Kambyses te Memphis d'Egiptische Afgoderie bespottende, Dood den Vermaarden Godt Apis; en doed desselfs Feest in een Bloed-Bad eindigen.
[Romain de Hooghe.]
Engraving. Image 277 x 356mm. 11 x 14". Cut and laid. A scene that appears to be mocking great Apis. The Apis was a god to be venerated for his excellent kindness and for his mercy towards all strangers. However in de Hooghe's engraving we see nothing other than a blood bath. The Apis is seen in the centre of the image acknowledging the betrayal.
[Ref: 12958] £240.00
[The famous park of Enghien.] 't Vermaarde Park van Anguien.
[after Romeyn de Hooghe.]
tot Amsterdam By Nicolaus Visscher met Privilegie.
Engraving. Two sheets conjoined, total approx. 1170 x 485mm (46 x 19"). Folds. The top pair of sheets of a very large view of the park at Enghien in Belgium, with putti holding allegorical elements. Romeyn de Hooghe produced a number of views of the park, including a single-sheet bird's-eye view using this design for the title. If this is an enlarged version it would consist of six sheets. We have been unable to trace another.
[Ref: 34027] £280.00
[Peace Conference and Ratification at Breda, 1667]
R. de Hooghe f. et inv.
te Amsterdam by J. Ottens
Etching, very rare; sheet 425 x 550mm (16¾ x 21½"). Thread margins; glued to backing sheet at top corners. The Treaty of Breda, at Breda Castle (Netherlands) which brought an end to the Second Anglo-Dutch War (1665-1667) in favour of the Dutch. This Treaty ceded the New Netherlands to the British Crown which included the Colonies of New York, New Jersey, Pennsylvania and Delaware. An important historical American image. The delegates are depicted in the conference chamber (centre) with the British delegations arriving (top) and leaving (bottom). Three small scenes on the left and right provide additional information on the topography of Breda.The print was first published in the year of the treaty but this state, published by Joachim Ottens (b.1663) is a later publication. Romeyn de Hooghe (1645-1708) was a leading representative of the late Dutch baroque, whose many prints aimed to glorify William III (Stadtholder of the Netherlands and King of England) and to reporting on the wars of the late 17th century.
Landwehr p.56 III/III.
[Ref: 33951] £1,250.00
[Victory of Cornelis Speelman over the Kingdom of Macassar and Radjah Palacca, and the War of 1666-1669.]
[by Romeyn de Hooghe, 1669]
Broadside with large etching, rare; total sheet size 510 x 560mm (20 x 22"). Etching and text attached separately to backing sheet; creases, loss of paper, paper tone, damage to top edge. Print commemorating the conquest of Makassar (Ujung Pandang, South Sulawesi, Indonesia) by the Dutch East India Company led by Admiral Cornelis Speelman (whose portrait is in the top left corner) over the Raja of Palacca (top right). With large etching showing various battles on land and at sea, with additional scenes running between the portraits and crest at top. Below, extensive letterpress in Dutch describing the events, and with sixteen-point key relating to the illustration. Also with dedication by printmaker Romeyn de Hooghe and six-line poem by celebrated Dutch writer Joos van Vondel (1587-1679). The Dutch had built a trading station in Makassar in 1607, and following the events shown here they replaced the Portuguese as colonial masters, rebuilt the fort and renamed it Fort Rotterdam. Romeyn de Hooghe (1645-1708) was a leading representative of the late Dutch baroque, whose many prints aimed to glorify William III (Stadtholder of the Netherlands and King of England) and to reporting on the wars of the late 17th century.
[Ref: 33950] £480.00
Historie Der Kerken En Ketteren Door Godfried Arnold.
[Romeyn de Hooghe.]
Rare etching. Sheet 265 x 160mm. 10½ x 6¼". Trimmed to plate. The titlepage of 'Historie der kerken en ketteren van den beginne des Nieuwen Testaments tot aan het jaar onses Heeren 1688 ... In het Neederduyts vertaald' ['A History of Churches and heretics from the beginning of the New Testament to the Year of Our Lord 1688'] by Gottfried Arnold. The title is surrounded by biblical and classical figures and motifs.
Gottfried Arnold (1666 Ė 1714) was a German Lutheran theologian and historian. He produced a number of noteworthy works on practical theology, and his hymns made a substantial contribution to the treasury of hymns within the Lutheran church, and a poem used by Johann Sebastian Bach ("Vergiss mein nicht" BWV 505).
By Romeyn de Hooghe (1645 - 1708).
British Library: 000119373. Not in Landwehr.
[Ref: 13527] £180.00
Het Hoog-en Lager-Huys van Engelandt/Hinc Gloria Regni Hinc Felicitas Publica.
R. De. Hooge Fecit. [Romeyn de Hooghe.]
Edit a J. Covens et C. Mortier c.1730.
Etching. 433 x 582mm. 17 x 23inches. A fairly good impression with margins, foldmarks visible on verso where once folded. Session of House of Commons, session of Lords inset. This plate was issued three times, first in 1689 showing William III, second in 1702 showing Queen Anne and third in 1728, as here, showing George II. In this state it was published in De Larrey, Geschiedenis van Engelandt, Amsterdam 1728-30.
FM 2738b (a later variant) showing George II but otherwise with the characteristics of (b); Landwehr p. 159, third state.
[Ref: 13726] £600.00
Arbres, Animaux, etc. des Indes. Idoles, Mathematiciens, Philosophes, etc. des Indes. 8.
[Romain de Hooghe.]
a Leide, Chez Pierre vander Aa. [n.d. but 1710.]
Rare etching with large margins. Plate 204 x 334mm. 8 x 13¼". Slightly cut inside platemark on bottom left. A pair of composite images on on sheet, illustrating curiosities from the East and West Indies, much derived from hearsay and Dutch imagination. Published in the only edition of van de Aa's 'Les Indes Orientales et Occidentales et autres lieux', the images include three men riding on the back of a tortoise, nuts from the Maldives, a peak of the Canary Islands, Brahmins, observatories, mathematical instruments, etc. With keys in French and Dutch. All the views in the book were etched by Romain de Hoogue for 'Curieuse Aenmerckingen Der bysonderste Oost en West-Indische', published in Utrecht by Ribbius in 1682. This state has Pieter van den Aa's name lower left and plate no 8 lower right..
[Ref: 27694] £160.00
La Feste des Trois Rois aux Invalides.
[After Romain de Hoogue.]
Engraving, 375 x 390mm Top right corner lacking, a brown spot in picture area.. Broadsheet caricature satirising the exile of James II in France after the Revolution.
See Landwehr, p.219 for original; BM 1212.
[Ref: 1615] £380.00
De stervende Bubbel-Heer in den schoot van Madame Compagne.
Engraving. 350 x 330mm, 13¾ x 13". Sheet extended with strips of paper to fit the original binding. Edges tatty. Satire on the Mississippi Bubble, with the title translating as 'The dying Lord Bubble in the lap of Madam Company'. Published in 'Het Groote Tafereel der Dwaasheid' (The Picture of Stupidity), a collection of satires on financial bubbles, copied from a satire of Louis XIV by Romain de Hooghe.
[Ref: 11793] £220.00
Pertinente Af-beeldinge en Naukeurige Beschrijvinge van de Drie Victorieuse Zee-Slagen vanít Jaar 1673. Voorgevallen tusschen de Nederlandtsche, Engelsche, en Fransche Vlooten. VVaer in onse Helden-daden, en Ďt schandelick vluchten der Vyanden, nevens de wederzijdse Admiraels en Generaels levendigh vertoont worden. [Pertinent Representation and accurate description of the three victorious sea battles of the year 1673. Taken place between the Dutch, English and French fleets. In which our heroic deeds, and the shameful flight of the enemies, as well as the Admirals and Generals on each side are shown in a lively manner.]
TíAmsterdam, Gedruckt by Hieronymus Sweerts, Boeck en Print-verkooper, op den Dam in de Wackeren Hondt, 1673.
Etching, with Dutch letterpress pasted below. Image 425 x 520mm; overall 650 x 525mm. A good impression with small margins, the edges dust-stained and with some small tears. Victorious sea-battles under de Ruyter and Tromp the younger over the English and French Fleets, near Schoneveld, June 7th and 14th; and near Kijkduin August 21 1673.
FM 2462; Landwehr p. 68, as illustrated (his first state of two); Cillessen B.IX.1.
[Ref: 1624] £2,500.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Londonderri [sic]. Double victory upon the Barbars...
Tot Leyden, Gedruckt by Iohannes Tangena, Kaert-en Boeckverkooper, over de Academie. Anno 1690 [Leiden, The Netherlands].
Illustrated Dutch broadside on the Siege of Derry, 1689; etching of the battle with title and key below, very scarce. Sheet 270 x 460mm, 10½ x 18". Presented with four related letterpress fragments of verse, in Dutch, French, Latin and English, with decorative vignettes; all glued to a large folded scrap sheet. The etching with water stains, vertical creases, and trimmed into plate at right. The Siege of Derry (Londonderry) took place in Ireland from 18 April to 28 July 1689, during the Williamite War in Ireland. The city, a Williamite stronghold, was besieged by a Jacobite army until it was relieved by Royal Navy ships. The siege is commemorated annually in August by the Apprentice Boys of Derry. The battle scene is by Romeyn de Hooghe (Dutch, 1645 - 1708), a propagandist for William of Orange (King William III). A panorama of another battlefield, the 'Seige of Bonn' (1689), also by de Hooghe, was originally issued by Johannes Tangena on the same sheet, directly below. The two plates were often separated, and the letterpress commemorates both battles.
See Landwehr, Romeyn De Hooghe The etcher p.160, I: "often these parts are found separately".
[Ref: 22844] £360.00
view all images for this item
Wilhem Henrick Prins van Oranje en van Nassov etc. Stad-Hovder Capiteyn Admirael Generael der Vereenighde Nederlanden. [William Henry Prince of Orange and Nassau etc. Stadtholder Captain Admiral General of the United Netherlands.]
[Published by Carel Allardt.]
Etching. 475 x 572mm. A good but uneven impression, with some underinked sections at the left, some folds and small tears repaired, backed. A portrait of William III of Orange surrounded by his ancestors and predecessors as Stadtholder: from left to right, William I of Orange (William the Silent); his elder son, Maurits; Williamís father William II; and Frederik Hendrik, William IIIís grandfather and youngest son of William I. In the cartouche below a view of his entry into Amsterdam, 12 August, 1672. The print celebrates the reinstatement of the joint post of Stadtholder and Captain General after the Republican faction had abolished it in 1668. In 1672, faced with a French invasion, William took control of the Dutch army and was appointed Stadtholder of Holland and West-Friesland.
Unrecorded early state, without the hat and with engraved letters at top 'Sijn Konincklijcke Hoocheijt, met sijn Doorluchtige Voorvaderen'.
From the collection of James Watt Jr (1769-1848), son of the celebrated James Watt of steam engine fame. He was also an engineer and, after spending some years in Paris at the time of the Revolution, he became a partner in Boulton and Watt, Birmingham, in 1794. His home was Aston Hall, Birmingham, which he rented from 1819 until his death. (See Oliver Fairclough, The Grand Old Mansion. The Holtes and their successors at Aston Hall, 1618-1864, Birmingham Museums & Art Gallery, 1984). He also designed and built the south half of Doldowlod Hall, Radnorshire, which has remained the home of his heirs and descendants, the Gibson-Watt family.
Not in Muller; Landwehr p. 257, (Muller number given by Landwehr is incorrect); Cillessen B.V. 6.
[Ref: 1620] £2,200.00