of distant trees. Companion print to item ref: 32088.
BM Satires: 11924.
[Ref: 32086] £260.00 (£312.00 incl.VAT)
[Thomas Rowlandson.]
Pub.d January 10th 1812 by H. Humphrey, 27 St. James's Street.
Fine hand-coloured etching with large margins. Platemark: 270 x 215mm (10¾ x 8½").
The Duke of Cumberland walks in profile to the left, putting his spy-glass to his right eye. He holds hat and cane, wears a high-collared coat with a star, blue with red facings (the Windsor uniform), leather breeches, and spurred top-boots. Behind is the pagoda in Kew Gardens, with a background of distant trees. Companion print to item ref: 32088.
BM Satires: 11924.
[Ref: 32086] £260.00 (£312.00 incl.VAT)
The Detection.
H. Wigstead. [Etched by Thomas Rowlandson.]
[Published by S.W. Fores, 1796.]
Fine hand-coloured etching, Collector's mark M.W. Sheet: 240 x 335mm (9¾ x 13¼''). Trimmed and tipped into album sheet.
A scene in a drawing room, in which an old man sleeps in his chair before the fire, behind him a young couple sit next to each other on a piano, from the other side of the room a woman wake up and spots the lovers.
BM Satire Undescribed.
[Ref: 51063] £280.00 (£336.00 incl.VAT)
H. Wigstead. [Etched by Thomas Rowlandson.]
[Published by S.W. Fores, 1796.]
Fine hand-coloured etching, Collector's mark M.W. Sheet: 240 x 335mm (9¾ x 13¼''). Trimmed and tipped into album sheet.
A scene in a drawing room, in which an old man sleeps in his chair before the fire, behind him a young couple sit next to each other on a piano, from the other side of the room a woman wake up and spots the lovers.
BM Satire Undescribed.
[Ref: 51063] £280.00 (£336.00 incl.VAT)
Doncaster Fair or the Industrious Yorkshirebites.
Designed etch'd and Publish'd by T. Rowlandson No.1 James S.t Adelphi.
[n.d., c.1808.]
Hand-coloured etching. 1809 watermark. Plate: 250 x 350mm (9¾ x 13¾''), with large margins. Time stained.
A scene in a fair, three figures prepare to throw sticks at objects placed on spike, behind is a large crowd and a punch and judy show.
BM Satire 11106.
[Ref: 50807] £260.00 (£312.00 incl.VAT)
Designed etch'd and Publish'd by T. Rowlandson No.1 James S.t Adelphi.
[n.d., c.1808.]
Hand-coloured etching. 1809 watermark. Plate: 250 x 350mm (9¾ x 13¾''), with large margins. Time stained.
A scene in a fair, three figures prepare to throw sticks at objects placed on spike, behind is a large crowd and a punch and judy show.
BM Satire 11106.
[Ref: 50807] £260.00 (£312.00 incl.VAT)
Doncaster Fair or the Industrious Yorkshirebites.
Designed etch'd and Publish'd by T. Rowlandson No.1 James S.t Adelphi.
[n.d., c.1808.]
Hand-coloured etching, 1814 watermark. Plate: 250 x 350mm (9¾ x 13¾''). Staining. Trimmed.
A scene in a fair, three figures prepare to throw sticks at objects placed on spike, behind is a large crowd and a Punch and Judy show.
BM Satire 11106.
[Ref: 50745] £220.00 (£264.00 incl.VAT)
Designed etch'd and Publish'd by T. Rowlandson No.1 James S.t Adelphi.
[n.d., c.1808.]
Hand-coloured etching, 1814 watermark. Plate: 250 x 350mm (9¾ x 13¾''). Staining. Trimmed.
A scene in a fair, three figures prepare to throw sticks at objects placed on spike, behind is a large crowd and a Punch and Judy show.
BM Satire 11106.
[Ref: 50745] £220.00 (£264.00 incl.VAT)
The Double Disaster or New Cure for Love. E3
Rowlandson Del et Sculp.t.
London Pub.d by T. Tegg N. 111 Cheapside July 10. 1807.
Coloured etching. Sheet 220 x 295mm (8¾ x 11¾"). Trimmed within plate at bottom, tear repaired on left border, paper toned.
A young man hiding in a brewing copper is forced out when an old maid lights the fire, and is drenched by a water pump as he emerges. To the left a woman leaves the beer tap open, causing her jug to overflow.
BM Satires 10932.
[Ref: 60505] £380.00
Rowlandson Del et Sculp.t.
London Pub.d by T. Tegg N. 111 Cheapside July 10. 1807.
Coloured etching. Sheet 220 x 295mm (8¾ x 11¾"). Trimmed within plate at bottom, tear repaired on left border, paper toned.
A young man hiding in a brewing copper is forced out when an old maid lights the fire, and is drenched by a water pump as he emerges. To the left a woman leaves the beer tap open, causing her jug to overflow.
BM Satires 10932.
[Ref: 60505] £380.00
Doctor Syntax in the middle of a smoaking hot Political squabble, wishes to Whet his Whistle.
Rowlandson Del.
Pub.d August 31st 1813 by Tho.s Tegg No 111 Cheapside. Price 1s. Coloured.
Coloured etching. Sheet 225 x 335mm (8¾ x 13¼"), on Whatman paper, date obscure. Trimmed within plate.
A scene in a crowded tavern: Dr Syntax sits on a bench with three men, smoking a long pipe; he looks over his shoulder to attract the attention of the barmaid, who is serving a good-looking soldier.
Not in BM.
[Ref: 61819] £280.00 (£336.00 incl.VAT)
Rowlandson Del.
Pub.d August 31st 1813 by Tho.s Tegg No 111 Cheapside. Price 1s. Coloured.
Coloured etching. Sheet 225 x 335mm (8¾ x 13¼"), on Whatman paper, date obscure. Trimmed within plate.
A scene in a crowded tavern: Dr Syntax sits on a bench with three men, smoking a long pipe; he looks over his shoulder to attract the attention of the barmaid, who is serving a good-looking soldier.
Not in BM.
[Ref: 61819] £280.00 (£336.00 incl.VAT)
Doctor Syntax Loses his Money at the Race-Ground at York.
Drawn & Etched by Rowlandson.
[London: Ackermann, c.1813.]
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Trimmed at bottom, losing publisher's inscription.
The cleric loses his hat and wig as he dances in frustration. From 'The Tour of Doctor Syntax', illustrated by Thomas Rowlandson.
BM Satires 11673.
[Ref: 51711] £70.00 (£84.00 incl.VAT)
Drawn & Etched by Rowlandson.
[London: Ackermann, c.1813.]
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Trimmed at bottom, losing publisher's inscription.
The cleric loses his hat and wig as he dances in frustration. From 'The Tour of Doctor Syntax', illustrated by Thomas Rowlandson.
BM Satires 11673.
[Ref: 51711] £70.00 (£84.00 incl.VAT)
Doctor Syntax with the Bookseller.
Drawn & Etch'd by Rowlandson.
London Pub. Aug.t 16. 1813 at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Sheet: 145 x 230mm (5¾ x 9'').
A comic scene showing Dr Syntax in a bookshop, behind him a man knocks several books from a shelf onto the head of another and in the room beyond a woman naps while holding a glass of wine, from Rowlandson's 'The Tour of Doctor Syntax'.
BM Satire 11686.
[Ref: 50415] £75.00 (£90.00 incl.VAT)
Drawn & Etch'd by Rowlandson.
London Pub. Aug.t 16. 1813 at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Sheet: 145 x 230mm (5¾ x 9'').
A comic scene showing Dr Syntax in a bookshop, behind him a man knocks several books from a shelf onto the head of another and in the room beyond a woman naps while holding a glass of wine, from Rowlandson's 'The Tour of Doctor Syntax'.
BM Satire 11686.
[Ref: 50415] £75.00 (£90.00 incl.VAT)
Dr. Syntax Loses His Money on the Race Ground at York. Plate 12.
Drawn & Etched by Rowlandson.
London: Pud. Apr.1.1813 at R. Ackermann's Repository of Arts, 101, Strand.
Hand-coloured aquatint with etching. 145 x 240mm. 5¾ x 9½".
Four horses pass the grandstand. An angry Dr Syntax can be seen in the foreground.
See BM Satires: 11673.
[Ref: 16085] £65.00 (£78.00 incl.VAT)
Drawn & Etched by Rowlandson.
London: Pud. Apr.1.1813 at R. Ackermann's Repository of Arts, 101, Strand.
Hand-coloured aquatint with etching. 145 x 240mm. 5¾ x 9½".
Four horses pass the grandstand. An angry Dr Syntax can be seen in the foreground.
See BM Satires: 11673.
[Ref: 16085] £65.00 (£78.00 incl.VAT)
Dr Syntax Made Free of the Cellar. Plate 15.
Drawn & Etched by Rowlandson.
London, Pub Apr. 1. 1813 at R. Ackermann's Repository of Arts, 101, Strand. Plate 15.
Aquatint with hand colouring. Sheet size: 150 x 240mm (6 x 9½"). Trimmed inside plate. Laid on backing sheet.
Ackermann's Repository of Arts was an illustrated British periodical published from 1809-1829. It covered all fields from arts, literature, commerce, manufactures, fashions and politics. From 'The Tours of Dr. Syntax', depicting the various escapades of the fictional 19th-century English clergyman, Dr. Syntax.
BM Satires: 11676.
[Ref: 40015] £60.00 (£72.00 incl.VAT)
Drawn & Etched by Rowlandson.
London, Pub Apr. 1. 1813 at R. Ackermann's Repository of Arts, 101, Strand. Plate 15.
Aquatint with hand colouring. Sheet size: 150 x 240mm (6 x 9½"). Trimmed inside plate. Laid on backing sheet.
Ackermann's Repository of Arts was an illustrated British periodical published from 1809-1829. It covered all fields from arts, literature, commerce, manufactures, fashions and politics. From 'The Tours of Dr. Syntax', depicting the various escapades of the fictional 19th-century English clergyman, Dr. Syntax.
BM Satires: 11676.
[Ref: 40015] £60.00 (£72.00 incl.VAT)
Rural Sports. Plate 20.
Drawn & Etch'd by Rowlandson.
London Pub. Aug.t 16 1813, at R. Ackermann's Repository of Arts 101 Strand.
Fine hand-coloured aquatint. Sheet: 140 x 235mm (5½ x 9¼'').
A satirical print showing a group of men and women dancing before a cottage, another group sit on benches, on the right Dr Syntax plays a fiddle. From 'The Tour of Dr. Syntax in Search of the Picturesque, this was a collaboration between William Combe, Thomas Rowlandson, and Ackermann and was the first of three "tours".
[Ref: 50463] £60.00 (£72.00 incl.VAT)
Drawn & Etch'd by Rowlandson.
London Pub. Aug.t 16 1813, at R. Ackermann's Repository of Arts 101 Strand.
Fine hand-coloured aquatint. Sheet: 140 x 235mm (5½ x 9¼'').
A satirical print showing a group of men and women dancing before a cottage, another group sit on benches, on the right Dr Syntax plays a fiddle. From 'The Tour of Dr. Syntax in Search of the Picturesque, this was a collaboration between William Combe, Thomas Rowlandson, and Ackermann and was the first of three "tours".
[Ref: 50463] £60.00 (£72.00 incl.VAT)
Dressing for a Masquerade.
Rowlandson 1790.
Pub. April 1 1790 by S.W. Fores N.3 Piccadilly.
Etching with hand-colouring, sheet 360 x 470mm (14¼ x 18½"). Trimmed inside platemark.
Courtesans were known to be frequent visitors to fashionable masquerades, and here they dress for one. Four courtesans are shown in various stages of preparation, from putting on stockings to masked final appearance (far right). Large satirical etching by Thomas Rowlandson (1757-1827), whose name is now 'synonymous with the popular vision of late Georgian Britain' (DNB).
BM Satires 9680.
[Ref: 50347] £880.00 view all images for this item
Rowlandson 1790.
Pub. April 1 1790 by S.W. Fores N.3 Piccadilly.
Etching with hand-colouring, sheet 360 x 470mm (14¼ x 18½"). Trimmed inside platemark.
Courtesans were known to be frequent visitors to fashionable masquerades, and here they dress for one. Four courtesans are shown in various stages of preparation, from putting on stockings to masked final appearance (far right). Large satirical etching by Thomas Rowlandson (1757-1827), whose name is now 'synonymous with the popular vision of late Georgian Britain' (DNB).
BM Satires 9680.
[Ref: 50347] £880.00 view all images for this item
Pays A Nocturnal Visit to Dungaree.
Rowlandson sc. Quiz fecit.
London, Published by Thomas Tegg, No.111 Cheapside Oct.1. 1815.
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Marking.
A view of Dongri, a village in India near.Mumai. In 1613 George White, co-founder of the British East India company, established an Anglo trading post there. The local coarse cotton fabric, very similar to denim, became known ad 'Dungaree'. An illustration from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', William Combe 1741-1823 published by Thomas Tegg, London, 1815.
[Ref: 48573] £65.00 (£78.00 incl.VAT)
Rowlandson sc. Quiz fecit.
London, Published by Thomas Tegg, No.111 Cheapside Oct.1. 1815.
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Marking.
A view of Dongri, a village in India near.Mumai. In 1613 George White, co-founder of the British East India company, established an Anglo trading post there. The local coarse cotton fabric, very similar to denim, became known ad 'Dungaree'. An illustration from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', William Combe 1741-1823 published by Thomas Tegg, London, 1815.
[Ref: 48573] £65.00 (£78.00 incl.VAT)
Easter Monday. or the Cockney Hunt.
Rowlandson 1807.
designed etched & Pub July 13 1817 by Rowlandson, N I James Street Adelphi London..
Fine coloured etching. Sheet 320 x 230mm (12½ x 9"). Trimmed to printed border, partly laid on album paper.
Having leapt a fence and landing on a slope, an elderly man sits on the horse's neck, holding its ears to stop being unseated completely. A reckless young woman leaps the fence immediately behind.
BM Satires 10813, first published 1811.
[Ref: 60997] £260.00 (£312.00 incl.VAT)
Rowlandson 1807.
designed etched & Pub July 13 1817 by Rowlandson, N I James Street Adelphi London..
Fine coloured etching. Sheet 320 x 230mm (12½ x 9"). Trimmed to printed border, partly laid on album paper.
Having leapt a fence and landing on a slope, an elderly man sits on the horse's neck, holding its ears to stop being unseated completely. A reckless young woman leaps the fence immediately behind.
BM Satires 10813, first published 1811.
[Ref: 60997] £260.00 (£312.00 incl.VAT)
![[Ernest Augustus, Duke of Cumberland] A Portrait.](jpegs/61796.jpg)
[Ernest Augustus, Duke of Cumberland] A Portrait.
[by Thomas Rowlandson]
Pub.d January 10th 1812 by H Humphrey 27 St James's Street.
Coloured etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed within plate.
A caricature portrait of Ernest Augustus (1771-1851), walking in Kew (the pagoda in the background) wearing the so-called Windsor uniform, a high-collared blue coat with red facings, with a star. He looks through a spy-glass. This print is one of a set of four caricatures of Regency swells published by Hannah Humphries in 1812. It seems that Rowlandson took over the job after James Gillray had gone insane in 1811. A sketch by Rowlandson (with this figure but in a crowded interior, featuring the Prince Regent after Gillray) is in the BM (1856,0712.921).
BM Satires 11924.
[Ref: 61796] £420.00
[by Thomas Rowlandson]
Pub.d January 10th 1812 by H Humphrey 27 St James's Street.
Coloured etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed within plate.
A caricature portrait of Ernest Augustus (1771-1851), walking in Kew (the pagoda in the background) wearing the so-called Windsor uniform, a high-collared blue coat with red facings, with a star. He looks through a spy-glass. This print is one of a set of four caricatures of Regency swells published by Hannah Humphries in 1812. It seems that Rowlandson took over the job after James Gillray had gone insane in 1811. A sketch by Rowlandson (with this figure but in a crowded interior, featuring the Prince Regent after Gillray) is in the BM (1856,0712.921).
BM Satires 11924.
[Ref: 61796] £420.00
Acute Pain. No. 10. The curious observer of the Passion, has only to get a careless Servant to pour some hot water on his foor, in a case of the Gout, & he will soon know the nature of Acute Pain.
Woodward Del. Etched by Rowlandson.
London Pub: 21 Jan. 1800 at R. Ackermann's Repository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Acute Pain is portrayed by a man who suffers with gout crying out because his servant has poured tea on his foot. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46596] £160.00 (£192.00 incl.VAT)
Woodward Del. Etched by Rowlandson.
London Pub: 21 Jan. 1800 at R. Ackermann's Repository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Acute Pain is portrayed by a man who suffers with gout crying out because his servant has poured tea on his foot. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46596] £160.00 (£192.00 incl.VAT)
Admiration. No.3. Various are the ways this Passion might be depicted in this Delineation the subjects chosen are simple_a Hungry Boy_and a Plumb Pudding.
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 290 x 235mm (11½ x 9¼"). Hole in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46593] £180.00 (£216.00 incl.VAT)
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 290 x 235mm (11½ x 9¼"). Hole in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46593] £180.00 (£216.00 incl.VAT)
Admiration. No.3. Various are the ways this Passion might be depicted in this Delineation the subjects chosen are simple_a Hungry Boy_and a Plumb Pudding.
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 295 x 240mm (11½ x 9½"). Two holes in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46594] £130.00 (£156.00 incl.VAT)
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 295 x 240mm (11½ x 9½"). Two holes in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46594] £130.00 (£156.00 incl.VAT)
Anger. No.18. This unruly Passion shews itself in a forcible degree in a termagant Mistress, scolding her Maid servant.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Anger is portrayed by a mistress being cross with a maid. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46603] £120.00 (£144.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Anger is portrayed by a mistress being cross with a maid. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46603] £120.00 (£144.00 incl.VAT)
Simple Bodily Pain. No.11. A termagent Wife- a hen-peck'd Husband & a Cudgel are three principal ingredients for bringing forward the Passion of Simple Bodily Pain, as many an unfortunate sufferer can witness.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. The emotion of 'Simple Bodily Pain' is shown by an angry woman attacking her husband. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46597] £130.00 (£156.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. The emotion of 'Simple Bodily Pain' is shown by an angry woman attacking her husband. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46597] £130.00 (£156.00 incl.VAT)
Compassion. No. 14. He whose misfortunes can draw two-pence from the purse of a Miser, is certainly an object of Compassion, & the most capable of giving that passion its full force.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Compassion is portrayed in a scene in which a miser gives a penny to a beggar. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46600] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Compassion is portrayed in a scene in which a miser gives a penny to a beggar. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46600] £140.00 (£168.00 incl.VAT)
Hatred or Jealousy. No. 19. Mons le Brun in his delineation of the Passions, makes a Man jealous, without assigning a cause why or wherefore_If the connoisseurs will give himself the trouble to look behind the curtain in the above sketch, he will find sufficient reason for the excitement of the Passion.
[Woodward. Rowlandson.]
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing and paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Hatred is portrayed by the response of a husband walking in on his wife with another man. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46604] £180.00 (£216.00 incl.VAT)
[Woodward. Rowlandson.]
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing and paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Hatred is portrayed by the response of a husband walking in on his wife with another man. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46604] £180.00 (£216.00 incl.VAT)
Horror. No.16. It is impossible to account for Antipithies in this instance Horror is excited by the appearance of a harmless Mouse.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Horror is portrayed by a woman scared of a mouse carried by a young boy. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46601] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Horror is portrayed by a woman scared of a mouse carried by a young boy. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46601] £140.00 (£168.00 incl.VAT)
Joy with Tranquility. No. 8. This passion is represented by a Philosophical Brewer, who having gained a considerable Prize in the Lottery, receives it with the most perfect composure- a useful lesson for those persons who are too apt to be over elated at an unexpected change of Fortune.
Woodward del. Etched by Rowlandson.
London Pub. 21 Jan: 1800. at R. Ackermann's Respository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. A brewer, having won five thousand pounds in the lottery receives his prize with composure. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46595] £150.00 (£180.00 incl.VAT)
Woodward del. Etched by Rowlandson.
London Pub. 21 Jan: 1800. at R. Ackermann's Respository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. A brewer, having won five thousand pounds in the lottery receives his prize with composure. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46595] £150.00 (£180.00 incl.VAT)
Terror or Fright. This Passion is frequently exited by dressing up firghtful objects to represent Sprites, Apparitions &c: frequently practiced with success in Country Villages, as delineated in the above sketch of the Countryman & the Ghost.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Terror is portrayed by a countryman being terrified by a person dressed up as a ghost. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46602] £160.00 (£192.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Terror is portrayed by a countryman being terrified by a person dressed up as a ghost. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46602] £160.00 (£192.00 incl.VAT)
Weeping. No. 13. As Laughter is often exited by the most simple causes, so frequently is Weeping in this instance the hard & obourate features, that would be callous to real sufferings melts at the fancied sorrows of a Village love Ballad.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46598] £130.00 (£156.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46598] £130.00 (£156.00 incl.VAT)
Weeping. No. 13. As Laughter is often exited by the most simple causes, so frequently is Weeping in this instance the hard & obourate features, that would be callous to real sufferings melts at the fancied sorrows of a Village love Ballad.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46599] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. 'Weeping' is portrayed by two figures crying at a sad ballad. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46599] £140.00 (£168.00 incl.VAT)
![[Defeat of the India Bill] The Fall of Dagon _ or Rare News for Leadenhall Street.](jpegs/61809.jpg)
[Defeat of the India Bill] The Fall of Dagon _ or Rare News for Leadenhall Street. And behold Dagon was fallen upon his face to the ground before the ark of the Lord & the head of Dagon and both the Palms of his hands were cutt off upon the threshold.
[Thomas Rowlandson]
Publish'd Jany. 4. 1784 by W. Humphrey, 227 Strand.
Coloured etching. Sheet 225 x 305mm (9 x 12"). Trimmed within plate.
A satire on the fall of the Coalition after the defeat of the India Bill in 1783. Dagon, a figure with a Janus-like head with the faces of Fox and North, has fallen from a pedestal, with head and hands severed. In the distance is Tower Hill, with a scaffold with an executioner with his axe raised. Rowlandson's sketch is in the BM (1854,0513.288).
BM Satires 6365; Grego I, p.112.
[Ref: 61809] £280.00 (£336.00 incl.VAT)
[Thomas Rowlandson]
Publish'd Jany. 4. 1784 by W. Humphrey, 227 Strand.
Coloured etching. Sheet 225 x 305mm (9 x 12"). Trimmed within plate.
A satire on the fall of the Coalition after the defeat of the India Bill in 1783. Dagon, a figure with a Janus-like head with the faces of Fox and North, has fallen from a pedestal, with head and hands severed. In the distance is Tower Hill, with a scaffold with an executioner with his axe raised. Rowlandson's sketch is in the BM (1854,0513.288).
BM Satires 6365; Grego I, p.112.
[Ref: 61809] £280.00 (£336.00 incl.VAT)
![[Charles James Fox.] The Case is Altered.](jpegs/62055.jpg)
[Charles James Fox.] The Case is Altered.
[Thomas Rowlandson]
Pub April 29. 1784 by J. Hedges Royal Exchange.
Coloured etching. Sheet 250 x 340mm (9¾ x 13¼"). Trimmed within plate, some spotting.
Fox drives Sir Cecil Wray in 'The Lincoln shire Caravan for Paupers', watched by Samuel Hood. Fox says "I will drive you to Lincoln where you may Superintend the Small beer & brick dust". Against expectations, Fox beat Wray in the 1784 Westminster Election. Hood was the third candidate.
BM Satires 6562, a reposte to BM Satires 6456. Grego I 132-3
[Ref: 62055] £160.00 (£192.00 incl.VAT)
[Thomas Rowlandson]
Pub April 29. 1784 by J. Hedges Royal Exchange.
Coloured etching. Sheet 250 x 340mm (9¾ x 13¼"). Trimmed within plate, some spotting.
Fox drives Sir Cecil Wray in 'The Lincoln shire Caravan for Paupers', watched by Samuel Hood. Fox says "I will drive you to Lincoln where you may Superintend the Small beer & brick dust". Against expectations, Fox beat Wray in the 1784 Westminster Election. Hood was the third candidate.
BM Satires 6562, a reposte to BM Satires 6456. Grego I 132-3
[Ref: 62055] £160.00 (£192.00 incl.VAT)