ETCHINGS & ARTIST'S PRINTS

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1.

Aldin, Cecil [Harbour Scene, Majorca] Cecil Aldin Signed in pencil. Etching. 235 x 275mm. Cecil Aldin, the son of a builder was born in Slough, England in 1870 and studied at the South Kensington school of Art. He worked as a comic illustrator in the 1890's before achieving great success as a sporting artist. He retired to Majorca in 1930 and died in 1935.

£380

.

2.

Andrade, Athene [Garimour Soyria]. Athene Andrade [signed in pencil]. [n.d. c. 1950.] Etching. 100 x 135mm. Afghan hound. The title is written on the back of the frame.

£260

.

3.

Austen Brown, Thomas Bits of Chelsea ten original lithographs by T. Austen Brown text by A. Mac Callum Scott M.P. Publishers The Macrae Gallery 16 Fulham Road S.W.3. London [n.d. c.1920]. Book: One original woodcut in colour signed by the artist and ten black and white lithographs in original binding stamped 'Bits of Chelsea T. Austen Brown' on front cover. Edition limited to 75. 4to, each sheet 310 x 255mm. Paper discolouration. Tears lower spine, extremities worn. Thomas Austen Brown (1856 - 1924), Edinburgh born landscape and genre painter, etcher and woodcut artist. Printed on leaf before title page; 'This Edition de Luxe consists of Seventy-Five Copies, of which this is No. 33 ['33' added in ink by artist, signed in ink underneath]. Illlustrations captioned below as follows: Battersea Bridge, The Church, Old Barges and Battersea Factories, Cheyne Walk, Chelsea Reach, Old Houses Cheyne Walk, The Electric Power Station, The West End of Cheyne Walk, Riley Street, and Albert Bridge by Night. Includes signed woodcut of the River Thames at Battersea.

£650

.

4.

Austen, Winifred [Budgerigars]. Winifred Austen [signed in pencil lower right]. [n.d., 1920.] Coloured aquatint 190 x 260mm Laid on card backing. Winifred Austen, R.I., R.E. [1876 - 1964]. Regarded by some as the best etcher of birds of the 20th Century; her intuative portrayal of mammals is also very delicate. Guichard British Etchers: pg.24. "Warwick Galleries" stamp lower right.

£280

.

5.

Austen, Winifred [Pair of Pekinese pups] Winifred Austen [Pencil Signature.] [n.d., c.1930.] Signed etching. 160 x 210mm.

£320

.

6.

Austen, Winifred [Mute swans in flight over waves]. Winifred Austen [signed in pencil lower right]. [n.d. c.1925]. Etching. 217 x 342mm Winifred Austen, R.I., R.E. [1876 - 1964]. Regarded by some as the best etcher of birds of the 20th Century, her intuative portrayal of mammals is also very delicate. Guichard British Etchers: pg.24.

£260

.

7.

Austen, Winifred [Tom Tit Family]. Winifred Austen [signed in pencil lower right]. [n.d.] Coloured aquatint 190 x 260mm Laid on card backing. Some printing stains in outer margins Winifred Austen, R.I., R.E. [1876 - 1964]. Regarded by some as the best etcher of birds of the 20th Century, her intuative portrayal of mammals is also very delicate. Guichard British Etchers: pg.24. "Warwick Galleries" stamp lower right.

£320

.

8.

Austen, Winifred [Wild Geese on the Marshes.] Winifred Austen [signed in pencil lower right]. [n.d.] Coloured aquatint 290 x 390mm Winifred Austen, R.I., R.E. [1876 - 1964]. Regarded by some as the best etcher of birds of the 20th Century, her intuative portrayal of mammals is also very delicate. Guichard British Etchers: pg.24.

£280

.

9.

Barton, Loren L The French Market, New Orleans. Loren L. Barton. [1893-1975]. Etching, signed in pencil, 8 1/8 x 10 1/4". A market scene.

£70

.

10.

Benson, Frank W [Cooking by the river bank with moored canoe]. Frank W Benson [pencil signature]. [n.d. c.1923]. Etching. 125 x 173mm. Repaired hole in margin to right of plate. Frank Weston Benson [1862 - 1951] was one of the last great American Impressionists who from 1912 developed an interest in etching. Born in Salem Massachusetts, in 1879 he began study at the School of the Museum of Fine Arts, Boston, and later at the Académie Julian in Paris. Upon return to America, he would become an instructor at the School of the Museum of Fine Arts. In the late summer of 1894, a friend invited Benson to go to New Brunswick to fish for salmon. The artist discovered he loved the sport as well as camping out in the wilderness and thereafter made annual trips to Canada for almost 40 years. The Kedgwick River in New Brunswick was his favorite river for salmon fishing.

£1250

.

11.

Benson, Frank W [On the Kedgwick]. Frank W Benson [pencil signature]. [n.d. c.1923]. Etching. 299 x 96mm. Frank Weston Benson [1862 - 1951] was one of the last great American Impressionists who from 1912 developed an interest in etching. Born in Salem Massachusetts, in 1879 he began study at the School of the Museum of Fine Arts, Boston, and later at the Académie Julian in Paris. Upon return to America, he would become an instructor at the School of the Museum of Fine Arts. In the late summer of 1894, a friend invited Benson to go to New Brunswick to fish for salmon. The artist discovered he loved the sport as well as camping out in the wilderness and thereafter made annual trips to Canada for almost 40 years. The Kedgwick River in New Brunswick was his favorite river for salmon fishing.

£1500

.

12.

Bergler, Joseph Neger van Putz auf Pomersfelden- [Joseph Bergler] 1803. Etching. 85 x 105mm. Joseph Bergler (1753-1829), son of a painter who studied in Italy and Austria. As director of the art school in Prague he produced a small number of original etchings.

£140

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13.

Bond, A.J. [Sailing]. A.J.Bond signed in pencil. [n.d. 1930]. Etching 285 x 235mm.

SOLD

.

14.

Bond, A.J. [St. Paul's.] A.J.Bond [Signed in pencil]. [n.d. c. 1930] Etching 170 x 250mm. Minor spotting on reverse, not visible on front. Arthur J F Bond (born 1888) - Born in Devonport, he moved to Twickenham, Barnes and Richmond. Exhibited at the Royal Academy.

£220

.

15.

Bond, A.J. [Tower Bridge] A.J.Bond. Signed in pencil [n.d. c. 1930.] Etching, 170 x 250mm. By Arthur J F Bond. Born in Devonport in 1888, he moved to Twickenham, Barnes and Richmond and exhibited at the Royal Academy.

£260

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16.

Bond, A.J. [Tower Bridge] A. J.Bond. [Signed in pencil.] [n.d., c.1940.] Etching. 125 x 302mm. Arthur J F Bond. Born in Devonport in 1888, he moved to Twickenham, Barnes and Richmond and exhibited at the Royal Academy.

£280

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17.

Bond, A.J. [Westminster and Embankment] A. J.Bond. [Signed in Pencil.] [n.d., c.1940.] Etching. 190 x 260mm. By Arthur J F Bond. Born in Devonport in 1888, he moved to Twickenham, Barnes and Richmond and exhibited at the Royal Academy.

£280

.

18.

Bonestell, Chesley [Trinity Church, New York]. Chesley Bonestell. Etching, signed in pencil, 6 out of 100, 11 7/8 x 7 " Scene of New York with Trinity Church in the foreground.

£150

.

19.

Brangwyn, Frank Association Belge 1903. Frank Brangwyn [signed in ink lower right]. [n.d. c.1903]. Ex Libris bookplate, coloured woodblock, edition limited to 275. Image 136 x 89mm. Sir Frank Brangwyn [1867 - 1956]. Although Brangwyn spent all his professional life in Britain and worked for a time with William Morris, he was born in Belgium and studied there. His ex-libris are often closer in style to Continental ex-libris of the time than to British ones. '206/275' annotated in pencil by the artist lower right.

£140

.

20.

Brangwyn, Frank The Etching Work of Frank Brangwyn A.R.A., R.E.. A Catalogue by Frank Newbolt., A.R.E. with Appreciations by Henry Marcel, Director of the Bibliotheque Nationale, Paris, and Prof. Dr. Hans W. Singer, Keeper of the Royal Print Room, Dresden. The Fine Art Society Ltd. 148 New Bond St. London. 1908, 25/100 numbered copies, initialed by publisher. Book of 51 plates by Brangwyn, folio, 530 x 373mm, enclosed in brown cloth boards with original ties [one missing]. Four original b&w etchings by Brangwyn in inside front pocket, signed by him in pencil. Portfolio with interior cover of tan cloth spine over boards. Tissues guards and plates in good condition. Some tearing to spine. Interior in fine condition, original sketches in very good condition. Overall, in good condition. Frank William Brangwyn (Bruges, 1867 - London, 1956). One of the most influential etchers of the early twentieth century, Sir Frank Brangwyn had already established his reputation as a major painter and watercolourist before he attempted his first etching in 1900. He was then quickly drawn more and more to the many possibilities of this artistic medium and by 1926 had completed 331 original etchings. Most of Brangwyn's art concentrated upon figure studies, architectural and marine subjects. He traveled extensively and many of his most famous etchings are of continental views, particularly scenes from Normandy, Belgium and Italy.

£1700

.

21.

Brangwyn, Frank [Les Cordonniers (Bootmakers).] Frank Brangwyn [Pencil signature] [n.d, 1907.] Limited edition zinc etching. 455 x 545mm. A few wormholes in image. Etched on the spot in Monreuil. Gaunt: 92.

£580

.

22.

Brangwyn, Frank London Bridge. Frank Bangwyn signed in pencil. Etching. 520 x 400mm [Plate Destroyed] Brangwyn, Sir Frank William (1867-1956). Gaunt: 27.

SOLD

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23.

Brangwyn, Frank [The Monument.] Frank Brangwyn [signed in pencil]. [n.d. 1912]. Limited edition etching. 710 x 450mm. The Monument from Fish Street. Fine Art Society: 200, state iii of iii.

£950

.

24.

Brangwyn, Frank [Temporary Wooden Bridge At Ghent (Pont de Bois Provisoire à Gand)]. Frank Brangwyn [signed in pencil]. [n.d. 1920]. Etching. 380 x 380mm. Slight foxing. This plate was included in the work on Frank Brangwyn published by E.F. d'Alignan and Paul Turpin. W. Gaunt: The Etchings of Frank Brangwyn, R.A. 267.

SOLD

.

25.

Brockhurst, Gerld Leslie [Charles C. Carpenter, Esqr. C.B.E., D.Sc.] G.L. Brockhurst [signed in pencil]. 1931. Etching. 215 x 300mm. Gerald Leslie Brockhurst [1890-1978] studied at the Birmingham School of Art and then the Royal Academy Schools in London. In 1913, he received the Gold Medal and Traveling Scholarship that enabled him to visit Paris and Italy to study the work of early Italian painters. Brockhurst lived in Ireland from 1915 to 1919 where he was influenced by the simplicity of color and form in the work of Augustus John. Brockhurst then returned to London, holding his first significant exhibition in 1919. Afterward, he turned to etching, most often producing female portraits inspired by his wife. His style at this time was very classical and executed with precise technical accuracy. In 1930, Brockhurst began painting again, using teenage model and future wife, Dorette Woodard as his subject. He became a fashionable portrait painter with famous sitters such as J. Paul Getty, Marlene Dietrich, and the Duchess of Windsor. Brockhurst lived the rest of his life in the United States having settled there in 1939. This large and superbly worked portrait etching was created at the height of Brockhurst's powers as a printmaker. Here the artist has contrasted a magnificently handled portrait of a staid gentlman with the nude sculpture of a woman's torso placed upon the background bookcase [both symbolic of the sitter's private collections]. This dramatic lighting has further enhanced the effect of this impressive work. The wealthy sitter who commissioned this plate was President of the South Metropolitan Gas Company - in his buttonhole he carries the cross of the Order of St. John of Jerusalem. A total of 80 proofs were printed, 20 were made available for sale. The fate of the 60 held by the sitter is unknown; however impressions are rarely found. Wright:71 iv of iv

£420

.

26.

Brothers, H.J. California Street, San Francisco. H.J. Brothers Etching, signed in pencil, 7 1/2 x 6 1/4" A street scene in California

£140

.

27.

Brouet, Auguste Louis [Avant la Danse] [Auguste Louis] L. Brouet signed in Pencil. [n.d., c.1920.] Etching, remarqued proof, [three positions] 25/100 limited. 278 x 245mm. Six small worm holes in the margins. Auguste Louis Brouet, French, [[1872 - 1941.] Atmospheric etching of dancers preparing to perform.

£250

.

28.

Burgess, Walter W. Royal Hospital from the River before the Embankment Walter W. Burgess signed in pencil. n.d. 1894. Etching. 260 x 160mm. Burgess, Walter (Southampton, 1844 - London, 1908) Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.

£280

.

29.

Burgess, Walter W. Royal Hospital from the From the Garden Walter W. Burgess signed in pencil. n.d. 1894 etching 255 x 115mm Burgess, Walter (Southampton, 1844 - London, 1908) Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.

£280

.

30.

Burgess, Walter W. [Cheyne Walk Chelsea in 1817.] Walter W. Burgess R.E. signed in pencil. 1927. Etching. Burgess, Walter (Southampton, 1844 - London, 1908)

£360

.

31.

Burgess, Walter W. [Chelsea from Cremorne Wharf] Walter W. Burgess [signed in pencil.] [n.d, 1894.] Etching, with Burgress' sun symbol lower right. 180 x 290mm. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. Longford: Images of Chelsea, 241. Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess.Kegan Paul & Co.: London, 1894

£230

.

32.

Burgess, Walter W. [Franklin's Row.] Walter W. Burgess [signed in pencil.] [n.d, 1894.] Etching, with Burgress' sun symbol lower left. 180 x 290mm. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. Longford: Images of Chelsea, 607. Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess.Kegan Paul & Co.: London, 1894.

£230

.

33.

Burgess, Walter W. [Kings Road] Signed in Pencil Walter W. Burgess. (inscribed in image below the trycycle is "Madam Venturi's House"). n.d. 1894 Etching. 190 x 240mm. Burgess, William Walter [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess.Kegan Paul & Co.: London, 1894

£190

.

34.

Burgess, Walter W. [Lindsey House Cheyne Walk Chelsea]. Walter W. Burgess signed in pencil. n.d.1894 Etching. 160 x 157mm. Burgess, Walter (Southampton, 1844 - London, 1908) Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess.Kegan Paul & Co.: London, 1894

£130

.

35.

Burgess, Walter W. [Royal Hospital from the River, Before the Embankment.] Walter W. Burgess [signed in pencil.] [n.d, 1894.] Etching, with Burgress' sun symbol lower right. 115 x 255mm. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. Longford: Images of Chelsea, 62. Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess.Kegan Paul & Co.: London, 1894

£230

.

36.

Cain, Charles Aba-Kuf. Signed in pencil Charles W. Cain. n.d. Etching. 217 x 107mm. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1

£220

.

37.

Cain, Charles Al-Ajik, beyond Samaria. Signed in pencil by Charles W. Cain. n.d. Etching. 220 x 105mm. Charles Cain travelled in Persia, living in Baghdad for some years.

£240

.

38.

Cain, Charles [Baghdad, fishing boats] Charles W. Cain signed. [n.d., c.1930.] Etching 420 x 300mm. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1. During the 1920's and 1930's Cain produced seventy-four original etchings and engravings, all published in London by Greatorex. The large majority of his prints deal with scenes in Iraq, Persia, Indian and Burma and Cain developed a strong reputation as a major Orientalist printmaker. Today, a large collection of Charles W. Cain's drypoints will be found at the British Museum, London.

£280

.

39.

Cain, Charles Old Basra. Signed in ink by Charles W. Cain. n.d. Etching. 163 x 240. Charles Cain travelled in Persia, Iraq, India and Burma, living in Baghdad for some years.

£220

.

40.

Cain, Charles Castle Elizabeth. Signed in pencil by Charles W. Cain. n.d. Etching. 250 x 170mm. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1

£220

.

41.

Cain, Charles Clesiphon Arch. Signed in pencil by Charles W. Cain. n.d. Etching. 215 x 105mm. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1

£240

.

42.

Cain, Charles Drifting Homewards. Signed in pencil by Charles W. Cain. n.d. Etching. 212 x 105mm. Laid on board. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1

£120

.

43.

Cain, Charles [Fishing on the Tigress] Signed in pencil by Charles W. Cain. n.d. Etching. 212 x 105mm. Laid on board. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1

£190

.

44.

Cain, Charles [Irawaddy Scene] Charles W. Cain signed in ink. n.d. etching 348 x 235mm Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1. During the 1920's and 1930's Cain produced seventy-four original etchings and engravings, all published in London by Greatorex. The large majority of his prints deal with scenes in Iraq, Persia, Indian and Burma and Cain developed a strong reputation as a major Orientalist printmaker. Today, a large collection of Charles W. Cain's drypoints will be found at the British Museum, London.

SOLD

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45.

Cain, Charles Pitfichie Castle Monymusk. Charles W. Cain [signed in ink.] [n.d., c.1920.] Etching. 210 x 300mm. The ballad is associated with Lady Keith daughter of the Earl of Kintore married the laiard of Monymush and lived at the castle in the 16th Century. Pitfichie Castle was built in around 1560 by the Hurry or Urrie family. One of their descendant became the famous Major General Sir John Hurry, who was beheaded in Edinburgh after the Civil War. The castle passed between a number of different owners and in 1650 it was sold to the Forbeses, who also owned Monymusk Estate. When the Forbeses sold Monymusk Estate to the Grants in 1712, they moved from Monymusk House to Pitfichie Castle, eventually also selling Pitfichie and its grounds to the Grants. The castle was unroofed in 1796 and as a consequence fell into ruin and was abandoned. It is one of the finesst examples of a 16th Century fortified house of the Aberdeen shire area. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1. During the 1920's and 1930's Cain produced seventy-four original etchings and engravings, all published in London by Greatorex. The large majority of his prints deal with scenes in Iraq, Persia, Indian and Burma and Cain developed a strong reputation as a major Orientalist printmaker. Today, a large collection of Charles W. Cain's drypoints will be found at the British Museum, London.

£180

.

46.

Cain, Charles Waiting to pass, R. Tigris. Charles Cain signed in pencil. [n.d. 1925] Etching. 105 x 215mm. Charles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1

£160

.

47.

Chalon, John [Portrait of a Man.] J. Chalon f 1790 [scratched in plate upper left]. Etching. 140 x 98mm. Trace of crease through upper right corner of plate. Original etching by John Chalon [1738 - 1795]. Born in Amsterdam, Chalon came to work in London to take advantage of the strong market in prints in England at the time. He is best known for his copies of Rembrandt's etched works. In 1802, after the artist's death, C. Josi published 'The Compleat Work of Etchings By John Chalon'. Limited to an edition of 50, it contains 100 of his plates, including this one. BM: 51-12-13-717.

£160

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48.

Chang Ko [Hong Kong.] Chang Kö. [n.d., c.1930.] Etching, signed by the artist in pencil, also with Chinese script. Junks in the waters before Hong Kong.

£850

.

49.

Cliverd, Graham B [Ploughing.] Graham Cliverd. [n.d., c.1935.] Drypoint etching, signed in pencil . 230 x 250mm. Graham Barry Cliverd [b.1883], well known for his architectural drypoints

£160

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50.

Collison-Morley [Waiting for the Billy to Boil] H[?] Collison-Morley [Signed in pencil] [n.d. Etching. 213 x 300mm. Small rust hole just outside plate lower left.

£280

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51.

Cortes Stanford, M Detroit River, Evening. M. Cortes Stanford. Etching, signed in pencil, initialled in the plate, 5 x 9½" View of factories along the Detroit River.

£80

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52.

Cotman, J.C. Eight Original Etchings, By The Late John Sell Cotman; Also Ten Etchings, By M.E. Cotman. Now first Published. Norwich: Charles Muskett, Old Haymarket [n.d. c.1845]. 13 loose album sheets of etchings on india paper of varying plate sizes and sometimes 2 per page, plus 2 blank leaves and titlepage, complete as issued. Largest sheet 452 x 310mm, smallest 318 x 324mm. Original wrappers lacking. Collection of 18 etchings of figurative, landscape and marine subjects, 8 by John Sell Cotman [1782 - 1842] and 10 by his eldest son Miles Edmund Cotman [1810 - 1858]. Miles Edmund etched only 24 plates in his lifetime, the best examples being the marine subjects influenced by E.W. Cooke and published for the first time by Muskett.

£550

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53.

Dawson, Lucy Memories. Lucy Dawson signed in Pencil [n.d. c.1930.] Etching 303 x 250mm. A deerhound. Lucy Dawson d.1954 was noted for her paintings and etchings of dogs of all breeds. Under the pseudonym "Mac" she illustrated books as well.

£420

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54.

Dawson, Lucy Golden Retriever. [Pencil title] Lucy Dawson [Signed in pencil] [n.d. c.1930] Etching 175 x 255mm. Lucy Dawson d.1954 was noted for her paintings and etchings of dogs of all breeds. Under the pseudonym "Mac " she illustrated books as well.

£360

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55.

Daxhelet, P Hockey sur Glace. P. Daxhelet. [n.d., c.1930.] Etching. 430 x 315mm. Number 29 from an edition of 200.

£260

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56.

Dehmann, Karl [The Savoy Plaza]. Dehmann [pencil signature]. [n.d. c.1930]. Etching. 200 x 275mm. The Savoy-Plaza Hotel, built in 1927, would have been a relatively recent addition to the New York skyline when it was etched by Karl Dehmann [1886 - 1974]. It was demolished in 1964.

£280

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57.

Dehmann, Karl [Chicago] Dehmann, Karl signed in Pencil Etching, signed, 10 1/2 x 7 1/2 " Scene of Chicago.

£140

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58.

Dehmann, Karl London Guarantee Building, on the site of Old Fort Dearborn, Chicago. Dehmann, Karl signed in pencil Etching, signed, 40 of 75, 8 x 11" Scene of Chicago.

£160

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59.

Dennis, Morgan Lets Go! Morgan Dennis, signed in pencil. Etching. 125 x 85mm. Scottish Terriers. Morgan Dennis (1892-1960) was born Burt Morgan in Boston, Massachusetts in the 1890's. He studied art with W.H.W. Bicknell and early in his career established himself as a dog artist. Dennis' ability to capture the expressions and capers of his canine companions kept him in constant demand as an illustrator for magazines and periodicals. In the 1940's he is credited with the creation of the "Black and White Scotties", an advertisement used for many years by the Black and White Scotch Whiskey Company.

£250

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60.

Dicksee, Herbert Against the Wind and Open Sky. Herbert Dicksee signed in pencil. Published at 8 Clare Street, Bristol, by Frost & Reed, Printsellers of Bristol, Clifton & London, June 1st 1900. Etching. 565 x 300mm.

£750

.

61.

Dodd, Francis. [Bank of England] Francis Dodd [signed in Pencil] [n.d. c.1925] Etching. 337 x 274mm. [1874 - 1935] - Dodd was born in Glasgow and received his training at the Glasgow School of Art. After moving to London he became one of the leading portrait artists of his time. He was an official war artist in the 1914-1918 war. He made many fine etchings.

£220

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62.

Dodd, Francis. [Pall Mall from the West] Francis Dodd [signed in Pencil]. [n.d. c.1925] Etching. 222 x 325mm. Dodd (1874 - 1935) was born in Glasgow and received his training at the Glasgow School of Art. After moving to London he became one of the leading portrait artists of his time. He was an official war artist in the 1914-1918 war. He made many fine etchings. - Collectors stamp "KG" on reverse.

£170

.

63.

Dottless, Georges Tangled Branches. Georges Dottless. Etching with aquatint, Artist's trial proof, signed and titled in pencil, 8 x 7".

£70

.

64.

Dowd, J.H. [Piccaninny.] J.H. Dowd [signed in pencil lower right]. [n.d. c.1924.] Etching 148 x 175mm. James Henry Dowd [1883 - 1956]. A rather stark image of a black baby girl staring out at the viewer. 'Pickaninny' (also picaninny) is a pidgin word form which may be derived from the Portuguese pequenino ("little"). In the southern United States, it was long used to refer to African American children. This use of the term is believed to have originated with the character of Topsy in Uncle Tom's Cabin. The term was still in some popular use in the US in the 1930s, but has largely fallen out of use and is now considered offensive. Dowd specialised in images of children, and portrayed his subjects in a less sentimental way than some of his contemporaries, such as Eileen Soper. Artist's monogram lower right corner of plate. Guichard British Etchers: pg.36.

SOLD

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65.

Dowd, J.H. [Watching Breakers]. J.H. Dowd [signed in pencil lower right]. [n.d. c.1925.] Etching. 150 x 202mm Children on a seaside promenade in stormy weather. James Henry Dowd [1883 - 1956]. Artist's monogram lower right corner of plate. Dowd specialised in images of children, and portrayed his subjects in a less sentimental way than some of his contemporaries, such as Eileen Soper. Guichard British Etchers: pg.36.

£260

.

66.

Dowd, J.H. [Children shrimping in a rock pool]. J.H. Dowd [signed in pencil lower right and etched in plate lower left]. [n.d. c.1925.] Etching. 137 x 176mm James Henry Dowd [1883 - 1956]. Dowd specialised in images of children, and portrayed his subjects in a less sentimental way than some of his contemporaries, such as Eileen Soper. Guichard British Etchers: pg.36.

£260

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67.

Down, Vera [Winston Churchill, Prime Minister.] [Signed in Pencil] Vera Down. Published by the New World Galleries Ltd, 86/8 Queen Victoria Street, London EC4, Sept 1941. Copyright. Photogravure, 305 x 230mm. Churchill as wartime Prime Minister, with a remarque of a battleship underneath.

£180

.

68.

Droege, Oscar Morning on the Lake. Oscar Droege. [Signed in pencil.] [n.d., c.1930.] Woodcut, printed in colours, limited eition 19/75. 445 x 295mm. Oscar Droege (German, 1898-1982)

£250

.

69.

Drury, Paul [First Italian Head]. Paul Drury '28 fec & imp signed in pencil. PD'28 in plate. [No.12 in pencil lower left] Etching 135 x 170mm. Paul Drury (1903-1987) born in London, studied at Goldsmiths College. He made some 92 prints of which about a half were portraits. President of the Royal Society of Painter-Etchers. A gifted printmaker and etcher who exhibited regularly at the RA and RE.

£420

.

70.

Farrell, Frederick [Bank, Royal Exchange in the City of London] Fred. A. Farrell [signed in pencil] [n.d. c.1925.] Etching. 258 x 378mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£320

.

71.

Farrell, Frederick [Big Ben and Westminster] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 300 x 235mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£320

.

72.

Farrell, Frederick [Buckingham Palace & Victoria Memorial]. Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 4335 x 175mm b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£260

.

73.

Farrell, Frederick [Cannes.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 230 x 380mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

SOLD

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74.

Farrell, Frederick [Cleopatra's Needle & Waterloo Bridge] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 235 x 375mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£320

.

75.

Farrell, Frederick [Dantzig Dock, Poland.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching, printed in sanguine. 165 x 290mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£175

.

76.

Farrell, Frederick [The Thames from the Embankment to Blackfriars] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 285 x 365mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£330

.

77.

Farrell, Frederick [Gdynia, Poland.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 165 x 350mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£180

.

78.

Farrell, Frederick [Grasse, France.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 230 x 370mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£180

.

79.

Farrell, Frederick [Hampton Court.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 280 x 340mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£110

.

80.

Farrell, Frederick [London Bridge] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 260 x 378mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£290

.

81.

Farrell, Frederick [Luceram.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 235 x 320mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£180

.

82.

Farrell, Frederick [Mansion House] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 307 x 256mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£320

.

83.

Farrell, Frederick [Menton.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 160 x 370mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£220

.

84.

Farrell, Frederick [National Gallery & St. Martins in the Field] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 238 x 326mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£280

.

85.

Farrell, Frederick [Nelson's Column, Trafalgar Square, and National Gallery] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 298 x 364mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£320

.

86.

Farrell, Frederick [Pool of London] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 136 x 231mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£180

.

87.

Farrell, Frederick [Bank of England & Royal Exchange] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 200 x 300mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

SOLD

.

88.

Farrell, Frederick [Savoy Embankment] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 208 x 366mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£330

.

89.

Farrell, Frederick [St Raphael.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 220 x 315mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£260

.

90.

Farrell, Frederick St.James's Pk and Victoria Memorial Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 375 x 185mm b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£260

.

91.

Farrell, Frederick [St. Mary le Strand] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 306 x 215mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

SOLD

.

92.

Farrell, Frederick [Tower Bridge & the Tower of London] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 220 x 370mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£330

.

93.

Farrell, Frederick [Trafalgar Square]] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 264 x 347mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

SOLD

.

94.

Farrell, Frederick [Posia Boroski Bridge, Warsaw.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 200 x 365mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£140

.

95.

Farrell, Frederick [Whitehall] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 272 x 213mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£240

.

96.

Farrell, Frederick [Windsor.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 230 x 360mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£140

.

97.

Fisher, Arthur W. Yass Canberra: Site of the Federal Capital: The Survey Camp. Signed in pencil by Arthur H. Fisher. n.d. Etching. 200 x 275mm. Arthur H. Fisher [1867-1945] - probably better known for animal studies in the late 1920's.

£120

.

98.

Fitton, Hedley [London Bridge]. Hedley Fitton [signed in pencil and etched in plate]. [n.d. c.1915]. Etching. 385 x 364mm. London Bridge and the Thames from the south west, with the Monument visible in the background. By Hedley Fitton RE [1859 - 1929].

SOLD

.

99.

Fitton, Hedley [Chapel of Edward the Confessor, Westminster Abbey] Hedley Fitton [signed in pencil and etched in plate]. [n.d. c.1915]. Etching 475 x 375mm. Hedley Fitton RE [1859 - 1929].

£300

.

100.

Flint, William Russell [Allegro] W.Russell Flint.. W.Russell Flint [ink signature] XVI [ink edition no.] Drypoint, 1930, published state, edition of 75. 125 x 115mm. Wright: 29.

£520

.

101.

Flint, William Russell [Aragonese String makers, plate II] W.Russell Flint. W.Russell Flint [Ink signature] XXXVI [Ink edition no.] Drypoint, 1930, state vii of vii, published state, edition of 75. 245 x 375mm. Wright: 40.

£640

.

102.

Flint, William Russell [Eve.] W.R.F. W.Russell Flint. [ink signature] XVI [ink edition no.] [n.d., 1930.] Drypoint, published state, edition of 75. 190 x 275mm. Ink mss. Edition number faded. Wright: 34.

£750

.

103.

Flint, William Russell [Gypsy Chorus, Grenada] W.Russell Flint.. W.Russell Flint [ink signature] XLII [ink edition no.] Drypoint, 1931, state vi of vi, published state, edition of 75. 175 x 350mm. Wright: 50.

£550

.

104.

Flint, William Russell [The New Heir, Stokesay] W.Russell Flint [Ink signature] xxvi [Ink edition number] Drypoint, 1930, state iv of v, the published state, edition of 75. 230 x 350mm. Ink mss notation about the paper, apparently the same ink as the signature. Wright: 38.

£520

.

105.

Flint, William Russell [The Posada Kitchen, Pancorbo] W.Russell Flint [Ink signature] XX [Ink edition number] Drypoint, 1928, state iii of iii, the published state, edition of 75. 230 x 300mm. The second plate depicting this scene. Wright: 10.

£480

.

106.

Flint, William Russell [The Prison Door, Loncarneau] W.Russell Flint [Ink signature] xxxv [Ink edition number] Drypoint, 1929, state ii of ii, edition of 75. 255 x 195mm. Paper lightly age-toned. Wright: 15.

SOLD

.

107.

Flint, William Russell [A Rendevous, Vicenza] W.Russell Flint [Ink signature] xxxv [Ink edition number] Drypoint, 1929, state v of v, edition of 75. 245 x 170mm. Wright: 19.

£420

.

108.

Flint, William Russell [A Spanish Christening] W.Russell Flint [Ink signature] XXVI [Ink edition number] Drypoint, 1928, state vi of vi, the published state, edition of 75. 230 x 300mm. The second plate depicting this scene. Wright: 13.

SOLD

.

109.

Flint, William Russell [A Spanish Christening] W.Russell Flint [Ink signature] LXI [Ink edition number] Drypoint, 1928, state vi of vi, the published state, edition of 75. 230 x 300mm. The second plate depicting this scene. Wright: 13.

£480

.

110.

Flint, William Russell [Aragonese String makers, plate II] W.Russell Flint. W.R.F. [Ink signature] XXXVI [Ink edition no.] Drypoint, 1931, state viii of viii, published state, edition of 75. 235 x 315mm. Wright: 45.

SOLD

.

111.

Foster, J.S. San Francisco Highlands. J.S. Foster. Etching, signed in pencil, 12 x 8 ". California School of Design in foreground.

£220

.

112.

France [Eze.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 220 x 380mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£185

.

113.

France [Nice.] Fred. A. Farrell [signed in pencil] [n.d. c.1925] Etching. 225 x 370mm. b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.

£220

.

114.

Fullwood, John [Kensington Gardens.] Signed John Fullwood. Copyright Published by Eyre & Spottiswode 4 Middle New Street, London. EC4. Etching 205 x 350mm John Fullwood was a successful landscape painter, etcher and illustrator. He was born in 1854 and studied at Paris and Birmingham. His paintings were displayed at the Royal Academy on 21 occasions and by the Royal Society of British Artists on 99 occasions. From about 1874 to 1900 he was based in Birmingham and lived in Broad Street. He displayed no less than 67 paintings at the Royal Birmingham Society of Artists exhibitions. Around 1900 John moved to Sussex and worked there for about 10 years. He also had a house at Twickenham and considered the display of his paintings in major London galleries as the most important part of his career. John Fullwood died at Twickenham on 9th September, 1931, at the age of 76. He was a member of the Royal Society of British Artists and one of the oldest members of the Royal Birmingham Society of Artists

£260

.

115.

Gabain, Ethel [Ballerina] Ethel Gabain signed in pencil. Lithograph. 280 x 350mm. Born in 1883, Ethel Gabain was one of the few women of her generation to be able to make a living as a lithographer. Ethel Gabain [1883-1950] and her husband, English printmaker John Copley lived, for a number of years, in Italy where both found the inspiration to create some of their finest work. Her lithographs have a distinctive style that some critics have attributed to her Gallic blood, as she was half French.

£250

.

116.

Gabain, Ethel [A Dancer Resting ] Ethel Gabain signed in pencil. Lithograph. 225 x 340mm. Born in 1883, Ethel Gabain was one of the few women of her generation to be able to make a living as a lithographer. Ethel Gabain [1883-1950] and her husband, English printmaker John Copley lived, for a number of years, in Italy where both found the inspiration to create some of their finest work. Her lithographs have a distinctive style that some critics have attributed to her Gallic blood, as she was half French. W.184.

£220

.

117.

Gallon, Robert [From the Temple to Waterloo.] H.Gallon. [Pencil signiture.] London, Published Dec 28th 1887 by Louis Brall & Son, 38 Hart Street, Bloomsbury, W.C. [Pencil.] Etching. Signed proof, edition limited to 225. 330 x 750mm. Printseller's Association blindstamp lower left. Robert Gallon [1845 - 1925]was a landscape painter who lived in London. He travelled extensively throughout the British Isles to paint his subjects. His etchings appear loose but actually have defined detail. The silhouetted buildings along the Temple Embankment and busy barges making their way along the Thames are a very good contrast to the companion etching "Tidal Thames" where the wintery sky and snow covered banks show the Thames as a busy river highway. Gallon actively exhibited during the years 1868 - 1903 at the principal London Galleries, particularly the Royal Academy and the Royal Society of British Artists.

£950

.

118.

Gammick, S.A [White Star Liner]. S.A. Gammick [?]. Etching, 5.7/8" x 8.1/2". The White Star Liner docked.

£140

.

119.

Garratt, Arthur [Auguste Rodin.] Arthur Garratt [signed in pencil lower right]. [n.d. c.1910.] Etching. 275 x 225mm. François- Auguste René Rodin [1840 - 1917], French sculptor. The Thinker (1880) and The Kiss (1886) are among his most famous works. His portraits include monumental figures of Victor Hugo and Honoré de Balzac. Arthur Paine Garratt [1873 - 1955], artist and etcher who worked in New York.

SOLD

.

120.

Geissler, Paul [New York]. Paul Geissler. Etching, signed in pencil, 11" x 8½".

£160

.

121.

Grant, James [St. Paul's & Blackfriars] Signed in pencil James Grant. [n.d. 1930] Etching, 150x 110mm. James Grant, painter etcher b. 1887. Studied in Paris and London.

£130

.

122.

Greaves, Walter [The 'Adam & Eve', Chelsea.] W. Greaves. [n.d. 1878]. Etching. 125 x 200mm. Repaired tear in image. Ink date in margin. Greaves, Walter 1846-1930. A close associate of Whistler. Longford: Images of Chelsea, 180.

£260

.

123.

Greaves, Walter [Lindsey Wharf & Battersea Bridge.] W. Greaves. 1872. Etching. 140 x 200mm. Tear in image. Greaves, Walter 1846-1930. A close associate of Whistler. Longford: Images of Chelsea, 229.

£320

.

124.

Griggs, F.L. Laneham [Frederick Landseer Maur] F.L.Griggs, signed in pencil. F. L. Griggs 1923. Etching. 117 x 125mm. F.L.Griggs ( 1876-1938) Also known as Frederick Landseer Maur Griggs, followed the romantic vision of William Blake and Samuel Palmer, while also being inspired by the teachings of William Morris and John Ruskin. His work is typically harmonious.

£480

.

125.

Griggs, F.L. [The Palace] Frederick Landseer Maur Griggs, signed in pencil. Etching. 130 x 150mm. F.L.Griggs ( 1876-1938) Also known as Frederick Landseer Maur Griggs, followed the romantic vision of William Blake and Samuel Palmer, while also being inspired by the teachings of William Morris and John Ruskin. His work is typically harmonious. Comstock:17 v of v.

£480

.

126.

Haden, Sir Francis Seymour Battersea Reach. Seymour Haden [etched in plate and signed in pencil]. D45 [annotated in pencil underneath image to left]. [n.d. c.1860]. Etching. 225 x 150mm. Faint residue from old mount outside image. Sir Francis Seymour Haden [1818 - 1910] was one of the pioneers of the 19th century etching revival. Paper watermarked.

£280

.

127.

Haden, Sir Francis Seymour [Egham Lock.] Seymour Haden. [Signed in pencil.] [Plate XIII from the Portfolio "Etudes à l'Eau-forte". 1859.] Etching 225. x 148mm. Broken on right side of plate. Francis Seymour Haden, English, 1818 - 1910 Etcher and engraver (also physician and surgeon); born London 16 September 1818, died in Alresford 1 June 1910; brother-in-law of Whistler.

£220

.

128.

Haden, Sir Francis Seymour Hic Terminus Haeret. 1865 S. Haden f. Etching. 115 x 151mm. Age toning to image. Sir Francis Seymour Haden [1818 - 1910]. Study of hands showing the etcher at work, from the 'Etudes à l'Eau-forte par Francis Seymour Haden' portfolio, on laid paper. One of the pioneers of the 19th century etching revival, Haden married the sister of James McNeill Whistler [1834 - 1903] and became an important influence on the American-born etcher's style.

£140

.

129.

Haden, Sir Francis Seymour Kew. 1864. Signed in pencil Seymour Haden. Plate IX from the Portfolio "Etudes à l'Eau-forte" 1864. Etching 210 x 135mm Slight foxing. Showing the [Kew Railway Extension. Francis Seymour Haden, English, 1818 - 1910 Etcher and engraver (also physician and surgeon); born London 16 September 1818, died in Alresford 1 June1910; brother-in-law of Whistler.

£220

.

130.

Haden, Sir Francis Seymour Whistler's House at Old Chelsea [etched in plate] Seymour Haden f[?] an. 1863 [etched in plate]. Etching. 330 x 170mm. Occasional faint foxing. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden [1818 - 1910] married the sister of James McNeill Whistler [1834 - 1903] and became an important influence on the American-born etcher's style.

£330

.

131.

Haig, Axel [Buckingham Palace]. Axel H. Haig [signed in pencil]. 'AH' 1901 [etched in plate]. Cpyright 1901, Published by H. Virtue and Company Limited, London. Etching. Image 250 x 175mm. Time staining from window of old mount. A view of the palace from the lake at the rear.

£160

.

132.

Harding, Frank Blackfriars Bridge. Frank Harding [Signed in pencil.] [n.d.,. c.1930] Etching. 150 x 355mm.

£330

.

133.

Harding, Frank Dover. Frank Harding Signed in Pencil [[n.d. c.1930] etching 300 x 110mm

£280

.

134.

Hay, William R. [Bosham]. Signed in pencil William R. Hay , eteched in plate "WR Hay". [n.d.] Etching 175 x 320mm William Robert Hay [British, 1886-? ]

SOLD

.

135.

Heyman, Charles Bord de la Marne. [Pencil] Ch.Hayman [Pencil signature.] [n.d., c.1920.] Etching. 150 x 200mm. An angler.

£90

.

136.

Holmes, Kenneth South Bank, Waterloo & Lambeth from the Thames Kenneth Holmes. [Signed in pencil.] [n.d., c.1930.] Etching. 380 x 240mm View of Waterloo & Lambeth from the River Thames showing the sites of an old Iron Works, Timber Merchant, both Watt's Shot Tower and Walker's Shot Manufactory, the wharfs and the end of Waterloo Bridge, barges on the quayside, Goding's New Lion Ale Brewery in the far right of the etching. Kenneth Holmes b.1902 was a painter in watercolour and architectural and landscape etcher of more than 30 plates between 1927 and 1936. Represented Fine Arts Museums of San Francisco.

£260

.

137.

Jenks, Alfred [Landscape]. Alfred Jenks. Etching, signed in pencil, 6¾ x 9¾". Possibly New York in the distance.

£95

.

138.

Jones, Sydney R [Trinity House] Sydney R. Jones [signed in pencil] [n.d. 1940] Etching. 229 x 370mm. studied at the Birmingham School of Fine Art. Sydney Robert Jones (1881-1961) - A notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside.

£120

.

139.

Kappel, Philip A Visitor to St Marc, Haiti Philip Kappel. (1901-1981). Etching, 1928, signed and titled in pencil, 9.7/8" x 6 7/8". Mint condition.

£80

.

140.

Kappel, Philip Cape Haitian Haiti. Philip Kappel. (1901-1981). Etching, 1928, signed in pencil, 6 7/8 x 9 7/8". Mint condition.

£110

.

141.

Kappel, Philip High Noon at Port-au-Prince, Haiti. Philip Kappel. (1901-1981). Etching, 1928, signed in pencil, 7 x 9". Mint condition.

£120

.

142.

Kappel, Philip Nile Boats. Philip Kappel. (1901-1981). Etching, 1931, signed and titled in pencil, 8.1/4" x 7.7/8". Mint condition.

£80

.

143.

Kasimir, Luigi [London Bridge] Luigi Kasimir [signed in pencil] [n.d. c.1920] numbered in pencil 41/150 Coloured etching. 300 x 490mm. Luigi Kasimir, world-renown Austrian-born etcher and painter, was born in 1881 in Pettau, a part of of the Austro-Hungarian monarchy. Kasimir attended the Vienna Academy of Art where he studied under William Unger, who introduced him to the technique of the colored etching. Kasimir was among the first to develop the technique of the colored etching. Prior to this, prints were usually handcolored with the color being applied in a casual, haphazard manner. Kasimir first did a sketch--usually in pastel. He then transferred the design on as many as four to six plates, printing one after the other and applying the color on the plate--all done by hand. The finished etching is a true original. Luigi Kasimir died in 1962.

£450

.

144.

Kemp-Welch, Margaret [A punt tethered to a willow tree.] Margaret Kemp-Welch [signed in pencil lower right]. [n.d. c.1930.] Etching. 177 x 250mm. A tranquil scene on the banks of an English river. Margaret Kemp-Welch [c.1880 - 1968].

SOLD

.

145.

Knight, Laura "Gemini." [Pencil.] Laura Knight. [Pencil.] [n.d., c.1940.] Aquatint. 300 x 250mm. Laid on card.

£420

.

146.

Langmaid, Rowland [Thames Scene] Rowland Langmaid [signed in pencil] [n.d. c.1920] Etching. 245 x 125mm. A pupil of W.L Wyllie, Langmaid [1897 - 1956] served in the Royal Navy and attained the rank of Lt. Commander. He exhibited at the R.A.

£280

.

147.

Langmaid, Rowland [Tower Bridge] Rowland Langmaid [signed in pencil] [n.d. c.1920] Etching. 245 x 125mm. A pupil of W.L Wyllie, Langmaid [1897 - 1956] served in the Royal Navy and attained the rank of Lt. Commander. He exhibited at the R.A.

£320

.

148.

Langmaid, Rowland [St. Martin-in-the-Fields from Trafalgar Square]. Rowland Langmaid [etched in plate in reverse and signed in pencil lower left] [n.d. c.1920] Etching. 180 x 125mm. Stain from old mount window c.1cm outside image. A pupil of W.L Wyllie, Langmaid [1897 - 1956] served in the Royal Navy and attained the rank of Lt. Commander. He exhibited at the R.A.

£320