A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Giovanni Bellini Pittore.
Gio. Do. Campiglia del. P. Ant. Pazzi sc.
[n.d., c.1766.]
Fine engraving. 270 x 185mm (10½ x 7¼"), with large margins.
A half-length self-portrait of Giovanni Bellini (c.1430-1516), Venetian painter of the Renaissance. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete. In this case, the intermediate artist was Giovanni Domenico Campiglia (1692-1768) and the engraver Pietro Antonio Pazzi (c. 1706 - after 1766).
[Ref: 59699] £140.00 (£168.00 incl.VAT)
Gio. Do. Campiglia del. P. Ant. Pazzi sc.
[n.d., c.1766.]
Fine engraving. 270 x 185mm (10½ x 7¼"), with large margins.
A half-length self-portrait of Giovanni Bellini (c.1430-1516), Venetian painter of the Renaissance. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete. In this case, the intermediate artist was Giovanni Domenico Campiglia (1692-1768) and the engraver Pietro Antonio Pazzi (c. 1706 - after 1766).
[Ref: 59699] £140.00 (£168.00 incl.VAT)
Pietro Bellotti Pittore
Gio. Dom. Campiglia del. P. Ant. Pazzi Sc.
[n.d., c.1766.]
Etching. 272 x 184mm (10¾ x 7¼").
Engraving after Pietro Bellotti's 'self-portrait of the artist as laughter'. Bellotti (1625-1700), an Italian Baroque painter, was a pupil of Michele Ferrabosco in Venice, and patronized by Pope Alexander VIII and by the Duke of Uceda. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete.
[Ref: 24763] £130.00 (£156.00 incl.VAT)
Gio. Dom. Campiglia del. P. Ant. Pazzi Sc.
[n.d., c.1766.]
Etching. 272 x 184mm (10¾ x 7¼").
Engraving after Pietro Bellotti's 'self-portrait of the artist as laughter'. Bellotti (1625-1700), an Italian Baroque painter, was a pupil of Michele Ferrabosco in Venice, and patronized by Pope Alexander VIII and by the Duke of Uceda. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete.
[Ref: 24763] £130.00 (£156.00 incl.VAT)
Luca Kranach. Pittore di Figure, e di Ritratti, nacque in Kranach Castello nellan Franconia l'anno 1472. mori l'anno 1553.
Giu. Menabuoni del./ P. Ant. Pazzi. f.
[n.d., c.1766].
Engraving with large margins. Platemark: 175 x 270mm. (7 x 10½").
A half-length portrait of German Renaissance painter and printmaker Lucas Cranach the elder (1472 - 1553); turned slightly to the left, wearing a dark shawl which he is holding with his left hand. To the right of the portrait is the dragon motif which Cranch used as a signature on his paintings. This portrait was part of A. F. Gori’s monumental Museum Florentium, which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in individual parts as it took over thirty years (1731-1766) to complete. The bulk of the engraving fell to four of Florence’s most rennowned artists, Giovanni Domenico Campiglia, Pietro Pazzi, Cosimo Mogalli and Lorenzini.
[Ref: 29116] £120.00 (£144.00 incl.VAT)
Giu. Menabuoni del./ P. Ant. Pazzi. f.
[n.d., c.1766].
Engraving with large margins. Platemark: 175 x 270mm. (7 x 10½").
A half-length portrait of German Renaissance painter and printmaker Lucas Cranach the elder (1472 - 1553); turned slightly to the left, wearing a dark shawl which he is holding with his left hand. To the right of the portrait is the dragon motif which Cranch used as a signature on his paintings. This portrait was part of A. F. Gori’s monumental Museum Florentium, which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in individual parts as it took over thirty years (1731-1766) to complete. The bulk of the engraving fell to four of Florence’s most rennowned artists, Giovanni Domenico Campiglia, Pietro Pazzi, Cosimo Mogalli and Lorenzini.
[Ref: 29116] £120.00 (£144.00 incl.VAT)
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Nicolaus Gualterius Philosopus et Medicus Collegiatus Florentinus Regice Academice Botanica Florentince Socius in Pisana Universitate. Medicince Professor Ordinarius IOANNIS GASTONIS M.D.Etrurice Archiater
Maria Mad.Gozzj del. P.Ant.Pazzi fc.
Engraving. 364 x 229mm.
Gualteri, Nicolas: [1688-1744] Phycisian and Botanist, Professor of Medicine at Pisa.
W: 1232-1
[Ref: 2789] £95.00 (£114.00 incl.VAT)
Maria Mad.Gozzj del. P.Ant.Pazzi fc.
Engraving. 364 x 229mm.
Gualteri, Nicolas: [1688-1744] Phycisian and Botanist, Professor of Medicine at Pisa.
W: 1232-1
[Ref: 2789] £95.00 (£114.00 incl.VAT)
Pietro Mulier o de Mulieribus detto il Cavalier Tempesta Pittore.
Gio Dom Campiglia del. P.A. Pazzi sc.
[n.d. c.1766.]
Etching. 266 x 177mm (10½ x 7"), with wide margins.
Pietet Mulier II, or Cavalier Pietro Tempesta (1637-1701), the Dutch Golden Age painter active in Italy. He is known for Italianate landscapes in the manner of Thomas Wijck. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete. In this case, the intermediate artist and engraver was Giovanni Domenico Campiglia (1692-1768)
[Ref: 28755] £140.00 (£168.00 incl.VAT)
Gio Dom Campiglia del. P.A. Pazzi sc.
[n.d. c.1766.]
Etching. 266 x 177mm (10½ x 7"), with wide margins.
Pietet Mulier II, or Cavalier Pietro Tempesta (1637-1701), the Dutch Golden Age painter active in Italy. He is known for Italianate landscapes in the manner of Thomas Wijck. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete. In this case, the intermediate artist and engraver was Giovanni Domenico Campiglia (1692-1768)
[Ref: 28755] £140.00 (£168.00 incl.VAT)
![[Johann Friedrich I, Elector and Duke of Saxony?] Quadro di Luca Kranach.](jpegs/56507.jpg)
[Johann Friedrich I, Elector and Duke of Saxony?] Quadro di Luca Kranach.
Loren. Lorenzi del, P. Ant. Pazzi sc.
[n.d., c.1740.]
Engraving, 18th century watermark. 390 x 300mm (15¼ x 11¾"). Narrow margins, taped bottom left corner.
A man in a fur jacket with hat and a chain around his neck, which he grasps with one hand. The inscriptions state that this print was engraved by Pietro Antonio Pazzi from a drawing by Lorenzo Lorenzi, taken from a painting by Lucas Cranach. The BM identifies the sitter as Johann Friedrich I, Elector and Duke of Saxony, but there is little resemblence to existing paintings of the Duke by both Lucas Cranach the Elder (c.1472-1553) and the Younger (1515-86). These show him with narrower eyes and a prominent scar from his left temple to the base of his nose.
[Ref: 56507] £220.00 (£264.00 incl.VAT)
Loren. Lorenzi del, P. Ant. Pazzi sc.
[n.d., c.1740.]
Engraving, 18th century watermark. 390 x 300mm (15¼ x 11¾"). Narrow margins, taped bottom left corner.
A man in a fur jacket with hat and a chain around his neck, which he grasps with one hand. The inscriptions state that this print was engraved by Pietro Antonio Pazzi from a drawing by Lorenzo Lorenzi, taken from a painting by Lucas Cranach. The BM identifies the sitter as Johann Friedrich I, Elector and Duke of Saxony, but there is little resemblence to existing paintings of the Duke by both Lucas Cranach the Elder (c.1472-1553) and the Younger (1515-86). These show him with narrower eyes and a prominent scar from his left temple to the base of his nose.
[Ref: 56507] £220.00 (£264.00 incl.VAT)
Jacopo Robusti. detto il TINTERETTO Pittore di Figure, nacque in Verezia l'anno 1512. mori l'anno 1594.
Gio. Dom. Camiglia del./ P. Ant. Pazzi f.
[n.d., c.1766.]
Engraving. 175 x 260mm. (7 x 10¼"), with wide margins.
A half-length portrait of the Venetian painter Tintoretto (Jacopo Robusti, 1518 - 1594), dressed in a black shawl with his right hand resting on books. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete.
[Ref: 29103] £130.00 (£156.00 incl.VAT)
Gio. Dom. Camiglia del./ P. Ant. Pazzi f.
[n.d., c.1766.]
Engraving. 175 x 260mm. (7 x 10¼"), with wide margins.
A half-length portrait of the Venetian painter Tintoretto (Jacopo Robusti, 1518 - 1594), dressed in a black shawl with his right hand resting on books. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete.
[Ref: 29103] £130.00 (£156.00 incl.VAT)
Paolo Caliari. detto Paolo Veronese Pittore di Figure, nacque in Verona l'anno 1532. Mori l'anno 1588.
Gio Dom. Campiglia del./ P.Ant, Pazzi fc.
[n.d., c.1766.]
Engraving. 175 x 260mm. (6¾ x 10¾"), with wide margins.
Veronese (Paolo Cagliari, 1532 - 1588) artist whose name derives from his birthplace in Verona. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete.
[Ref: 29102] £140.00 (£168.00 incl.VAT)
Gio Dom. Campiglia del./ P.Ant, Pazzi fc.
[n.d., c.1766.]
Engraving. 175 x 260mm. (6¾ x 10¾"), with wide margins.
Veronese (Paolo Cagliari, 1532 - 1588) artist whose name derives from his birthplace in Verona. This portrait was part of A. F. Gori's monumental 'Museum Florentium', which set out to engrave all the portraits of painters, architects, sculptors and patrons of the arts in the major galleries of Florence. This vast undertaking was issued in parts, taking over thirty years (1731-1766) to complete.
[Ref: 29102] £140.00 (£168.00 incl.VAT)