A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[The Dance of Apollo with the Muses.]](jpegs/38473.jpg)
[The Dance of Apollo with the Muses.] Serenissimo et Potentissimo Principi ac Domino Domino Carolo Theodoro [...]
Julius Romanus inv et Pinxit ejusdem magnitudinis. Ferdinandus Gregorj Floren delin et Sculpxit 1770
Engraving on two plates, 18th century watermarked paper, combined platemark dimensions 370 x 765mm (14½ x 30"). Very large margins, uncut. Crease through centre as normal; slight tear to left plate. Crease to left sheet in margin.
Engraving by Florentine printmaker Ferdinando Gregori (1743?-1804), after a painting of c.1540 (Florence, Palazzo Pitti) by Giulio Romano (?1499-1546), painter and architect trained by Raphael.
[Ref: 38473] £450.00 view all images for this item
Julius Romanus inv et Pinxit ejusdem magnitudinis. Ferdinandus Gregorj Floren delin et Sculpxit 1770
Engraving on two plates, 18th century watermarked paper, combined platemark dimensions 370 x 765mm (14½ x 30"). Very large margins, uncut. Crease through centre as normal; slight tear to left plate. Crease to left sheet in margin.
Engraving by Florentine printmaker Ferdinando Gregori (1743?-1804), after a painting of c.1540 (Florence, Palazzo Pitti) by Giulio Romano (?1499-1546), painter and architect trained by Raphael.
[Ref: 38473] £450.00 view all images for this item
![[Flora.]](jpegs/29420.jpg)
[Flora.]
IV. Bonaso. F. Ant. Lafrery Romae. [after Giulio Romano.]
[n.d. c.1560.]
Engraving. 336 x 432mm (13¼ x 17"). Trimmed; staining towards top.
Flora passing to another woman a wreath, set within a garden with various male and female figures.
[Ref: 29420] £360.00
IV. Bonaso. F. Ant. Lafrery Romae. [after Giulio Romano.]
[n.d. c.1560.]
Engraving. 336 x 432mm (13¼ x 17"). Trimmed; staining towards top.
Flora passing to another woman a wreath, set within a garden with various male and female figures.
[Ref: 29420] £360.00
Semper Pauperes habetis vobiscum, me autem non semper habetis. Math. C. XXVI. V.11. 23.
Paulo Veronese pinxit. Giovanni Volpato sculpsit Romae 1772.
Genuae in Aedibus Durazzo.
Engraving, with very large margins. Plate 310 x 391mm (12¼ x 15½"). Water staining and tear to left edge.
Christ in the House of Simon; a group of figures seated around a table, party beneath a colonnade; Christ seated at right with Mary Magdalene crouched on the floor washing his feet. After a painting commissioned in 1556 for the dining room for the Benedictines for Verona, and now in the Galleria Sabauda, Turin. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31009] £220.00 (£264.00 incl.VAT)
Paulo Veronese pinxit. Giovanni Volpato sculpsit Romae 1772.
Genuae in Aedibus Durazzo.
Engraving, with very large margins. Plate 310 x 391mm (12¼ x 15½"). Water staining and tear to left edge.
Christ in the House of Simon; a group of figures seated around a table, party beneath a colonnade; Christ seated at right with Mary Magdalene crouched on the floor washing his feet. After a painting commissioned in 1556 for the dining room for the Benedictines for Verona, and now in the Galleria Sabauda, Turin. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31009] £220.00 (£264.00 incl.VAT)
Meleager et Atalanta. 12.
Giulio Romano delin. Franc. Lonsing. sculpsit. 1772.
Romae in Aedibus Burghesianis existens.
Engraving with very large margins. Plate 280 x 490mm (11 x 19¼"). Water staining and tear to left edge.
The hunt for the Calydonian Boar; at the centre of a pastoral landscape, Meleager drives a spear into the mouth of the dangerous wild boar, laid upon by hounds after he brought it down. To the left stands Atalanta poisted to shoot another arrow; to the right, their fellow heroic hunters raise their lances, also poised to strike the boar. After the drawing in the Musee du Louvre. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31007] £220.00 (£264.00 incl.VAT)
Giulio Romano delin. Franc. Lonsing. sculpsit. 1772.
Romae in Aedibus Burghesianis existens.
Engraving with very large margins. Plate 280 x 490mm (11 x 19¼"). Water staining and tear to left edge.
The hunt for the Calydonian Boar; at the centre of a pastoral landscape, Meleager drives a spear into the mouth of the dangerous wild boar, laid upon by hounds after he brought it down. To the left stands Atalanta poisted to shoot another arrow; to the right, their fellow heroic hunters raise their lances, also poised to strike the boar. After the drawing in the Musee du Louvre. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31007] £220.00 (£264.00 incl.VAT)
Meleager et Atalanta.
Giulio Romano delin. Franc. Lonsing. sculpsit. 1772.
Romae in Aedibus Burghesianis existens.
Engraving with very large margins. Plate 280 x 490mm (11 x 19¼"). Uncut.
The hunt for the Calydonian Boar; at the centre of a pastoral landscape, Meleager drives a spear into the mouth of the dangerous wild boar, laid upon by hounds after he brought it down. To the left stands Atalanta poisted to shoot another arrow; to the right, their fellow heroic hunters raise their lances, also poised to strike the boar. After Giulio Romano (?1499-1546), painter and architect trained by Raphael. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 35215] £220.00 (£264.00 incl.VAT)
Giulio Romano delin. Franc. Lonsing. sculpsit. 1772.
Romae in Aedibus Burghesianis existens.
Engraving with very large margins. Plate 280 x 490mm (11 x 19¼"). Uncut.
The hunt for the Calydonian Boar; at the centre of a pastoral landscape, Meleager drives a spear into the mouth of the dangerous wild boar, laid upon by hounds after he brought it down. To the left stands Atalanta poisted to shoot another arrow; to the right, their fellow heroic hunters raise their lances, also poised to strike the boar. After Giulio Romano (?1499-1546), painter and architect trained by Raphael. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 35215] £220.00 (£264.00 incl.VAT)