A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Aske Hall, the Seat of the Right Hon.ble Lord Dundas.]](jpegs/57645.jpg)
[Aske Hall, the Seat of the Right Hon.ble Lord Dundas.]
J.M.W. Turner R.A. del.t. J. Scott Sculp.t.
[n.d., c.1821.]
Etching, progress proof before title, printed on chine collé. Sheet 275 x 440mm (10¾ x 17¼"). Chine collé with cockling, some slight damp staining.
A view of the house seen from a wooded hill, a flock of sheep resting in the foreground. An illustration to Whitaker's 'History of Richmondshire', London: 1819-1823.
Rawlinson 172B. Provenance: Thomas Davidson Album.
[Ref: 57645] £320.00
J.M.W. Turner R.A. del.t. J. Scott Sculp.t.
[n.d., c.1821.]
Etching, progress proof before title, printed on chine collé. Sheet 275 x 440mm (10¾ x 17¼"). Chine collé with cockling, some slight damp staining.
A view of the house seen from a wooded hill, a flock of sheep resting in the foreground. An illustration to Whitaker's 'History of Richmondshire', London: 1819-1823.
Rawlinson 172B. Provenance: Thomas Davidson Album.
[Ref: 57645] £320.00
View of Blackfriars Bridge and St Paul's Cathedral, from the Patent Shot Manufactory on the South Side of the River.
Drawn & Etch'd by Danl. Turner. Aquatinted by Thos.Sutherland.
Publish'd Septr. 1, 1803, by Laurie & Whittle, 53 Fleet Street London.
Aquatint and Etching. 290 x 410mm
Watt's Shot Tower on the Lambeth bank of the River Thames in the foreground. The area around the 1789 square tower was known as Prince's Meadow made up of dwelling houses, warehouses, dyehouses, storehouses, accounting houses, brewhouses, coachhouses, carthouses, stables, sawhouses, cranes, sheds, wharves, yards, gardens, fields, ponds and canals.
[Ref: 6201] £420.00
Drawn & Etch'd by Danl. Turner. Aquatinted by Thos.Sutherland.
Publish'd Septr. 1, 1803, by Laurie & Whittle, 53 Fleet Street London.
Aquatint and Etching. 290 x 410mm
Watt's Shot Tower on the Lambeth bank of the River Thames in the foreground. The area around the 1789 square tower was known as Prince's Meadow made up of dwelling houses, warehouses, dyehouses, storehouses, accounting houses, brewhouses, coachhouses, carthouses, stables, sawhouses, cranes, sheds, wharves, yards, gardens, fields, ponds and canals.
[Ref: 6201] £420.00
View of Blackfriars Bridge & S.t Pauls, from the Patent Shot Manufactory on the South Side of the River.
Drawn & Etch'd by Dan.l Turner. Aquatinted by Tho.s Sutherland.
Publish'd Sept.r 1. 1803 by Laurie & Whittle, 53, Fleet Street, London.
Aquatint with etching. 300 x 410mm (11¾ x 16"). Laid on card at edges.
A view of St Paul's Cathedral and Blackfriars Bridge, with the shot tower built by William Watt in 1789, taken from the Thames.
[Ref: 62009] £320.00
Drawn & Etch'd by Dan.l Turner. Aquatinted by Tho.s Sutherland.
Publish'd Sept.r 1. 1803 by Laurie & Whittle, 53, Fleet Street, London.
Aquatint with etching. 300 x 410mm (11¾ x 16"). Laid on card at edges.
A view of St Paul's Cathedral and Blackfriars Bridge, with the shot tower built by William Watt in 1789, taken from the Thames.
[Ref: 62009] £320.00
The R.t Hon.ble Lord Collingwood, Vice Admiral of the Red Major General of Marines and Commander in Chief of His Majesty's Ships in the Mediterranean.
Engraved by Charles Turner. From an original Paining in the possession of Lady Collingwood to whom this Print is most respectfully dedicated by her Ladyships obed.t & very h.ble Serv.t J. Colnaghi.
London, Published July 1.st 1811 by Mess.rsColnaghi & Co. Printsellers, Cockspur Street, Hay Market.
Fine mezzotint. 500 x 350mm (19¾ x 13¾"), with large margins.
A portrait of Admiral Cuthbert Collingwood, Baron Collingwood (1748 - 1810) standing on board a ship, wearing a naval uniform with epaulettes and medals, one suspended from a ribbon around his neck. He is holding the hilt of a sword with his left hand, lettered with '[Eng]land expects evry man to do his duty'. A naval battle is seen in the background. Collingwood was notable as a partner with Lord Nelson in several of the British victories of the Napoleonic Wars, and frequently as Nelson's successor in commands. He died in Menorca and was buried next to Nelson in St. Pauls.
[Ref: 38139] £480.00
Engraved by Charles Turner. From an original Paining in the possession of Lady Collingwood to whom this Print is most respectfully dedicated by her Ladyships obed.t & very h.ble Serv.t J. Colnaghi.
London, Published July 1.st 1811 by Mess.rsColnaghi & Co. Printsellers, Cockspur Street, Hay Market.
Fine mezzotint. 500 x 350mm (19¾ x 13¾"), with large margins.
A portrait of Admiral Cuthbert Collingwood, Baron Collingwood (1748 - 1810) standing on board a ship, wearing a naval uniform with epaulettes and medals, one suspended from a ribbon around his neck. He is holding the hilt of a sword with his left hand, lettered with '[Eng]land expects evry man to do his duty'. A naval battle is seen in the background. Collingwood was notable as a partner with Lord Nelson in several of the British victories of the Napoleonic Wars, and frequently as Nelson's successor in commands. He died in Menorca and was buried next to Nelson in St. Pauls.
[Ref: 38139] £480.00
Columbus setting sail.
Turner R.A. Goodall.
London, Published 1833, by Moon, Boys, & Graves, Pall Mall.
Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). Very large margins. Trimmed inside plate at upper edge. Slight foxing.
A view of a busy harbour in Genoa, with a crowd on the quay in the left foreground waving hands towards leaving ships in the bay on the right. A church and other buildingscan be seen on higher ground in the left background. After JMW Turner. Avignette to poem 'The Voyage of Columbus' in 'Poems' by Samuel Rogers.
Rawlinson: 399: III.
[Ref: 37294] £95.00 (£114.00 incl.VAT)
Turner R.A. Goodall.
London, Published 1833, by Moon, Boys, & Graves, Pall Mall.
Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). Very large margins. Trimmed inside plate at upper edge. Slight foxing.
A view of a busy harbour in Genoa, with a crowd on the quay in the left foreground waving hands towards leaving ships in the bay on the right. A church and other buildingscan be seen on higher ground in the left background. After JMW Turner. Avignette to poem 'The Voyage of Columbus' in 'Poems' by Samuel Rogers.
Rawlinson: 399: III.
[Ref: 37294] £95.00 (£114.00 incl.VAT)
The Landing of Columbus.
Turner R.A. Goodall.
London, Published 1833, by Moon, Boys, & Graves, Pall Mall.
Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). Very large margins. Trimmed inside plate at upper edge. Slight foxing.
A coastal view with a line of figures landing on the shore on the right, with a boat and ships in the bay on the left, and the sun settingon the horizon behind. After JMW Turner. Avignette to poem 'The Voyage of Columbus' in 'Poems' by Samuel Rogers.
Rawlinson: 402: III.
[Ref: 37293] £70.00 (£84.00 incl.VAT)
Turner R.A. Goodall.
London, Published 1833, by Moon, Boys, & Graves, Pall Mall.
Engraving. Sheet size: 290 x 220mm (11¾ x 8¾"). Very large margins. Trimmed inside plate at upper edge. Slight foxing.
A coastal view with a line of figures landing on the shore on the right, with a boat and ships in the bay on the left, and the sun settingon the horizon behind. After JMW Turner. Avignette to poem 'The Voyage of Columbus' in 'Poems' by Samuel Rogers.
Rawlinson: 402: III.
[Ref: 37293] £70.00 (£84.00 incl.VAT)
Covent Garden Market.
Drawn and Lith by T. Turner. [n.d., c.1855]
8, Hatton Garden
Rare lithograph, printed area 165 x 190mm. 6½ x 7½".
View across Covent Garden piazza from the North-East corner, with the market in full flow. Various street vendors fill the cobbled market place. By lithographer Thomas Turner, who also made a print commemorating the 1855 visit of Napoléon III to London.
[Ref: 29667] £130.00 (£156.00 incl.VAT)
Drawn and Lith by T. Turner. [n.d., c.1855]
8, Hatton Garden
Rare lithograph, printed area 165 x 190mm. 6½ x 7½".
View across Covent Garden piazza from the North-East corner, with the market in full flow. Various street vendors fill the cobbled market place. By lithographer Thomas Turner, who also made a print commemorating the 1855 visit of Napoléon III to London.
[Ref: 29667] £130.00 (£156.00 incl.VAT)
The Custom House.
Drawn and Lith by T. Turner.
5 Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 171 x 222mm. 6¾ x 8¾".
The Custom House from the River Thames; sailing boats docked three abreast, steamers passing by. The London Monument behind in the background.
[Ref: 20337] £60.00 (£72.00 incl.VAT)
Drawn and Lith by T. Turner.
5 Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 171 x 222mm. 6¾ x 8¾".
The Custom House from the River Thames; sailing boats docked three abreast, steamers passing by. The London Monument behind in the background.
[Ref: 20337] £60.00 (£72.00 incl.VAT)
Straits of Dover.
J.M.W. Turner R.A. J.T. Willmore, A.R.A. 1851.
London, Published Nov.r 1 1851, by E. Gambart & Co. 35 Berniers Street, Oxford Street.
A large chine collé steel engraving. 515 x 675mm (20¼ x 26½"), with wide margins. India slightly cracked at top border.
Small boats trying to enter the harbour in choppy seas, the White Cliffs and Dover Castle in the background.
Rawlinson: 666 iv.
[Ref: 54051] £320.00
J.M.W. Turner R.A. J.T. Willmore, A.R.A. 1851.
London, Published Nov.r 1 1851, by E. Gambart & Co. 35 Berniers Street, Oxford Street.
A large chine collé steel engraving. 515 x 675mm (20¼ x 26½"), with wide margins. India slightly cracked at top border.
Small boats trying to enter the harbour in choppy seas, the White Cliffs and Dover Castle in the background.
Rawlinson: 666 iv.
[Ref: 54051] £320.00
The Edystone Lighthouse.
Drawn by J.M.W Turner R.A. Engraved by T. Lupton.
London Published July 1, 1829 by W.B. Cooke, 9 Soho Square.
Mezzotint, sheet 115 x 150mm (4½ x 6"). Trimmed within plate. Some marks outside image.
A view of the Eddystone Light House on a stormy night. With wreckage in the foreground, lighthouse behind in the centre, shadow of ship in the left background, crescent moon in the left sky.
R 773 II of II.
[Ref: 61670] £180.00 (£216.00 incl.VAT)
Drawn by J.M.W Turner R.A. Engraved by T. Lupton.
London Published July 1, 1829 by W.B. Cooke, 9 Soho Square.
Mezzotint, sheet 115 x 150mm (4½ x 6"). Trimmed within plate. Some marks outside image.
A view of the Eddystone Light House on a stormy night. With wreckage in the foreground, lighthouse behind in the centre, shadow of ship in the left background, crescent moon in the left sky.
R 773 II of II.
[Ref: 61670] £180.00 (£216.00 incl.VAT)
![[Folkestone Harbour and Coast to Dover.]](jpegs/56602.jpg)
[Folkestone Harbour and Coast to Dover.]
[Engraved by John Horsburgh after J.M.W. Turner.]
[1831]
Etching with engraving on chine collé. 245 x 305mm (9¾ x 12"), very large margins. Chine collé with a few cockles.
A view on the shoreline, with revenue officers directing fishermen to dig up kegs from the sands.
Rawlinson 250, first published state, before letters.
[Ref: 56602] £140.00 (£168.00 incl.VAT)
[Engraved by John Horsburgh after J.M.W. Turner.]
[1831]
Etching with engraving on chine collé. 245 x 305mm (9¾ x 12"), very large margins. Chine collé with a few cockles.
A view on the shoreline, with revenue officers directing fishermen to dig up kegs from the sands.
Rawlinson 250, first published state, before letters.
[Ref: 56602] £140.00 (£168.00 incl.VAT)
Hastings. To Charles Sackville Bale Esq: this Engraving from the Original Drawing in his Collection Is respectfully dedicated by his obliged humble Servants, E. Gambart & Co.
J.M.W. Turner, R.A. R. Wallis, 1851.
London Published Nov.r 1 1851 by E. Gambart & Co, 35 Berners Street, Oxford Street.
Engraving with etching. 520 x 690mm (20½ x 27¼"). Slight cockling upper left, small tear in right margin.
A seascape in choppy water under the cliffs of Hastings, with the castle and ruined abbey.
Rawlinson 665, iv of iv.
[Ref: 56759] £260.00 (£312.00 incl.VAT)
J.M.W. Turner, R.A. R. Wallis, 1851.
London Published Nov.r 1 1851 by E. Gambart & Co, 35 Berners Street, Oxford Street.
Engraving with etching. 520 x 690mm (20½ x 27¼"). Slight cockling upper left, small tear in right margin.
A seascape in choppy water under the cliffs of Hastings, with the castle and ruined abbey.
Rawlinson 665, iv of iv.
[Ref: 56759] £260.00 (£312.00 incl.VAT)
The Town and Castle of Heidelberg.
Drawn by J.M.W. Turner. Engraved by T.A. Prior.
[1846.]
Engraving with etching. Sheet 480 x 650mm (19 x 25½"). Edges chipped.
Heidelberg from the opposite bank of the Neckar.
R.663. Probably the third state.
[Ref: 61269] £260.00 (£312.00 incl.VAT)
Drawn by J.M.W. Turner. Engraved by T.A. Prior.
[1846.]
Engraving with etching. Sheet 480 x 650mm (19 x 25½"). Edges chipped.
Heidelberg from the opposite bank of the Neckar.
R.663. Probably the third state.
[Ref: 61269] £260.00 (£312.00 incl.VAT)
Instinct
Engraved by H. Pyall after F.C. Turner.
London, Pub.d by S. Knight, Sweetings Alley, Cornhill, 1827.
Fine coloured aquatint. 335 x 385mm (13¼ x 15¼"), with large margins.
A grey hunter in a field roused by the sound of a passing hunt.
[Ref: 54943] £280.00 (£336.00 incl.VAT)
Engraved by H. Pyall after F.C. Turner.
London, Pub.d by S. Knight, Sweetings Alley, Cornhill, 1827.
Fine coloured aquatint. 335 x 385mm (13¼ x 15¼"), with large margins.
A grey hunter in a field roused by the sound of a passing hunt.
[Ref: 54943] £280.00 (£336.00 incl.VAT)
![[Robert Liston] R.W. Liston [facsimile signature].](jpegs/47446.jpg)
[Robert Liston] R.W. Liston [facsimile signature].
Drawn & Engraved by C. Turner, A.R.A.
London, Published Jan.y 16, 1840, by Mr Turner, No 50, Warren Street, Fitzroy Square.
Mezzotint, proof before title. 485 x 330mm (19 x 13"), with very large margins. Paper toned.
Three quarter portrait of Robert Liston (1794-1847), a Scottish surgeon who performed the first operation using modern anaesthesia (ether) in Europe, in 1846, after this portrait was published. During his career in Edinburgh he knocked down Robert Knox, a surgeon and client of Burke and Hare, in a row over the body of Mary Paterson. His speed was not always beneficial: in one case he took a leg in 2½ minutes, but took the patients testicles as well; in another he cut off his assistant's finger and slashed an observer's coat, after which the patient and assistant died of gangrene and the observer died of a heart attack.
Whitman: 313; Wellcome 1784-4; See Richard Gordon: 'Triple Knock-Out: Disastrous surgical enthusiasm', 2001. Wellcome 1784-4; Whitman 313.
[Ref: 47446] £260.00 (£312.00 incl.VAT)
Drawn & Engraved by C. Turner, A.R.A.
London, Published Jan.y 16, 1840, by Mr Turner, No 50, Warren Street, Fitzroy Square.
Mezzotint, proof before title. 485 x 330mm (19 x 13"), with very large margins. Paper toned.
Three quarter portrait of Robert Liston (1794-1847), a Scottish surgeon who performed the first operation using modern anaesthesia (ether) in Europe, in 1846, after this portrait was published. During his career in Edinburgh he knocked down Robert Knox, a surgeon and client of Burke and Hare, in a row over the body of Mary Paterson. His speed was not always beneficial: in one case he took a leg in 2½ minutes, but took the patients testicles as well; in another he cut off his assistant's finger and slashed an observer's coat, after which the patient and assistant died of gangrene and the observer died of a heart attack.
Whitman: 313; Wellcome 1784-4; See Richard Gordon: 'Triple Knock-Out: Disastrous surgical enthusiasm', 2001. Wellcome 1784-4; Whitman 313.
[Ref: 47446] £260.00 (£312.00 incl.VAT)
Lord Nelson's Funeral Procession by Water, from Greenwich Hospital to White Hall, Jany.y 8.th 1806. Taken from Bank-side, Exhibiting a View of St. Paul's, London Bridge &c.
Turner pinx.t. J. Clarke & H. Marke sculp.
Published & Sold March 1, 1806 by Edw.d Orme Engraver- Printseller to the King & Royal Family. 59 Bond Street, London.
Aquatint with fine hand colour.. 340 x 490mm (13½ x 19¼''). Trimmed into plate at bottom.
A view of the Thames showing the flotilla accompanying Nelson's coffin along to St Paul's Cathedral. A plate from 'Orme's Graphic history of the life, exploits, and death of Horatio Nelson...' 1806.
Abbey Life 327.
[Ref: 57781] £380.00
Turner pinx.t. J. Clarke & H. Marke sculp.
Published & Sold March 1, 1806 by Edw.d Orme Engraver- Printseller to the King & Royal Family. 59 Bond Street, London.
Aquatint with fine hand colour.. 340 x 490mm (13½ x 19¼''). Trimmed into plate at bottom.
A view of the Thames showing the flotilla accompanying Nelson's coffin along to St Paul's Cathedral. A plate from 'Orme's Graphic history of the life, exploits, and death of Horatio Nelson...' 1806.
Abbey Life 327.
[Ref: 57781] £380.00
![[The Death of Nelson.]](jpegs/28604.jpg)
[The Death of Nelson.]
John Cother Webb [after J.M.W. Turner.].
[Published by the Museum Galleries n.d., c.1925.]
Mezzotint on india, printed in colours and signed by the artist. 405 x 525mm (16 x 20¾"). With publisher's label with typed details. With collector's blind stamp in lower margin.
View of HMS Victory, with Nelson slumped on the deck, having been shot by a marksman on the mizzen fighting top of the French ship Redoutable.
[Ref: 28604] £160.00 (£192.00 incl.VAT)
John Cother Webb [after J.M.W. Turner.].
[Published by the Museum Galleries n.d., c.1925.]
Mezzotint on india, printed in colours and signed by the artist. 405 x 525mm (16 x 20¾"). With publisher's label with typed details. With collector's blind stamp in lower margin.
View of HMS Victory, with Nelson slumped on the deck, having been shot by a marksman on the mizzen fighting top of the French ship Redoutable.
[Ref: 28604] £160.00 (£192.00 incl.VAT)
View of Oxford from the South Side of Heddington Hill.
J.M.W. Turner R.A. del. Engraved by James Basire.
[1808.]
Engraving, published state. Sheet 370 x 480mm (14½ x 19"). Trimmed, laid on card.
A distant view of the city.
Rawlinson, 45, 'an extremely clever piece of engraving'.
[Ref: 51177] £240.00
J.M.W. Turner R.A. del. Engraved by James Basire.
[1808.]
Engraving, published state. Sheet 370 x 480mm (14½ x 19"). Trimmed, laid on card.
A distant view of the city.
Rawlinson, 45, 'an extremely clever piece of engraving'.
[Ref: 51177] £240.00
AView of the Theatre, Printing House, &c. The Oxford Almanack For the Year of our Lord God MDCCC [1800].
Drawn by E. Days. Engraved by James Basire. J. Cole, Cal, sc.
[Oxford, 1800.] Price Two Shillings and Six Pence.
Engraving. 565 x 485mm (22¼ x 19"), with very large margins, stamp duty ink stamp lower right margin. Uncut. Horizontal fold, pinholes in the margins.
The Oxford Almanack has been published annually since 1674. The stamp duty was payable to the compiler of the almanac, set at 4 pence per year.
[Ref: 51437] £230.00 (£276.00 incl.VAT)
Drawn by E. Days. Engraved by James Basire. J. Cole, Cal, sc.
[Oxford, 1800.] Price Two Shillings and Six Pence.
Engraving. 565 x 485mm (22¼ x 19"), with very large margins, stamp duty ink stamp lower right margin. Uncut. Horizontal fold, pinholes in the margins.
The Oxford Almanack has been published annually since 1674. The stamp duty was payable to the compiler of the almanac, set at 4 pence per year.
[Ref: 51437] £230.00 (£276.00 incl.VAT)
Paisley. The celebrated Priest of Hymen at Gretna Green. _'cui placet Impares Formas atque animos sub Juga aenea Saevo mittere cum Joco.' Hor. Car. 33 Lib. 1.
C. Turner F.S.A. Delt. 1800. J. Walker Sculpt.
Publis'd by C. Turnor Dec. 20 1800.
Etching with aquatint, sheet 200 x 160mm (7¾ x 6¼"). Trimmed inside platemark; glued to backing sheet.
Gretna's most famous priest Joseph Paisley, described as 'a big, rough, hard-drinking borderer,' who moonlighted as a smuggler, a tobacconist, and a fisherman. Gretna became known as the 'Caledonian Temple of Hymen' in the late eighteenth century and lampooned as the centre of the 'marriage trade'. One of the main characters in Charles Stuart's comic operetta Gretna Green (1783), a hit afterpiece at the Haymarket theatre during the 1780s and 90s, was loosely based on Paisley.
[Ref: 31073] £95.00 (£114.00 incl.VAT)
C. Turner F.S.A. Delt. 1800. J. Walker Sculpt.
Publis'd by C. Turnor Dec. 20 1800.
Etching with aquatint, sheet 200 x 160mm (7¾ x 6¼"). Trimmed inside platemark; glued to backing sheet.
Gretna's most famous priest Joseph Paisley, described as 'a big, rough, hard-drinking borderer,' who moonlighted as a smuggler, a tobacconist, and a fisherman. Gretna became known as the 'Caledonian Temple of Hymen' in the late eighteenth century and lampooned as the centre of the 'marriage trade'. One of the main characters in Charles Stuart's comic operetta Gretna Green (1783), a hit afterpiece at the Haymarket theatre during the 1780s and 90s, was loosely based on Paisley.
[Ref: 31073] £95.00 (£114.00 incl.VAT)
Paisley. The celebrated Priest of Hymen at Gretna Green. _'cui placet Impares Formas atque animos sub Juga aenea Saevo mittere cum Joco.' Hor. Car. 33 Lib. 1.
C. Turner F.S.A. Delt. 1800. J. Walker Sculpt.
Publis'd by C. Turnor Dec. 20 1800.
Etching with aquatint. Sheet 165 x 230mm. Foxing. Faint trace of crease through part of image. Trimmed to plate.
Gretna's most famous priest Joseph Paisley, described as 'a big, rough, hard-drinking borderer,' who moonlighted as a smuggler, a tobacconist, and a fisherman. Gretna became known as the 'Caledonian Temple of Hymen' in the late eigteenth century and lampooned as the centre of the 'marriage trade'. One of the main characters in Charles Stuart's comic operetta Gretna Green (1783), a hit afterpiece at the Haymarket theatre during the 1780s and 90s, was loosely based on Priestley.
[Ref: 6222] £65.00 (£78.00 incl.VAT)
C. Turner F.S.A. Delt. 1800. J. Walker Sculpt.
Publis'd by C. Turnor Dec. 20 1800.
Etching with aquatint. Sheet 165 x 230mm. Foxing. Faint trace of crease through part of image. Trimmed to plate.
Gretna's most famous priest Joseph Paisley, described as 'a big, rough, hard-drinking borderer,' who moonlighted as a smuggler, a tobacconist, and a fisherman. Gretna became known as the 'Caledonian Temple of Hymen' in the late eigteenth century and lampooned as the centre of the 'marriage trade'. One of the main characters in Charles Stuart's comic operetta Gretna Green (1783), a hit afterpiece at the Haymarket theatre during the 1780s and 90s, was loosely based on Priestley.
[Ref: 6222] £65.00 (£78.00 incl.VAT)
The Patent Shot Manufactory, with a distant View of Blackfriars Bridge & St Pauls.
Drawn by D. Turner. Eng.d by C. Ansell.
[Published Jan.y 1 1796.]
Aquatint, printed in sepia. Sheet 195 x 270mm (7¾ x 10½"). Trimmed to printed border, laid on album paper at edges with a coloured lithograph.
A view of the shot tower built by William Watt in 1789, taken from the Thames. The lithograph is ''The Fire (from Waterloo Bridge) Jan.y 5th 1826. Drawn, Printed & Pub.d on the Night of the Fire, at W. Days Lithog.c Office, 59, G.t. Queen S.t''. It shows the tower on fire, the interior and roof being destroyed.
[Ref: 61982] £260.00 (£312.00 incl.VAT)
Drawn by D. Turner. Eng.d by C. Ansell.
[Published Jan.y 1 1796.]
Aquatint, printed in sepia. Sheet 195 x 270mm (7¾ x 10½"). Trimmed to printed border, laid on album paper at edges with a coloured lithograph.
A view of the shot tower built by William Watt in 1789, taken from the Thames. The lithograph is ''The Fire (from Waterloo Bridge) Jan.y 5th 1826. Drawn, Printed & Pub.d on the Night of the Fire, at W. Days Lithog.c Office, 59, G.t. Queen S.t''. It shows the tower on fire, the interior and roof being destroyed.
[Ref: 61982] £260.00 (£312.00 incl.VAT)
Pevensey Bay, from Crowhurst Park. Proof.
Drawn by J.M.W. Turner, R.A. Engraved by W.B. Cooke.
London, Published March 1. 1819, by John Murray, Albermarle Street, and W.B. Cooke, 13 Judd Place East, New Road.
Engraving on chine colle. 255 x 330mm (10 x 13"), with very large margins. Some light creasing on india paper.
A view looking across fields towards Beachy Head. From the series ''Views in Sussex'.
Rawlinson 132, state II of III.
[Ref: 60601] £240.00 (£288.00 incl.VAT)
Drawn by J.M.W. Turner, R.A. Engraved by W.B. Cooke.
London, Published March 1. 1819, by John Murray, Albermarle Street, and W.B. Cooke, 13 Judd Place East, New Road.
Engraving on chine colle. 255 x 330mm (10 x 13"), with very large margins. Some light creasing on india paper.
A view looking across fields towards Beachy Head. From the series ''Views in Sussex'.
Rawlinson 132, state II of III.
[Ref: 60601] £240.00 (£288.00 incl.VAT)
Pevensey Bay, from Crowhurst Park. Proof.
Drawn by J.M.W. Turner, R.A. Engraved by W.B. Cooke.
London, Published March 1. 1819, by John Murray, Albermarle Street, and W.B. Cooke, 13 Judd Place East, New Road.
Engraving. 255 x 330mm (10 x 13") very large margins. Small area of surface abrasion in inscription area.
A view looking across fields towards Beachy Head. From the series ''Views in Sussex'.
Rawlinson 132, second published state.
[Ref: 56599] £120.00 (£144.00 incl.VAT)
Drawn by J.M.W. Turner, R.A. Engraved by W.B. Cooke.
London, Published March 1. 1819, by John Murray, Albermarle Street, and W.B. Cooke, 13 Judd Place East, New Road.
Engraving. 255 x 330mm (10 x 13") very large margins. Small area of surface abrasion in inscription area.
A view looking across fields towards Beachy Head. From the series ''Views in Sussex'.
Rawlinson 132, second published state.
[Ref: 56599] £120.00 (£144.00 incl.VAT)
A Sailor Relating his Victories.
Turn[er] pinx. C.Turner Sculp.
Published & Sold Jan.y 1803 by Edw.d Orme, 59 New Bond Street, London.
Mezzotint, open-letter proof. 530 x 405mm. Narrow margin lower left, part of painter's name rubbed, tear in inscription area.
Behind the sailor is a reference to the Battle of the Nile.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 6212] £260.00 (£312.00 incl.VAT)
Turn[er] pinx. C.Turner Sculp.
Published & Sold Jan.y 1803 by Edw.d Orme, 59 New Bond Street, London.
Mezzotint, open-letter proof. 530 x 405mm. Narrow margin lower left, part of painter's name rubbed, tear in inscription area.
Behind the sailor is a reference to the Battle of the Nile.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 6212] £260.00 (£312.00 incl.VAT)
Snipes. 3.d Plate of the British Feather Game.
C.Turner del.t et sculp.t.
London Published March 1 1810 at R.Ackermann's Repository of Arts, 101 Strand.
Mezzotint, printed in colours. 365 x 435mm, 14¼ x 17¼".
From a series of fourteen prints "British Feather Game", depicting English game birds, all engraved by Charles Turner and published 1810-12. Other birds in the series were painted by James Barenger (1780 - 1831), nephew of William Woollett.
Not in Whitman. Siltzer: pg. 79. See Ref: 8669
[Ref: 8670] £780.00
C.Turner del.t et sculp.t.
London Published March 1 1810 at R.Ackermann's Repository of Arts, 101 Strand.
Mezzotint, printed in colours. 365 x 435mm, 14¼ x 17¼".
From a series of fourteen prints "British Feather Game", depicting English game birds, all engraved by Charles Turner and published 1810-12. Other birds in the series were painted by James Barenger (1780 - 1831), nephew of William Woollett.
Not in Whitman. Siltzer: pg. 79. See Ref: 8669
[Ref: 8670] £780.00
![[Somerset House and St Paul's Cathedral from Embankment Gardens.]](jpegs/9239.jpg)
[Somerset House and St Paul's Cathedral from Embankment Gardens.]
R.Turner [?] 1879.
Pen and watercolour, signed and dated bottom right. Sheet 170 x 250mm, 6¾ x 10". A few spots.
Also showing Cleopatra's Needle and Waterloo Bridge.
[Ref: 9239] £130.00 (£156.00 incl.VAT)
R.Turner [?] 1879.
Pen and watercolour, signed and dated bottom right. Sheet 170 x 250mm, 6¾ x 10". A few spots.
Also showing Cleopatra's Needle and Waterloo Bridge.
[Ref: 9239] £130.00 (£156.00 incl.VAT)
St Paul's Cathedral.
Drawn and Lith by T. Turner.
8 Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 171 x 222mm. 6¾ x 8¾".
The Norh West view of St Paul's Cathedral with figures and omnibuses outside.
[Ref: 20339] £90.00 (£108.00 incl.VAT)
Drawn and Lith by T. Turner.
8 Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 171 x 222mm. 6¾ x 8¾".
The Norh West view of St Paul's Cathedral with figures and omnibuses outside.
[Ref: 20339] £90.00 (£108.00 incl.VAT)
View of the Thames from the Water Works, York Buildings, to Blackfriar's Bridge. 1.WaterWorks. 2. Adelphi. 3.Somerset Place. 4. St. Paul's.
Drawn & Etched by Daniel Turner. Aquatinted by Thomas Sutherland.
Published September 1st, 1803 by Laurie & Whittle. 33, Fleet Street, London.
Coloured aquatint. Printed area 390 x 260mm (14" x 10").
View of the Thames shows from left to right: 1. WaterWorks, 2. Adelphi, 3. Somerset Place, 4. St Pauls. The Waterworks company was founded in 1675, and it was erected at the river end of Villiers Street. This view shows the company's 70 ft high water tower, which was erected in the late 17th century. York buildings was the name given to the streets and houses erected on York House, a former palace on the Strand.
[Ref: 27905] £320.00
Drawn & Etched by Daniel Turner. Aquatinted by Thomas Sutherland.
Published September 1st, 1803 by Laurie & Whittle. 33, Fleet Street, London.
Coloured aquatint. Printed area 390 x 260mm (14" x 10").
View of the Thames shows from left to right: 1. WaterWorks, 2. Adelphi, 3. Somerset Place, 4. St Pauls. The Waterworks company was founded in 1675, and it was erected at the river end of Villiers Street. This view shows the company's 70 ft high water tower, which was erected in the late 17th century. York buildings was the name given to the streets and houses erected on York House, a former palace on the Strand.
[Ref: 27905] £320.00
The Tower of London.
Drawn, and Lith, by T. Turner.
Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 171 x 222mm. 6¾ x 8¾".
Two docked flotilla ferries at the southside of the Tower of London; a procession leads into the tower.
[Ref: 20335] £80.00 (£96.00 incl.VAT)
Drawn, and Lith, by T. Turner.
Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 171 x 222mm. 6¾ x 8¾".
Two docked flotilla ferries at the southside of the Tower of London; a procession leads into the tower.
[Ref: 20335] £80.00 (£96.00 incl.VAT)
![[Trematon Castle, Cornwall.]](jpegs/60520.jpg)
[Trematon Castle, Cornwall.]
Rob.t Wallis 1830 [after J.M.W. Turner].
Etching with engraving. 240 x 320mm (9½ x 12½), very large margins Some surface abrasions in untrimmed part of plate and margins.
A distant view of the Norman Trematon Castle, with the Tamar River and the town of Saltash. In the foreground are two donkeys.
Ref: Rawlinson 246 1st Published State,
[Ref: 60520] £140.00 (£168.00 incl.VAT)
Rob.t Wallis 1830 [after J.M.W. Turner].
Etching with engraving. 240 x 320mm (9½ x 12½), very large margins Some surface abrasions in untrimmed part of plate and margins.
A distant view of the Norman Trematon Castle, with the Tamar River and the town of Saltash. In the foreground are two donkeys.
Ref: Rawlinson 246 1st Published State,
[Ref: 60520] £140.00 (£168.00 incl.VAT)
![[Turkish Arabah]](jpegs/47414.jpg)
[Turkish Arabah]
W. Turner del.t. J. Clark sculp.t.
London, Published by J. Murray, 1820.
Aquatint printed in colour, sheet 115 x 185mm (4½ x 7¼"). Trimmed, losing title.
Plate from William Turner, 'Journal of a Tour in the Levant' (3 vols., 1820).
Abbey 375.2.
[Ref: 47414] £65.00 (£78.00 incl.VAT)
W. Turner del.t. J. Clark sculp.t.
London, Published by J. Murray, 1820.
Aquatint printed in colour, sheet 115 x 185mm (4½ x 7¼"). Trimmed, losing title.
Plate from William Turner, 'Journal of a Tour in the Levant' (3 vols., 1820).
Abbey 375.2.
[Ref: 47414] £65.00 (£78.00 incl.VAT)
![[J.M.W.Turner.]](jpegs/6218.jpg)
[J.M.W.Turner.]
[Painted & Engraved by C. Turner A.R.A.]
[London, Publ. Decr. 10, 1856 by M. C. Turner 50 Warren St. Fitzroy Square, P & Dom. Colnaghi.]
Mezzotint. 410 x 515mm. Slight foxing.
This proof engraving with pencil inscription and letters is published by Charles Turner before the plate was sold on and issued by W. Tegg.
[Ref: 6218] £650.00
[Painted & Engraved by C. Turner A.R.A.]
[London, Publ. Decr. 10, 1856 by M. C. Turner 50 Warren St. Fitzroy Square, P & Dom. Colnaghi.]
Mezzotint. 410 x 515mm. Slight foxing.
This proof engraving with pencil inscription and letters is published by Charles Turner before the plate was sold on and issued by W. Tegg.
[Ref: 6218] £650.00
Juvenile Tricks.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published Jan.y 1 1811, by Mr. Turner, Queen Ann Street West
Etching and mezzotint, with large margins, platemark 210 x 290mm (8¼ x 11½"). Stamp of art dealer C.W. Dowdeswell verso.
Boys playing around a trough, with a row of houses in background- 'the scene is evidently in Hyde Park' (Rawlinson). Plate from J.M.W.'s 'Liber Studiorum', which was published between 1807 and 1819. By this time Turner's position of the pre-eminent British landscape painter of his day was assured, but with this series it was the French artist Claude Lorraine whom Turner was emulating. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire in the eighteenth century, had been engraved by Richard Earlom around thirty years earlier to much acclaim, and in many ways Turner was publishing his work in a format which invited direct comparison with that of Claude.
Rawlinson: 18 (first published state). Finberg 22.
[Ref: 27359] £350.00
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published Jan.y 1 1811, by Mr. Turner, Queen Ann Street West
Etching and mezzotint, with large margins, platemark 210 x 290mm (8¼ x 11½"). Stamp of art dealer C.W. Dowdeswell verso.
Boys playing around a trough, with a row of houses in background- 'the scene is evidently in Hyde Park' (Rawlinson). Plate from J.M.W.'s 'Liber Studiorum', which was published between 1807 and 1819. By this time Turner's position of the pre-eminent British landscape painter of his day was assured, but with this series it was the French artist Claude Lorraine whom Turner was emulating. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire in the eighteenth century, had been engraved by Richard Earlom around thirty years earlier to much acclaim, and in many ways Turner was publishing his work in a format which invited direct comparison with that of Claude.
Rawlinson: 18 (first published state). Finberg 22.
[Ref: 27359] £350.00
Marine Dabblers.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1811 by J.M.W. Turner, Queen Ann Street West.
Etching and mezzotint. 210 x 290mm (8¼ x 11½"), with very large margins. Small tear top margin.
Group of children playing with miniature boats on a sandy shore, next to fishing boats. Plate 29, issued in Part VI of Turner's 'Liber Studiorum', 1807-1819.
Rawlinson 29; Finberg 29, state ii of ii.
[Ref: 50879] £380.00
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1811 by J.M.W. Turner, Queen Ann Street West.
Etching and mezzotint. 210 x 290mm (8¼ x 11½"), with very large margins. Small tear top margin.
Group of children playing with miniature boats on a sandy shore, next to fishing boats. Plate 29, issued in Part VI of Turner's 'Liber Studiorum', 1807-1819.
Rawlinson 29; Finberg 29, state ii of ii.
[Ref: 50879] £380.00
![[The Castle Above the Meadows.] E.P.](jpegs/50875.jpg)
[The Castle Above the Meadows.] E.P.
Drawn & Etch'd by J.M.W. Turner Esq.r R.A. P.P. Engraved by Cha.s Turner.
London. Published Feb.y 20, 1808 by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint with etching. 210 x 290mm (8¼ x 11¼"), with very large margins. Ink stamp of the P. Hurlbutt Collection on reverse.
A distant view of Oakhampton Castle. Plate 8, issued in Part II of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Finberg: 8, state ii of iv.
[Ref: 50875] £350.00
Drawn & Etch'd by J.M.W. Turner Esq.r R.A. P.P. Engraved by Cha.s Turner.
London. Published Feb.y 20, 1808 by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint with etching. 210 x 290mm (8¼ x 11¼"), with very large margins. Ink stamp of the P. Hurlbutt Collection on reverse.
A distant view of Oakhampton Castle. Plate 8, issued in Part II of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Finberg: 8, state ii of iv.
[Ref: 50875] £350.00
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![[Venice] Bellini's Pictures being Conveyed to the Church of the Redentore.](jpegs/32612.jpg)
[Venice] Bellini's Pictures being Conveyed to the Church of the Redentore.
Painted by J.N.W. Turner, R.A. Engraved by J.T. Willmore, A.R.A. Printed by M. Dunn.
Art Union of Londn - 1858.
Engraving in between 1st & 2nd Published State. Laid on India paper. Sheet size: 390 x 780mm (15¼ x 30¾"). Trimmed inside platemark at bottom edge of sheet. Damaged.
A scene after Joseph Mallord William Turner (1775 - 1851) depicting the transportation of Bellini's paintings on the canals in Venice. Giovanni Bellini (1430 - 1516) was an Italian Renaissance painter, considered to have revolutionized Venetian painting, moving it towards a more colouristic style.
Rawlinson: 677A
[Ref: 32612] £480.00
Painted by J.N.W. Turner, R.A. Engraved by J.T. Willmore, A.R.A. Printed by M. Dunn.
Art Union of Londn - 1858.
Engraving in between 1st & 2nd Published State. Laid on India paper. Sheet size: 390 x 780mm (15¼ x 30¾"). Trimmed inside platemark at bottom edge of sheet. Damaged.
A scene after Joseph Mallord William Turner (1775 - 1851) depicting the transportation of Bellini's paintings on the canals in Venice. Giovanni Bellini (1430 - 1516) was an Italian Renaissance painter, considered to have revolutionized Venetian painting, moving it towards a more colouristic style.
Rawlinson: 677A
[Ref: 32612] £480.00
Waterloo Bridge.
Drawn and Lith by T. Turner.
8, Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 170 x 220mm. 6¾ x 8¾".
A view of Waterloo Bridge from the southside with Somerset House and St Paul's Cathedral in the distance; a flotilla on the River Thames, possibly indicating the celebrations of the Lord Mayor's Day.
[Ref: 20333] £90.00 (£108.00 incl.VAT)
Drawn and Lith by T. Turner.
8, Hatton Garden. [n.d. c.1830.]
Tinted lithograph. 170 x 220mm. 6¾ x 8¾".
A view of Waterloo Bridge from the southside with Somerset House and St Paul's Cathedral in the distance; a flotilla on the River Thames, possibly indicating the celebrations of the Lord Mayor's Day.
[Ref: 20333] £90.00 (£108.00 incl.VAT)
Woodcocks 4th Plate of the British Feather Game.
C.Turner del.t et sculp.t.
London Published March 1 1810 at R.Ackermann's Repository of Arts, 101 Strand.
Mezzotint, printed in colours. 365 x 435mm, 14¼ x 17¼".
From a series of fourteen prints ""British Feather Game", depicting English game birds, all engraved by Charles Turner and published 1810-12. Other birds in the series were painted by James Barenger (1780 - 1831), nephew of William Woollett.
Not in Whitman. Siltzer: pg. 79.
[Ref: 8672] £780.00
C.Turner del.t et sculp.t.
London Published March 1 1810 at R.Ackermann's Repository of Arts, 101 Strand.
Mezzotint, printed in colours. 365 x 435mm, 14¼ x 17¼".
From a series of fourteen prints ""British Feather Game", depicting English game birds, all engraved by Charles Turner and published 1810-12. Other birds in the series were painted by James Barenger (1780 - 1831), nephew of William Woollett.
Not in Whitman. Siltzer: pg. 79.
[Ref: 8672] £780.00
Young Anglers.
Drawn & Etched by J.M.W. Turner. Engraved by R. Dunkarton.
Published June 1811 by J.M.W. Turner Queen Ann Street West.
Etching with mezzotint. Plate: 210 x 290mm (8¼ x 11½"), with large margins.
Three boys on the bank of a stream, with fishing tackle and a watering-can; on the opposite bank another angler beside a pollard-tree and a house in the distance. It is suggested the scene is Marylebone Fields, now part of Regent's Park.
1st published state
[Ref: 47750] £320.00
Drawn & Etched by J.M.W. Turner. Engraved by R. Dunkarton.
Published June 1811 by J.M.W. Turner Queen Ann Street West.
Etching with mezzotint. Plate: 210 x 290mm (8¼ x 11½"), with large margins.
Three boys on the bank of a stream, with fishing tackle and a watering-can; on the opposite bank another angler beside a pollard-tree and a house in the distance. It is suggested the scene is Marylebone Fields, now part of Regent's Park.
1st published state
[Ref: 47750] £320.00