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[Barren Landscape.]
[Barren Landscape.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 121 x 202mm (4¾ x 8"). Cut.
Barren landscape, with small three-arched hump bridge over a meandering river in foreground at left; a group of trees on the opposite bank; long bridge seen in the distance at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34811]   £60.00   (£72.00 incl.VAT)
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Belhus Essex.
Belhus Essex.
HBK.
[n.d. c.1812.]
Etching. 102 x 152mm (4 x 6"). Cut
Belhus, Essex: a road at right leading through a field; trees behind, windmill and house-roofs seen in background, and a small building among trees at left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34813]   £70.00   (£84.00 incl.VAT)
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[Castle Ruin.]
[Castle Ruin.]
HBK.
[n.d. c.1812.]
Soft ground etching. 114 x 152mm (4½ x 6"). Cut.
View of a castle with partly ruined tower on a hilltop from a field below, with trees in foreground at left and right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34804]   £60.00   (£72.00 incl.VAT)
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[Cattle.]
[Cattle.]
MRoo. [H.B. Ker.]
[n.d. c.1812.]
Etching. 190 x 132mm (7½ x 5¼"). Cut
A cattle standing on a path in frontal view; two learning milestones to left; copy of an etching by Johann Melchior Roos. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34796]   £60.00   (£72.00 incl.VAT)
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[Coastal Scene.]
[Coastal Scene.]
HB Ker 1812.
Etching. 95 x 210mm (3¾ x 8¼"). Cut on right.
Three sailing boats moored in a harbour at centre; a figure and rowing boat at left; pier at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34791]   £90.00   (£108.00 incl.VAT)
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Thomas Fantel de Lagny.
Thomas Fantel de Lagny. [on verso]: De l’Academie Royale des Sciences, et de la Société Royal de Londres, et sous Bilbiotheraire du Roy. Né à Lyon le 1er. 9bre.1672 et Mort le n. Avril 1734 agé de 72 ans. Gravé par les Soins de Madame de Lagny la Veuve.
Peint par S Belle. Gravé par T. Mutel.
[n.d. c.1780.]
Engraving. 286 x 216mm. 11¼ x 8½". Cut.
Thomas Fantel de Lagny (1672-1734), parliamentary lawyer, Veteran-Pensionner of the Royal Academy of Science of Paris for Geometry, received in 1696. Member of the Royal Society of London. Committed to the King's Library to research Mathematics books.
Not in W.
[Ref: 15756]   £45.00   (£54.00 incl.VAT)
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[Grotesque Figure.]
[Grotesque Figure.]
[H.B. Ker after Callot.]
[n.d. c.1812.]
Etching. 140 x 190mm (5½ x 7½"). Cut.
A grotesque figure with human body and bird-skull head, holding a trumpet; image printed from the left side of the plate. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34803]   £140.00   (£168.00 incl.VAT)
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[Hill Road.]
[Hill Road.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 120 x 82mm (4¾ x 3¼"). Cut.
View of a hill road with low fence on the left side, tall wall at far left, and trees beyond. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34808]   £60.00   (£72.00 incl.VAT)
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A View of the Town and Vale of Keswick, in Cumberland, from the Side of Castle-head Cragge.
A View of the Town and Vale of Keswick, in Cumberland, from the Side of Castle-head Cragge. To Captain William Crosby of Carlisle, this Plate is inscribed by his most obliged humble Serv.t Will.m Bellers
Painted after Nature by Will.m Bellers 1758 / Mess.rs Peak & Toms sculp / Finished by J. Mason
Published 17 Jan.y 1774, by John Boydell, Engraver, in Cheapside, and Rob.t Sayers, Map & Printseller, in Fleet Street.
Engraving, platemark 195 x 320mm (7¾ x 12½").
One of a series of plates of Cumberland after landscape painter William Bellers (1749-73, fl.) whose work consisted largely of Lake District views, which helped direct fashionable taste towards the area in connection with the popular picturesque landscape of the 18th century.
[Ref: 38647]   £140.00   (£168.00 incl.VAT)
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[Landscape with Cottage.]
[Landscape with Cottage.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 102 x 156mm (4 x 6¼"). Cut.
Landscape, with cottage at centre and high trees behind a wooden fence on a slope in the foreground at right; fields in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34794]   £80.00   (£96.00 incl.VAT)
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[Landscape with Overhanging Tree.]
[Landscape with Overhanging Tree.]
HBK.
[n.d. c.1812.]
Soft-ground etching. 141 x 229mm (5½ x 9"). Some creasing to corners. Cut.
Landscape, with a tree overhanging a meandering brook from the right bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34797]   £80.00   (£96.00 incl.VAT)
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[Landscape with River Estuary.]
[Landscape with River Estuary.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 140 x 171mm (5½ x 6¾").
Landscape with river estuary, tree in foreground at left and wooded area at right; windmills in the distance. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34824]   £80.00   (£96.00 incl.VAT)
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[Landscape with stretch of water.]
[Landscape with stretch of water.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 109 x 152mm (4¼ x 6"). Cut.
Landscape with stretch of water in foreground, a tall tree on the opposite bank at right, and more trees within a fenced area in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34812]   £60.00   (£72.00 incl.VAT)
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[Landscape with Wooden Bridge.]
[Landscape with Wooden Bridge.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 135 x 180mm (5¼ x 7").
Landscape with wooden bridge over a river at left, leading into a cottage surrounded by trees on the opposite bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34823]   £60.00   (£72.00 incl.VAT)
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Long Walk Windsor.
Long Walk Windsor.
HBK.
[n.d. c.1812.]
Etching. 65 x 140mm (2½ x 5½"). Cut.
View of Windsor Castle from the Long Walk, flanked by trees. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34798]   £75.00   (£90.00 incl.VAT)
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[Meandering Brook.]
[Meandering Brook.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 203 x 140mm (8 x 5½"). Tatty.
Meandering brook, with large rock on the right bank in foreground, and trees on the left bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34793]   £65.00   (£78.00 incl.VAT)
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[Meandering Landscape.]
[Meandering Landscape.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 78 x 190mm (3 x 7½"). Cut on right.
Landscape with meandering road in foreground turning to the right, fields and hills in the background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34792]   £90.00   (£108.00 incl.VAT)
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[One-Arch Bridge.]
[One-Arch Bridge.]
[n.d. c.1812.]
Etching. 120 x 145mm (4¾ x 5¾"). Cut.
View of a small one-arch bridge over a river, tall trees on the left bank, and a house behind at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34820]   £60.00   (£72.00 incl.VAT)
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[Outskirts of a Wood.]
[Outskirts of a Wood.]
Ker.
[n.d. c.1812.]
Soft-ground etching. 145 x 202mm (5¾ x 8"). Cut.
View of the outskirts of a wood, which is seen on the right; hill in the background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34821]   £60.00   (£72.00 incl.VAT)
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[Thatched cottage in a landscape]
[Thatched cottage in a landscape]
H Ker 1807 [top left] / 1807 [lower left]
Pen lithograph with large margins, rare; printed area 225 x 310mm (8¾ x 12¼"). Slight creasing; on cream wove paper.
Early lithograph by Charles Henry Bellenden Ker (c.1785-1871), whose work was included in the second issue of 'Specimens of Polyautography' issued in 1807. The first part of 'Specimens' (1803) was the first set of artist's lithographs ever published, showcasing the new medium which allowed artists to make prints arguably resembling drawings more than any earlier technique. Unlike most printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography. Ker was a law reformer, particularly in the area of statue law, but he also had a lifelong interest in art and science, as this early print demonstrates. Ker's father was a prominent botanist and he inherited this interest, becoming one of the first private growers of orchids in Britain, and providing the sketches for an important book on chinese plants.
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 35466]   £220.00  
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[Thatched cottage in a landscape]
[Thatched cottage in a landscape]
H Ker 1807 [top left] / 1807 [lower left]
Pen lithograph with large margins, rare, printed area 225 x 310mm (8¾ x 12¼"). On white wove paper; watermarked 'C 1806'; crease lower right. Fine impression.
Early lithograph by Charles Henry Bellenden Ker (c.1785-1871), whose work was included in the second issue of 'Specimens of Polyautography' issued in 1807. The first part of 'Specimens' (1803) was the first set of artist's lithographs ever published, showcasing the new medium which allowed artists to make prints arguably resembling drawings more than any earlier technique. Unlike most printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography. Ker was a law reformer, particularly in the area of statue law, but he also had a lifelong interest in art and science, as this early print demonstrates. Ker's father was a prominent botanist and he inherited this interest, becoming one of the first private growers of orchids in Britain, and providing the sketches for an important book on chinese plants.
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 35467]   £260.00  
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[Putney Heath.]
[Putney Heath.]
HBK.
[n.d. c.1812.]
Etching. 114 x 152mm (4½ x 6"). Cut.
View on Putney Heath, with a straight road leading through fields in foreground, and fenced areas with trees in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34799]   £95.00   (£114.00 incl.VAT)
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[Ram.]
[Ram.]
HBK.
[n.d. c.1812.]
Etching. 108 x 148mm (4¼ x 5¾").
Long-horned ram; head and part of the body, directed to right; printed on right side of sheet. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34827]   £60.00   (£72.00 incl.VAT)
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[River Landscape.]
[River Landscape.]
H.B. Ker 1812.
[n.d. c.1812.]
Etching. 109 x 156mm (4¼ x 6¼"). Cut.
River landscape, with trees on the right bank in foreground, partly wooded left bank, and hill at centre background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34826]   £60.00   (£72.00 incl.VAT)
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[River Landscape; Lock.]
[River Landscape; Lock.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 151 x 230mm (6 x 9"). Cut.
River landscape with lock in foreground, partly wooded banks, and hills in the background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34807]   £120.00   (£144.00 incl.VAT)
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[River Landscape with Wooded Banks.]
[River Landscape with Wooded Banks.]
[HK.]
[n.d. c.1812.]
Etching. 101 x 156mm (4 x 6¼"). Trimmed.
River landscape with wooded banks; shed and house on the left bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34815]   £60.00   (£72.00 incl.VAT)
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[Road between fields.]
[Road between fields.]
HBK 1812.
[n.d. c.1812.]
Etching. 70 x 108mm (2¾ x 4¼"). Cut.
A road leading between fields, with a high rocky bank at left; row of trees in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34825]   £45.00   (£54.00 incl.VAT)
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[Road through Trees.]
[Road through Trees.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 146 x 106mm (5¾ x 4¼"). Cut.
Meandering road with trees behind wooden fences on both sides; small image of a road flanked by tress below at left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34806]   £75.00   (£90.00 incl.VAT)
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[Rocky Landscape and Waterfall.]
[Rocky Landscape and Waterfall.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 146 x 203mm (5¾ x 8"). Cut.
Rocky landscape with waterfall in foreground at centre left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34795]   £90.00   (£108.00 incl.VAT)
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Jaques III. Roy De La Grande Bretagne.
Jaques III. Roy De La Grande Bretagne.
Peint par A.S. Belle Peintre de. S. M. Brit. Gravé par F. Chereau.
A Paris chez l'Auteur rue du Four Faubourg St. Germain attenant le porte de la Foire. [n.d., c.1766.]
Engraving. Framed. Platemark: 400 x 270mm (15¾ x 10½"). Unexamined out of frame. Cut to plate.
Rare portrait of James Francis Edward Stuart, 'The Old Pretender' (1688 - 1766), the son of the deposed James II of England (James VII of Scotland). As such, he claimed the English, Scottish and Irish thrones (as James III of England and Ireland and James VIII of Scotland) from the death of his father in 1701, when he was proclaimed king of England, Scotland and Ireland by his cousin Louis XIV of France. Following his death in 1766 he was succeeded by his son Charles Edward Stuart in the Jacobite Succession.
[Ref: 38727]   £360.00  
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Jacques III. Roy de la Grande Bretagne.
Jacques III. Roy de la Grande Bretagne.
A.s.Belle p. F. Chereau f.
A Paris chez F. Chereau rue St. Jacques aux deux Pillier d'Or. [n.d. c.1770.]
Engraving with small margins. Plate 241 x 184mm (9½ x 7¼"). Rare.
James Francis Edward Stuart, Prince of Wales (1688-1766), the 'Old Pretender', who claimed the thrones of England, Scotland and Ireland, following the death of his father in 17011.
Sharpe: 129 II.
[Ref: 30055]   £240.00  
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[Tall Trees.]
[Tall Trees.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 210 x 152mm (8¼ x 6").
A group of tall trees, with fields in the background at left. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34822]   £70.00   (£84.00 incl.VAT)
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[River Thames.]
[River Thames.]
HBK. MDCCCXII.
[n.d. c.1812.]
Etching. 102 x 140mm (4 x 5½"). Cut.
Landscape with the meandering Thames; cottage obscured by a tree on the left bank. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34819]   £60.00   (£72.00 incl.VAT)
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[Flat Landscape. Thames I]
[Flat Landscape. Thames I]
Rt.fec.
[n.d. c.1812.]
Etching. 83 x 120 Cut.
Flat landscape, with two figures in a field in foreground at right, low building with smoking chimney behind, and a house among trees; trees at centre. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34800]   £95.00   (£114.00 incl.VAT)
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[Village Scene.]
[Village Scene.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 133 x 152mm (5¼ x 6"). Crease to lower right corner. Cut.
View of a village, with two figures resting on a bank near buildings in foreground at right; house at left, with a tall sign on a pedestal at the front. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34810]   £60.00   (£72.00 incl.VAT)
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Wimbledon Common.
Wimbledon Common.
HBK.
[n.d. c.1812.]
Etching. 45 x 140mm (1¾ x 5½"). Small crease. Cut.
View from Wimbledon Common, with a road at centre and trees behind a fence at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34801]   £95.00   (£114.00 incl.VAT)
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[Wimbledon Park.]
[Wimbledon Park.]
HBKer MDCCCXII.
[n.d. c.1812.]
Etching. 100 x 151mm (4 x 6"). Trimmed along top edge. Cut.
View in Wimbledon Park, with meandering path through the wood. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34809]   £70.00   (£84.00 incl.VAT)
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Wimbledon Park. Win.
Wimbledon Park. Win.
H.B.K.
[n.d. c.1812.]
Etching. 110 x 152mm (4¼ x 6"). Cut.
View of a fenced thatched wooden farm building in Wimbledon Park, surrounded by trees; small arched bridge at left, wooded hill behind. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34802]   £95.00   (£114.00 incl.VAT)
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Wimbledon Park.
Wimbledon Park.
HBKer.
[n.d. c.1812.]
Etching. 109 x 153mm (4¼ x 6").
View of a wooded area in Wimbledon Park, with a tall tree on a bank at centre foreground. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34816]   £80.00   (£96.00 incl.VAT)
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Windsor Castle.
Windsor Castle.
[H.B. Ker.]
[n.d. c.1812.]
Etching. 78 x 140mm (3 x 5½"). Cut.
View of Windsor Castle from a field below, with round tower at far right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34814]   £60.00   (£72.00 incl.VAT)
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