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13. |
Slave Trade. Lo! the poor Captive with distraction wild Views his dear Partner torn from his embrace! A different Captain buys his wife and Child What time can from his Soul such ills erase?
Painted by G. Morland Engrav'd by J.R. Smith Mezzotinto Engraver to his Royal Highness, the Prince of Wales
Published 1 February 1791 by Smith, King Street, Covent Garden.
Colour mezzotint. 481 x 655mm.
When Morland's original painting of "Slave Trade" was exhibited at the Royal Academy in 1788 (originally titled "Execrable Human Traffic, or The Affectionate Slaves"), it was the first expression of abolitionist protest in the visual arts. As such it was a departure for both Morland and the publisher, J.R.Smith. Smith advertised it in the 'English Chronicle and Universal Evening Post' (hoping for advanced subscriptions to the prints) as representing "the purchasing of Slaves, wherein a Negro and his Wife and Child are sold to different Merchants". Smith had a reputation as a shrewd judge of the print market, and with his commission of this painting and its pair, "African Hospitality", his timing was exquisite, as the anti-slavery fervour was reaching its peak between 1788 and 1792.
D'Oench: Smith: no 313 & Chapter 5, "The Slavery Prints", Frankau:321:I; Honour: The Image of the Black in Western Art, IV. |
£3000
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