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A Speech Made by His Grace, the Lord Archbishop of York, At Presenting an Association, Enter'd into at the Castle of York, Sept.r the 24.th 1745. My Lords; Gentlemen; My Rev.d Brethren of the Clergy...
William Hogarth Pinx.t. C.Mosley sculp. according to Act of Parliam.t 1745.
Scarce engraving. Sheet: 365 x 215mm (14½ x 8½''). Trimmed, creasing and laid on album sheet.
A portrait of Thomas Herring (1693-1757) while Bishop of York, above the transcript of the rousing speech he gave at York Castle on the 24th September in response to the Jacobite Rising. Horace Walpole said this speech "had as much true spirit, honesty and bravery in it as ever was penned by an historian for an ancient hero". Herring was made Archbishop of Canterbury in 1747.
Paulson Pg 15.
[Ref: 49293] £360.00
William Hogarth Pinx.t. C.Mosley sculp. according to Act of Parliam.t 1745.
Scarce engraving. Sheet: 365 x 215mm (14½ x 8½''). Trimmed, creasing and laid on album sheet.
A portrait of Thomas Herring (1693-1757) while Bishop of York, above the transcript of the rousing speech he gave at York Castle on the 24th September in response to the Jacobite Rising. Horace Walpole said this speech "had as much true spirit, honesty and bravery in it as ever was penned by an historian for an ancient hero". Herring was made Archbishop of Canterbury in 1747.
Paulson Pg 15.
[Ref: 49293] £360.00
Breakfasting &c.
Hogarth Delin.t R.d Livesay Fecit
Publish'd Nov.r 27 1781 by R.d Livesay at Mrs Hogarths Leicester Fields.
Aquatint and etching, platemark 250 x 345mm (9¾ x 13½"). Small margins. Bit time stained.
In 1732 William Hogarth, with a group of friends including the artist Samuel Scott and lawyer and writer Ebenezer Forrest, undertook a five-day tour of the Thames and Medway estuaries. Forrest wrote an account of the trip and Hogarth and others made drawings to illustrate it (these are now in the British Museum). In 1781, after Hogarth's death, Richard Livesay engraved the plates and published them, together with Forrest's account, as 'Account of what seemed most remarkable in the five days' peregrination of … Tothall, Scott, Hogarth, Thornhill, and F.' (1782). The figures in this scene are all identified by a key- Hogarth, as in his well-known picture 'The Calais Gate', is crouched on the left, 'drawing this drawing'.
[Ref: 43923] £160.00 (£192.00 incl.VAT)
Hogarth Delin.t R.d Livesay Fecit
Publish'd Nov.r 27 1781 by R.d Livesay at Mrs Hogarths Leicester Fields.
Aquatint and etching, platemark 250 x 345mm (9¾ x 13½"). Small margins. Bit time stained.
In 1732 William Hogarth, with a group of friends including the artist Samuel Scott and lawyer and writer Ebenezer Forrest, undertook a five-day tour of the Thames and Medway estuaries. Forrest wrote an account of the trip and Hogarth and others made drawings to illustrate it (these are now in the British Museum). In 1781, after Hogarth's death, Richard Livesay engraved the plates and published them, together with Forrest's account, as 'Account of what seemed most remarkable in the five days' peregrination of … Tothall, Scott, Hogarth, Thornhill, and F.' (1782). The figures in this scene are all identified by a key- Hogarth, as in his well-known picture 'The Calais Gate', is crouched on the left, 'drawing this drawing'.
[Ref: 43923] £160.00 (£192.00 incl.VAT)
O' The Roast Beef of Old England &c. 'Twas at the gate of Calais, Hogarth tells, / Where sad despair and famine always dwells; / A meager Frenchman, Madam Grandsire's cook, / As home he steer'd his carcase that way took [...]
Painted by W. Hogarth
[Published by Robert Sayer, c.1750]
Engraving with letterpress, scarce, sheet 490 x 310mm (19¼ x 12¼"). Fold through centre; old repaired tear top.
Engraving of William Hogarth's 1748 painting 'O the Roast Beef of Old England' (London, Tate Britain), which Hogarth had himself published as a print. This copy, published by Robert Sayer, has the text of Theodosius Forrest's cantata 'The Roast Beef of Old England' printed beneath the famous image. Forrest, like his father Ebeneezer, was a friend of the artist, and the Hogarth scholar Ronald Paulson regards his text as a 'commentary with some authority' on Hogarth's anti-French satire.
BM Satires 3053; Paulson 180 (copy).
[Ref: 41466] £280.00 view all images for this item
Painted by W. Hogarth
[Published by Robert Sayer, c.1750]
Engraving with letterpress, scarce, sheet 490 x 310mm (19¼ x 12¼"). Fold through centre; old repaired tear top.
Engraving of William Hogarth's 1748 painting 'O the Roast Beef of Old England' (London, Tate Britain), which Hogarth had himself published as a print. This copy, published by Robert Sayer, has the text of Theodosius Forrest's cantata 'The Roast Beef of Old England' printed beneath the famous image. Forrest, like his father Ebeneezer, was a friend of the artist, and the Hogarth scholar Ronald Paulson regards his text as a 'commentary with some authority' on Hogarth's anti-French satire.
BM Satires 3053; Paulson 180 (copy).
[Ref: 41466] £280.00 view all images for this item
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Jenny Cameron.
Hogarth Pinxt.
Published as the Act directs by J. Clarke, No.291, Strand Febuary 8th. 1788.
A rare stipple. Plate 255 x 190mm (10 x 7½"), good margins.
Jenny Cameron (c.1700-1772) was a Jacobite of Glendessary, Loch Arkaig. In 1745 she raised a troop of men in support of the Jacobite Rebellion. She was represented in Hanoverian propaganda as, alternatively, a woman soldier or the mistress of the Young Pretender.
Not in Sharpe.
[Ref: 20099] £230.00 (£276.00 incl.VAT)
Hogarth Pinxt.
Published as the Act directs by J. Clarke, No.291, Strand Febuary 8th. 1788.
A rare stipple. Plate 255 x 190mm (10 x 7½"), good margins.
Jenny Cameron (c.1700-1772) was a Jacobite of Glendessary, Loch Arkaig. In 1745 she raised a troop of men in support of the Jacobite Rebellion. She was represented in Hanoverian propaganda as, alternatively, a woman soldier or the mistress of the Young Pretender.
Not in Sharpe.
[Ref: 20099] £230.00 (£276.00 incl.VAT)
![[Columbus and the Egg.]](jpegs/62065.jpg)
[Columbus and the Egg.]
Design'd & etched by W.m Hogarth Decem 1. 1753.
[18th century impression.]
Etching. 165 x 195mm (6½ x 7¾")
Christopher Columbus cracking an egg on a table to make it stand, demonstrating that a discovery appears simple only after an inventive mind has made it known. This plate was originally published in 1752 as the subscription ticket for the 'Analysis of Beauty', with etched text underneath. For this second state the plate was cut down, leaving two sworls of the letters of the text.
Paulson 194, state ii of ii. BM Satires 3192.
[Ref: 62065] £180.00 (£216.00 incl.VAT)
Design'd & etched by W.m Hogarth Decem 1. 1753.
[18th century impression.]
Etching. 165 x 195mm (6½ x 7¾")
Christopher Columbus cracking an egg on a table to make it stand, demonstrating that a discovery appears simple only after an inventive mind has made it known. This plate was originally published in 1752 as the subscription ticket for the 'Analysis of Beauty', with etched text underneath. For this second state the plate was cut down, leaving two sworls of the letters of the text.
Paulson 194, state ii of ii. BM Satires 3192.
[Ref: 62065] £180.00 (£216.00 incl.VAT)
Captain Thomas Coram. Upon whose Petition and Sollicitation The Royal Charter for ye Foundling Hospital was Granted by his Majesty King George ye Second, [17 of October 1739].
Will.m Hogarth Pinxt. Ja.s McArdell Fecit. 1749 [year in scratch letters.]
Mezzotint. Sheet 350 x 260mm (13¾ x 10¼"). Trimmed within plate at bottom, losing end of title, small tear.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000.
CS: 45 I of III; Goodwin: 8 II of V.
[Ref: 34357] £280.00 (£336.00 incl.VAT)
Will.m Hogarth Pinxt. Ja.s McArdell Fecit. 1749 [year in scratch letters.]
Mezzotint. Sheet 350 x 260mm (13¾ x 10¼"). Trimmed within plate at bottom, losing end of title, small tear.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000.
CS: 45 I of III; Goodwin: 8 II of V.
[Ref: 34357] £280.00 (£336.00 incl.VAT)
Capt.n Tho.s Coram who after 17 Years unwearied application, obtained the Charter of the Foundling Hospital, To the Governors & Guardians of the Hospital, this Print is humbly dedicated by their obedient humble Servt. R. Cribb.
W. Hogarth Pinx.t. W. Nutter sculpt..
London, Published Dec. 1. 1796, by R. Cribb, No.288 Holborn.
Stipple, title in open letters. 580 x 405mm (22¾ x 16"), very large margins. Some foxing, very fine impression.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000. Coram sits surrounded by emblems representing his mercantilist and philanthropic activities, including a scroll lettered "The Royal Charter" for the hospital. The charter was signed in 1739, and the hospital started receiving children at the end of 1745. After William Hogarth (1697 - 1764).
[Ref: 56430] £380.00
W. Hogarth Pinx.t. W. Nutter sculpt..
London, Published Dec. 1. 1796, by R. Cribb, No.288 Holborn.
Stipple, title in open letters. 580 x 405mm (22¾ x 16"), very large margins. Some foxing, very fine impression.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000. Coram sits surrounded by emblems representing his mercantilist and philanthropic activities, including a scroll lettered "The Royal Charter" for the hospital. The charter was signed in 1739, and the hospital started receiving children at the end of 1745. After William Hogarth (1697 - 1764).
[Ref: 56430] £380.00
Catn. Thos. Coram who after 17 Years unwearied application, obtained the Charter of the Foundling Hospital, To the Governors & Guardians of the Hospital, this Print is humbly dedicated by their obedient humble Servt. R. Cribb.
W. Hogarth Pinxt. W. Nutter sculpt.
London, Published Dec. 1. 1796, by R. Cribb, No.288 Holborn.
Stipple, 580 x 405mm (22¾ x 16"). Light foxing, mostly marginal. One tear to lower margin.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000. Coram sits surrounded by emblems representing his mercantilist and philanthropic activities, including a scroll lettered "The Royal Charter" for the hospital. The charter was signed in 1739, and the hospital started receiving children at the end of 1745. After William Hogarth (1697 - 1764).
[Ref: 11732] £160.00 (£192.00 incl.VAT)
W. Hogarth Pinxt. W. Nutter sculpt.
London, Published Dec. 1. 1796, by R. Cribb, No.288 Holborn.
Stipple, 580 x 405mm (22¾ x 16"). Light foxing, mostly marginal. One tear to lower margin.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000. Coram sits surrounded by emblems representing his mercantilist and philanthropic activities, including a scroll lettered "The Royal Charter" for the hospital. The charter was signed in 1739, and the hospital started receiving children at the end of 1745. After William Hogarth (1697 - 1764).
[Ref: 11732] £160.00 (£192.00 incl.VAT)
Captain Thomas Coram. Upon whose Petition and Sollicitation The Royal Charter for ye Foundling Hospital was Granted by his Majesty King George ye Second, 17 of October 1739.
Will.m Hogarth Pinxt. Ja.s McArdell Fecit. 1749 [year in scratch letters.]
Published 12th May, 1794, by Laurie & Whittle, 53 Fleet Street, London.
Mezzotint. Sheet 355 x 255mm (14 x 10"), large margins. Later.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000.
CS: 45 iii of iii; Goodwin: 8 v of v.
[Ref: 52536] £120.00 (£144.00 incl.VAT)
Will.m Hogarth Pinxt. Ja.s McArdell Fecit. 1749 [year in scratch letters.]
Published 12th May, 1794, by Laurie & Whittle, 53 Fleet Street, London.
Mezzotint. Sheet 355 x 255mm (14 x 10"), large margins. Later.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000.
CS: 45 iii of iii; Goodwin: 8 v of v.
[Ref: 52536] £120.00 (£144.00 incl.VAT)
Don Quixote releases the Galley Slaves. Book 3.rd Ch: 8.th. Vol. I. p.129.
W. Hogarth In.v et Sculp.t.
[n.d. c.1756]
Engraving, early impression; 245 x 185mm (9¼ x 7¼"). Small margins.
One of six proposed illustrations to Miguel de Cervantes' 'Don Quijote de la Mancha' under the patronage of Lord Carteret. The freeing of the galley slaves; Quixote on horseback and wearing the barber's basin as a helmet, attacking two guards, striking one with his lance, the other already fallen to the ground; Sancho standing at right in front of the prisoners, undoing Ginés de Pasamonte's handcuffs.
Paulson 1989-97.
[Ref: 61501] £160.00 (£192.00 incl.VAT)
W. Hogarth In.v et Sculp.t.
[n.d. c.1756]
Engraving, early impression; 245 x 185mm (9¼ x 7¼"). Small margins.
One of six proposed illustrations to Miguel de Cervantes' 'Don Quijote de la Mancha' under the patronage of Lord Carteret. The freeing of the galley slaves; Quixote on horseback and wearing the barber's basin as a helmet, attacking two guards, striking one with his lance, the other already fallen to the ground; Sancho standing at right in front of the prisoners, undoing Ginés de Pasamonte's handcuffs.
Paulson 1989-97.
[Ref: 61501] £160.00 (£192.00 incl.VAT)
The Funeral of Chrystom & Marcella vindicating herself. Book 2.nd Ch: 5.th. Vol. I. p.71.
W. Hogarth In.v et Sculp.t.
[n.d. c.1756]
Engraving, early impression; 245 x 185mm (9¼ x 7¼"). Small margins.
One of six proposed illustrations to Miguel de Cervantes' 'Don Quijote de la Mancha' under the patronage of Lord Carteret. The young goatherd Chrysostom lying on a bier at centre, papers under his left hand, his unrequited love the shepherdess Marcela standing at left, defending herself against the charge of being hard-hearted; at right a group of men listening, including Quixote, pleased with her account, and Sancho, drying his eyes; two gravediggers by the grave at left, mountainous landscape beyond.
Paulson 1989-94.
[Ref: 61502] £160.00 (£192.00 incl.VAT)
W. Hogarth In.v et Sculp.t.
[n.d. c.1756]
Engraving, early impression; 245 x 185mm (9¼ x 7¼"). Small margins.
One of six proposed illustrations to Miguel de Cervantes' 'Don Quijote de la Mancha' under the patronage of Lord Carteret. The young goatherd Chrysostom lying on a bier at centre, papers under his left hand, his unrequited love the shepherdess Marcela standing at left, defending herself against the charge of being hard-hearted; at right a group of men listening, including Quixote, pleased with her account, and Sancho, drying his eyes; two gravediggers by the grave at left, mountainous landscape beyond.
Paulson 1989-94.
[Ref: 61502] £160.00 (£192.00 incl.VAT)
The Funeral of Chyrstom & Marcella vindicating herself. Book 2nd, Ch: 5th. Vol 1. p.71.
W. Hogarth Inv.t et sculp.t.
[London: John Boydell, c.1800?]
Engraving and etching on wove paper. 260 x 185mm (10½ x 7¼"). Wormholes.
One of six illustrations prepared by Hogarth for a Spanish-language edition of Don Quixote to be published in London by Tonson in 1738, but which lost out to drawings by John Vanderbank. Hogarth's plates were later acquired by Robert Dodsley, who published an English edition of Don Quixote in 1756. The plates passed to John Boydell in 1759, then to Baldwin Cradock & Joy who published the last edition. The bookdealer Bernard Quaritch sold the six plates in 1921.
Paulson 94, state iii of iii.
[Ref: 40618] £60.00 (£72.00 incl.VAT)
W. Hogarth Inv.t et sculp.t.
[London: John Boydell, c.1800?]
Engraving and etching on wove paper. 260 x 185mm (10½ x 7¼"). Wormholes.
One of six illustrations prepared by Hogarth for a Spanish-language edition of Don Quixote to be published in London by Tonson in 1738, but which lost out to drawings by John Vanderbank. Hogarth's plates were later acquired by Robert Dodsley, who published an English edition of Don Quixote in 1756. The plates passed to John Boydell in 1759, then to Baldwin Cradock & Joy who published the last edition. The bookdealer Bernard Quaritch sold the six plates in 1921.
Paulson 94, state iii of iii.
[Ref: 40618] £60.00 (£72.00 incl.VAT)
An Election Entertainment. Plate I.
Designed by W. Hogarth. Engraved by T. Cook
[London Published by G.G. & J. Robinson Paternoster Row October 1st 1800.]
Engraving. Sheet 435 x 555mm (17 x 21¾") Trimmed within plate, losing publication line and c.1cm of image on left. Laid on archival tissue.
A raucaus tavern dinner held by the Whigs to ingratiate themselves with their supporters. The Tories protest outside, carrying an antisemitic caricature of a Jew, a reference to Jewish Naturalisation Act 1753, passed by the Whig government but repealed the following year. From Thomas Cook's ''The Whole Works of the Celebrated William Hogarth, as Originally Published'', issued in parts between 1791 and 1802.
[Ref: 56751] £260.00 (£312.00 incl.VAT)
Designed by W. Hogarth. Engraved by T. Cook
[London Published by G.G. & J. Robinson Paternoster Row October 1st 1800.]
Engraving. Sheet 435 x 555mm (17 x 21¾") Trimmed within plate, losing publication line and c.1cm of image on left. Laid on archival tissue.
A raucaus tavern dinner held by the Whigs to ingratiate themselves with their supporters. The Tories protest outside, carrying an antisemitic caricature of a Jew, a reference to Jewish Naturalisation Act 1753, passed by the Whig government but repealed the following year. From Thomas Cook's ''The Whole Works of the Celebrated William Hogarth, as Originally Published'', issued in parts between 1791 and 1802.
[Ref: 56751] £260.00 (£312.00 incl.VAT)
Evening.
Engraved by B. Baron.
Invented Painted & Publish'd by W.m Hogarth March 25th 1738. according to Act of Parliament.
Engraving. Sheet: 500 x 410mm (20 x 16½''), Trimmed to platemark.
A plate from Hogarth's famous satire of London life 'Times of Day', first published in 1738. Showing Sadlers Wells, with henpecked males, the older of which had cuckold's horns. Hogarth updated his paintings to match the engravings: a proof of plate three exists without the scolding girl.
See Paulson 146-149.
[Ref: 48535] £280.00 (£336.00 incl.VAT)
Engraved by B. Baron.
Invented Painted & Publish'd by W.m Hogarth March 25th 1738. according to Act of Parliament.
Engraving. Sheet: 500 x 410mm (20 x 16½''), Trimmed to platemark.
A plate from Hogarth's famous satire of London life 'Times of Day', first published in 1738. Showing Sadlers Wells, with henpecked males, the older of which had cuckold's horns. Hogarth updated his paintings to match the engravings: a proof of plate three exists without the scolding girl.
See Paulson 146-149.
[Ref: 48535] £280.00 (£336.00 incl.VAT)
![[Tailpiece to the Catalogue of Pictures exhibited in Spring Gardens, May 1761]](jpegs/33701.jpg)
[Tailpiece to the Catalogue of Pictures exhibited in Spring Gardens, May 1761]
W. Hogarth inv.t et del. C. Grignion sculp.
Publish'd according to Act of Parliament May 7. 1761
Engraving, sheet 145 x 140mm (5¾ x 5½"). Trimmed inside platemark; slight staining.
Satire on connoisseurs. Tailpiece to an exhibition held by the 'Society of Artists' at Spring Gardens, Charing Cross, in 1761. This exhibition was organised as artists, including Hogarth, withdrew from exhibiting at a space lent by the Society for the Encouragement of Arts, Manufacture and Commerce on the Strand. Hogarth designed the frontispiece and tailpiece for the catalogue, which together predict increased royal patronage of the arts and the end patronage from connoisseurs. Royal patronage is represented as a plentiful reservoir in the frontispiece, while in this tailpiece a connoisseur dressed as a monkey, holding a magnifying glass, waters three withered and sapless sticks (all labelled with their dates of death, centuries ago) to show the poverty of patronage from connoisseurs. The labelling of the dead trees as 'exoticks' only emphasises the disillusionment of those connoisseurs.
Paulson 237 i/ii; BM Satires 3809
[Ref: 33701] £330.00
W. Hogarth inv.t et del. C. Grignion sculp.
Publish'd according to Act of Parliament May 7. 1761
Engraving, sheet 145 x 140mm (5¾ x 5½"). Trimmed inside platemark; slight staining.
Satire on connoisseurs. Tailpiece to an exhibition held by the 'Society of Artists' at Spring Gardens, Charing Cross, in 1761. This exhibition was organised as artists, including Hogarth, withdrew from exhibiting at a space lent by the Society for the Encouragement of Arts, Manufacture and Commerce on the Strand. Hogarth designed the frontispiece and tailpiece for the catalogue, which together predict increased royal patronage of the arts and the end patronage from connoisseurs. Royal patronage is represented as a plentiful reservoir in the frontispiece, while in this tailpiece a connoisseur dressed as a monkey, holding a magnifying glass, waters three withered and sapless sticks (all labelled with their dates of death, centuries ago) to show the poverty of patronage from connoisseurs. The labelling of the dead trees as 'exoticks' only emphasises the disillusionment of those connoisseurs.
Paulson 237 i/ii; BM Satires 3809
[Ref: 33701] £330.00
The five orders of Perriwigs as they were worn at the late Coronation, measured Architectomically.
Publish'd as the Act directs Oct.r 13, 1761 by W.Hogarth.
Copper engraving, plate 300 x 22mm, (12 x 8¾"). Later issue. Foxed. Paper toned. Tears to margins taped.
Hogarth's famous satire on wigs, attempting to define styles in the same way that Vitruvius had categorised architecture, published shortly after the coronation of George III. At the bottom of the engraving is an 'Advertisement' stating that a series of six folio volumes published over 17 years will set out the measurements of the periwigs of the ancients; this satirises Stuart's Antiquities of Athens.
BM Satires 3812; Paulson state III of III, with 'or Parsonic' added and the 'e' of 'Advertisement' added above the line.
[Ref: 61963] £230.00 (£276.00 incl.VAT)
Publish'd as the Act directs Oct.r 13, 1761 by W.Hogarth.
Copper engraving, plate 300 x 22mm, (12 x 8¾"). Later issue. Foxed. Paper toned. Tears to margins taped.
Hogarth's famous satire on wigs, attempting to define styles in the same way that Vitruvius had categorised architecture, published shortly after the coronation of George III. At the bottom of the engraving is an 'Advertisement' stating that a series of six folio volumes published over 17 years will set out the measurements of the periwigs of the ancients; this satirises Stuart's Antiquities of Athens.
BM Satires 3812; Paulson state III of III, with 'or Parsonic' added and the 'e' of 'Advertisement' added above the line.
[Ref: 61963] £230.00 (£276.00 incl.VAT)
Martin Folkes Esqr.
Wm. Hogarth pinxt. 1741. J.Faber fecit 1742.
Sold by Faber at the Golden Head in Bloomsbury Square.
Mezzotint. Plate 326 x 221mm.
Martin Folkes, FRS (October 29, 1690 – 1754), English antiquary, was born in London.
CS: 132-I.
[Ref: 3220] £160.00 (£192.00 incl.VAT)
Wm. Hogarth pinxt. 1741. J.Faber fecit 1742.
Sold by Faber at the Golden Head in Bloomsbury Square.
Mezzotint. Plate 326 x 221mm.
Martin Folkes, FRS (October 29, 1690 – 1754), English antiquary, was born in London.
CS: 132-I.
[Ref: 3220] £160.00 (£192.00 incl.VAT)
Martin Folkes Esqr.
Wm. Hogarth pinxt. 1741. J.Faber fecit 1742.
Sold by Faber at the Golden Head in Bloomsbury Square.
Mezzotint with very large margins. 18th century watermark. Plate 326 x 221mm (12¾ x 8¾). Excellent condition.
Martin Folkes, FRS (October 29, 1690 – 1754), English antiquary and natural philosopher, who became a member of the Royal Society at the age of twenty-four, subsequently becoming vice-president (after Sir Isaac Newton's death, Folkes lost out to Hans Sloane in a fiercely contested battle for the presidency). He became president of the Society of Antiquaries in 1750. This portrait was engraved by Hogarth's friend John Faber, from the painting by Hogarth in the Royal Society collection. Folkes and Hogarth were both connected to the Foundling Hospital in Bloomsbury.
Ex: collection of the late Hon. C. Lennox-Boyd; Paulson 154 (copy); CS 132 i/ii
[Ref: 34100] £360.00
Wm. Hogarth pinxt. 1741. J.Faber fecit 1742.
Sold by Faber at the Golden Head in Bloomsbury Square.
Mezzotint with very large margins. 18th century watermark. Plate 326 x 221mm (12¾ x 8¾). Excellent condition.
Martin Folkes, FRS (October 29, 1690 – 1754), English antiquary and natural philosopher, who became a member of the Royal Society at the age of twenty-four, subsequently becoming vice-president (after Sir Isaac Newton's death, Folkes lost out to Hans Sloane in a fiercely contested battle for the presidency). He became president of the Society of Antiquaries in 1750. This portrait was engraved by Hogarth's friend John Faber, from the painting by Hogarth in the Royal Society collection. Folkes and Hogarth were both connected to the Foundling Hospital in Bloomsbury.
Ex: collection of the late Hon. C. Lennox-Boyd; Paulson 154 (copy); CS 132 i/ii
[Ref: 34100] £360.00
First Stage of Cruelty...
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3221] £480.00
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3221] £480.00
Second Stage of Cruelty...
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3222] £480.00
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of ii. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3222] £480.00
Cruelty in Perfection...
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of i. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3223] £480.00
Design'd by W. Hogarth.
Published according to Act of Parliment Feb.y. 1751. Price 1.d.
Engraving. 390 x 320mm. Light foxing to wide margins.
Hogarth explained his intention behind the four stages of cruelty in his 'Autobiographical Notes'; 'The four stages of cruelty, were done in hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than any thing what ever.... it could not be done in to[o] strong a manner as the most stony heart[s] were ment to be affected by them'.
Paulson: p. 149, state i of i. Hogarth, W.: 'Autobiographical Notes' in The Analysis of Beauty, ed. Joseph Burke, Oxford, 1955, p. 226.
[Ref: 3223] £480.00
The Mystery of Masonry brought to Light by y.e Gormagons.
Hogarth inv: et Sculp.
London Printed for Rob.t Sayer, Map & Printseller, at N.o 53 in Fleet Street. [n.d. c.1766-1774]
Etching, plate 250 x 355mm (9¾ x 14"), with very large margins on 3 sides. Small margin at bottom.
Satire on the excesses of certain Freemasons. A procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise.
Bm Satires 2549. Paulson 55.III.
[Ref: 62025] £280.00 (£336.00 incl.VAT)
Hogarth inv: et Sculp.
London Printed for Rob.t Sayer, Map & Printseller, at N.o 53 in Fleet Street. [n.d. c.1766-1774]
Etching, plate 250 x 355mm (9¾ x 14"), with very large margins on 3 sides. Small margin at bottom.
Satire on the excesses of certain Freemasons. A procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise.
Bm Satires 2549. Paulson 55.III.
[Ref: 62025] £280.00 (£336.00 incl.VAT)
Garrick Surrounded by His Friends. [Names listed underneath each sitter.]
Painted by W. Hogarth. Engraved by G.S. Shury.
London: Published Aug.t 20.th 1866, by A.J. Isaac, 56, Bishopsgate St.
Fine hand-coloured mezzotint and stipple. Plate 470 x 604mm. 18½ x 23¾". Mount stain.
Group portrait of Mr. Garrick surrounded by his friends (from left to right) John Beard, Robert Baddeley, Eva Maria Garrick, Henry Woodward, Unknown man, Francis or James Aickin, Charles Macklin, William 'Gentleman' Smith, Mary Ann Yates, Frances Abington, William Hogarth, William O'Brien, David Garrick and Peter Garrick.
NPG: D34380. V & A: S.499-2009.
[Ref: 20918] £260.00 (£312.00 incl.VAT)
Painted by W. Hogarth. Engraved by G.S. Shury.
London: Published Aug.t 20.th 1866, by A.J. Isaac, 56, Bishopsgate St.
Fine hand-coloured mezzotint and stipple. Plate 470 x 604mm. 18½ x 23¾". Mount stain.
Group portrait of Mr. Garrick surrounded by his friends (from left to right) John Beard, Robert Baddeley, Eva Maria Garrick, Henry Woodward, Unknown man, Francis or James Aickin, Charles Macklin, William 'Gentleman' Smith, Mary Ann Yates, Frances Abington, William Hogarth, William O'Brien, David Garrick and Peter Garrick.
NPG: D34380. V & A: S.499-2009.
[Ref: 20918] £260.00 (£312.00 incl.VAT)
Jacobus Gibbs Architectus. 1747.
Will.m Hogarth delin. B. Baron Sculp.
[London: Gibbs, 1747.]
Etching, fine impression; 280 x 205mm (11 x 8"). Trimmed into plate on left.
A half-length portrait of James Gibbs (1682-1754) after William Hogarth, within a decorative oval frame resting on a pedestal. The frontispiece to 'Bibliotheca Radcliviana, or a Short description of the Radcliffe Library at Oxford' by written and published by Gibbs.
[Ref: 61375] £360.00
Will.m Hogarth delin. B. Baron Sculp.
[London: Gibbs, 1747.]
Etching, fine impression; 280 x 205mm (11 x 8"). Trimmed into plate on left.
A half-length portrait of James Gibbs (1682-1754) after William Hogarth, within a decorative oval frame resting on a pedestal. The frontispiece to 'Bibliotheca Radcliviana, or a Short description of the Radcliffe Library at Oxford' by written and published by Gibbs.
[Ref: 61375] £360.00
James Gibbs.
A. Bannerman sculp. [after William Hogarth.]
[London, c.1770.]
Etching on india. 225 x 165mm (9 x 6¼").
James Gibbs ((1682 - 1754), architect, a pupil of Wren, designer of St Martin-in-the-Fields in London, the Senate House of the University of Cambridge, the nave of All Saints, Derby (now Derby Cathedral), and the Radcliffe Camera in Oxford. A plate from Walpole's 'Anecdotes of Painting in England' (1762-1771).
[Ref: 45734] £50.00 (£60.00 incl.VAT)
A. Bannerman sculp. [after William Hogarth.]
[London, c.1770.]
Etching on india. 225 x 165mm (9 x 6¼").
James Gibbs ((1682 - 1754), architect, a pupil of Wren, designer of St Martin-in-the-Fields in London, the Senate House of the University of Cambridge, the nave of All Saints, Derby (now Derby Cathedral), and the Radcliffe Camera in Oxford. A plate from Walpole's 'Anecdotes of Painting in England' (1762-1771).
[Ref: 45734] £50.00 (£60.00 incl.VAT)
The Good Samaritan. Engraved from the Original Picture, Painted by William Hogarth Esqr. on the Stair Case in St. Bartholomew's Hospital. Size of the picture, 13F, 8I by 10F, 9I in Length. Vol II No.56. St. Luke Chap: X. Ver: 30.
Willm. Hogarth pinxit. John Boydell excudit. Ravenet & Delaire sculpserant.
Published Feby. 24.th 1772 by John Boydell Engraver, in Cheapside London.
Engraving, paper watermarked. Image plate: 425 x 564mm (16¾ x 22¼"); Publication plate: 58 x 564mm (2¼ x 22¼"); Sheet: 514 x 660mm (20¼ x 26"). Large margins on 3 sides; cut to platemark at top.
The Good Samaritan tends to the wounds of the injured man who reclines against a tree.
Ex Collection Duke of Westminster.
[Ref: 38194] £220.00 (£264.00 incl.VAT)
Willm. Hogarth pinxit. John Boydell excudit. Ravenet & Delaire sculpserant.
Published Feby. 24.th 1772 by John Boydell Engraver, in Cheapside London.
Engraving, paper watermarked. Image plate: 425 x 564mm (16¾ x 22¼"); Publication plate: 58 x 564mm (2¼ x 22¼"); Sheet: 514 x 660mm (20¼ x 26"). Large margins on 3 sides; cut to platemark at top.
The Good Samaritan tends to the wounds of the injured man who reclines against a tree.
Ex Collection Duke of Westminster.
[Ref: 38194] £220.00 (£264.00 incl.VAT)
Harlot's Progress. Plate II. In High keeping by a Jew. [&] Plate III. The Compleat Trull at her Lodgings in Drury Lane. [&] Plate IV. In Bridewell beating Hemp. [&] Plate V. In a High Salivation at the Point of Death. [&] Plate VI. Her Funeral properly attended.
Invented and Painted by W.m Hogarth.
[London: Henry Parker, 1768?]
Five [of 6] etchings with engraving, printed from two plates, one with 18th century watermark; totals c. 260 x 370mm (10¼ x 14½"). Some spotting.
Reversed and reduced copies of Hogarth's famous series, probably originally published with the consent of Mr William Hogarth' by Thomas Bakewell. Hogarth is known to have given Bakewell permission to reproduce his "Rake" set to counter cheap plagaries: Bakewell sold his versions for 2s. 6d, significantly cheaper than the two guineas for the originals. Parker reissued the 'Rake' set in 1786, now with the consent of Hogarth's widow, Jane overprinted with the same decorative borders at the sides. The missing plate is Plate I, showing Moll Hackabout's arrival in London.
Not in either BM Satires or Paulson. The Wellcome Collection has three, 38333i, 38334i &38335i.
[Ref: 57644] £750.00 view all images for this item
Invented and Painted by W.m Hogarth.
[London: Henry Parker, 1768?]
Five [of 6] etchings with engraving, printed from two plates, one with 18th century watermark; totals c. 260 x 370mm (10¼ x 14½"). Some spotting.
Reversed and reduced copies of Hogarth's famous series, probably originally published with the consent of Mr William Hogarth' by Thomas Bakewell. Hogarth is known to have given Bakewell permission to reproduce his "Rake" set to counter cheap plagaries: Bakewell sold his versions for 2s. 6d, significantly cheaper than the two guineas for the originals. Parker reissued the 'Rake' set in 1786, now with the consent of Hogarth's widow, Jane overprinted with the same decorative borders at the sides. The missing plate is Plate I, showing Moll Hackabout's arrival in London.
Not in either BM Satires or Paulson. The Wellcome Collection has three, 38333i, 38334i &38335i.
[Ref: 57644] £750.00 view all images for this item
![[Set of six.] Harlot's Progress.](jpegs/31469.jpg)
[Set of six.] Harlot's Progress.
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Set of six engravings. Each c. 175 x 280mm (7 x 11"), with wide margins. Paper toned.
Set of six prints from Hogarth's celebrated paintings of the ruin of a country girl. The paintings were destroyed in the 18th century. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31469] £360.00 view all images for this item
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Set of six engravings. Each c. 175 x 280mm (7 x 11"), with wide margins. Paper toned.
Set of six prints from Hogarth's celebrated paintings of the ruin of a country girl. The paintings were destroyed in the 18th century. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31469] £360.00 view all images for this item
The Right Reverend Father in God, Dr Benjamin Hoadly, Lord Bishop of Winchester... Aet. 67. A.D.1743.
W Hogarth Pinx. B. Baron Sculp.
[London, 1743.]
Engraving. 425 x 295mm (16¾ x 11½"). A fine impression with full margins.
Portrait of Benjamin Hoadly (1676 - 1761), Bishop of Winchester and controversialist. His left hand is raised as if in blessing, he wears a shoulder length curly white wig and grand ecclesiastical robes; a draped curtain and stained glass in the background. Hoadly, poet, dramatist and clergyman, and son of the Bishop of Winchester, wrote texts for oratorios and musical plays. It has been argued that the plate for this portrait preceded the painting by William Hogarth (1697 - 1764), and that Baron initially copied the Huntington portrait - see Paulson, p.189.
Paulson 1989: 226. NPG: D35866.
[Ref: 18337] £280.00 (£336.00 incl.VAT)
W Hogarth Pinx. B. Baron Sculp.
[London, 1743.]
Engraving. 425 x 295mm (16¾ x 11½"). A fine impression with full margins.
Portrait of Benjamin Hoadly (1676 - 1761), Bishop of Winchester and controversialist. His left hand is raised as if in blessing, he wears a shoulder length curly white wig and grand ecclesiastical robes; a draped curtain and stained glass in the background. Hoadly, poet, dramatist and clergyman, and son of the Bishop of Winchester, wrote texts for oratorios and musical plays. It has been argued that the plate for this portrait preceded the painting by William Hogarth (1697 - 1764), and that Baron initially copied the Huntington portrait - see Paulson, p.189.
Paulson 1989: 226. NPG: D35866.
[Ref: 18337] £280.00 (£336.00 incl.VAT)
![[Works of William Hogarth] Sammlung Hogarthischer Kupferstiche.](jpegs/53761.jpg)
[Works of William Hogarth] Sammlung Hogarthischer Kupferstiche. Erste Lieferung von sechs Platten [& parts 2 -7].
[Gottingen: J.C. Dieterich, n.d., 1794-c.1830.]
7 parts (of 14), folio, 365 x 265mm (14¼ x 10½"), original marbled wrappers with calf spine, printed labels on front cover, in later portfolio; each part with six numbered engravings (part 3 with eight), as called for. Some spotting and staining throughout.
A collection of the first 44 plates of 88 in this German edition of the engraved works of William Hogarth, published in parts 1794-1834. The plates were engraved by Ernst Ludwig Riepenhausen to accompany a commentary on the engravings of Hogarth by Georg Christoph Lichtenberg, 'Ausfürliche Erklärung der Hogarthischen Kupferstiche'. Paulson describes the plates as ''good copies'' of the originals. Part 1 contains: Strolling Actresses Dressing in a Barn; A Midnight Modern Conversation; The Four Times of the Day. Part 2: A Harlot's Progess. Part 3: A Rake's Progress. Part 4: Marriage à-la-Mode. Part 5 & 6: Industry & Idleness. Part 7: The Invasion: France, Plate 1st, The Invasion: England, Plate 2nd; The Distrest Poet; The Laughing Audience; The Company of Undertakers; Tailpiece, or The Bathos. The complete set of 14 parts is rare.
Paulson Vol. I, p. 81.
[Ref: 53761] £690.00 view all images for this item
[Gottingen: J.C. Dieterich, n.d., 1794-c.1830.]
7 parts (of 14), folio, 365 x 265mm (14¼ x 10½"), original marbled wrappers with calf spine, printed labels on front cover, in later portfolio; each part with six numbered engravings (part 3 with eight), as called for. Some spotting and staining throughout.
A collection of the first 44 plates of 88 in this German edition of the engraved works of William Hogarth, published in parts 1794-1834. The plates were engraved by Ernst Ludwig Riepenhausen to accompany a commentary on the engravings of Hogarth by Georg Christoph Lichtenberg, 'Ausfürliche Erklärung der Hogarthischen Kupferstiche'. Paulson describes the plates as ''good copies'' of the originals. Part 1 contains: Strolling Actresses Dressing in a Barn; A Midnight Modern Conversation; The Four Times of the Day. Part 2: A Harlot's Progess. Part 3: A Rake's Progress. Part 4: Marriage à-la-Mode. Part 5 & 6: Industry & Idleness. Part 7: The Invasion: France, Plate 1st, The Invasion: England, Plate 2nd; The Distrest Poet; The Laughing Audience; The Company of Undertakers; Tailpiece, or The Bathos. The complete set of 14 parts is rare.
Paulson Vol. I, p. 81.
[Ref: 53761] £690.00 view all images for this item
A Country Inn Yard at the Time of an Election.
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with very large margins; 175 x 280mm (7 x 11").
A coach getting ready to leave an inn yard, an election riot in the background. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31473] £120.00 (£144.00 incl.VAT)
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with very large margins; 175 x 280mm (7 x 11").
A coach getting ready to leave an inn yard, an election riot in the background. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31473] £120.00 (£144.00 incl.VAT)
![[Headpiece for the London Infirmary.]](jpegs/59097.jpg)
[Headpiece for the London Infirmary.] In as much as ye have done it unto one of the least of these my Brethren, ye have done it unto me. S.t Matt. XXV. v.40.
W. Hogarth inv. C. Grignion sculp.
[n.d. c.1745]
Rare etching and engraving, sheet 190 x 230mm (7½ x 9"). Trimmed around image and glued on an album sheet. Slightly stained.
Christ seats on the left in the company of his disciples, gesturing to a hospital in the distance, two figures being carried towards the door on stretchers. Headpiece of an account of London Hospital, letterpress text on the back lists the details of receipts and payments made by the Treasurer Peter Muilman.
Paulson 1989: 227.
[Ref: 59097] £480.00
W. Hogarth inv. C. Grignion sculp.
[n.d. c.1745]
Rare etching and engraving, sheet 190 x 230mm (7½ x 9"). Trimmed around image and glued on an album sheet. Slightly stained.
Christ seats on the left in the company of his disciples, gesturing to a hospital in the distance, two figures being carried towards the door on stretchers. Headpiece of an account of London Hospital, letterpress text on the back lists the details of receipts and payments made by the Treasurer Peter Muilman.
Paulson 1989: 227.
[Ref: 59097] £480.00
O The Roast Beef of Old England &c.
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with very large margins; 175 x 280mm (7 x 11").
Hogarth's revenge for being arrested as a spy while sketching the English arms on the Gate of Calais. He has included a self-portrait on the left. Hogarth's visit to France was an unsuccessful one and he included various references to what he perceived as the ills of the French nation, from idolatry to religious hypocrisy, in this scene. Hogarth's painting of the subject, 'The Calais Gate' is in the Tate Britain gallery, London. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31474] £120.00 (£144.00 incl.VAT)
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with very large margins; 175 x 280mm (7 x 11").
Hogarth's revenge for being arrested as a spy while sketching the English arms on the Gate of Calais. He has included a self-portrait on the left. Hogarth's visit to France was an unsuccessful one and he included various references to what he perceived as the ills of the French nation, from idolatry to religious hypocrisy, in this scene. Hogarth's painting of the subject, 'The Calais Gate' is in the Tate Britain gallery, London. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31474] £120.00 (£144.00 incl.VAT)
Strolling Actresses Dressing in a Barn.
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with large margins; 175 x 280mm (7 x 11").
A company of touring players dressing and rehearsing their parts in 'Devil to Pay in Heaven' in a ramshackle barn. Hogarth's original print recorded the 'strolling actresses' soon to be put out of work by new bans on unlicenced theatrical companies. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31472] £120.00 (£144.00 incl.VAT)
Invented & Painted by W.m Hogarth.
[London: Robert Sayer, 1768.]
Engraving with large margins; 175 x 280mm (7 x 11").
A company of touring players dressing and rehearsing their parts in 'Devil to Pay in Heaven' in a ramshackle barn. Hogarth's original print recorded the 'strolling actresses' soon to be put out of work by new bans on unlicenced theatrical companies. Soon after the death of William Hogarth in 1764, his widow Jane gave the London publisher Robert Sayer permission to publish a collection of her husband's work. Although engraved in a smaller format, Sayer's versions retain all the detail of the original plates.
[Ref: 31472] £120.00 (£144.00 incl.VAT)
![[Figures in Turbans.]](jpegs/37394.jpg)
[Figures in Turbans.]
W.m. Hogarth sculp.
Engraving. Sheet: 180 x 260mm, (7 x 10¼"). Trimmed within platenark.
An interior view showing the crowning of the Sultan Achmet in the Mosque of Eyup in Istanbul. Illustration for 'A. de la Motraye's Travels through Europse, Asia, and into Part of Africa...' 1723.
Paulson 34.
[Ref: 37394] £140.00 (£168.00 incl.VAT)
W.m. Hogarth sculp.
Engraving. Sheet: 180 x 260mm, (7 x 10¼"). Trimmed within platenark.
An interior view showing the crowning of the Sultan Achmet in the Mosque of Eyup in Istanbul. Illustration for 'A. de la Motraye's Travels through Europse, Asia, and into Part of Africa...' 1723.
Paulson 34.
[Ref: 37394] £140.00 (£168.00 incl.VAT)
Hudibras and the Lawyer.
W. Hogart [Hogarth] delin et sculp.
[London: Bernard Quaritch, c.1880.]
Engraving. 270 x 350mm (10¾ x 13¾"), on wove paper. Central fold, as issued.
A scene from Hudibras, a satirical poem by Samuel Butler (1613-80). Hudibras consults a lawyer, hoping for advice on how to defraud a rich widow.
Paulson 93, state 4, with plate number '7' added, ''Quaritch ed. of Heath''.
[Ref: 62429] £160.00 (£192.00 incl.VAT)
W. Hogart [Hogarth] delin et sculp.
[London: Bernard Quaritch, c.1880.]
Engraving. 270 x 350mm (10¾ x 13¾"), on wove paper. Central fold, as issued.
A scene from Hudibras, a satirical poem by Samuel Butler (1613-80). Hudibras consults a lawyer, hoping for advice on how to defraud a rich widow.
Paulson 93, state 4, with plate number '7' added, ''Quaritch ed. of Heath''.
[Ref: 62429] £160.00 (£192.00 incl.VAT)
Frontispiece and its Explanation. The Basso Releivo, on the Pedestal, Represents the general Design, of Mr. Butler, in his Incomparable Poem, of Hudibras...
W. Hogarth Inven. & sculp.
Printed & sold by P. Overton near St. Dunstans Church in Fleet Street. [n.d., c.1726.]
Engraving. Plate: 265 x 350mm (10½ x 13¾''). Trimmed to plate, slight loss at edge on left.
The frontispiece to Samuel Butler's poem 'Hudibras' which satirised roundheads, puritans and presbyterians.
BM Satire 504.
[Ref: 50382] £180.00 (£216.00 incl.VAT)
W. Hogarth Inven. & sculp.
Printed & sold by P. Overton near St. Dunstans Church in Fleet Street. [n.d., c.1726.]
Engraving. Plate: 265 x 350mm (10½ x 13¾''). Trimmed to plate, slight loss at edge on left.
The frontispiece to Samuel Butler's poem 'Hudibras' which satirised roundheads, puritans and presbyterians.
BM Satire 504.
[Ref: 50382] £180.00 (£216.00 incl.VAT)
Hudibras beats Sidrophel and his man Whacum.
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾". Paper toned.
Hudibras attacking the astrologer Sidrophel, who he later believes he has killed, in a room filled with instruments. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 89, state ii of ii.
[Ref: 26626] £220.00 (£264.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾". Paper toned.
Hudibras attacking the astrologer Sidrophel, who he later believes he has killed, in a room filled with instruments. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 89, state ii of ii.
[Ref: 26626] £220.00 (£264.00 incl.VAT)
Hudibras Catechiz'd.
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving. 270 x 350mm (10½ x 13¾"), with large margins.
Hudibras being beaten on the orders of the widow. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 90, state iii ofi iii.
[Ref: 26628] £70.00 (£84.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving. 270 x 350mm (10½ x 13¾"), with large margins.
Hudibras being beaten on the orders of the widow. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 90, state iii ofi iii.
[Ref: 26628] £70.00 (£84.00 incl.VAT)
The Committee.
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾". Printers' crease.
The committee of Scottish Presbyterians debating the 'League and Covenant', their attempt at religious reform which became one of Scotland's demands during negoatiatons over their involvement in the English Civil War. This satire, warning against religious extremism, is one of Hogarth's illustrations to Samuel Butler's 'Hudibras'.
Paulson 91, state iv of v.
[Ref: 26617] £120.00 (£144.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾". Printers' crease.
The committee of Scottish Presbyterians debating the 'League and Covenant', their attempt at religious reform which became one of Scotland's demands during negoatiatons over their involvement in the English Civil War. This satire, warning against religious extremism, is one of Hogarth's illustrations to Samuel Butler's 'Hudibras'.
Paulson 91, state iv of v.
[Ref: 26617] £120.00 (£144.00 incl.VAT)
Hudibras's First Adventure.
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾". Some spoting.
Hudibras stopping a mob bear-baiting at pistol-point. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 84, state v of v.
[Ref: 26621] £120.00 (£144.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾". Some spoting.
Hudibras stopping a mob bear-baiting at pistol-point. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 84, state v of v.
[Ref: 26621] £120.00 (£144.00 incl.VAT)
Hudibras in Tribulation.
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras in the stocks, with the widow persuading him to agree to a whipping in order to het released. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 87, state iii of iii.
[Ref: 26624] £95.00 (£114.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras in the stocks, with the widow persuading him to agree to a whipping in order to het released. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 87, state iii of iii.
[Ref: 26624] £95.00 (£114.00 incl.VAT)
S.r Hudibras his passing worth, / The manner how he sally'd forth;
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras and Ralphio setting out on their quest. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 83, state iii of iii.
[Ref: 26620] £95.00 (£114.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras and Ralphio setting out on their quest. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 83, state iii of iii.
[Ref: 26620] £95.00 (£114.00 incl.VAT)
Hudibras Triumphant.
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras, leading a bound Crowdero, has the man's fiddle placed above the stocks as a trophy. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 85, state iii ofi iii.
[Ref: 26627] £95.00 (£114.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras, leading a bound Crowdero, has the man's fiddle placed above the stocks as a trophy. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 85, state iii ofi iii.
[Ref: 26627] £95.00 (£114.00 incl.VAT)
Hudibras vanquish'd by Trulla.
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras defeated by a woman, who stands astride him in possession of his sword. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 86, state v of vi.
[Ref: 26623] £120.00 (£144.00 incl.VAT)
W.m Hogarth Inven et Sculp.
London. Printed for Rob.t Sayer, Map & Printseller, at No 53 in Fleet Street. [n.d., c.1770.]
Engraving with large margins. 270 x 350mm, 10½ x 13¾".
Hudibras defeated by a woman, who stands astride him in possession of his sword. One of Hogarth's illustrations to Samuel Butler's 'Hudibras', a satire of Presbyterianism.
Paulson 86, state v of vi.
[Ref: 26623] £120.00 (£144.00 incl.VAT)
![[Industry and Idleness] The Idle Prentice Executed at Tyburn.](jpegs/62056.jpg)
[Industry and Idleness] The Idle Prentice Executed at Tyburn. Plate 11.
Invented by W. Hogarth.
Sold by E. Sumpter Facing S.t Brides Fleet Street, According to Act of Parliament [n.d., c.1763].
Etching. Sheet 185 x 245mm (7¼ x 9¾"). Trimmed within plate, mounted in album paper at edges.
A satire focusing on the baying crowd gathered to watch the execution of the Idle Apprentice, who had turned highwayman. Edward Sumpter had also published Jefferyes Hamett O'Neale's satire on Hogarth, 'The Bruiser Triumphant'.
[Ref: 62056] £95.00 (£114.00 incl.VAT)
Invented by W. Hogarth.
Sold by E. Sumpter Facing S.t Brides Fleet Street, According to Act of Parliament [n.d., c.1763].
Etching. Sheet 185 x 245mm (7¼ x 9¾"). Trimmed within plate, mounted in album paper at edges.
A satire focusing on the baying crowd gathered to watch the execution of the Idle Apprentice, who had turned highwayman. Edward Sumpter had also published Jefferyes Hamett O'Neale's satire on Hogarth, 'The Bruiser Triumphant'.
[Ref: 62056] £95.00 (£114.00 incl.VAT)
Industry and Idleness. 1. The Fellow 'Prentices at their Looms. [&] 3. The Idle 'Prentice at Play in the Church Yard, during Divine Service. [&] 4. The Industrious 'Prentice a Favourite, and entrusted by his Master. [&] 6. The Industrious 'Prentice out of his Time, & Married to his Master's Daughter. [&] 8. The Industrious 'Prentice grown rich, & Sheriff of London. [&] 10. The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice. [&] 11. The Idle 'Prentice Executed at Tyburn.
[Engraved for Carington Bowles after designs and engravings by William Hogarth.]
[n.d. c.1770.]
Working proofs before letters. Incomplete set of 7 unique engravings. Very unfinished. 190 x 280mm (7½ x 11").
Seven of twelve morality satires by William Hogarth (1697 - 1764), charting the careers of two London apprentices. Hogarth later described the series as ‘calculated for the use & Instruction of Youth’. The ‘good’ apprentice, Francis Goodchild, and ‘bad’ apprentice, Tom Idle, are seen together in Plates 1 and 10. Throughout the rest of the series their respective ‘careers’ are compared and contrasted. The apprentices’ physical appearance is also contrasted. Goodchild’s expressions are serene and polite, his demeanour elegant and gentlemanly, while Idle’s features become increasingly contorted and grotesque, and his posture slovenly and misshapen. The first plate sees the two apprentices together in the same silk-weaving workshop in Spitalfields. Goodchild works diligently at the loom, while Idle is fast asleep. Two volumes entitled ‘The Prentices Guide’ [not etched at this time] are strategically placed, symbolising their respective attitudes to work and authority. Goodchild’s is in pristine condition, carefully propped against a thread winder but the other is soiled, ripped and discarded on the floor. The series' end sees Goodchild’s triumphal procession as Lord Mayor at the heart of the City of London, while Idle’s ignominious end is execution on the gallows at Tyburn.
iii: W122, see Paulson 170. iv: W125, see Paulson 171. vi: W124, see Paulson 173. viii: W120, see Paulson 175. x: W126, see Paulson 177. xi: W123, See Paulson 178.
[Ref: 16339] £950.00 view all images for this item
[Engraved for Carington Bowles after designs and engravings by William Hogarth.]
[n.d. c.1770.]
Working proofs before letters. Incomplete set of 7 unique engravings. Very unfinished. 190 x 280mm (7½ x 11").
Seven of twelve morality satires by William Hogarth (1697 - 1764), charting the careers of two London apprentices. Hogarth later described the series as ‘calculated for the use & Instruction of Youth’. The ‘good’ apprentice, Francis Goodchild, and ‘bad’ apprentice, Tom Idle, are seen together in Plates 1 and 10. Throughout the rest of the series their respective ‘careers’ are compared and contrasted. The apprentices’ physical appearance is also contrasted. Goodchild’s expressions are serene and polite, his demeanour elegant and gentlemanly, while Idle’s features become increasingly contorted and grotesque, and his posture slovenly and misshapen. The first plate sees the two apprentices together in the same silk-weaving workshop in Spitalfields. Goodchild works diligently at the loom, while Idle is fast asleep. Two volumes entitled ‘The Prentices Guide’ [not etched at this time] are strategically placed, symbolising their respective attitudes to work and authority. Goodchild’s is in pristine condition, carefully propped against a thread winder but the other is soiled, ripped and discarded on the floor. The series' end sees Goodchild’s triumphal procession as Lord Mayor at the heart of the City of London, while Idle’s ignominious end is execution on the gallows at Tyburn.
iii: W122, see Paulson 170. iv: W125, see Paulson 171. vi: W124, see Paulson 173. viii: W120, see Paulson 175. x: W126, see Paulson 177. xi: W123, See Paulson 178.
[Ref: 16339] £950.00 view all images for this item
![[John Holland Bookplate]](jpegs/59106.jpg)
[John Holland Bookplate]
[William Hogarth]
[n.d. c.1760]
Etching, 130 x 105mm (5 x 4¼") Trimmed within plate and glued to backing sheet.
Minerva seated at right, holding a spear and looking up at a shield with the arms of the herald painter John Holland (-1760), depicting a lion surrounded by eight fleurs-de-lis, held up by a putto, three other putti nearby, one by a window at left, holding up a crown with a lion inside.
Paulson 207.III. V&A F.118:174
[Ref: 59106] £280.00 (£336.00 incl.VAT)
[William Hogarth]
[n.d. c.1760]
Etching, 130 x 105mm (5 x 4¼") Trimmed within plate and glued to backing sheet.
Minerva seated at right, holding a spear and looking up at a shield with the arms of the herald painter John Holland (-1760), depicting a lion surrounded by eight fleurs-de-lis, held up by a putto, three other putti nearby, one by a window at left, holding up a crown with a lion inside.
Paulson 207.III. V&A F.118:174
[Ref: 59106] £280.00 (£336.00 incl.VAT)
Daniel Lock Esqr.
Willm. Hogarth Pinxt. J. Mc.Ardell Fecit.
[n.d. c.1760.]
Mezzotint. Plate 350 x 250mm. 13¾ x 9¾".
Daniel Lock (1681-1754), Governor of the Foundling Hospital. He is seated here holding a plan of the Foundling Hospital.
CS: 120: i of ii. Goodwin: 139: i. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14805] £180.00 (£216.00 incl.VAT)
Willm. Hogarth Pinxt. J. Mc.Ardell Fecit.
[n.d. c.1760.]
Mezzotint. Plate 350 x 250mm. 13¾ x 9¾".
Daniel Lock (1681-1754), Governor of the Foundling Hospital. He is seated here holding a plan of the Foundling Hospital.
CS: 120: i of ii. Goodwin: 139: i. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14805] £180.00 (£216.00 incl.VAT)
Simon Lord Lovat.
Aliamet sculp [after William Hogarth].
Etching and engraving sheet 5½ x 4" (140 x 100mm). Cut to plate mark.
Half length portrait of an elderly Simon Fraser, 11th Lord Lovat (c.1667-1747), Scottish Jacobite, chief of Clan Fraser. He wears a wig, coat and neckband; sits in ornate frame decorated with acanthus leaves with a cartouche below portrait; at the top of the frame sits a mask and an axe. In the 1715 rebellion, he supported the House of Hanover, but in 1745 he joined the Stuart claim on the crown of Scotland. When the Highlanders were defeated at Culloden Lovat was convicted of treason, and became the last man in Britain to be beheaded on Tower Hill. William Hogarth (1697 - 1764) drew this very popular portrait, of which many different prints were made after including this one , of Lovat at an inn in St. Albans on his way to trail and eventual execution.
Paulson: 166, III of III.
[Ref: 54832] £70.00 (£84.00 incl.VAT)
Aliamet sculp [after William Hogarth].
Etching and engraving sheet 5½ x 4" (140 x 100mm). Cut to plate mark.
Half length portrait of an elderly Simon Fraser, 11th Lord Lovat (c.1667-1747), Scottish Jacobite, chief of Clan Fraser. He wears a wig, coat and neckband; sits in ornate frame decorated with acanthus leaves with a cartouche below portrait; at the top of the frame sits a mask and an axe. In the 1715 rebellion, he supported the House of Hanover, but in 1745 he joined the Stuart claim on the crown of Scotland. When the Highlanders were defeated at Culloden Lovat was convicted of treason, and became the last man in Britain to be beheaded on Tower Hill. William Hogarth (1697 - 1764) drew this very popular portrait, of which many different prints were made after including this one , of Lovat at an inn in St. Albans on his way to trail and eventual execution.
Paulson: 166, III of III.
[Ref: 54832] £70.00 (£84.00 incl.VAT)