A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Aldermaston Court] West Front of Aldermaston. The Residence of Higford Burr, Esq.re.](jpegs/56757.jpg)
[Aldermaston Court] West Front of Aldermaston. The Residence of Higford Burr, Esq.re. A.D. 1849. Philip Charles Harwick, Arch.t.
Day & Son, Lith.rs to the Queen.
Tinted lithograph. Sheet 440 x 600mm (17¼ x 23½") very large margins. Creasing in top margin.
Aldermaston Court, built in neo-Elizabethan style after the earlier Stuart building had burned down in 1843. In January 2014 commercial property investors Praxis bought the estate for £4.7 million for development; despite the building being Grade II listed they have allowed it to fall derelict.
[Ref: 56757] £230.00 (£276.00 incl.VAT)
Day & Son, Lith.rs to the Queen.
Tinted lithograph. Sheet 440 x 600mm (17¼ x 23½") very large margins. Creasing in top margin.
Aldermaston Court, built in neo-Elizabethan style after the earlier Stuart building had burned down in 1843. In January 2014 commercial property investors Praxis bought the estate for £4.7 million for development; despite the building being Grade II listed they have allowed it to fall derelict.
[Ref: 56757] £230.00 (£276.00 incl.VAT)
![[Aldermaston Court] East Front of Aldermaston. The Residence of Higford Burr, Esq.re.](jpegs/56756.jpg)
[Aldermaston Court] East Front of Aldermaston. The Residence of Higford Burr, Esq.re. A.D. 1849. Philip Charles Harwick, Arch.t.
Day & Son, Lith.rs to the Queen.
Tinted lithograph. Sheet 400 x 510mm (15¾ x 20").
Aldermaston Court, built in neo-Elizabethan style after the earlier Stuart building had burned down in 1843. In January 2014 commercial property investors Praxis bought the estate for £4.7 million for development; despite the building being Grade II listed they have allowed it to fall derelict.
[Ref: 56756] £180.00 (£216.00 incl.VAT)
Day & Son, Lith.rs to the Queen.
Tinted lithograph. Sheet 400 x 510mm (15¾ x 20").
Aldermaston Court, built in neo-Elizabethan style after the earlier Stuart building had burned down in 1843. In January 2014 commercial property investors Praxis bought the estate for £4.7 million for development; despite the building being Grade II listed they have allowed it to fall derelict.
[Ref: 56756] £180.00 (£216.00 incl.VAT)
Mr John Ball jun.
Lib. [Liborio Prosperi.] Vincent Brooks, Day & Son Ltd lith.
Vanity Fair. March 5 1892.
Chomolithograph. Printed area 330 x 190mm (13 x 7½"). Tear in right margin. Slight offset.
John Ball, Jr. (1861-1940), golfer, the first of only three amateurs to win an Open Championship. He won the Open Championship and the Amateur the same year, 1890.
[Ref: 40692] £140.00 (£168.00 incl.VAT)
Lib. [Liborio Prosperi.] Vincent Brooks, Day & Son Ltd lith.
Vanity Fair. March 5 1892.
Chomolithograph. Printed area 330 x 190mm (13 x 7½"). Tear in right margin. Slight offset.
John Ball, Jr. (1861-1940), golfer, the first of only three amateurs to win an Open Championship. He won the Open Championship and the Amateur the same year, 1890.
[Ref: 40692] £140.00 (£168.00 incl.VAT)
Battle Schools.
H.E. Kendall, Jun.r FSA. Arch.t 33, Brunswick Square.
Day & Son Lith.rs to the Queen. [n.d. c.1850.]
A rare lithograph. 286 x 420mm. 11¼ x 16½".
Henry Edward Kendall junior (1805-85) was a pupil of his father of the same name, who designed hospitals and workhouses and lived to be 98. Before the son went into independent practice, the two worked together and both were founder-members of what became the RIBA. He designed some large country houses, including one for the exiled Empress Eugénie at Farnborough, Hampshire, as well as parsonages, schools (on which he produced a book of designs) and churches. Among these was the chapel of the County Lunatic Asylum, later St Francis Mental Hospital, near Haywards Heath. He was District Surveyor for Hampstead from 1844 and in his final years was assisted by his nephew, Frederick Mew.
[Ref: 20681] £65.00 (£78.00 incl.VAT)
H.E. Kendall, Jun.r FSA. Arch.t 33, Brunswick Square.
Day & Son Lith.rs to the Queen. [n.d. c.1850.]
A rare lithograph. 286 x 420mm. 11¼ x 16½".
Henry Edward Kendall junior (1805-85) was a pupil of his father of the same name, who designed hospitals and workhouses and lived to be 98. Before the son went into independent practice, the two worked together and both were founder-members of what became the RIBA. He designed some large country houses, including one for the exiled Empress Eugénie at Farnborough, Hampshire, as well as parsonages, schools (on which he produced a book of designs) and churches. Among these was the chapel of the County Lunatic Asylum, later St Francis Mental Hospital, near Haywards Heath. He was District Surveyor for Hampstead from 1844 and in his final years was assisted by his nephew, Frederick Mew.
[Ref: 20681] £65.00 (£78.00 incl.VAT)
Belvoir Castle. H.R.H. The Prince of Wales accompanied by the Princess of Wales and attended by His Grace the Duke of Rutland , Lord John Manners, The Lady Adeliza Norman &c. &c. Planting a Tree to Commemorate the visit of Their Royal Highnesses to Belvoir Castle. February, 1866.
Mrs. W. Ingram Delt.
Day & Son Limited Chromolithograph.
Chromolithograph, 590 x 720mm in fine condition sold with period maple frame. 530 x 720mm image.
An unusally large chromolithograph.
[Ref: 3398] £680.00
Mrs. W. Ingram Delt.
Day & Son Limited Chromolithograph.
Chromolithograph, 590 x 720mm in fine condition sold with period maple frame. 530 x 720mm image.
An unusally large chromolithograph.
[Ref: 3398] £680.00
Bomarsund. Combined Attack on the Forts. August 15,_1854. Bomarsund. Attaque Combinée des Forts. 15 Aout,_1854. The English & French Fleets in the Baltic, 1854.
O.W. Brierly, Del. Day & Son, Lith.rs to the Queen.
London Published Feby 1.st 1855, by Day & Son, Lith.rs to the Queen, 17, Gate Street, Lincoln's Inn Fields.
Tinted lithograph, framed. Visible area 452 x 635mm (17¾ x 25").
Bombardment of Bomarsund viewed from the sea; observation barge with cannon foreground centre. The Battle of Bomarsund, the Anglo-French task force against the Russian defenses at Bomarsund during the Crimean War. After the surrender of the Russian forces, the French and British demolished the fortress, and the Treaty of Paris 1856, saw the demilitarisation of the Aland Islands. From a series of 15 lithographs.
Parker: 261.a. RMG: PAH8325.
[Ref: 28991] £420.00
O.W. Brierly, Del. Day & Son, Lith.rs to the Queen.
London Published Feby 1.st 1855, by Day & Son, Lith.rs to the Queen, 17, Gate Street, Lincoln's Inn Fields.
Tinted lithograph, framed. Visible area 452 x 635mm (17¾ x 25").
Bombardment of Bomarsund viewed from the sea; observation barge with cannon foreground centre. The Battle of Bomarsund, the Anglo-French task force against the Russian defenses at Bomarsund during the Crimean War. After the surrender of the Russian forces, the French and British demolished the fortress, and the Treaty of Paris 1856, saw the demilitarisation of the Aland Islands. From a series of 15 lithographs.
Parker: 261.a. RMG: PAH8325.
[Ref: 28991] £420.00
View From Near the Rajah's Cottage.
T. Picken, lith. Day & Son, Lith.rs to the Queen.
Published by Smith, Elder & Co. 65 Cornhill London.
Chromolithograph. Sheet: 140 x 215mm (5½ x 8½'').
A view of the kingdom of Sarawak, which was ruled by an Englishman Sir James Brooke (1803-1868) from 1841 until his death. While serving as governor of Sarawak he helped repress a large rebellion and restore the Sultan of Brunei who gave him the kingdom. An illustration from 'Life in the forests of the Far East; or, Travels in northern Borneo, Vol.1' by Sir St. John, Spenser.
[Ref: 50317] £160.00 (£192.00 incl.VAT)
T. Picken, lith. Day & Son, Lith.rs to the Queen.
Published by Smith, Elder & Co. 65 Cornhill London.
Chromolithograph. Sheet: 140 x 215mm (5½ x 8½'').
A view of the kingdom of Sarawak, which was ruled by an Englishman Sir James Brooke (1803-1868) from 1841 until his death. While serving as governor of Sarawak he helped repress a large rebellion and restore the Sultan of Brunei who gave him the kingdom. An illustration from 'Life in the forests of the Far East; or, Travels in northern Borneo, Vol.1' by Sir St. John, Spenser.
[Ref: 50317] £160.00 (£192.00 incl.VAT)
The Britannia Bridge.
T. Picken. Day & Son, lith.rs to the Queen.
Bangor, Published by W. Shone, June 19th 1849.
Tinted lithograph. Sheet: 290 x 380mm (11 x 15"). Light staining and tears in very large margins.
A view of the Britannia Tubular Bridge which was designed by Robert Stephenson (1803-1859) and completed in 1850. The bridge served as the crossing for the Chester and Holyhead Railway over the Menai Straits of Angelsey and Holyhead. The trains ran through the rectagular metal structure. Details of the bridge are given below the image.
[Ref: 45795] £95.00 (£114.00 incl.VAT)
T. Picken. Day & Son, lith.rs to the Queen.
Bangor, Published by W. Shone, June 19th 1849.
Tinted lithograph. Sheet: 290 x 380mm (11 x 15"). Light staining and tears in very large margins.
A view of the Britannia Tubular Bridge which was designed by Robert Stephenson (1803-1859) and completed in 1850. The bridge served as the crossing for the Chester and Holyhead Railway over the Menai Straits of Angelsey and Holyhead. The trains ran through the rectagular metal structure. Details of the bridge are given below the image.
[Ref: 45795] £95.00 (£114.00 incl.VAT)
The Britannia Tubular and Menai Suspension Bridges.
G. Hawkins. Day & Son Lith.rs to The Queen.
Published by T. Catherall Chester & Bangor 1852.
Lithograph. Sheet: 275 x 350mm (11 x 13¾"). Mounted into an album sheet. Repaired tear top right.
A view of the Britannia Tubular bridge built over the Menai Strait between Wales and Angelsey, the bridge was built to allow trains to cross the strait. The bridge was designed by Robert Stephenson and was opened in 1850.
[Ref: 45967] £140.00 (£168.00 incl.VAT)
G. Hawkins. Day & Son Lith.rs to The Queen.
Published by T. Catherall Chester & Bangor 1852.
Lithograph. Sheet: 275 x 350mm (11 x 13¾"). Mounted into an album sheet. Repaired tear top right.
A view of the Britannia Tubular bridge built over the Menai Strait between Wales and Angelsey, the bridge was built to allow trains to cross the strait. The bridge was designed by Robert Stephenson and was opened in 1850.
[Ref: 45967] £140.00 (£168.00 incl.VAT)
The Britannia Tubular Bridge over the Menai Straits. R. Stephenson Esq. M.P. Engineer.
Day & Son, Lith.rs to the Queen.
Published by J. Ambrose, Bangor [n.d., c.1850].
Tinted lithograph with hand colour. Sheet 240 x 315mm (9½ x 12½"). Small tear in left edge.
Robert Stephenson's Britannia Tubular Bridge, completed in 1850, built to carry trains of the Chester and Holyhead Railway across the Menai Straits. The stone lions guarding both ends of the bridge were carved by John Thomas.
[Ref: 56712] £230.00 (£276.00 incl.VAT)
Day & Son, Lith.rs to the Queen.
Published by J. Ambrose, Bangor [n.d., c.1850].
Tinted lithograph with hand colour. Sheet 240 x 315mm (9½ x 12½"). Small tear in left edge.
Robert Stephenson's Britannia Tubular Bridge, completed in 1850, built to carry trains of the Chester and Holyhead Railway across the Menai Straits. The stone lions guarding both ends of the bridge were carved by John Thomas.
[Ref: 56712] £230.00 (£276.00 incl.VAT)
![[Chapel, Brompton Hospital.]](jpegs/50531.jpg)
[Chapel, Brompton Hospital.] To The Rev.d Sir Henry Foulis Bart. The Donor of the Chapel for the Hospital for Consumption, Brompton, and to the Committee of that Institution under whose management the building has been erected this View is respectfully inscribed by their most obedient Serv.t Edw.d Buckton Lamb, Arch.t.
F. Bedford, lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1845.]
Tinted lithograph. Sheet: 225 x 300mm (9 x 11¾''). Dusty.
A view of the chapel at Brompton Hospital for consumption built and developed during the 1840s.
[Ref: 50531] £65.00 (£78.00 incl.VAT)
F. Bedford, lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1845.]
Tinted lithograph. Sheet: 225 x 300mm (9 x 11¾''). Dusty.
A view of the chapel at Brompton Hospital for consumption built and developed during the 1840s.
[Ref: 50531] £65.00 (£78.00 incl.VAT)
Clare College from the Bridge. Cambridge University Almanack, 1862.
Day & Son, Printers.
Engraving. 320 x 480mm (12½ x 19"). Cut to platemark.
A view looking across Clare Bridge, with a scholar greeting two young women.
[Ref: 56085] £320.00
Day & Son, Printers.
Engraving. 320 x 480mm (12½ x 19"). Cut to platemark.
A view looking across Clare Bridge, with a scholar greeting two young women.
[Ref: 56085] £320.00
Run with the 7th Dragoon Fox Hounds in Caffir Land, Cape of Good Hope.
From a Sketch by Sir Harry Darell, Bar.t. Day & Son Lith.rs to The Queen.
[n.d., c.1852.]
Tinted lithograph, rare. Sheet: 450 x 560mm (17¾ x 22'') very large margins.
A view in South Africa showing a fox hunt through the African landscape. The locals are about to throw spears at the hounds chasing the fox. One of thirteen views from 'China, India, Cape of Good Hope and Vicinity' 1852.
[Ref: 48105] £280.00 (£336.00 incl.VAT)
From a Sketch by Sir Harry Darell, Bar.t. Day & Son Lith.rs to The Queen.
[n.d., c.1852.]
Tinted lithograph, rare. Sheet: 450 x 560mm (17¾ x 22'') very large margins.
A view in South Africa showing a fox hunt through the African landscape. The locals are about to throw spears at the hounds chasing the fox. One of thirteen views from 'China, India, Cape of Good Hope and Vicinity' 1852.
[Ref: 48105] £280.00 (£336.00 incl.VAT)
Cartagena 1st September 1873. British Squadron under Vice Admiral Sir Hastings R. Yelverton K.C.B., removing revolted Spanish War Ships ''Vitoria'' and ''Almansa'' from Escombrera Bay.
A. Yockney 1 Sep. 73. Vincent Brooks, Day & Son, lith.
[n.d., c.1874.]
Tinted lithograph with hand colour, scarce. Printed area 360 x 560mm (14 x 22"), framed in original maple. Some spotting, unexamined out of frame.
The Royal Navy in action at Cartagena, in Murcia, Spain, helping with the suppression of the Cantonal Revolution, an attempt to break the First Spanish Republic into autonomous regions.
[Ref: 45852] £390.00
A. Yockney 1 Sep. 73. Vincent Brooks, Day & Son, lith.
[n.d., c.1874.]
Tinted lithograph with hand colour, scarce. Printed area 360 x 560mm (14 x 22"), framed in original maple. Some spotting, unexamined out of frame.
The Royal Navy in action at Cartagena, in Murcia, Spain, helping with the suppression of the Cantonal Revolution, an attempt to break the First Spanish Republic into autonomous regions.
[Ref: 45852] £390.00
Chirk Viaduct - Shrewsbury & Chester Railway. Length 846 feet_Height 100 feet_Number of Arches 12_Span of 10 Stone Arches 45 feet_Span of 2 Timber Arches 120 feet. Henry Robertson Engineer.
G. Pickering del_G. Hawkins lith. Day & Son Lith.rs to the Queen.
Published by T. Catherall, Eastgate Row, Chester & Bangor. [n.d., c.1848].
Rare lithograph with hand colour. Sheet: 230 x 315mm (9 x 12½'').
A view of the Chirk Viaduct in Wales.
[Ref: 47755] £230.00 (£276.00 incl.VAT)
G. Pickering del_G. Hawkins lith. Day & Son Lith.rs to the Queen.
Published by T. Catherall, Eastgate Row, Chester & Bangor. [n.d., c.1848].
Rare lithograph with hand colour. Sheet: 230 x 315mm (9 x 12½'').
A view of the Chirk Viaduct in Wales.
[Ref: 47755] £230.00 (£276.00 incl.VAT)
"Vanity Fair" Supplement Men of the Day No. 1303. "All British" (M.r S F. Cody)
Alick. P.F. Ritchie. Vincent Brooks, Day & Son Lt.d lith.
[n.d., 1 Nov 1911]
Chromolithograph with supplementary text, sheet 380 x 260mm (15 x 10¼"), large margins. Crease top right corner.
Full length portrait of Samuel Franklin Cowdery (1867 – 1913), known as Samuel Franklin Cody, USA born Wild West showman, early pioneer of manned flight and inventor of the Cody kite used by the British military. He was also the first man to fly an aeroplane built in Britain. His flight of 16 October 1908 is recognised as the first official flight of a piloted heavier-than-air machine in Great Britain. He set various British flight distance and endurance records and won prizes in flight competitions such as the Michelin Cup in 1911.
[Ref: 56968] £110.00 (£132.00 incl.VAT)
Alick. P.F. Ritchie. Vincent Brooks, Day & Son Lt.d lith.
[n.d., 1 Nov 1911]
Chromolithograph with supplementary text, sheet 380 x 260mm (15 x 10¼"), large margins. Crease top right corner.
Full length portrait of Samuel Franklin Cowdery (1867 – 1913), known as Samuel Franklin Cody, USA born Wild West showman, early pioneer of manned flight and inventor of the Cody kite used by the British military. He was also the first man to fly an aeroplane built in Britain. His flight of 16 October 1908 is recognised as the first official flight of a piloted heavier-than-air machine in Great Britain. He set various British flight distance and endurance records and won prizes in flight competitions such as the Michelin Cup in 1911.
[Ref: 56968] £110.00 (£132.00 incl.VAT)
![[A General View of the Coast, extending from Cape Fiolente to Sebastopol.]](jpegs/17070.jpg)
[A General View of the Coast, extending from Cape Fiolente to Sebastopol.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A view of the south coast of the Crimea. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17070] £140.00 (£168.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A view of the south coast of the Crimea. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17070] £140.00 (£168.00 incl.VAT)
![[The Valley of Termerd-Ji.]](jpegs/17068.jpg)
[The Valley of Termerd-Ji.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17068] £160.00 (£192.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17068] £160.00 (£192.00 incl.VAT)
![[Entrance to the Harbour Of Balaklava.]](jpegs/17071.jpg)
[Entrance to the Harbour Of Balaklava.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A view of the south coast of the Crimea. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17071] £180.00 (£216.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A view of the south coast of the Crimea. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17071] £180.00 (£216.00 incl.VAT)
![[Mount Tchatyr Dagh.]](jpegs/17067.jpg)
[Mount Tchatyr Dagh.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Tinted lithograph, mounted on card and hand coloured, as issued in the Subscription edition. Image 185 x 280mm, 7¼ x 11". Fine colour.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Mountainous plateau of Caves and alpine meadows near Alushta. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17067] £140.00 (£168.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Tinted lithograph, mounted on card and hand coloured, as issued in the Subscription edition. Image 185 x 280mm, 7¼ x 11". Fine colour.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Mountainous plateau of Caves and alpine meadows near Alushta. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17067] £140.00 (£168.00 incl.VAT)
![[Remains of a large Genoese Fortress at Sudak.]](jpegs/17065.jpg)
[Remains of a large Genoese Fortress at Sudak.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour. Small tear.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Sudak on the Black Sea east of Simferopol. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17065] £160.00 (£192.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour. Small tear.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Sudak on the Black Sea east of Simferopol. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17065] £160.00 (£192.00 incl.VAT)
![[Tomb of Mithridates, near the Lazaretto Kertch.]](jpegs/17063.jpg)
[Tomb of Mithridates, near the Lazaretto Kertch.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
Tourists viewing the interior of a famous 'kurgan' or burial mound of the ancient King Mithridates foe to the Romans at the end of the Republic. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17063] £160.00 (£192.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
Tourists viewing the interior of a famous 'kurgan' or burial mound of the ancient King Mithridates foe to the Romans at the end of the Republic. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17063] £160.00 (£192.00 incl.VAT)
![[The River Katcha.]](jpegs/17058.jpg)
[The River Katcha.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A river north of Sevastopol surrounded by rock escarpments and peaks that make up the Crimean ranges. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17058] £140.00 (£168.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A river north of Sevastopol surrounded by rock escarpments and peaks that make up the Crimean ranges. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17058] £140.00 (£168.00 incl.VAT)
![[A Tartar House in the Village of Alupka.]](jpegs/17055.jpg)
[A Tartar House in the Village of Alupka.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A chalet-like Tartar house of the seaside village of Alupka near Yalta. Alupka was the chosen location of The Vorontsovsky Palace designed by Englishman Edward Clore and built between 1830-1848. It was to be used as a summer residence of the governor-general of the Novorossiysky Krai, Prince Mikhail Semyonovich Vorontsov. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17055] £120.00 (£144.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A chalet-like Tartar house of the seaside village of Alupka near Yalta. Alupka was the chosen location of The Vorontsovsky Palace designed by Englishman Edward Clore and built between 1830-1848. It was to be used as a summer residence of the governor-general of the Novorossiysky Krai, Prince Mikhail Semyonovich Vorontsov. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17055] £120.00 (£144.00 incl.VAT)
![[Alushta.]](jpegs/17053.jpg)
[Alushta.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour. Faint spotting.
Alushta viewed from Simferopol, depicting its Byzantine and Genoese defensive towers. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17053] £160.00 (£192.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour. Faint spotting.
Alushta viewed from Simferopol, depicting its Byzantine and Genoese defensive towers. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17053] £160.00 (£192.00 incl.VAT)
![[Simferopol.]](jpegs/17052.jpg)
[Simferopol.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour, slightly foxed.
Simferopol, now the capital of the Crimea. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17052] £220.00 (£264.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour, slightly foxed.
Simferopol, now the capital of the Crimea. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17052] £220.00 (£264.00 incl.VAT)
![[General View of Kara-su-Bazar.]](jpegs/17049.jpg)
[General View of Kara-su-Bazar.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A view of Bilohirsk, placed on the high road between Simferopol and Kerch, and in the midst of a country rich in cereal land, vineyards and gardens, Karasubazar used to be a chief seat of commercial activity in Crimea. Also the largest traditional settlement for Krymchaks, known by the name Crimean Jews. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17049] £220.00 (£264.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
A view of Bilohirsk, placed on the high road between Simferopol and Kerch, and in the midst of a country rich in cereal land, vineyards and gardens, Karasubazar used to be a chief seat of commercial activity in Crimea. Also the largest traditional settlement for Krymchaks, known by the name Crimean Jews. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. The title, as above, is on a separate label on the reverse, probably cut from the List of Plates. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17049] £220.00 (£264.00 incl.VAT)
![[Interior of a Tartar House.]](jpegs/17048.jpg)
[Interior of a Tartar House.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17048] £80.00 (£96.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17048] £80.00 (£96.00 incl.VAT)
![[Fort Arabat.]](jpegs/17047.jpg)
[Fort Arabat.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
The Arabat Spit between Sivash and the Sea of Azov is a long narrow strip of land with this 17th sentury Turkish fort dominating the landscape. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17047] £160.00 (£192.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
The Arabat Spit between Sivash and the Sea of Azov is a long narrow strip of land with this 17th sentury Turkish fort dominating the landscape. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17047] £160.00 (£192.00 incl.VAT)
![[The Peaks of Mount St Peter.]](jpegs/17072.jpg)
[The Peaks of Mount St Peter.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
Ai-Petri, near Yatla, greek meaning `sacred Peter' or `sacred rock', and derives from the christian monastery which stood on the plateau behind the peak until it was destroyed in the middle ages. Precipitous crags swathed in cloud, a sparkling white limestone peak. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17072] £140.00 (£168.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour.
Ai-Petri, near Yatla, greek meaning `sacred Peter' or `sacred rock', and derives from the christian monastery which stood on the plateau behind the peak until it was destroyed in the middle ages. Precipitous crags swathed in cloud, a sparkling white limestone peak. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17072] £140.00 (£168.00 incl.VAT)
![[The Island of Serpents.]](jpegs/17073.jpg)
[The Island of Serpents.]
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour. Repaired hole.
Ships in a gale off Ostriv Zmiinyi or Snake Island, a tiny Ukranian possession in the Black Sea near the Danube Delta. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17073] £160.00 (£192.00 incl.VAT)
[Lithographed by Day & Son from a painting by Carlo Bossoli.]
[London: Day & Son, 1856.]
Subscription edition tinted lithograph, mounted on card and hand coloured. Image 185 x 280mm, 7¼ x 11". Fine colour. Repaired hole.
Ships in a gale off Ostriv Zmiinyi or Snake Island, a tiny Ukranian possession in the Black Sea near the Danube Delta. From the subscription edition of Bossoli's "Beautiful Scenery and Chief Places of Interest throughout the Crimea", a work with considerable ethnographic and geographic interest, especially in their depictions of Tartar life. Carlo Bossoli (1815-84) visited the Crimea several times between 1828 and 1843, most extensively from 1840 to 1842. When the Crimean War started Bossoli moved to London to capitalise on the heightened interest in his work, even selling paintings to Queen Victoria.
Abbey Travel 239.
[Ref: 17073] £160.00 (£192.00 incl.VAT)
The Cyfarthfa Banquet Given by William Crawshay Esq.r to the Ladies of Merthyr Tydfil and its Vicinity in acknowledgment of the high honour they paid to his son, Robert Thomas Crawshay and Bride on their return home, Thursday May 21st, 1846.
Drawn by J. Appleby. Day & Son Lith.rs to the Queen.
[n.d., c.1846.]
Tinted lithograph with hand colour. Sheet 400 x 295mm (15¾x 11½"). Some surface wear.
A large banquet celebrating the marriage of the son of the biggest local employer. William Crawshay (1788-1867), ironmaster known as the 'Iron King', owner of Cyfarthfa Ironworks in Merthyr Tydfil, Wales. His youngest son, Robert Thompson Crawshay (1817-79), took over the business: during the strikes of 1873-5 the ironworks were shut down and, due to innovations in steel reducing the value of iron, Crawshay saw no business sense in reopening them.
[Ref: 44465] £260.00 (£312.00 incl.VAT)
Drawn by J. Appleby. Day & Son Lith.rs to the Queen.
[n.d., c.1846.]
Tinted lithograph with hand colour. Sheet 400 x 295mm (15¾x 11½"). Some surface wear.
A large banquet celebrating the marriage of the son of the biggest local employer. William Crawshay (1788-1867), ironmaster known as the 'Iron King', owner of Cyfarthfa Ironworks in Merthyr Tydfil, Wales. His youngest son, Robert Thompson Crawshay (1817-79), took over the business: during the strikes of 1873-5 the ironworks were shut down and, due to innovations in steel reducing the value of iron, Crawshay saw no business sense in reopening them.
[Ref: 44465] £260.00 (£312.00 incl.VAT)
H.M.S. Dauntless, 33, Guns. Captain E.V. Halsted. Designed and built by John Fincham, Esq.
T.G. Dutton, Lith. Day & Son, Lithers. To The Queen.
[n.d. c. 1855].
Lithograph. Sheet 380 x 530mm.
In 1847 the frigate 'Dauntless' was launched at Portsmouth. She saw action during the Crimean War and won battle honours in the Black Sea. The frigate was sold for breaking in 1885.
[Ref: 2193] £520.00
T.G. Dutton, Lith. Day & Son, Lithers. To The Queen.
[n.d. c. 1855].
Lithograph. Sheet 380 x 530mm.
In 1847 the frigate 'Dauntless' was launched at Portsmouth. She saw action during the Crimean War and won battle honours in the Black Sea. The frigate was sold for breaking in 1885.
[Ref: 2193] £520.00
Dee Viaduct- Vale of Llangollen. Length 1508 feet_Height 147 feet_Number of Arches 19_Span of Arches 60 feet.
G. Pickering del. G. Hawkins, lith. Day & Son Lith.rs to the Queen.
Published by T. Catherall, Eastgate Row, Chester. [n.d., c.1848.]
Hand-coloured lithograph, fine & rare. Sheet: 240 x 320mm (9½ x 12½''). Damage in margins.
The Dee Viaduct in Wales, on the Shrewsbury and Chester Railway.
[Ref: 47754] £230.00 (£276.00 incl.VAT)
G. Pickering del. G. Hawkins, lith. Day & Son Lith.rs to the Queen.
Published by T. Catherall, Eastgate Row, Chester. [n.d., c.1848.]
Hand-coloured lithograph, fine & rare. Sheet: 240 x 320mm (9½ x 12½''). Damage in margins.
The Dee Viaduct in Wales, on the Shrewsbury and Chester Railway.
[Ref: 47754] £230.00 (£276.00 incl.VAT)
To the Parishioners of the Parish of St. Thomas the Apostle, in the City of London. This view of Their Doomed Churchyard, as it appears this 2.nd Day of August in the Year of our Lord God, 1848, is inscribed by their affectionate Friend and Pastor, who sincerely sympathizes with them in their Grief and Indignation at the contemplated appropriation of its consecrated Ground to unhallowed purposes. H.B Wilson D.D. Rector.
Day & Son Lith.rs to the Queen.
Published by Robert Jennings, 62 Cheapside. [n.d. c.1848.]
A rare tinted lithograph. 305 x 411mm (12 x 16¼").
View of the Churchyard of St Thomas the Apostle, in Southward; from Queen Street, looking down towards Southwark Bridge; the street passes through the old ruined church of St Thomas the Apostle; the churchyard remains on the left with many trees growing in space, figures on street in foreground.
[Ref: 34749] £140.00 (£168.00 incl.VAT)
Day & Son Lith.rs to the Queen.
Published by Robert Jennings, 62 Cheapside. [n.d. c.1848.]
A rare tinted lithograph. 305 x 411mm (12 x 16¼").
View of the Churchyard of St Thomas the Apostle, in Southward; from Queen Street, looking down towards Southwark Bridge; the street passes through the old ruined church of St Thomas the Apostle; the churchyard remains on the left with many trees growing in space, figures on street in foreground.
[Ref: 34749] £140.00 (£168.00 incl.VAT)
Thames Embankment.
T.G. Dutton, chromo-lith. Day & Son, Lithrs. to the Queen.
London, Published June 11th. 1864 by Day & Son, Lithographers to The Queen & H.R.H. The Prince of Wales, Gate Street, Lincolns Inn Fields.
Chromolithograph, image 190 x 360mm. 7½ x 14¼". Laid on card. Slightly foxed margins a little cropped, so lacking some lettering.
View of Victoria Embankment showing a proposed steamboat landing pier on the River Thames at Temple; designed for the Metropolitan Board of Works by J.W. Bazalgette. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
[Ref: 26234] £140.00 (£168.00 incl.VAT)
T.G. Dutton, chromo-lith. Day & Son, Lithrs. to the Queen.
London, Published June 11th. 1864 by Day & Son, Lithographers to The Queen & H.R.H. The Prince of Wales, Gate Street, Lincolns Inn Fields.
Chromolithograph, image 190 x 360mm. 7½ x 14¼". Laid on card. Slightly foxed margins a little cropped, so lacking some lettering.
View of Victoria Embankment showing a proposed steamboat landing pier on the River Thames at Temple; designed for the Metropolitan Board of Works by J.W. Bazalgette. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
[Ref: 26234] £140.00 (£168.00 incl.VAT)
Chronological Pictures of English History. IV Brunswick. George IV. [Facsimile signatures:] Caroline R. George R.
Designed & Drawn by John Gilbert. Day & Son Lithrs. to the Queen.
Published by Thomas Varty. York House, 31 Strand, London. [n.d. c 1830.]
Lithograph. 380 x 557mm. 15 x 22". Small tear lower right.
George IV (1762-1830) and Caroline of Brunswick (1768-1821). This compilation of scenes represents the years of service of George from 1811 when he was made Prince Regent, and later King, until his death in 1830. These include: the storming of Rangoon in 1824, the Joint Stock Mania in 1825, the opening of St. Katherine's Dockyard in 1828 and the King's visit to Scotland in 1822. To the right are a collection of prominent male figures during the reign of George IV.
[Ref: 16452] £140.00 (£168.00 incl.VAT)
Designed & Drawn by John Gilbert. Day & Son Lithrs. to the Queen.
Published by Thomas Varty. York House, 31 Strand, London. [n.d. c 1830.]
Lithograph. 380 x 557mm. 15 x 22". Small tear lower right.
George IV (1762-1830) and Caroline of Brunswick (1768-1821). This compilation of scenes represents the years of service of George from 1811 when he was made Prince Regent, and later King, until his death in 1830. These include: the storming of Rangoon in 1824, the Joint Stock Mania in 1825, the opening of St. Katherine's Dockyard in 1828 and the King's visit to Scotland in 1822. To the right are a collection of prominent male figures during the reign of George IV.
[Ref: 16452] £140.00 (£168.00 incl.VAT)
The Yacht 'Gertrude', 135 Tons, R.Y.S. To Cecil & Martyn Esq., this plate is with his permission respectfully dedicated by his obedient Servants, R. & A. Ackermann.
Drawn & Lithographed by T.G. Dutton. Vincent Brooks, Day & Son, Lith, London W.C.
London, Published Augt. 10th. 1868 by R.& A. Ackermann, 191, Regent Street.
Hand coloured tinted lithograph. Printed area: 365 x 600mm. (14½ x 23¾"). Unexamined out of frame.
A view of the yacht, 'Gertrude', an impressive ship of the Royal Yacht Squadron, with other vessels and the white cliffs and Dover Castle in the distance. After Thomas Goldsworth Dutton (1819/20 - 1891). For unframed version, see item ref: 12170.
NMM: PAH8759. Parker: 2268.
[Ref: 33612] £1,350.00
Drawn & Lithographed by T.G. Dutton. Vincent Brooks, Day & Son, Lith, London W.C.
London, Published Augt. 10th. 1868 by R.& A. Ackermann, 191, Regent Street.
Hand coloured tinted lithograph. Printed area: 365 x 600mm. (14½ x 23¾"). Unexamined out of frame.
A view of the yacht, 'Gertrude', an impressive ship of the Royal Yacht Squadron, with other vessels and the white cliffs and Dover Castle in the distance. After Thomas Goldsworth Dutton (1819/20 - 1891). For unframed version, see item ref: 12170.
NMM: PAH8759. Parker: 2268.
[Ref: 33612] £1,350.00
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Vanity Fair Supplement. Men of the Day No. 2284. "Flight" (M.r Gustave Hamel).
WH [Wallace Hester]. Vincent Brooks, Day & Son Lt.d lith.
[n.d., 31 Jul 1912].
Chromolithograph with supplementary text, sheet 380 x 260mm (15 x 10¼"), large margins.
Full length portrait of the British aviator Gustav Wilhelm Hamel (1889 – 1914). He learned to fly at the Blériot school at Pau, France in 1910; after observing his first flight Louis Blériot commented that he had never seen a pilot with such natural ability. He paricipated in various competitions, flying displays and a pioneer in aviation; Hamel made the first cross-channel flight with a woman as passenger on 2nd April 1912, when he flew Eleanor Trehawke Davies from Hendon to Paris, he also enabled her to be the first woman to experience looping the loop on 2nd January 1914. Hamel disapeared over the English Channel on 23rd May 1914, it was speculated that this was sabotage but there was no trace of the aircraft and a fishing vessel on 6th July 1914 found a body that matched the description of Hamel.
[Ref: 56970] £120.00 (£144.00 incl.VAT)
WH [Wallace Hester]. Vincent Brooks, Day & Son Lt.d lith.
[n.d., 31 Jul 1912].
Chromolithograph with supplementary text, sheet 380 x 260mm (15 x 10¼"), large margins.
Full length portrait of the British aviator Gustav Wilhelm Hamel (1889 – 1914). He learned to fly at the Blériot school at Pau, France in 1910; after observing his first flight Louis Blériot commented that he had never seen a pilot with such natural ability. He paricipated in various competitions, flying displays and a pioneer in aviation; Hamel made the first cross-channel flight with a woman as passenger on 2nd April 1912, when he flew Eleanor Trehawke Davies from Hendon to Paris, he also enabled her to be the first woman to experience looping the loop on 2nd January 1914. Hamel disapeared over the English Channel on 23rd May 1914, it was speculated that this was sabotage but there was no trace of the aircraft and a fishing vessel on 6th July 1914 found a body that matched the description of Hamel.
[Ref: 56970] £120.00 (£144.00 incl.VAT)
George Frederick Handel, Esq.r. Born February XXIII, MDCLXXXV. Died on Good Friday April XIII, MDCCLIX.
L. F. Roubiliac sc. Day & Son. Lith.rs to the Queen.
London, Printed & Published by C. Lonsdale, 26 Old Bond Street. [n.d., c.1830].
Lithograph. Sheet size: 255 x 230mm. (10 x 9"). Creasing to bottom corners.
George Frideric Handel (1685-1759). Monument in an arched niche in a wall, with the composer standing leaning against a plinth with musical script and instruments, pointing his finger up towards an angel playing a harp seated on a cloud; an organ behind. A later lithograph from a series illustrating Handel's memorial by Edward Francis Burney in 1784. The Commemoration of Handel took place in Westminster Abbey in 1784, to commemorate the twenty-fifth anniversary of the death for George Frideric Handel in 1759. The commemoration was organised by John Montagu, 4th Earl of Sandwich and it took the form of a series of concerts of Handel's music, given in the Abbey by vast numbers of singers and instrumentalists.
[Ref: 31660] £120.00 (£144.00 incl.VAT)
L. F. Roubiliac sc. Day & Son. Lith.rs to the Queen.
London, Printed & Published by C. Lonsdale, 26 Old Bond Street. [n.d., c.1830].
Lithograph. Sheet size: 255 x 230mm. (10 x 9"). Creasing to bottom corners.
George Frideric Handel (1685-1759). Monument in an arched niche in a wall, with the composer standing leaning against a plinth with musical script and instruments, pointing his finger up towards an angel playing a harp seated on a cloud; an organ behind. A later lithograph from a series illustrating Handel's memorial by Edward Francis Burney in 1784. The Commemoration of Handel took place in Westminster Abbey in 1784, to commemorate the twenty-fifth anniversary of the death for George Frideric Handel in 1759. The commemoration was organised by John Montagu, 4th Earl of Sandwich and it took the form of a series of concerts of Handel's music, given in the Abbey by vast numbers of singers and instrumentalists.
[Ref: 31660] £120.00 (£144.00 incl.VAT)
Commodore Sir Thomas Herbert. K.C.B. Commander in Chief of Her Majesty's Naval Forces, on the S.E. Coast of America.
J.H. Lynch lith. Day & Son, Lithrs. to The Queen.
[n.d., c.1850.]
Lithograph on india laid paper, india 225 x 155mm. 8¾ x 6". Foxed.
Sir Thomas Herbert (1793 - 1861), rear-admiral. As a recognition of his many years of distinguished naval service he was nominated a K.C.B. on 14 October 1841. From 1847 to 1849 he was commodore on the east coast of South America, with a broad pennant in the Raleigh of 50 guns. From February to December 1852 he was a junior lord of the admiralty under the Duke of Northumberland, and on 26 October 1852 he became a rear-admiral. From 1852 to 1857 he was M.P. for Dartmouth.
[Ref: 9842] £140.00 (£168.00 incl.VAT)
J.H. Lynch lith. Day & Son, Lithrs. to The Queen.
[n.d., c.1850.]
Lithograph on india laid paper, india 225 x 155mm. 8¾ x 6". Foxed.
Sir Thomas Herbert (1793 - 1861), rear-admiral. As a recognition of his many years of distinguished naval service he was nominated a K.C.B. on 14 October 1841. From 1847 to 1849 he was commodore on the east coast of South America, with a broad pennant in the Raleigh of 50 guns. From February to December 1852 he was a junior lord of the admiralty under the Duke of Northumberland, and on 26 October 1852 he became a rear-admiral. From 1852 to 1857 he was M.P. for Dartmouth.
[Ref: 9842] £140.00 (£168.00 incl.VAT)
Hoylake.
Spy [Leslie Ward.] Vincent Brooks, Day & Son Ltd lith.
Vanity Fair. July 16th 1903.
Chomolithograph. Printed area 330 x 190mm (13 x 7½"). Tear in right margin.
Harold Horsfall Hilton (1869-1942), golfer, one of only three amateurs to win an Open Championship, firstly at Muirfield in 1893, and again at Royal Liverpool Golf Club, Hoylake, 1897. He was also the first editor of Golf Monthly, an editor of Golf Illustrated and a course designer (for example Ferndown Golf Club in Dorset). Hewas inducted into the World Golf Hall of Fame in 1978.
[Ref: 40691] £160.00 (£192.00 incl.VAT)
Spy [Leslie Ward.] Vincent Brooks, Day & Son Ltd lith.
Vanity Fair. July 16th 1903.
Chomolithograph. Printed area 330 x 190mm (13 x 7½"). Tear in right margin.
Harold Horsfall Hilton (1869-1942), golfer, one of only three amateurs to win an Open Championship, firstly at Muirfield in 1893, and again at Royal Liverpool Golf Club, Hoylake, 1897. He was also the first editor of Golf Monthly, an editor of Golf Illustrated and a course designer (for example Ferndown Golf Club in Dorset). Hewas inducted into the World Golf Hall of Fame in 1978.
[Ref: 40691] £160.00 (£192.00 incl.VAT)
H.M.S. Samarang, 26 Guns, at Chatham, Jan.y 1847.
T.G. Dutton Del et lith. Day & Son, Lith.rs to the Queen.
London Published by T.G. Dutton 17, Gate St. Lincoln's Inn Fields.
Coloured lithograph. 370 x 532mm (14½ x 21"). Tears; and chip to corners.
A view of HMS Samarang at Chatham. She was launched at Cochin in 1822 by the East India Company and served in various stations around the world before seeing action in the First Opium War, and was then employed under Edward Belcher, in surveying the coast of Borneo from 1843-1849. She then became a guardship at Gibraltar before being sold for breaking in 1883.
[Ref: 30897] £360.00
T.G. Dutton Del et lith. Day & Son, Lith.rs to the Queen.
London Published by T.G. Dutton 17, Gate St. Lincoln's Inn Fields.
Coloured lithograph. 370 x 532mm (14½ x 21"). Tears; and chip to corners.
A view of HMS Samarang at Chatham. She was launched at Cochin in 1822 by the East India Company and served in various stations around the world before seeing action in the First Opium War, and was then employed under Edward Belcher, in surveying the coast of Borneo from 1843-1849. She then became a guardship at Gibraltar before being sold for breaking in 1883.
[Ref: 30897] £360.00
H.M.S. Thetis, 36 Guns. Constructed by the School of Naval Architecture.
N.M. Condy del.__T.G. Dutton, lith. [Signed by artist in plate.] Day & Son, lithrs. to the Queen.
London Published by Lloyd Brothers 22 Ludgate Hill_Plymouth E. & H.L. Fry Stonehouse E.W. Cole. [n.d., c.1850.]
Hand coloured lithograph, image 300 x 400mm. 11¾ x 15¾". Fine fresh colour; unexamined out of fine maple frame.
Handsome and rare lithograph of HMS Thetis, a fifth-rate frigate launched at Devonport Dockyard on 21 August 1846. She sailed to the south-east coast of America and then the Pacific. One of the two largest of the Gulf Islands in the Strait of Georgia, off the east coast of Vancouver Island, Canada, is named Thetis Island. There is also a Thetis Lake on Vancouver Island. After nearly a decade of service with the British, she was one of two frigates transferred to Prussia in exchange for two gunboats. She served with the Prussian Navy, the Norddeutsche Bundesmarine and the Kaiserliche Marine as the SMS Thetis until being decommissioned in 1874 and broken up in 1894. After Nicholas Matthew Condy (1818 - 1851).
Not in NMM. Parker: undescribed.
[Ref: 17644] £690.00
N.M. Condy del.__T.G. Dutton, lith. [Signed by artist in plate.] Day & Son, lithrs. to the Queen.
London Published by Lloyd Brothers 22 Ludgate Hill_Plymouth E. & H.L. Fry Stonehouse E.W. Cole. [n.d., c.1850.]
Hand coloured lithograph, image 300 x 400mm. 11¾ x 15¾". Fine fresh colour; unexamined out of fine maple frame.
Handsome and rare lithograph of HMS Thetis, a fifth-rate frigate launched at Devonport Dockyard on 21 August 1846. She sailed to the south-east coast of America and then the Pacific. One of the two largest of the Gulf Islands in the Strait of Georgia, off the east coast of Vancouver Island, Canada, is named Thetis Island. There is also a Thetis Lake on Vancouver Island. After nearly a decade of service with the British, she was one of two frigates transferred to Prussia in exchange for two gunboats. She served with the Prussian Navy, the Norddeutsche Bundesmarine and the Kaiserliche Marine as the SMS Thetis until being decommissioned in 1874 and broken up in 1894. After Nicholas Matthew Condy (1818 - 1851).
Not in NMM. Parker: undescribed.
[Ref: 17644] £690.00
Panoramic View of St. Helier's, Jersey, Taken from Almorah Crescent, Dedicated to His Excellency Major General Sir Frederick Love, K.C.B. K.H. Lien.t Governor of the Island.
From the Original Drawing by Geo. B. Willis, Esq. Late Royal Artillery. Day & Son, Lith.rs to The Queen.
Published by T.H. More 26 Bath Street, Jersey, 1st June 1856.
Tinted lithograph with hand colour. Sheet size: 400 x 1110mm (15¾ x 43¾").
An extrememly rare & fine detailed paroramic view of St. Helier's, Jersey, with points of interest inscribed below the image; Victoria College, Fort Regent, Victoria Harbour and Albert Pier, Elizabeth Castle, St. Aubin's Bay.
[Ref: 39546] £1,250.00 view all images for this item
From the Original Drawing by Geo. B. Willis, Esq. Late Royal Artillery. Day & Son, Lith.rs to The Queen.
Published by T.H. More 26 Bath Street, Jersey, 1st June 1856.
Tinted lithograph with hand colour. Sheet size: 400 x 1110mm (15¾ x 43¾").
An extrememly rare & fine detailed paroramic view of St. Helier's, Jersey, with points of interest inscribed below the image; Victoria College, Fort Regent, Victoria Harbour and Albert Pier, Elizabeth Castle, St. Aubin's Bay.
[Ref: 39546] £1,250.00 view all images for this item
Kertch from the North. Plate 3.
W. Simpson, del. _ E. Walker, lith. Day & Son, Lithrs. to the Queen.
London, Published July 18th. 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mal East. _Publishers to Her Majesty. Depose Paris, Goupil & Cie...
Tinted lithograph with colour added by hand, image 280 x 475mm (11 x 18¾").
British (Scottish) troops with an impressive prospect of the city of Kerch on the Kerch Peninsula of eastern Crimea, Ukraine; during the Crimean War (October 1853 - February 1856). By William Simpson (1823 - 1899) for his 'The Seat of War in the East' (2 vols. 1855-56, Vol. II).
Abbey Travel 237, 44.
[Ref: 25592] £120.00 (£144.00 incl.VAT)
W. Simpson, del. _ E. Walker, lith. Day & Son, Lithrs. to the Queen.
London, Published July 18th. 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mal East. _Publishers to Her Majesty. Depose Paris, Goupil & Cie...
Tinted lithograph with colour added by hand, image 280 x 475mm (11 x 18¾").
British (Scottish) troops with an impressive prospect of the city of Kerch on the Kerch Peninsula of eastern Crimea, Ukraine; during the Crimean War (October 1853 - February 1856). By William Simpson (1823 - 1899) for his 'The Seat of War in the East' (2 vols. 1855-56, Vol. II).
Abbey Travel 237, 44.
[Ref: 25592] £120.00 (£144.00 incl.VAT)
Key Plate to Mr. Barrett's Picture Florence Nightingale at Scutari.
Day & Son, Lith.rs to the Queen.
Published by Thomas Agnew & Sons, Exchange Street, Manchester.
Lithograph, scarce; printed area 290 x 260mm (11½ x 10¼"). Staining to top right margin.
Keyplate identifying the figures portrayed in Jerry Barrett's painting 'The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari' (1857) which hangs in London's National Portrait Gallery. The scene portrays Nightingale's invaluable medical assistance during the Crimean War. The publishers of this keyplate, Thomas Agnew & Sons, also published a large engraving of the picture.
for the print of the picture, see ref. 8486. Ex: Collection of Thomas Agnew.
[Ref: 32262] £220.00 (£264.00 incl.VAT)
Day & Son, Lith.rs to the Queen.
Published by Thomas Agnew & Sons, Exchange Street, Manchester.
Lithograph, scarce; printed area 290 x 260mm (11½ x 10¼"). Staining to top right margin.
Keyplate identifying the figures portrayed in Jerry Barrett's painting 'The Mission of Mercy: Florence Nightingale receiving the Wounded at Scutari' (1857) which hangs in London's National Portrait Gallery. The scene portrays Nightingale's invaluable medical assistance during the Crimean War. The publishers of this keyplate, Thomas Agnew & Sons, also published a large engraving of the picture.
for the print of the picture, see ref. 8486. Ex: Collection of Thomas Agnew.
[Ref: 32262] £220.00 (£264.00 incl.VAT)
![[Nicholas Chain Bridge] Views of the Great Suspension Bridge at Kieff,](jpegs/56710.jpg)
[Nicholas Chain Bridge] Views of the Great Suspension Bridge at Kieff, now erecting over the River Knieper for the Emperor of Russia. Half a Mile in Length. Charles Vignoles F.R.A.S. M.R.I.A. Engineer.
From Water Color Sketches made on the spot by John Bourne, May 1851.
Scarce tinted lithograph. Sheet 195 x 345mm (7¾ x 13¾"). Repaired tear on left.
The Nicholas Chain Bridge, built over the Dnieper near Kiev, completed 1853 as the longest suspension bridge in Europe at the time. It was blown up in 1920 by retreating Polish troops; its replacement was demolished by Soviet troops trying to stop the German advance in 1941.
[Ref: 56710] £360.00
From Water Color Sketches made on the spot by John Bourne, May 1851.
Scarce tinted lithograph. Sheet 195 x 345mm (7¾ x 13¾"). Repaired tear on left.
The Nicholas Chain Bridge, built over the Dnieper near Kiev, completed 1853 as the longest suspension bridge in Europe at the time. It was blown up in 1920 by retreating Polish troops; its replacement was demolished by Soviet troops trying to stop the German advance in 1941.
[Ref: 56710] £360.00
S.W. View in the Quadrangle of St. Augustine's College, Canterbury.
L.L. Razé del. Day & Son Lith.rs to the Queen.
Published by Henry Ward, Canterbury, Nov.r 15th 1847.
A rare locally-produced lithograph. Sheet 310 x 395mm (12¼ x 15½")
A view of St Augustine's Collge, shortly after the purchase of the ruins of St Augustine's Abbey by MP Alexander Beresford Hope for the founding of a missionary college. Closed in 1942 after a German air-raid, these buildings became part of The King's School in 1976. The buildings here are now the Tradescant boarding house and School Library. Louis Laurent Razé (1804-72) was art master at The King’s School.
[Ref: 55422] £220.00 (£264.00 incl.VAT)
L.L. Razé del. Day & Son Lith.rs to the Queen.
Published by Henry Ward, Canterbury, Nov.r 15th 1847.
A rare locally-produced lithograph. Sheet 310 x 395mm (12¼ x 15½")
A view of St Augustine's Collge, shortly after the purchase of the ruins of St Augustine's Abbey by MP Alexander Beresford Hope for the founding of a missionary college. Closed in 1942 after a German air-raid, these buildings became part of The King's School in 1976. The buildings here are now the Tradescant boarding house and School Library. Louis Laurent Razé (1804-72) was art master at The King’s School.
[Ref: 55422] £220.00 (£264.00 incl.VAT)
H.M.S. Leander, 50 Guns. Constructed by R. Blake Esq.
T.G Dutton, del et lith. Day & Son. lith.rs tothe Queen.
T. G. Dutton. 1849.
Proof. Lithograph, rare. Size: 520 x 375mm. (20½ x 14¾"). Trimmed. Tear to lower right edge of sheet.
Launched in 1848, H.M.S. Leander was converted to screw propulsion in 1861 but sold in 1867. During the Crimean War, Leander served at the Siege of Sevastopol, which lasted from September 1854 until September 1855. Although defended heroically and at the cost of heavy allied casualties, the fall of Sevastopol would lead to the Russian defeat in the Crimean War.
[Ref: 31541] £420.00
T.G Dutton, del et lith. Day & Son. lith.rs tothe Queen.
T. G. Dutton. 1849.
Proof. Lithograph, rare. Size: 520 x 375mm. (20½ x 14¾"). Trimmed. Tear to lower right edge of sheet.
Launched in 1848, H.M.S. Leander was converted to screw propulsion in 1861 but sold in 1867. During the Crimean War, Leander served at the Siege of Sevastopol, which lasted from September 1854 until September 1855. Although defended heroically and at the cost of heavy allied casualties, the fall of Sevastopol would lead to the Russian defeat in the Crimean War.
[Ref: 31541] £420.00